（原标题：三星堆的眼睛：透视出他们的天上人间） 文博时空 作者 玉山 毛玉婷 青铜斑驳，金面灿然。大大小小，不可胜数的人像与面具在三星堆博物馆内 依次排开，令人目眩，每个漫步馆内的人都能清晰感受到来自几千年前的威严与静穆。那么，千年后的 我们又该如何阅读这份跨越时间的神秘馈赠呢？ 古蜀之眼 说起三星堆遗址，大多数人的第一印象就是各种造型奇特的青铜人像。同属于青铜文化，三星堆的表现 风格与中原地区的商周等文明呈现出迥然不同的艺术风格。三星堆出土的大量人像和面具上往往有着一 双夸张的眼睛，这些眼睛已经成为了三星堆最为闻名的造型符号，每个慕名而来的游客都会围在那些奇 特的眼睛面前拍照留念。 青铜人像往往眼部凸起，具有强烈的视觉效果，金面具的眼部则会镂空，整个面具追求与青铜人像的完 美贴合。而金面具如果单独陈列，其空无一物的眼部也会散发出某种魔力，牢牢地吸引住观众的目光， 被略去的部分由于视线的汇集反而得到了凸显。 青铜人像的眼睛大致可以分为两种形制：第一种为杏核状倾斜巨目，上部有粗阔的眉毛，下部有深陷的 凹槽。双目中央往往有一道横脊使眼球成为一个有棱角的几何体。第二种眼睛更为有名，瞳仁从眼球表 面突出而呈柱状。 青 ...

Core Viewpoint - The second National Cultural Relics Industry Vocational Skills Competition showcases the skills and dedication of cultural relic restorers, emphasizing the importance of craftsmanship and the transmission of traditional techniques in preserving cultural heritage [4][5][6]. Group 1: Event Overview - The second National Cultural Relics Industry Vocational Skills Competition is the highest standard and most influential vocational skills event in the cultural relics sector, featuring various restoration categories [4][5]. - The competition serves as a platform for skilled artisans to demonstrate their techniques and for the industry to evaluate talent, promoting the idea that "every profession can shine" [5][6]. Group 2: Participants and Demographics - A total of 293 participants competed, with an average age of 40.5 years; the youngest participant was only 19 years old, and 53.58% of the competitors held a bachelor's degree or higher [5][6]. - The event highlights the need for younger generations to engage in traditional crafts, as many participants are older, with few young individuals in the field [10][11]. Group 3: Restoration Techniques and Challenges - Modern restoration techniques increasingly incorporate technology, moving from traditional methods to more scientific approaches, while still relying on the expertise of experienced restorers for critical tasks [6][12]. - The restoration process is described as a dialogue with history, where each imperfection in artifacts presents a puzzle to be solved, reflecting the dedication of restorers to their craft [5][6]. Group 4: Individual Stories and Achievements - Young restorer Yi Wenlong, at 24, stands out among older competitors, showcasing exceptional skill and dedication, having been involved in the craft since childhood [7][8][9]. - Ren Junfeng, a metal relic restorer with 15 years of experience, emphasizes the importance of respecting each artifact and the continuous learning process in the field [13][14]. Group 5: Archaeological Aspects - The competition also includes outdoor archaeological excavation events, where participants face the challenges of working in various environmental conditions while applying their skills in real-world scenarios [15][16]. - Participants must demonstrate their ability to document and analyze findings accurately, reflecting the meticulous nature of archaeological work [17][18].