"故宫"一词意指旧时或前朝的宫殿。1925年10月10日故宫博物院建院，"故宫"成为指称明清两朝皇宫"紫禁城"的专有名词。 央视网消息：10月10日，故宫博物院迎来百岁生日。从9月30日开始，"百年守护——从紫禁城到故宫博物院"大展在故宫午门对公众 开放，200件（套）国宝珍品全方位展现故宫博物院发展历程。 故宫内除了明清宫廷的"故字号"旧藏，更在新中国成立后，通过收购、拨交、捐赠等方式，汇入了28万余件"新字号"文物。 故宫收藏着中华民族数千年来创造的195万件（套）国之瑰宝。2009年接待观众人次首次突破1000万，2024年接待观众超1760万人 次。 "二十五宝"穿越时光 见证历史变迁 本次大展从馆藏的195余万件文物中，遴选出200件（套）国宝珍品，展览的第一篇章"一脉文渊"，开宗明义地讲述了故宫博物院的 源起。其中，"紫禁初开"单元，将观众的思绪直接拉回到1925年那个历史性的时刻。 策展人介绍，这一单元的核心，正是要阐释文物身份的历史性转变。最具代表性的例子，莫过于展厅中整套陈列的"二十五宝"。这 25方曾作为王朝正统象征的宝玺，它们的展出，是为了让观众理解，这些昔日的重器，如何转变为属于人民的 ...

上海 偶然！激浪派！（需购票） 金秋之际，上海浦东美术馆的奥赛大展与上海世博会博物馆的"希腊人"特展即将在月底闭幕，持续近半年时间的陈逸飞展览则将在下周落幕。 多场重磅文物展览陆续开幕，其中展出《清明上河图》等国宝文物的故宫博物院"百年守护"特展及中国美术馆的"汉唐艺术展"自然不容错过，安徽博物院新 开的"金耀九州"展，以三星堆、海昏侯、法门寺等"顶流"文物勾勒中国金银器从萌芽至鼎盛的脉络，南昌的"帝国南疆"展则让南越王国与海昏侯国文物实现 首次跨时空对话。 地点：西岸美术馆 红翠斗芳菲：宋元明漆器珍品展 展期：9月26日-11月23日 展期：2025年9月26日 - 2026年2月22日 地点：上海博物馆人民广场馆 展览将呈现一批现代艺术史上教科书级人物的作品，包括马塞尔·杜尚、约翰·凯奇、乔治·布莱希特等。展览通过 11个章节，200余件蓬皮杜中心馆藏，追溯 了激浪派发展历史，并延展至今日对艺术边界等议题的思考。 与东京国立博物馆联合举办。通过127件文物，系统梳理中国漆器的艺术成就。其中来自日本收藏机构的展品112件，约半数为传世罕见的宋元漆器珍品，更 是此次展览的重要看点。 缔造现代：来自巴黎奥赛博物 ...

她，是世界上规模最大、保存最完整的木结构宫殿建筑群，是世界文化遗产，也是中华5000多年文 明的重要历史见证。 何以故宫？ 新华社北京10月10日电（记者杨湛菲、徐壮）2025年10月10日，在世界的目光中，故宫这座独一无 二的博物院，迎来百岁生日。 中轴线上三大殿的恢宏庄严、东西六宫的精致巧思、乾隆花园的江南秀美；御花园的藻井精美绝 伦、太和殿屋脊的走兽栩栩如生，装点建筑的彩画富丽考究…… 赏不完的文物—— 珍宝馆系统陈列清宫旧藏奇珍异宝，钟表馆展现中西合璧之美，慈宁宫雕塑馆记录中国古代雕塑发 展，从养心殿东暖阁卷起的黄纱帘中追溯风云沧桑，带人深入百年前的文明现场。 品不尽的历史—— "故宫"一词，意指旧时或前朝的宫殿。1925年10月10日，故宫博物院建院，"故宫"成为指称明清两 朝皇宫"紫禁城"的专有名词。从世界文化遗产保护角度看，"宫"是保护对象，"院"是管理机构。同时， 人们又习惯于用"故宫"一词来简称"故宫博物院"。 "一生一定要去一次故宫"，人们缘何总怀有这样的梦想？ 历经600多年兴衰荣辱，这里收藏着中华民族数千年来创造的195万件（套）国之瑰宝，蔚为大观； 2009年接待观众人次首次突破10 ...

Core Points - The Palace Museum is celebrating its 100th anniversary, marking a significant milestone in its history and cultural heritage [2][21][33] - The museum has evolved from a royal palace to a public institution, making cultural treasures accessible to the general public [13][25] - The museum has developed a comprehensive system for the collection, protection, research, display, and dissemination of cultural relics [2][12][23] Group 1: Historical Significance - The Palace Museum was officially established on October 10, 1925, and has since become a symbol of cultural preservation [5][21] - During the Second Sino-Japanese War, nearly 20,000 boxes of cultural relics were relocated to protect them from destruction [10][12] - The museum has received over 456 million visitors from 1949 to 2019, with a record of over 17.6 million visitors expected in 2024 [12][21] Group 2: Cultural Heritage and Preservation - The museum's collection includes approximately 1.95 million cultural relics, categorized into 25 major categories [9][23] - The Palace Museum has established a "cultural relic hospital" that employs over 100 experts in restoration and preservation [16][23] - The museum utilizes advanced technology, including 3D printing, to restore and preserve artifacts [17][23] Group 3: Educational and Cultural Exchange - The Palace Museum has initiated various exhibitions and cultural exchange programs, enhancing its role as a global cultural hub [24][26] - The "Taihe Scholars" program promotes academic exchange, supporting scholars from 14 countries [28] - The museum has organized numerous international exhibitions, fostering cross-cultural dialogue and understanding [26][29] Group 4: Future Development - The Palace Museum is expanding its facilities, with a new northern area under development to continue its mission of cultural preservation [31][33] - The museum aims to enhance its service levels and further promote the display and utilization of cultural relics [31][33] - The leadership emphasizes the importance of cultural confidence and the responsibility of preserving and interpreting the museum's diverse values [31][33]

在展览的核心位置，北宋张择端的《清明上河图》震撼亮相。它讲述的不仅是艺术的辉煌，更是自身颠沛流离的百年命运。它在战火中几经辗转，最终在党 和国家的关怀下，才得以重返故里，并得到最精心的守护。从昔日帝王私藏，到今日人民共享的文化瑰宝，一幅《清明上河图》见证了国运兴则文运兴的历 史真谛。 今年是故宫博物院建院百年。30日，"百年守护——从紫禁城到故宫博物院"大展在故宫午门正式对公众开放，从馆藏195余万件文物中遴选出的200余件套国 宝珍品，以物述史，全方位展现了故宫博物院的发展历程。 此次"百年守护"大展，以"一脉文渊""百年传承""万千气象"三大篇章构建起一部立体、生动的故宫百年史。展览创新性地采用文物与档案"明暗双线"的叙事 手法，让每一件文物都成为历史的讲述者，全方位展现了故宫博物院从步履维艰到阔步前行的非凡历程。 虽是故宫，非止旧章。从"一脉文渊"的薪火相传，到"百年传承"的聚散离合，再到"万千气象"的守正创新，这场大展不仅让我们看到文物之美，更让我们读 懂了守护之艰辛与传承之不易。 同样牵动人心的，还有唐代韩滉的《五牛图》。作为现存最古老的纸本中国画，它曾在近代流散在外。1958年，国家将其从香港购回 ...

在故宫博物院成立100周年之际，9月30日起，"百年守护——从紫禁城到故宫博物院"展览在故宫博物院 午门展厅对观众开放。展览分为"一脉文渊""百年传承""万千气象"三个单元，展出文物200件（套）； 北宋张择端《清明上河图》时隔十年再度亮相，唐代韩滉《五牛图》、清乾隆金瓯永固杯等文物一同与 观众见面。 具体来说，午门西雁翅楼展厅以"一脉文渊"为主题，展现中国宫廷收藏的接续、存藏和利用；正殿展厅 以"百年传承"为主题，以文物回购、拨交和捐献的视角讲述故宫博物院藏品体系建构历史，呈现文物保 护技艺传承和古建筑保护修缮的创新实践；东雁翅楼展厅以"万千气象"为主题，展现故宫博物院在发掘 阐释时代价值等方面发挥的文化功能。 展览将开放至12月30日。据介绍，为营造良好的参观氛围，《清明上河图》采用流动参观模式。故宫博 物院开放管理处提醒，观众在观看展品过程中请听从现场工作人员的引导，有序排队、安静欣赏，维护 良好的参观秩序。（记者杨湛菲） 本次展览以院史为主题，采用文物与档案明暗双线相结合的叙事方式，全方面展现故宫博物院的百年发 展历程和故宫人诚敬典守、匠心传承的精神，立体阐释百年来故宫博物院与中华民族同呼吸、共命运的 ...

国庆将至，不少美术馆博物馆都不容错过，《智通财经｜艺术评论》的这份假日观展指南希望能帮助你 规划行程：最新的展览当然是故宫博物院9月30日对外展出的"百年守护——从紫禁城到故宫博物院"特 展，展出东晋《伯远帖》、唐代韩滉《五牛图》、北宋张择端《清明上河图》、黄庭坚《诸上座帖》 等；台北故宫博物院10月4日起展出的则有唐代颜真卿《祭侄文稿》、北宋苏东坡书《黄州寒食诗》等 赫赫名迹。 在上海，上海博物馆与东京国立博物馆联合举办"宋元明漆器"展，127件文物系统梳理中国漆器的艺术 成就；上海西岸美术馆新展将带你了解"激浪派"的前世今生。此外，浦东美术馆奥赛艺术大展与陈逸飞 回顾展如果还没看，那得抽时间了，因为10月底这两大展览即将落幕；苏博的"从拙政园到《长物 志》"、浙江省博物馆的法门珍宝展、长沙博物馆的魏晋画像砖特展也将在10月底前收官。 唐代《五牛图》局部 上海 偶然！激浪派！（需购票） 展期：2025年9月26日 - 2026年2月22日 地点：西岸美术馆 展览将呈现一批现代艺术史上教科书级人物的作品，包括马塞尔·杜尚、约翰·凯奇、乔治·布莱希特等。 展览通过 11个章节，200余件蓬皮杜中心馆藏，追溯了激 ...

新京报记者 浦峰 张建林 编辑 王远征 张树婧 校对 穆祥桐 2025年是故宫博物院建院100周年，9月30日起，"百年守护——从紫禁城到故宫博物院"展览在午门展厅 对观众开放。 展览分为"一脉文渊""百年传承""万千气象"三大篇章，精心遴选文物200件（套）进行展出。东晋《伯 远帖》、唐代韩滉《五牛图》、北宋张择端《清明上河图》、黄庭坚《诸上座帖》以及莲鹤方壶等重要 文物均亮相此次展览。其中，《清明上河图》最近一次公开展出是2015年，距今已有10年。 9月29日，新京报记者提前探展，带您一览这些重磅文物吧！ 记者了解到，像《清明上河图》这类真迹书画，在此次展览中展期可能只有一个月。 值班编辑 王丹妮 经常有读者朋友错过推送 "百年守护——从紫禁城到故宫博物院"展览展期为2025年9月30日至12月30日。展览不单独售票，实行 预约制参观，观众可通过"故宫博物院"微信小程序预约。 故宫博物院开放管理处处长房小妹在接受新京报记者采访时表示，作为故宫博物院建院百年重要展览之 一，此次展览汇集了众多重要展品，特别是《清明上河图》的展出，一定会吸引众多观众前来一睹其真 容。"为了营造良好的参观氛围，首先我们提示大家 ...

Core Viewpoint - The "Tianlai Echo" exhibition commemorating the 500th anniversary of the birth of Xiang Yuanbian showcases the significance of his collection and influence on Chinese painting and calligraphy history, despite the challenges of gathering original works from various institutions [1][3][5]. Group 1: Exhibition Overview - The exhibition features over 1,400 pieces of art, highlighting the historical importance of Tianlai Pavilion, which is considered a repository of half of Chinese painting history [1][3]. - The exhibition includes only 5 original pieces from Xiang's collection, but it aims to present a multi-dimensional interpretation of his legacy through various aspects such as portraits, inscriptions, and cultural contributions [1][5][12]. - The exhibition has garnered significant attention since its opening on June 28, 2025, and will conclude on August 10, 2025 [3][5]. Group 2: Cultural and Historical Context - Xiang Yuanbian is recognized as one of the most famous collectors in Chinese history, with his collection reflecting the cultural and economic prosperity of Jiaxing during the Ming Dynasty [6][18]. - The exhibition emphasizes the transition of the art center from Suzhou to Jiaxing, with Tianlai Pavilion playing a crucial role in this shift [18][20]. - The collection's focus on Jin and Tang calligraphy and Song and Yuan literati paintings illustrates the influence of the late Ming revivalist trends and regional competition [20][22]. Group 3: Challenges and Solutions - The exhibition faced challenges in borrowing original works due to their dispersion across various museums, with many significant pieces being difficult to access [6][9][12]. - To address these challenges, the exhibition incorporates contemporary interpretations and digital technologies to enhance the presentation of early collections [9][12][30]. - The exhibition includes 5 first-class cultural relics, 22 second-class relics, and 10 third-class relics, selected to provide a comprehensive view of Xiang Yuanbian's impact [11][12]. Group 4: Academic and Cultural Significance - The exhibition is part of a broader initiative to deepen research on important collectors like Xiang Yuanbian and Zhang Tingji, aiming to promote Jiaxing's cultural identity [27][30]. - Recent academic conferences have produced new research on Xiang Yuanbian's collection practices and their historical significance, contributing to a growing interest in private collectors' roles in art preservation [27][28]. - The exhibition aims to establish Jiaxing as a city synonymous with art collection, enhancing its cultural reputation on a national level [30].

Core Viewpoint - The second National Cultural Relics Industry Vocational Skills Competition showcases the skills and dedication of cultural relic restorers, emphasizing the importance of craftsmanship and the transmission of traditional techniques in preserving cultural heritage [4][5][6]. Group 1: Event Overview - The second National Cultural Relics Industry Vocational Skills Competition is the highest standard and most influential vocational skills event in the cultural relics sector, featuring various restoration categories [4][5]. - The competition serves as a platform for skilled artisans to demonstrate their techniques and for the industry to evaluate talent, promoting the idea that "every profession can shine" [5][6]. Group 2: Participants and Demographics - A total of 293 participants competed, with an average age of 40.5 years; the youngest participant was only 19 years old, and 53.58% of the competitors held a bachelor's degree or higher [5][6]. - The event highlights the need for younger generations to engage in traditional crafts, as many participants are older, with few young individuals in the field [10][11]. Group 3: Restoration Techniques and Challenges - Modern restoration techniques increasingly incorporate technology, moving from traditional methods to more scientific approaches, while still relying on the expertise of experienced restorers for critical tasks [6][12]. - The restoration process is described as a dialogue with history, where each imperfection in artifacts presents a puzzle to be solved, reflecting the dedication of restorers to their craft [5][6]. Group 4: Individual Stories and Achievements - Young restorer Yi Wenlong, at 24, stands out among older competitors, showcasing exceptional skill and dedication, having been involved in the craft since childhood [7][8][9]. - Ren Junfeng, a metal relic restorer with 15 years of experience, emphasizes the importance of respecting each artifact and the continuous learning process in the field [13][14]. Group 5: Archaeological Aspects - The competition also includes outdoor archaeological excavation events, where participants face the challenges of working in various environmental conditions while applying their skills in real-world scenarios [15][16]. - Participants must demonstrate their ability to document and analyze findings accurately, reflecting the meticulous nature of archaeological work [17][18].