Group 1 - The exhibition "Double Stars Shine - Sanxingdui and Jinsha Site Ancient Shu Civilization Exhibition" showcases the latest archaeological findings from the Sanxingdui and Jinsha sites, featuring over 200 artifacts, including 59 first-class items [3] - Notable exhibits include the large and small bronze standing figures, with the large one being dubbed the "King of Bronze Statues" and the small one being displayed in Beijing for the first time in 25 years [5] - The exhibition highlights cultural exchanges, with architectural similarities between the Sanxingdui and Jinsha sites reflecting influences from the Yellow River basin [7] Group 2 - The exhibition reveals new findings in bronze casting technology, gold-making techniques, and rice cultivation methods, providing insights into ancient Shu craftsmanship [10] - A significant aspect of the exhibition is the first joint display of two iconic masks from the Sanxingdui Museum and the National Museum of China, marking a reunion after 40 years [12] - The exhibition includes accessibility features such as Braille descriptions, NFC sensing, touchable exhibits, and audio guide QR codes to enhance the experience for all visitors [14]

Group 1 - The core viewpoint emphasizes the importance of coordinating material and spiritual civilization as a key feature of Chinese modernization, highlighting the continuous improvement in societal awareness and moral standards since the 18th National Congress of the Communist Party of China [1] - The article introduces Guo Hanzhong, a senior technician in cultural relic restoration at the Sanxingdui Museum, who has dedicated 41 years to reviving over 6,000 ancient artifacts, showcasing the renewed value orientation and moral standards in contemporary China [1][3] - Guo Hanzhong's innovative restoration techniques, including traditional soldering combined with modern riveting and pouring methods, were crucial in reconstructing the nearly 4-meter tall bronze sacred tree, which was found in over 200 fragmented pieces [3][6] Group 2 - Guo Hanzhong has invented over a hundred tools tailored for different types of cultural relic damage, significantly enhancing the efficiency of the restoration process [6][8] - He developed wax mold solidification technology, which was instrumental in safely extracting hundreds of decayed ivory pieces from a newly discovered sacrificial pit at the end of 2019 [8] - Guo Hanzhong emphasizes the importance of knowledge transfer to his apprentices, advocating for a blend of traditional craftsmanship and modern technology, and has established a master workshop for cultural relic restoration skills to cultivate young professionals in the field [10]