这是一个"相似度"极高的展览，大小不一的青铜人面具、大同小异的青铜眼形器，神鸟、龙蛇、老虎等 造型的文物也是扎堆出现。在专家眼里，它们讲述了"传承"的故事。 1月18日，为期7个月的"双星耀世——三星堆—金沙遗址古蜀文明展"揭面纱，系统呈现古蜀文明灿烂图 景，首次集中展示三星堆与金沙遗址最新考古成果。200余件展品中，一级品达59件，包括青铜立人在 内的37件金沙遗址博物馆文物是首次出馆展出。除金面具和太阳神鸟金饰随后到访，戴金面罩青铜人头 像等明星展品已悉数就位。 装饰技法却是"你中有我"，实证了商文化对古蜀青铜文化产生了广泛而深远的影响。展柜里还可以看到 三星堆-金沙遗址发现的海贝，多数有穿孔和磨痕，彰显了当年这里的"国际都市"范儿。策展人说，双 遗址宛若闪亮明星，展现着中华文明的多样性和丰富性，更是中华文明多元一体格局的生动例证。 展览"新闻性"也强。去年下半年发布的三星堆青铜铸造技术新成果，金器制作技术、铜器彩绘工艺、水 稻耕种方式等方面的多学科研究重要发现通过实物配图文的方式揭秘。观众可以看到3000多岁的金器纹 饰在显微镜下的模样，通过断痕感受古蜀匠人的力道，揣度他们在停顿与再刻画过程中的思考。 ...

Group 1 - The core viewpoint emphasizes the importance of coordinating material and spiritual civilization as a key feature of Chinese modernization, highlighting the continuous improvement in societal awareness and moral standards since the 18th National Congress of the Communist Party of China [1] - The article introduces Guo Hanzhong, a senior technician in cultural relic restoration at the Sanxingdui Museum, who has dedicated 41 years to reviving over 6,000 ancient artifacts, showcasing the renewed value orientation and moral standards in contemporary China [1][3] - Guo Hanzhong's innovative restoration techniques, including traditional soldering combined with modern riveting and pouring methods, were crucial in reconstructing the nearly 4-meter tall bronze sacred tree, which was found in over 200 fragmented pieces [3][6] Group 2 - Guo Hanzhong has invented over a hundred tools tailored for different types of cultural relic damage, significantly enhancing the efficiency of the restoration process [6][8] - He developed wax mold solidification technology, which was instrumental in safely extracting hundreds of decayed ivory pieces from a newly discovered sacrificial pit at the end of 2019 [8] - Guo Hanzhong emphasizes the importance of knowledge transfer to his apprentices, advocating for a blend of traditional craftsmanship and modern technology, and has established a master workshop for cultural relic restoration skills to cultivate young professionals in the field [10]