由国家文物局指导，中国国家博物馆、四川省文物局主办，三星堆博物馆、成都金沙遗址博物馆、四川 省文物考古研究院、成都市文物考古研究院共同承办，中国东方航空特别支持的"双星耀世——三星堆 —金沙遗址古蜀文明展"将于1月18日起对公众展出，展期为7个月。 太阳神鸟金饰 展期：6月13日—8月18日 【展览信息】 转自：北京日报客户端 本次展览荟萃200余件（套）来自三星堆博物馆、成都金沙遗址博物馆、四川省文物考古研究院、成都 市文物考古研究院以及中国国家博物馆的精美文物，引领大家步入那个神秘而辉煌的古蜀世界，一起凝 视这些承载着文明密码的奇珍，这不仅是在回望一段失落的辉煌，更是在汲取连接古今、走向未来的智 慧与力量。 展览位于中国国家博物馆南8、南9展厅，将于2026年1月18日起对公众展出。 本次展览中阶段性展出的展品信息如下，敬请知悉并合理安排参观时间： 金面具 展期：4月18日—8月18日 地点：中国国家博物馆 南8、南9展厅 时间：2026年1月18日—8月18日 来源：国家博物馆 展览：双星耀世——三星堆—金沙遗址古蜀文明展 ...

太阳神鸟金饰。金沙遗址博物馆供图 文物点交现场。金沙遗址博物馆供图 ●金沙金面具将于4月18日国际古迹遗址日亮相国博，太阳神鸟金饰将在6月13日文化和自然遗产日与观众见 面 ●金沙遗址博物馆派出的100余件（套）馆藏文物已顺利完成点交工作，目前展览布展正有序推进 出展四大环节 报批环节 严格按照规定完成文物借展报批手续，获得合法"出差许可"；同时，与中国国家博物馆签订详细的借展协 议，明确太阳神鸟金饰等借展文物的展出时间、保护标准等关键事项 金沙遗址博物馆专门选派专业人员赴京，全程参与布展工作，确保文物展示形式符合保护要求，保障它们安 全出发、平安归来 1月18日，"双星耀世——三星堆—金沙遗址古蜀文明展"将在中国国家博物馆盛大开展。此次展览聚焦古蜀文 明的两大发展高峰——三星堆与金沙遗址，汇集200余件（套）精美文物，系统呈现青铜时代古蜀文明的灿烂图 景。 记者1月6日从金沙遗址博物馆获悉，作为承办单位之一，金沙遗址博物馆派出的100余件（套）馆藏文物已顺 利完成点交工作，目前展览布展正有序推进。这些金沙珍宝将与来自三星堆博物馆、四川省文物考古研究院、成 都市文物考古研究院以及中国国家博物馆的精美文物联袂亮 ...

Core Insights - The article emphasizes the significance of cultural heritage protection in China during the "14th Five-Year Plan" period, highlighting the clarity of the nation's cultural assets and the ongoing exploration of Chinese civilization through artifacts [1]. Group 1: Archaeological Discoveries - Recent archaeological findings at the Liangzhu Ancient City site demonstrate that the Liangzhu people were capable of constructing "anti-seepage walls," showcasing advanced engineering techniques similar to modern practices [2]. - The Liangzhu water conservancy system is recognized as the earliest large-scale water conservancy project in China and one of the oldest dam systems in the world, forming a comprehensive "water city" network that managed floods and facilitated transportation of essential goods [2][3]. Group 2: Cultural Heritage and International Recognition - The Sanxingdui and Jinsha sites, significant to ancient Shu civilization, are set to jointly apply for UNESCO World Heritage status, with the Jinsha site housing numerous valuable artifacts, including the renowned Sun Bird gold ornament [4]. - The Jinsha site museum has actively promoted cultural exchange by hosting exhibitions in 31 cities across 17 countries and regions, enhancing the global visibility of ancient Shu civilization [5]. Group 3: Inventory of Cultural Resources - During the "14th Five-Year Plan" period, China has achieved a comprehensive understanding of its cultural heritage resources, with statistics indicating 767,000 immovable cultural relics and over 108 million movable cultural relics, alongside more than 100,000 intangible cultural heritage projects [6]. - The "Archaeology China" initiative has advanced 21 major projects and implemented over 7,700 archaeological excavation projects, deepening the understanding of human, cultural, and civilizational history [6].

Core Insights - The article emphasizes the importance of cultural heritage protection during China's 14th Five-Year Plan, highlighting the clarity of the nation's cultural assets [1] Group 1: Archaeological Discoveries - Recent archaeological findings at the Liangzhu site demonstrate that the Liangzhu people were capable of constructing "anti-seepage walls" [2][5] - The Liangzhu water conservancy system is recognized as the earliest large-scale water conservancy project in China and one of the oldest dam systems in the world, forming a complete "water city" network [10] - The construction techniques and material choices of the Liangzhu people show a high level of planning and scientific construction, reflecting the advanced civilization of 5,000 years ago [12] Group 2: Cultural Heritage and Exhibitions - The Jinsha site museum houses the most complete large-scale sacrificial relics from the Shang and Zhou dynasties, including numerous valuable artifacts [16] - The Jinsha and Sanxingdui sites are collaborating for a joint application for UNESCO World Heritage status, promoting ancient Shu civilization through various cultural initiatives [20] - The Jinsha site museum has organized exhibitions in 31 cities across 17 countries and regions, enhancing cultural exchange and showcasing ancient Shu civilization to the world [22] Group 3: Cultural Resource Inventory - During the 14th Five-Year Plan, China has effectively cataloged its cultural heritage, identifying 767,000 immovable cultural relics and 108 million movable cultural relics [26] - The "Archaeology China" initiative includes 21 major projects and over 7,700 archaeological excavation projects, deepening the understanding of human, cultural, and civilizational history [26]

Core Points - The article highlights the historical significance and cultural richness of Chengdu, often referred to as the "Land of Abundance" and a city with a continuous history spanning over a thousand years [1][2][3] Group 1: Ancient Civilization - The Jinsha Site Museum in Chengdu showcases artifacts from the ancient Shu civilization, including the famous Sun Bird gold ornament, which symbolizes the worship of the sun and reflects the astronomical knowledge of the ancient Shu people [2][3] - The Jinsha site, dating back approximately 3200 to 2600 years, has yielded thousands of precious artifacts, including gold, jade, and bronze items, revealing the splendor and mystery of the ancient Shu civilization [3] Group 2: Water Management and Agriculture - The article discusses the historical figure Li Bing, who implemented the Dujiangyan irrigation system to manage the Min River's flooding, transforming the region into a fertile agricultural area [10][12] - Li Bing's innovative approach included constructing a water-dividing dam and a narrow channel to control water flow, ensuring stable irrigation for the Chengdu Plain [10][12] Group 3: Cultural Development - The establishment of the "Shishi" school by the governor Wen Weng aimed to improve local education and promote Confucian values, significantly enhancing the cultural literacy of the region [18][19] - The school became a model for local governance and education, fostering a generation of scholars and officials who contributed to the cultural and administrative development of the area [18][19]

Core Viewpoint - The exhibition "The Light of the Sun - Ancient Shu Civilization and the World" showcases the connection between ancient Shu civilization and global civilizations through the theme of sun worship, emphasizing the eternal theme of shared prosperity among civilizations [4][5]. Group 1: Exhibition Overview - The exhibition is organized into two main thematic units: the first unit "Illuminating the World" focuses on the sun worship in ancient civilizations globally, while the second unit "Shu Shining" provides an in-depth interpretation of treasures unearthed from the Sanxingdui and Jinsha sites [4][5]. - The exhibition aims to present the common human pursuit of light and life, highlighting the spiritual significance of the sun as a symbol of brightness and life throughout history [4]. Group 2: Thematic Units - The first unit "Illuminating the World" illustrates the central role of the sun in religion, power, and calendars across various ancient civilizations, including ancient Egypt, Mesopotamia, ancient India, and ancient Greece [5]. - The second unit "Shu Shining" delves into the unique mythological worldview of ancient Shu civilization, represented by the sun, tree, and bird, and its profound connections to related Chinese ancient myths [5]. Group 3: Featured Artifacts and Technology - Key artifacts highlighted include the Sun God Bird gold ornament, which symbolizes the cosmic view of the ancient Shu people, and other significant items like the gold crown and bronze human head with a gold mask, reflecting the integration of divine and royal power in ancient Shu's political system [5]. - The exhibition employs advanced digital technologies such as naked-eye 3D and three-dimensional animation to create multimedia displays, allowing visitors to experience the archaeological journey of the Sanxingdui and Jinsha sites interactively [5].

Core Points - The exhibition "Light of the Sun - Ancient Shu Civilization and the World" was inaugurated at the United Nations Headquarters in New York, aiming to promote global cultural exchange through dialogue [1] - The exhibition is part of the activities related to the "International Day of Civilizational Dialogue," established by a resolution passed by the 78th United Nations General Assembly, which designates June 10 as this day [1] - The exhibition showcases the theme of sun worship, featuring artifacts and multimedia presentations from various ancient civilizations, including Ancient Egypt, Mesopotamia, Ancient India, Ancient Greece, and the Ancient Shu civilization [1] Exhibition Details - The exhibition is divided into two main thematic units: "Illuminating the World," focusing on global ancient civilizations' sun worship, and "Shining Ancient Shu," which delves into artifacts from the Sanxingdui and Jinsha sites, such as the bronze sacred tree and the golden sunbird ornament [1][2] - The Sanxingdui and Jinsha sites, dating back approximately 3,600 to 2,800 years, are highlighted as central to the Ancient Shu civilization, showcasing the diversity and unity of Chinese civilization [2] - The exhibition employs advanced digital technologies, including 3D projections and VR experiences, to enhance visitor engagement and provide an immersive experience of the archaeological sites [2] Duration and Impact - The exhibition will run until June 20, and since 2003, it has been showcased in over 20 cities worldwide, promoting the allure of Chinese civilization [3]

Group 1 - The article highlights the rich cultural heritage of various Chinese cities through their historical artifacts and symbols, showcasing how these items reflect the wisdom and history of ancient civilizations [2][4][6] - Specific artifacts such as the Sun God Bird gold ornament from Chengdu and the透雕龙凤纹重环玉佩 from Guangzhou are emphasized for their cultural significance and representation of their respective cities [7][11] - The narrative connects these artifacts to local legends and traditions, illustrating their importance in contemporary culture and identity [16][21][26] Group 2 - The article mentions the Copper Galloping Horse from Wuwei, which has become a symbol of cultural diplomacy for China, representing the country's rich history and craftsmanship [31][33] - It also discusses the significance of the Terracotta Army in Xi'an and the peony in Luoyang, further emphasizing the unique cultural identities of these cities [39][41] - The piece concludes by encouraging exploration of these cultural landmarks, suggesting that understanding a city is best achieved through its museums and historical sites [52]

Group 1 - The article highlights the significance of cultural relics in representing the history and wisdom of ancient civilizations in China [1][4][35] - It emphasizes the connection between historical artifacts and the identity of various cities across China, showcasing specific examples like Chengdu's Sun Bird gold ornament and Guangzhou's dragon and phoenix jade pendant [4][11][19] - The narrative illustrates how these relics not only reflect the past but also continue to influence modern cultural identity and tourism [7][12][27] Group 2 - The article celebrates the 15th China Tourism Day, encouraging exploration of the country's rich cultural heritage through its historical sites and artifacts [3][35] - It mentions various cities and their iconic cultural symbols, such as Dali's golden-winged bird and the copper galloping horse from Wuwei, which have become representations of their respective regions [16][31][44] - The piece concludes by suggesting that understanding a city is best achieved through its museums and historical sites, reinforcing the importance of cultural tourism in China [47]