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大卫·霍克尼:阳光、泳池与永恒的视觉革命
Jing Ji Guan Cha Bao· 2025-06-24 05:15
Core Insights - David Hockney is recognized as one of the most influential artists of the 20th century, known for his distinctive style and strong performance in the art market [1] - His artistic journey includes a transition from figurative painting to innovative explorations of new media, maintaining a keen perception and spirit of innovation [1][2] Artistic Evolution - Hockney's move to Los Angeles in 1964 marked a turning point, where the California sun and modern architecture inspired his work, particularly his "swimming pool" series [2] - His notable works include "A Bigger Splash" and "Portrait of an Artist (Pool with Two Figures)," which reflect his unique approach to capturing water dynamics and personal relationships [2][4] - In the 1980s, he discovered the narrative potential of Polaroid collages, exemplified by "A Closer Winter," which challenged traditional perspectives [2][3] Market Performance - Hockney's artworks have seen remarkable success in the art market, with "Portrait of an Artist (Pool with Two Figures)" selling for $90.31 million in 2018, setting a record for living artists [4] - Since the millennium, his price index has surged by 562%, with significant sales such as "The Splash" fetching £23.11 million in 2020 [4] - In 2023, Hockney ranked tenth globally in sales volume with 770 transactions and an 85% sell-through rate, surpassing artists like Picasso [4] Artistic Philosophy - Hockney continuously questions the essence of art, as seen in his 2001 publication "Secret Knowledge," which sparked debate about the use of optical devices by Renaissance masters [5] - He embraces a spirit of experimentation, utilizing various tools and mediums, including digital art, to express his artistic vision [6] - At over 80 years old, Hockney remains active in creating art, demonstrating the enduring vitality of artistic exploration [6]
心理学|如何停止“如果”式内耗,拥抱真实人生
Jing Ji Guan Cha Bao· 2025-06-24 00:39
当察觉到自己陷入"如果"式思维时,不要急于否定自己,而是先坦然承认内心的感受:"是的,我现在 很后悔/羡慕/无力。" (原标题:心理学|如何停止"如果"式内耗,拥抱真实人生) "如果当初我选了另一份工作,现在会不会更好?" "如果我是别人,是不是就不会这么痛苦?" "如果我 父母能理解我,我的人生会不会不一样?"这些念头是否也曾在你的脑海中反复盘旋?它们看似是偶尔 闪过的假设,实则像无形的丝线,正悄然缠绕住你的行动力,让你陷入无尽的内耗,成为阻碍你改变生 活的枷锁。 心理学家将这种对已发生事情进行"如果当初……"假设性思考的行为,称作"反事实思维"。 适度的反事实思维是有益的,它能帮助我们复盘过往经历,从中吸取教训,如同在黑暗中点亮一盏明 灯,指引我们未来的道路。但当这种思维异化为逃避现实的工具时,它便成了甜蜜的陷阱,给予我们虚 假的安慰,让我们在虚幻的假设中徘徊,迟迟不敢直面生活中的真实问题。 为何我们会沉迷于"如果"式的逃避?这种思维会对我们产生怎样的影响呢? 人类大脑天生存在"后悔厌恶"倾向,我们本能地抗拒犯错,更难以直面承认错误带来的痛苦。在这种心 理驱动下,大脑常常会编织出"如果当初选另一条路"的幻 ...
华为开发者大会2025:鸿蒙与AI双轮驱动,具身智能再加码
Jing Ji Guan Cha Bao· 2025-06-23 14:38
Group 1: Core Insights - Huawei Developer Conference (HDC 2025) showcased Huawei's latest achievements in operating systems and artificial intelligence, revealing significant future strategic layouts [1] Group 2: AI Cloud Services - Huawei Cloud CEO announced the launch of the new generation Ascend AI cloud service based on the CloudMatrix 384 super node architecture, achieving a single card inference throughput of 2300 Tokens/s, nearly a 4-fold increase compared to traditional architectures [2] - The Pangu Model 5.5 was released, featuring comprehensive upgrades in five foundational models, with applications in industries such as steel, where it improved yield rates by 0.8%, generating over 10 million yuan in annual benefits for a single factory [2] Group 3: Embodied Intelligence - The CloudRobo embodied intelligence platform was introduced, integrating end-to-end capabilities including data synthesis, annotation, model development, and cloud-edge collaboration, significantly enhancing data acquisition efficiency [3] - Huawei is actively developing the embodied intelligence industry chain in Shenzhen and Wuxi, with partnerships to create robots for manufacturing scenarios, aiming to double the robot output value in Shenzhen to exceed 300 billion yuan within five years [3] Group 4: Industry Collaboration - Huawei has engaged in deep collaborations with various companies to enhance industrial applications, such as logistics and intelligent sorting, demonstrating the potential of embodied intelligence robots across multiple sectors [4] - The integration of artificial intelligence and robotics is creating unprecedented opportunities in the embodied intelligence field, positioning Huawei as a leader through its CloudRobo platform and partnerships [4]
Jenny Bloomfield:用画笔编织童真与自然之梦的插画家
Jing Ji Guan Cha Bao· 2025-06-23 09:33
Core Perspective - Jenny Bloomfield is emerging as a prominent figure in the UK art scene, known for her unique illustration style and emotional expression, particularly in animal and nature themes [1][7]. Group 1: Artistic Style and Themes - Jenny's illustrations capture the essence of nature, depicting animals in dynamic poses and natural settings, creating a vivid representation of wildlife [1][2]. - Her works often feature animals as central characters, showcasing their lively and serene moments, reflecting her love and respect for life [2][5]. - Nature landscapes are integral to her art, where she skillfully portrays dynamic scenes, such as swaying reeds and tranquil lakes, using rich colors and delicate brushwork [3][4]. Group 2: Educational Background and Creative Journey - Jenny graduated from the Cambridge School of Art with a master's degree in children's book illustration, which significantly influenced her artistic development [2]. - Since September 1, 2014, she has committed to a daily drawing practice, sharing over 3,000 works on Instagram, enhancing her skills and ability to capture life's beauty [2]. Group 3: Emotional Impact and Audience Engagement - Her artwork evokes various psychological responses, inspiring children’s imagination and curiosity while providing adults with a sense of tranquility and nostalgia [5]. - Jenny's illustrations create a whimsical world where animals coexist harmoniously, allowing viewers to experience joy and warmth [5]. Group 4: Inspiration and Environment - Currently residing in Leeds, Jenny draws inspiration from the city's unique natural beauty and cultural atmosphere, integrating urban elements into her artwork [6].
倾听尼山2025|王学典:在东西方文化交融中探索人类文明新形态
Jing Ji Guan Cha Bao· 2025-06-23 08:33
Core Viewpoint - The 11th Nishan World Civilization Forum will be held from July 9 to 10, 2025, in Qufu, Shandong, focusing on the theme "Beauty in Diversity, Beauty Together - Civilizational Relationships and Global Modernization" [2][3]. Group 1: Forum Overview - The Nishan Forum has evolved since its inception in September 2010, becoming the largest international forum focused on civilizational dialogue, with nearly 400 participants from 63 countries at the last forum [3][10]. - The forum's themes reflect global changes, addressing issues such as cultural diversity, ecological civilization, and the impact of digital technology on governance [11][12]. Group 2: Themes and Subtopics - The main theme emphasizes the importance of mutual respect and understanding among different civilizations, with subtopics including the origins and future of civilization, the significance of Confucian culture, and the role of artificial intelligence in human civilization [2][4][5]. - The forum aims to explore how diverse civilizations can coexist and learn from each other to create a better future [2][3]. Group 3: Cultural Perspectives - The forum highlights the necessity of dialogue among civilizations, especially in the context of increasing global conflicts and trade barriers [5][7]. - The concept of "Beauty in Diversity" encourages recognizing and appreciating the strengths of different cultures, promoting a higher level of mutual understanding and cooperation [7][8]. Group 4: Historical Context and Evolution - The forum's evolution mirrors significant global changes, transitioning from discussions on cultural values to addressing complex issues like climate change and geopolitical tensions [11][12]. - The participation has diversified over the years, now including government representatives, international organizations, and business leaders, fostering a multi-faceted dialogue [11][12]. Group 5: Future Directions - The upcoming forum is expected to address the challenges posed by rapid technological advancements, particularly artificial intelligence, and its implications for human civilization [18][19]. - The integration of traditional cultural values with modern governance is seen as essential for navigating contemporary societal challenges [19][20].
稳定币加速全球监管落地,中国如何平衡创新与稳定?
Jing Ji Guan Cha Bao· 2025-06-23 07:55
作者 胡群 6月23日,中金公司、中信建投、中泰证券等多家国内知名券商相继发布研报,将分析重点置于近年来 快速发展的稳定币领域。中金公司研报认为,稳定币有助于稳固美元地位,当前美元主导的国际货币体 系面临变革,国际货币体系正在加速重构,加密货币被视为加速去美元化的推动力之一。当前欧盟、中 国香港已经通过相关立法,未来随着更多国家和地区规范化发展稳定币,不锚定美元的稳定币或可能进 一步挑战美元的储备货币地位。 中信建投继续看好AI与稳定币产业发展,并表示自香港《稳定币条例》正式落地以来,全球稳定币政 策端与产业端持续发力,稳定币市场生态有望加速繁荣,跨境支付、RWA 等应用场景或将迎来提速发 展期。多家券商从不同角度切入,探讨了稳定币在国际货币格局中的复杂角色、政策监管的加速推进以 及未来潜在的应用场景,引发了市场对这一数字资产形式的深入关注。 6月21日,神州数码信息服务集团股份有限公司联席董事长王永利,在中国人民大学国际货币研究所发 起设立的"大金融思想沙龙"(总第256期)上表示,美元稳定币(如USDT)的出现是为了满足加密资产交 易的需求,充当连接加密世界与传统法币体系的桥梁。随着加密资产的发展,稳定币 ...
荧光的河流:黄宇兴的绘画宇宙
Jing Ji Guan Cha Bao· 2025-06-23 07:46
Core Insights - Huang Yuxing's artwork is gaining significant recognition in the contemporary art market, with record auction prices reflecting both artistic value and market demand [5][6][8] - His unique artistic language and innovative concepts contribute to his prominent position in the contemporary art scene, distinguishing him from his contemporaries [2][4][8] Auction Performance - Huang Yuxing's work "Qianli Jiangshan Tu" sold for 36.8 million yuan at China Guardian's 2025 Spring Auction, marking his second-highest price record [1] - In 2021, his seven-panel work "Qibao Song Tu" fetched 64.83 million HKD at Christie's, setting a new price benchmark for Chinese artists born in the 1970s [5] - His piece "Snowy Forest River" sold for 3.91 million yuan at Beijing Yongle Auction in 2023, showcasing the high demand for his works [6] Artistic Themes and Style - Huang Yuxing's art explores themes of the passage of time and the fragility of life, using rivers as metaphors for history and bubbles as symbols of life's fleeting nature [3][4] - His works often incorporate vibrant colors and innovative techniques, merging traditional elements with contemporary aesthetics [4][8] Recognition and Influence - Huang Yuxing has received numerous accolades, ranking 14th in the 2021 Hurun Art List and 9th in 2022, further solidifying his status as a leading figure among 1970s artists [7] - His influence extends beyond traditional painting, as he ventures into NFTs and collaborations with brands, indicating a continuous evolution of his artistic practice [8] Future Directions - Huang Yuxing plans to integrate his "Fluorescent Landscape" into virtual reality spaces and collaborate with lifestyle brands to reinterpret his works in new formats [8]
一个人与一部书——《庐山百年别墅》的出版及其价值
Jing Ji Guan Cha Bao· 2025-06-23 06:59
(原标题:一个人与一部书——《庐山百年别墅》的出版及其价值) 在庐山,人们经常能看到一位身背双肩包,手持相机的老人,他健步如飞、步履匆匆。但遇到熟人时, 会歇下脚步说上几句。您听他声音洪亮、看他笑容满面,完全不像是一位已过八旬的老人,他就是土生 土长的庐山人何立新老师,正是他花费了近40年的时间,拍摄庐山老别墅并自费出版了书籍《庐山百年 别墅》。此书共选用2000余张照片,并配有20万字的文字叙述,收录了庐山现存的20多个国家建筑风格 的561幢别墅,是迄今为止资料最全、收录别墅最多的庐山别墅类书籍。 何立新老师曾是笔者初中班主任和物理老师,手拿相机匆匆的背影,是那时的我对他最深刻的印象。20 世纪80年代,相机还未普及,手持相机的人总是令人羡慕。大学毕业后,我回到庐山,成为他的同事, 几年后他退休。我曾因工作原因经常向他求助,他捐赠的庐山美照一直存在我的电脑中,这些照片是他 为庐山对外宣传作贡献的实证。《庐山百年别墅》出版后,他仍旧背着相机徜徉于庐山的自然与文化景 观,继续参加各种公益活动,向年轻一代传承庐山别墅的故事。 前几年他一直为出版《庐山百年别墅》四处奔波。有一次,他拿着书稿来到庐山图书馆,和我家先 ...
理解宏观金融崩溃
Jing Ji Guan Cha Bao· 2025-06-23 06:59
Core Insights - The article discusses the lessons learned from the 2008 financial crisis and the evolution of macroeconomic and financial theories in understanding financial crises [1][2] Mechanisms of Crisis Formation - The 2008 crisis was primarily triggered by subprime mortgages linked to the real estate market, a pattern observed in various financial crises over the past century [4] - Real estate booms often result from capital inflows, making the sector a favored destination for financing, particularly in developing countries [4] - The influx of funds into real estate does not necessarily promote growth in productive sectors like manufacturing, leading to asset price bubbles [4][5] Nature of Financial Crises - Financial crises are characterized by bank runs, where liquidity issues can escalate into solvency problems, affecting both traditional banks and shadow banking institutions [6] - The interconnectedness of financial institutions means that a crisis in one area can lead to widespread asset sell-offs, exacerbating market downturns [7][8] Sovereign Debt Crisis - The relationship between banks and governments is crucial, as systemic banking crises can lead to sovereign debt crises due to the intertwined fates of financial institutions and state finances [9] Policy Responses - Central banks play a vital role in responding to crises, utilizing tools like liquidity provision and quantitative easing to stabilize markets [11][12] - Fiscal policies, such as increasing public spending during crises, are recommended to counteract reduced private sector consumption and prevent liquidity traps [13] Emerging Policy Proposals - New policy suggestions include automatic fiscal measures triggered by economic downturn indicators and a shift in monetary policy targets from inflation to nominal GDP [14]
|晒书客·获月之书|
Jing Ji Guan Cha Bao· 2025-06-23 06:59
Group 1 - The core viewpoint of the article revolves around the critique of literary awards and the cultural implications behind them, as expressed by Austrian author Thomas Bernhard in his book "My Literary Prize" [2] - Bernhard's disdain for officials and the government is evident, as he believes they lack understanding of culture and art, often using literary awards to enhance their own cultural image [2] - The author expresses a deep cynicism towards the public and the state, suggesting that the populace has been complacent since World War I, contributing to the rise of oppressive regimes [2] Group 2 - The article discusses the anthropological perspective on Africa, highlighting the historical portrayal of Africans as "others" and the need for a balanced representation in anthropological films [5] - French anthropologist Jean Rouch's efforts to create authentic anthropological documentaries are noted, emphasizing the challenge of balancing the privilege of the camera with ethical representation [5][6] - Criticism of Rouch's work arises from the perception that it sometimes sensationalizes indigenous practices without providing meaningful context, raising questions about the ethics of representation in anthropology [5][6]