2016年，由一对默默无闻的双胞胎兄弟打造的剧集《怪奇物语》上线时，没人能预料到它会成为席卷全球的文化 符号。 随着《怪奇物语》系列最后一集上线，这场历时近十年的旅程画上句点。 2016年7月首播至今，全球数以亿计的观众守在屏幕前，将追剧变成一种仪式。能够预见的是，未来数月乃至更长 时间里，关于它的讨论不会终结：十一是否真的牺牲？颠倒世界是否被彻底封印？这个有些伤感却富于希望的结 尾，将未竟的旅程交还观众。 告别童年，但冒险不会终结 故事走到第五季，主角团不断扩容，多线叙事复杂交织，要在有限篇幅内妥善收束，无疑是一项高难度的任务。 毕竟，太多辉煌一时的剧集，最终都倒在了烂尾的泥潭里。 从社交平台的反馈来看，大结局显然未能取悦所有观众。部分粉丝批评节奏仓促，某些角色的成长弧光未充分展 开，反派最终形态也被指缺乏新意。整体而言，它胜在平稳落地，没有狗血反转，也没有强行团圆。 每个角色都在终局完成了属于自己的成长：威尔接纳了自己的与众不同，在关键时刻迸发出决定性力量；一度被 维克那吞噬意识的麦克斯，因友情的召唤奋力回归；霍莉从旁观者成长为新一轮冒险的开启者，如同姐姐南希那 般果敢而坚定。 终极大战之后，为了永久封印 ...

每经编辑｜段炼 GEM 鄧紫棋 @ 十年十 1月1日，第37届银河奖海选投票名单正式公布，其中，知名歌手邓紫棋2025年出版的长篇科幻小说《启示路》入选银河奖最佳原创图书票选名单。 银河奖诞生于1985年，是我国科幻领域历史最悠久、持续举办时间最长、最有影响力的科幻专业奖项，有"中国科幻最高奖"的美誉。 据组委会介绍，第37届银河奖奖项设置分为"征文奖"和"行业奖"两个部分，"征文奖"部分奖项将沿用过去的评选方式，分初选、复选、终选三个环节。邓 紫棋《启示路》分类在行业奖部分。 图片来源：南方日报 1月1日邓紫棋在发布2025年终回顾时，提及了发表《启示路》一事，表示这圆了自己童年的作家梦。 26-1-1 11:38 来自 iPhone 17 Pro 发布于 广东 新年快樂 司 新年 3. 終於發了 20萬字《啓示路》小說,圓了自己童 年的作家夢 但最重要的是,身邊一直有超級無敵多愛! 2025, 我盡了最大的努力去想、去做、去愛 2026,我還是會自由地去想、去做、去愛♥ 祝你們也是喔! ! ! 去想、去做、去愛! ! ! 2025的我：名副其實的三項鐵人 1. I AM GLORIA 巡演破 143 場 ...

1月1日邓紫棋在发布2025年终回顾时，提及了发表《启示路》一事，表示这圆了自己童年的作家梦。 1月1日，第37届银河奖海选投票名单正式公布，其中，知名歌手邓紫棋2025年出版的长篇科幻小说《启示路》入选银河奖最佳原创图书票选名单。 银河奖诞生于1985年，是我国科幻领域历史最悠久、持续举办时间最长、最有影响力的科幻专业奖项，有"中国科幻最高奖"的美誉。 据组委会介绍，第37届银河奖奖项设置分为"征文奖"和"行业奖"两个部分，"征文奖"部分奖项将沿用过去的评选方式，分初选、复选、终选三个环节。邓 紫棋《启示路》分类在行业奖部分。 小说内容摘要称，《启示路》是邓紫棋创作的首部长篇科幻小说。故事构建了三重世界结构元宇宙中的"乐土"与"废土"，以及真实世界。虚拟角色Gloria 与现实中名为秋的女孩，在两个世界中各自挣扎、彼此照映。她们经历了身份的寻找与撕裂，也经历了情感的失落与重建。小说关注的并非科技本身，而 是在技术介入人类生活后，个体面对"自我"与"爱"的复杂命题：我们该如何去爱。它并不提供答案而是提供一次通往内心的"启示之路"。 根据邓紫棋工作室发布的购买链接，书籍分为"平装版"和"恒藏版"两种，定价分别为 ...

（来源：光明日报） 转自：光明日报 在青海省海西蒙古族藏族自治州茫崖市冷湖镇的戈壁滩上，有一座"英雄地中四井"纪念碑，碑前矗 立的老式抽油机已静止多年。 1958年，这里原油喷涌，拉开了冷湖油田作为我国当时四大油田之一的序幕。在此后的20年里，数 万石油大军会聚于此，车辆来往不息，热闹非凡。 然而，随着资源逐渐枯竭，这座因石油而兴的城镇迅速衰落。冷湖面临着许多资源型城镇共同的困 境：资源枯竭后，出路何在？ "就像一座空城。"2015年，时任海西州住房和城乡建设局副局长的田才让调任冷湖时，这里常住人 口最少时不到300人，大量楼房空置，街道空旷。 当时的田才让只有一个念头："不能眼看着冷湖消失在我们手里。"他和同事们仔细梳理了当地所有 的资源与条件后，将希望寄托于发展旅游业。 于是，一场冷湖的转型探索，由此开始…… 拯救冷湖于消失边缘 随着冷湖台址获得国际认可，各大科研机构和高校的望远镜项目纷至沓来。如今已有12家单位14个 项目45台望远镜在冷湖天文观测基地落地建设，投资额达30亿元。其中，在已建成的33台望远镜中，墨 子巡天望远镜、太阳磁场精确测量中红外观测系统等5台投入科学观测，多应用巡天望远镜阵等27台 ...

2026年1月1日新年第一天，成都科幻馆内一场横跨现实与想象的"未来式"元旦科幻派对正式启幕。这场横跨现实与想象的"未来式"科幻派对，以科技、国潮 与艺术的多元融合，为市民游客带来十余项沉浸式奇趣体验，吸引了大批亲子家庭、科幻爱好者与潮流青年前来打卡，场馆内处处洋溢着欢乐与新奇的氛 围。场馆内，机甲互动、鲲影巡游、机器狗舞狮等特色项目轮番上演，欢乐与新奇的氛围洋溢在每个角落。 转自：推广 科技碰撞创意沉浸式体验点燃狂欢热情 "钢铁侠居然和我说新年快乐！""我握到擎天柱的手了！"刚踏入场馆，经典机甲形象与观众的近距离互动，瞬间点燃了现场的热情。带着孩子前来的市民李 晓难掩兴奋，她举着相机不停记录着孩子与机甲合影的瞬间，"孩子从小就是科幻迷，今天能和喜欢的角色近距离接触，他开心得直跳。这样的元旦活动太 有意义了，既好玩又能激发孩子对科技的兴趣。" 抬头望去，巨型"鲸鱼"装置悠然穿梭于场馆上空的灯光与音乐之中，让人们沉浸式体验"北冥有鱼，其名为鲲"的浩瀚浪漫。年轻游客张同学站在穹顶下，久 久不愿移开目光："太震撼了，仿佛真的置身于星海之中，这种科技与传统文化结合的创意，让人忍不住为成都的科幻氛围点赞。" 场馆一楼的 ...

Core Viewpoint - "Avatar 3: The Way of Fire and Ash" has officially premiered in mainland China, showcasing a continuation of the story from "Avatar: The Way of Water" and focusing on the psychological rebuilding of the family after the loss of their eldest son [2][3] Group 1: Film Release and Reception - The film was released simultaneously in mainland China and North America, with a first-day screening ratio of 46.5% [2] - A special viewing event titled "Extraordinary: Fan Celebration" was held in Beijing, featuring director James Cameron interacting with the audience via video [2] Group 2: Storyline and Themes - The narrative centers on Jake and Neytiri's family dynamics, particularly their struggles and the strong bonds that emerge from dealing with internal conflicts and pain [3] - The introduction of the Ash People, a volcanic tribe led by the character Valang, adds a new dimension to the story, as they ally with the human antagonist, Kurich [2] Group 3: Visual Effects and Technical Innovations - "Avatar 3" continues to utilize advanced 3D and 4K filming techniques, with significant breakthroughs in underwater filming, flame effects, and ash rendering [3] - The production team employed advanced digital simulation technology to realistically depict fire effects, including burning, spreading, and explosion [3] - Detailed research into the physical properties of ash allowed for the creation of lifelike ash effects, enhancing the visual experience [3] Group 4: Director's Insights - James Cameron emphasized that despite the film's alien narrative, it ultimately reflects human experiences and emotions, aiming to leave audiences with a sense of hope [3]

Group 1 - The core theme of the film "The Day of Revelation" revolves around the connection between humans and mysterious aliens, reminiscent of Spielberg's classic works like "E.T." and "Close Encounters of the Third Kind" [1][2] - The film features a cast including Emily Blunt, Josh O'Connor, and Colin Firth, with a screenplay by David Koepp, known for his work on the "Jurassic Park" series [1] - The trailer emphasizes a sense of mystery and suspense without revealing the appearance of aliens or UFOs, instead using visuals and sound effects to create a terrifying atmosphere [1] Group 2 - The film's narrative and character design evoke nostalgia for Spielberg's earlier sci-fi films, with O'Connor describing it as reminiscent of "old-school Spielberg" [2] - The release date for "The Day of Revelation" is set for June 12 next year in North America, generating significant anticipation among sci-fi fans [1]

Core Insights - The Chengdu Chinese Science Fiction Literature Competition has produced a report indicating a closed-loop industrialization model focusing on "content-technology-scenario-consumption" for the 2025 Chengdu Chinese Science Fiction Literature Competition [1] - Chengdu ranks second in the 2025 China Science Fiction City Index, maintaining its position in the top tier of cities for science fiction development [3][6] - The Chengdu Science Fiction Industry Report indicates that the total revenue of Chengdu's science fiction industry will reach 25.577 billion in 2024, showing a growth of 8.71% despite a slight overall decline in the national science fiction industry [12][14] Science Fiction City Index - The 2025 China Science Fiction City Index Report evaluates cities based on four dimensions: "basic environment and development support," "science fiction industry and consumption vitality," "cultural dissemination and public participation," and "science fiction integration and urban construction," comprising 18 specific indicators [3] - Among cities with a GDP of over 1 trillion, the top ten in the science fiction index are Beijing, Chengdu, Shanghai, Shenzhen, Hangzhou, Nanjing, Chongqing, Guangzhou, Wuhan, and Qingdao [3] Chengdu's Competitive Advantages - Chengdu has established a robust cultural foundation and strong IP appeal, ranking first nationally in the "cultural dissemination and public participation" dimension [6] - The city has developed a modern science fiction industry system centered on content innovation, supported by technology and characterized by industrial clustering [12][13] Revenue and Growth - The Chengdu Science Fiction Industry Report highlights that the revenue from the science fiction tourism sector is projected to reach 1.66 billion in 2024, reflecting a year-on-year growth of 21.9% [13] - The science fiction gaming sector in Chengdu is expected to generate 22.755 billion in revenue in 2024, accounting for over 30% of the national market share [14] Policy and Support - Chengdu has released the first city-level science fiction development plan in the country and established a fund exceeding 3 billion to support the industry's growth [12] - The integration of cultural creativity and technological innovation has created a multi-dimensional industrial landscape, driving the transformation of content and technology into consumable experiences [13]

Core Insights - The 2025 Galaxy Science Fiction Conference concluded in Chengdu, revealing the winners of the 36th Galaxy Awards, highlighting the achievements of Jiangsu authors in the science fiction genre [1][2] - The success of authors Wang Yanzhong and Liu Maijia reflects Jiangsu's rich cultural heritage and its supportive environment for science fiction creation, showcasing the synergy between technological innovation and literary creativity [1][2] Group 1: Author Achievements - Wang Yanzhong won the Best Short Story Award for "Behind the Sun," showcasing the connection between his work and Jiangsu's cultural landscape [1] - Liu Maijia received the Best Newcomer Award, emphasizing her scientific approach to writing, which aligns with Jiangsu's strong innovation ecosystem [2] Group 2: Jiangsu's Cultural and Technological Landscape - Jiangsu's deep-rooted cultural heritage provides a solid foundation for science fiction, allowing authors to blend historical context with futuristic imagination [1][3] - The province's robust scientific research institutions and innovation platforms facilitate collaboration between scientists and writers, enhancing the quality of science fiction literature [2] Group 3: Impact of Science Fiction - The rise of science fiction in China parallels national development, with rapid technological advancements and space exploration capturing global attention [2] - Science fiction serves as a new medium for Jiangsu's cultural continuity, merging fantasy with historical depth, and fostering a forward-looking cultural identity [3] - The genre stimulates curiosity in science among youth, potentially driving future innovation and economic growth [3]

Core Viewpoint - The article discusses the evolution of science fiction filmmaking, highlighting the challenges faced by filmmakers in Hollywood, particularly in the context of original content creation and the impact of new technologies like AI and virtual production methods [4][10][19]. Group 1: Filmmaking Techniques and Innovations - Alex Proyas has pioneered virtual production techniques, moving from traditional green/blue screen methods to fully LED screen-based virtual filmmaking, significantly enhancing efficiency and decision-making accuracy [3][14][15]. - The integration of AI in filmmaking is seen as a way to reduce production costs and improve creative processes, allowing for a hybrid model where traditional methods and AI-generated elements coexist [18][23]. Group 2: Challenges in the Film Industry - The Hollywood film industry is currently in a "survival battle," with original science fiction films losing favor among investors due to their perceived low profitability [8][10]. - There is a noted shift in audience preference towards lower-budget genres like horror, which are easier to recoup costs, further complicating the landscape for science fiction filmmakers [11][12]. Group 3: Thematic Focus in Science Fiction - Science fiction narratives are increasingly relevant as they reflect contemporary issues such as climate change and social media, with filmmakers encouraged to create stories that resonate with current societal concerns [5][6]. - The essence of science fiction is to project current human issues into future scenarios, making it a vital genre for exploring philosophical and ethical questions [5][6]. Group 4: Future of Cinema - There is optimism about the future of cinema, with the belief that traditional filmmaking will not disappear but rather coexist with new technologies, enhancing the storytelling experience [19][20]. - The potential for AI-driven interactive storytelling is emerging, offering new dimensions to audience engagement while emphasizing that the core of impactful storytelling must remain human-driven [22][23].