抢到了吗？日前，迷你版拉布布（Labubu）全球开售。泡泡玛特的阿里速卖通官方旗舰店显示，迷你 版Labubu在澳大利亚、新西兰、日本等国家均已售罄。Labubu一"娃"难求，折射出中国潮玩IP的强大生 命力。 IP的魅力，究竟何在？ IP，是英文Intellectual Property的缩写，意为"知识产权"。它没有固定形态，既可以是一个故事，也可以 是一个概念；IP的触角可以延伸至各个领域，电影、音乐、动漫、游戏……一个具备市场价值的IP，能 够串联起丰富的产业链。完整的IP生态系统，涵盖了版权作品、商标、专利、影视制作、广告宣传、授 权和衍生品以及数字资产等多个方面，多元化的商业运营方式和全方位的知识产权保护环环相扣，为IP 注入源源不断的活力。 过去提到中国IP，人们想到的大多是"长城""功夫"和"熊猫"。如今，中国在全球流行的IP类型逐渐丰富 和立体。英国杂志《经济学人》前不久发表文章《中国是怎么变酷的》就专门探讨，中国在海外尤其是 在海外年轻人心中的形象，是怎样变得越来越酷的。《经济学人》认为，原因主要有三，分别为以 DeepSeek和电动汽车等为代表的高新科技、以《黑神话：悟空》等为代表的文娱 ...

东西问丨刘慈欣：科幻最大挑战，是科技已来到我们身边 中新社成都9月29日电 题：科幻最大挑战，是科技已来到我们身边 ——专访中国科幻作家、《三体》作者刘慈欣 中新社记者 贺劭清 自2014年11月英文版首次出版至今，科幻小说《三体》以42种语言、650万册外文版销量畅销全球，成为新中国成立以来译介语种最多、海外销量最高、 国际影响力最广的中国当代文学作品之一。 在《三体》获雨果奖最佳长篇小说奖十周年之际，2025银河科幻大会于日前在成都举行。当前科幻面临的最大挑战是什么？东西方科幻有何异同？科幻文 学还能回到"黄金时代"吗？《三体》作者、银河科幻大会常驻主宾刘慈欣接受中新社"东西问"专访，对此进行解读。 2025年9月18日，2025银河科幻大会举办前夕，中国科幻作家刘慈欣在四川成都接受中新社"东西问"采访。 中新社记者 贺劭清 摄 至于怎么应对这一挑战，科幻作者做出过很多努力。有的把现代文学的创作方式、技巧引入科幻文学，让其表现更为多元，还有的从科幻文学的角度去关 注现实、批判现实。 但目前来看，这些方式都没能对科幻文学起到太大作用，没有挽回它不断衰落的趋势。 至于怎么应对这种挑战，我真的不太清楚。我相信随 ...

Group 1 - The "South Sky Gate Plan" has gained significant attention among aviation technology enthusiasts, as it aims to construct a futuristic air combat system based on China's current aviation technology [1] - The plan is not merely a conceptual idea but is seen as a tangible future technology driver, reflecting the historical connection between scientific achievements and science fiction [1] - The essence of science fiction lies in its ability to boldly speculate on technological advancements and their impacts on humanity, providing inspiration and direction for technological innovation [1] Group 2 - China's technological innovation is increasingly reliant on the imaginative power of science fiction, especially as the country transitions from following to leading in key technology sectors [2] - The rapid development of China's science fiction industry has produced high-quality works, with the industry expected to generate over 100 billion yuan in revenue in 2023 and 2024 [2] - There is a belief that the integration of science fiction into the technological innovation process will foster mutual promotion between China's technological advancements and its science fiction industry [2]

Group 1 - The 2025 Galaxy Science Fiction Conference, themed "Enjoying the Future Before It Arrives," is taking place from September 19 to 21, marking the first international science fiction event in Sichuan after the 2023 Chengdu World Science Fiction Conference [1][3] - The conference aims to establish a science fiction industry ecosystem in Sichuan, promoting the integration of cultural and technological innovation, and enhancing the province's status as a stronghold for the science fiction industry [3][5] - The event features nearly 300 guests from ten countries and regions, including prominent figures in the science fiction community, showcasing the growth of Chinese science fiction from a "plateau" to a "peak" [1][8] Group 2 - The conference launched the "Galaxy Plan," aimed at supporting young science fiction creators, and established the "Chinese Science Fiction Going Global Promotion Alliance" to facilitate international outreach for Chinese science fiction [5][6] - A total of nine significant contracts were signed during the event, with a total investment exceeding 1 billion yuan, focusing on various aspects of the science fiction industry, including digital publishing and cultural tourism [6][11] - The conference introduced a "permanent guest" system, enhancing its international profile by inviting notable authors and industry representatives from around the world to discuss cross-cultural communication and the development of science fiction IP [8][10] Group 3 - The conference features immersive experiences, including author signing events, exhibitions, and film screenings, designed to engage audiences in the science fiction narrative [10][11] - The event aims to leverage Chengdu's innovative resources and technology industry to create rich application scenarios and imaginative spaces for future industrial development [13]

开始只是一个很短的故事，但多年来像一株植物那样在我的脑海中渐渐成长，最后形成了全面描述人类 与外星文明战争的长篇小说三部曲。三部曲最初的书名叫《地球往事》。在科幻小说创作中，我一直在 努力使远离现实的科幻想象具有现实主义的真实质感。在《三体》中也能看到这样的努力，想淡化甚至 去除科幻文学中的传奇因素，用现实主义的表现方式构建一部厚重的具有强烈真实感的未来历史。以那 时狂妄的想法，是要写出科幻版的《战争与和平》。但这个努力并不成功，现实主义的表现方式不足以 支撑起科幻的想象世界，到最后，《三体》还是成为一部充满传奇色彩的科幻小说，《地球往事》的书 名也放弃了。 《三体》10年前开始在海外出版，最先是英文版。感谢《三体》的中方代理中国教育图书进出口有限公 司和原著的中文出版方科幻世界杂志社，是他们的卓越努力使三部曲的海外出版成为现实。现在看来， 出版过程中的各种决策和选择，无论是国外出版社的选择还是宣发方式，都是正确和具有远见的。这无 疑是中国文学海外出版一个典型的成功案例。 但即使如此，作为作者，同时也作为一名熟知中国科幻艰辛曲折百年历史的科幻迷，对于《三体》在海 外所经历的一切，总有一种不真实的感觉。套用一位 ...

今天，《三体》在海外产生影响力，与中国的现代化进程密切相关，正是这样一个伟大的进程，让中国 成为一个充满未来感的国家，也让中国的科幻小说在世界上受到关注 三体问题是物理学中一个著名的问题，它设想一个极简的宇宙，只有三个有质量的质点，在相互的引力 作用下运动。对这样一个极简宇宙，人类现在的物理学和数学都不能够预测它的运行状态。现实中极其 复杂宏大的宇宙，又蕴含着多少未知的奥秘？这件事给我带来巨大的震撼。我进而想象在现实的宇宙中 存在一个由三颗恒星构成的星系，想象自己是星系的目击者，看着三颗恒星在太空中做着无规则、难以 预测的三体运动，这就是《三体》构思最初的来源。 开始只是一个很短的故事，但多年来像一株植物那样在我的脑海中渐渐成长，最后形成了全面描述人类 与外星文明战争的长篇小说三部曲。三部曲最初的书名叫《地球往事》。在科幻小说创作中，我一直在 努力使远离现实的科幻想象具有现实主义的真实质感。在《三体》中也能看到这样的努力，想淡化甚至 去除科幻文学中的传奇因素，用现实主义的表现方式构建一部厚重的具有强烈真实感的未来历史。以那 时狂妄的想法，是要写出科幻版的《战争与和平》。但这个努力并不成功，现实主义的表现方式不 ...

Core Points - The event "Silk Road Integration: Arab Experts Entering Chinese Artists' Home" was held in Beijing, focusing on cultural exchange and dialogue between China and Arab countries [1] - Notable scholars from Egypt and Jordan shared insights on the importance of academic exchange and translation in promoting dialogue between civilizations [1][2] - The event highlighted the role of young Chinese artists in fostering cultural dialogue through their creative works, showcasing the potential of contemporary Chinese literature and art on the global stage [2][3] Group 1: Cultural Exchange and Translation - Egyptian scholar Hossain Fahmy discussed his experiences translating Mo Yan's "Red Sorghum Clan" and the positive reception of Chinese literature in the Arab world, emphasizing translation as a bridge between civilizations [1] - Jordanian scholar Mana expressed her aspirations to introduce Chinese literature to Jordanian readers, sharing her experiences in translating works like Ba Jin's "Cold Night" [1] - The comparison of the Egyptian pyramids and the Terracotta Army by Li Habib illustrated the shared pursuit of eternity in both civilizations, highlighting the common spiritual wealth of humanity [1] Group 2: Role of Young Artists - Chinese visual director Lu Beike emphasized the importance of integrating Eastern aesthetics and diverse cultural elements in the adaptation of "The Three-Body Problem," showcasing the potential for cross-cultural resonance [2] - Screenwriter Peng Yining noted that real-life experiences serve as a rich source for storytelling, which can bridge cultural gaps through relatable narratives [2] - Actress Reyiza shared her experience with the series "The Sea and the Mountain," which has been translated into over 20 languages and resonates with international audiences due to its authentic portrayal of China's poverty alleviation efforts [3] Group 3: Future Collaboration - Hussein Ismail from the China Foreign Languages Publishing Administration called for the establishment of long-term cooperation mechanisms, emphasizing the deep-rooted resonance between Chinese and Arab civilizations in values and social ideals [3] - The event was co-hosted by various Chinese cultural organizations, indicating a collaborative effort to enhance cultural exchange and understanding [3]

Core Viewpoint - The article discusses the evolution of online literature in China, highlighting its reflection of societal changes and the impact of different historical periods on literary themes and genres [5][6]. Group 1: Evolution of Online Literature - Online literature has undergone significant transformations, paralleling the industrial and technological revolutions from the 1980s to the present [6][7]. - The article categorizes online literature into four main genres: Wuxia (martial arts), time travel, cultivation (Xianxia), and female-oriented narratives [8]. Group 2: Wuxia Literature - Wuxia literature represents the agricultural society, emphasizing collective values and the traditional master-apprentice relationship [10][12]. - The genre reflects a high moral standard and a strong sense of justice, rooted in the historical context of small artisan communities [12]. Group 3: Time Travel Literature - Time travel narratives resonate with the industrial era, often portraying protagonists who seek to improve the past using modern knowledge [13][18]. - The genre is experiencing a decline due to the rapid industrialization and the saturation of historical periods available for exploration [19][20]. Group 4: Cultivation Literature - Cultivation literature mirrors contemporary society, characterized by individualism and a hierarchical structure similar to modern corporate environments [21][23]. - The genre emphasizes personal growth and the importance of resources, reflecting a realistic approach to success and achievement [31]. Group 5: Female-Oriented Narratives - Female-oriented literature encompasses various genres but primarily focuses on themes of love and human nature, appealing to both male and female readers [33][34]. - This genre has proven commercially viable, with many popular adaptations originating from female-oriented narratives [33][36]. Group 6: Future of Online Literature - The article suggests that the future of online literature may align with China's advancements in science and technology, potentially leading to a resurgence of science fiction [38][39]. - The evolution of online literature serves as a mirror to societal changes, emphasizing the need to understand the underlying production forces shaping narratives [41][42].

Core Viewpoint - The "Broadcasting 21 Measures" introduced by the National Radio and Television Administration aims to revitalize the long drama market by lifting restrictions and fostering competition, addressing the significant decline in television drama production from 429 in 2014 to 115 in 2024 [2][8]. Policy Changes and Market Impact - The cancellation of the 40-episode limit is a significant change, allowing creators to maintain narrative integrity and explore complex storylines, as evidenced by the higher user retention rates of seasonal dramas compared to traditional series [3][4]. - The new policy allows for flexible adjustments in the airing of historical dramas based on audience demographics, reducing investment risks for producers and promoting high-quality historical content [3][4]. - The introduction of a "simultaneous review" mechanism is expected to shorten the average review cycle by over 40%, enabling quicker adaptations to audience feedback and reducing costs associated with post-production modifications [4]. Commercialization and Advertising - The reintroduction of mid-episode advertisements is reshaping the profitability of dramas, allowing for creative integration of ads and helping broadcasters offset rising acquisition costs [5]. - The "one drama, multiple stars" policy facilitates collaborative purchasing among broadcasters, reducing costs and increasing the reach of quality dramas to wider audiences [5]. Competitive Landscape and Challenges - The allowance for micro-short dramas to air on television introduces new competition, compelling long drama creators to enhance content quality and engagement to retain viewer interest [6]. - The relaxation of restrictions on importing foreign programs pushes domestic productions to elevate their standards, with leading companies adjusting their production quality to compete globally [7]. Content Creation Philosophy - The "Broadcasting 21 Measures" signifies a shift in the relationship between government and market forces in content production, emphasizing the importance of artistic integrity and audience engagement in the face of technological advancements [8].

Group 1 - The core viewpoint is that the prosperity of science fiction in China reflects the country's modernization and has both visible industrial value and significant intangible spiritual value [1][2][3] - The rapid development of Chinese science fiction over the past decade has led to a cultural phenomenon, with increased publication, discussions in various media, and significant achievements in cultural exports [1][2] - The rise of science fiction is linked to China's unique modernization process, which has created a conducive environment for cultural development and a strong demand for science fiction [2][3] Group 2 - Science fiction holds substantial industrial value, with nearly two-thirds of the top 50 highest-grossing films globally being in the science fiction and fantasy genres, indicating its economic impact [3] - The influence of science fiction extends beyond direct economic benefits, as it shapes people's worldviews and values through immersive cultural products [3][4] - Science fiction plays a crucial role in alleviating technological anxiety by providing narratives that help society cope with the uncertainties brought by technological advancements [4][5] Group 3 - Science fiction serves as an important medium for cultural inheritance and innovation, allowing traditional culture to be creatively transformed and transmitted through new storytelling methods [5][6] - The integration of science fiction with traditional Chinese cultural elements, as seen in works like "The Wandering Earth," exemplifies how it can reflect and promote national values [6] - The development of science fiction culture aligns with national goals to foster a vibrant cultural landscape that supports the rejuvenation of the Chinese nation [6]