Core Points - Beijing will host over 40 intangible cultural heritage (ICH) activities during the 2025 "Cultural and Natural Heritage Day" [1] - The city has 118 national-level ICH inheritors and 348 municipal-level inheritors, indicating a significant reduction in transmission gaps and a notable increase in rural and youth inheritors [1] - The fifth batch of 123 municipal-level ICH representative inheritors will be announced, with 54% under the age of 60, and the youngest being 30 years old [1] - Beijing has 14 UNESCO ICH projects, ranking among the top in the country, along with 144 national-level projects and 303 municipal-level projects, creating a comprehensive protection network [1] Activities and Events - Dongcheng District will launch the "ICH Renewal and Boundless Coexistence" series, combining cloisonné with Olympic elements to showcase the fusion of traditional craftsmanship and modern aesthetics [2] - Chaoyang District will host a palace art exhibition and Bajiquan performance at a trendy landmark [2] - Xicheng and Fengtai Districts will enhance public participation through ICH exhibitions and handicraft workshops [2] - Miyun and Haidian Districts will collaborate with Beijing-Tianjin-Hebei to promote ICH in schools [2]

Core Insights - The key focus of the news is the launch of the micro-short drama "Zhouji Qianlihao Songlai" and its connection to the cultural heritage of the Grand Canal, highlighting the integration of cultural tourism and modern storytelling techniques [1][4][7] Group 1: Project Overview - "Zhouji Qianlihao Songlai" is part of the "Beijing Big Audio-Visual" key online cultural project and aims to promote cultural landmarks in Tongzhou, Beijing, coinciding with the 11th anniversary of the Grand Canal's UNESCO World Heritage status [1][3] - The project includes over 60 cultural landmarks, creating a narrative matrix for the "Cultural Tourism Brand of Tongzhou" [1][4] Group 2: Narrative and Themes - "Zhouji Qianlihao Songlai" consists of 30 episodes and features a storyline that connects two generations through the "Tongzhou Canal Boatman's Song," addressing themes of youth, family, and cultural heritage [4] - The drama incorporates non-material cultural heritage into its narrative, showcasing the vitality of the Grand Canal culture through modern musical interpretations [4][7] Group 3: Technological Integration - The micro-short drama "Qianlan" employs 4K HD filming and AI virtual production to create an engaging narrative that intertwines cultural relics with contemporary storytelling [5] - The use of technology aims to bring static cultural heritage to life, enhancing audience engagement with traditional culture [5][7] Group 4: Cultural and Economic Impact - The initiative "Travel with Micro-Short Dramas" promotes cultural tourism in Beijing, encouraging young audiences to engage with the city through these innovative narratives [7][10] - The micro-short dramas are designed to stimulate cultural consumption and tourism, transforming viewership into economic activity [7][10]

Core Viewpoint - The article highlights the journey of Li Yaohua, a master silversmith from Yunnan, who has successfully blended traditional craftsmanship with modern techniques to enhance the quality and appeal of Heqing silverware, while also focusing on training the next generation of artisans [4][10][12]. Group 1: Background and History - The silverware craftsmanship in Heqing has a history of over 1,000 years, with generations of artisans contributing to the local brand [4]. - Li Yaohua, a 39-year-old Bai ethnic silversmith, is recognized as a provincial representative inheritor of the "Heqing silverware forging technique" [4][10]. Group 2: Personal Journey and Skill Development - After completing middle school, Li Yaohua apprenticed with his uncle and traveled to various regions to learn silverware making, eventually mastering the craft by the age of 19 [6]. - He made a pivotal decision to leave his established business to learn modern techniques in Shanghai, where he spent five years refining his skills, particularly in detailed engraving [7][8]. Group 3: Innovations and Techniques - Li Yaohua developed new engraving tools that are smaller and more efficient, allowing for intricate designs that were previously difficult to achieve [9]. - He introduced the "inlaid engraving" technique, which combines gold, silver, and copper to create three-dimensional patterns, enhancing the aesthetic quality of the products [9]. Group 4: Training and Legacy - Li Yaohua has trained over 60 apprentices in the past decade, emphasizing the importance of artistic skills and practical experience in silverware making [11]. - His workshop has become a training base for local artisans and students, contributing to the preservation and promotion of Heqing silverware craftsmanship [11][12]. Group 5: Economic Impact and Market Reach - The "Heqing silversmith" brand has gained national recognition, with over 1,500 households engaged in silver handicraft production, directly employing over 5,600 individuals [12]. - The increasing popularity of Heqing silverware has led to a broader market reach, with products being sold across the country [12].

近日，第35届北镇梨花节在辽宁省北镇市启幕，同时当地还举办了"跟着非遗看辽宁"辽 宁非遗北镇巡展，将非遗与盛开的梨花景色融合，让来自全国各地的游客穿行于梨云香雪间 感受北镇非遗的独特魅力。 清晨，在北镇庙文化广场，辽宁鼓乐国家级代表性传承人于水龙手持铜钹，在笙管齐鸣 中敲响巡展开幕第一声，随后，抚顺地秧歌、蒙古族马头琴音乐、盖州高跷等相继上演，为 市民、游客呈上一场场精彩的非遗节目。 "这些活态展示太精彩了。"来自沈阳的美术教师李怀远举着相机不停记录。在他的镜头 里，还有满族剪纸传承人手持剪刀将飘落的梨花瓣作为剪纸纹样进行创作的精彩瞬间。 在巡演现场，还重现了传承600年的明代祭山礼仪："礼官"手持玉帛，随着《中和韶 乐》的音乐拾级而上，青铜器皿中升腾的檀香与梨花香交织，身着传统服饰的"花神"手捧时 令花卉献瑞。特意从浙江杭州赶来的游客林小曼表示："在这漫山遍野的梨花香下，真正体 会到'天人合一'的境界。" 午后，一支秧歌队伍穿行于梨花花海中表演——这正是本届梨花节首创的"非遗盲盒"体 验：在5公里巡游路线上，随时可能触发皮影戏、木偶戏、剪纸等非遗快闪展演。 "快看！那棵梨树下有剪纸展示。"随着游客的惊呼，人 ...

2025年5月29日，"探元计划2024"太极拳场景共创项目开放日活动在河南举办。本次开放日聚焦数字科技深 度融入太极拳场景落地，旨在推动太极拳场景共创项目优化技术效能、深挖文化价值、探索可持续运营路 径，来自文化、技术、运营方面的众多专家携手参与开放日活动，共议数字赋能太极焕活，通过AI解锁非 遗传承新路径。 参与共创日活动的专家在中国太极拳博物馆前合影 探元计划在国家文物局科技教育司的指导下，由中国文物信息咨询中心（国家文物局数据中心）、腾讯SSV 数字文化实验室、腾讯研究院、社会价值投资联盟（深圳）联合发起，旨在深化文化与科技融合，推动文 化遗产数字化保护。 在"探元计划2024"的创新资助与支持下， 中国非遗保护协会太极拳专委会 联动河南非遗美学馆与太极拳发 源地温县陈家沟，与华邮数字文化技术研究院展开场景创新探索实践合作，采用深度学习姿态识别方法实 现3D姿态重建，通过智能分析连续动作完成多维评估，助力太极拳传承年轻化与数字化。 太极圣地溯源之行 活动伊始，专家们实地调研了太极拳发源地陈家沟太极拳祖祠、中国太极拳博物馆， 并与当地太极拳代表 性传承人进行了现场交流，为后续深入研讨太极拳的保护、传承与 ...

Core Viewpoint - The article highlights the revitalization of tourism in Shizhu County, Chongqing, driven by the restoration of the "Bayan Ancient Road" and the promotion of local intangible cultural heritage, particularly the "Salt Transport Folk Customs" [1][3]. Group 1: Cultural Heritage and Tourism Integration - Shizhu County has leveraged its intangible cultural heritage to promote deep integration of culture and tourism, with the restoration of the "Bayan Ancient Road" enhancing visitor experiences through various cultural sites [3][5]. - The county has successfully created a multi-dimensional cultural experience for tourists, including folk customs performances and exhibitions, which contributed to its selection as a "National Preferred Project for the Integration of Intangible Cultural Heritage and Tourism" [3][5]. Group 2: Economic Impact of Intangible Cultural Heritage - Intangible cultural heritage in Shizhu County serves not only as a cultural legacy but also as an economic engine, with the development of local cuisine and cultural products driving economic growth [5][7]. - The county has introduced numerous intangible cultural heritage dishes, with five items recognized in the "China Intangible Cultural Heritage Food Collection," enhancing the culinary tourism appeal [5][7]. Group 3: Modern Promotion and Participation - Shizhu County employs modern technology, such as short video platforms and intangible cultural heritage databases, to promote its cultural heritage and engage the public [7]. - The "Little Inheritors" program and over 100 annual intangible cultural heritage activities encourage community participation and awareness [7].

开幕式上，甜城湖"游"来千米龙灯。内江观察 唐广 摄 开幕式现场的舞龙表演。内江观察 唐广 摄 5月29日，内江甜城湖畔，内江市第十三届大千龙舟经贸文化博览会（下称龙舟节）开幕。开幕式既有华丽的 现代舞美效果，又融合了内江的传统非遗元素，为市民和游客带来了一场端午文化盛宴。 近年来，内江在传承与创新地域文化上积极探索，推动文化事业蓬勃发展，以更强的文化表达推动城市精神 文明建设，进而轰响城市发展"引擎"。 构建文化传承的"基因库" 5月18日，内江市市中区文博馆正式对外开放。馆内展陈的184件珍贵文物，涵盖字画、瓷器、青铜器、木雕 等类别，以"石语千年""陶醉人间""翰墨流芳""方寸天地"四大主题展厅为载体，呈现"甜城"跨越时空的文化脉络。 内江历史悠久，自唐宋以来便是四川甘蔗种植与制糖业的核心区域，其"甜城"之名就发源于此。近年来，内 江通过修复糖业历史建筑、建设糖业文化主题展馆等方式，将糖业文明融入城市记忆。 "下一步，我们将联合糖业博物馆、非遗展览馆等文旅资源，开展研学活动与专题展览，并计划引入数字化修 复技术，进一步推动文物保护与创新利用。"内江市市中区政府相关负责人表示。 "大千文化"也是内江着力挖 ...

Core Insights - The rise of "intangible cultural heritage" (ICH) is significantly driven by the increasing cultural confidence among the public and the revival of traditional culture, particularly through platforms like Douyin (TikTok) which have made ICH more accessible and engaging [1][3] Group 1: Douyin's Impact on ICH - Douyin has seen over 200 million new videos related to national-level ICH in the past year, marking a 31% year-on-year increase, with a total of 11.3 billion likes on these videos [1] - The platform has 14 million users sharing ICH experiences, with total video views reaching 749.9 billion, averaging 65,000 ICH live streams daily [1] - There are currently 1,294 ICH representatives on Douyin, with 247 of them being under 30 years old, reflecting a 24% increase [1] Group 2: Evolution of ICH Communities - Initially, the ICH community was a niche group of young enthusiasts, divided into subgroups like "traditional craft party" and "modern innovation party" [2] - The popularity of ICH products has surged, particularly those that have been modified to fit modern lifestyles, moving away from strict adherence to traditional methods [2] - Influencer Li Ziqi has played a pivotal role in popularizing ICH, showcasing traditional crafts and facilitating rapid dissemination both domestically and internationally [2] Group 3: Young Creators and Innovation - A growing number of young creators, especially those born in the 1990s and 2000s, are actively engaging in ICH promotion on Douyin, bringing fresh perspectives and innovative methods [3] - Notable examples include creators merging ICH with modern activities, such as parkour and immersive cultural experiences, which have garnered millions of likes [3] - Douyin's "ICH Plan" aims to further support ICH development through technological and promotional initiatives [3] Group 4: Economic Integration of ICH - Douyin is leveraging its e-commerce capabilities to promote ICH products, with significant sales contributions from traditional crafts, such as the Suzhou fan-making technique, which saw 90% of its sales through Douyin [5] - The platform's initiatives like "Seeing Craftsmanship Plan" are designed to help traditional artisans and brands reach broader markets [5] - The integration of ICH with tourism has created new economic opportunities, enhancing the visibility and appreciation of ICH through travel experiences [6] Group 5: Cultural Transformation - The transformation of ICH from a static heritage to a dynamic part of modern life is evident as it becomes integrated into daily activities, shopping, and travel [6] - This shift signifies a mutual engagement between traditional culture and contemporary lifestyles, making ICH a vibrant and fashionable aspect of modern culture [6]

Core Viewpoint - The participation of Fujian Quanzhou Boxian Pavilion Lacquer Line Carving Co., Ltd. at the 5th China Arts and Crafts Expo aims to showcase the intangible cultural heritage of lacquer line carving, enhance brand influence, recruit young talents, and seek commercial cooperation opportunities in cultural tourism projects [1][2][6]. Group 1: Company Overview - Fujian Quanzhou Boxian Pavilion Lacquer Line Carving Co., Ltd. is led by Huang Peicong, a national (first-level) senior technician and master of arts and crafts in Fujian [2]. - The company presented 15 lacquer line carving works at the expo, highlighting the traditional craftsmanship of the Minnan region [1][3]. Group 2: Artistic Achievements - Huang Peicong's lacquer line carving works are known for their delicate craftsmanship, utilizing traditional techniques to create lifelike representations of figures and animals [2][6]. - Notable works include "Longing," which expresses deep aspirations for harmony and reunion, and "Prosperous Tang Dynasty, Hundred Years of Harmony," which pays tribute to traditional Chinese culture and contemporary prosperity [5][6]. Group 3: Innovation and Future Plans - The company is committed to innovating within the traditional lacquer line carving framework by integrating various materials and developing new color formulas [6][7]. - Future plans include incorporating digital technology, such as AR experiences, and creating a series of works themed around the "Maritime Silk Road" to tell Chinese stories through Minnan cultural symbols [7].

Core Viewpoint - The China Arts and Crafts Expo serves as a significant platform for the development of Zisha art, promoting innovation and cultural exchange within traditional craftsmanship [1][2][4]. Group 1: Event Overview - The 5th China Arts and Crafts Expo was held from May 30 to June 2 at the Fuzhou Strait International Conference and Exhibition Center, showcasing new masterpieces from artisans across the country [1]. - Attendees experienced the exquisite skills and cultural charm of traditional intangible heritage through various art pieces presented at the expo [1]. Group 2: Contributions of the Expo - The expo enhances the influence of Zisha art by providing a high-profile platform for artists to showcase their works, thereby increasing public awareness and appreciation [4][5]. - It fosters collaboration and innovation by allowing Zisha artists to engage with peers and creators from other art forms, stimulating new ideas and creative processes [5][6]. - The event promotes the transmission of skills and the cultivation of professional talent by allowing younger artists to learn from established masters and participate in workshops and lectures [6]. - It guides market trends and supports sustainable industry development by providing insights into consumer preferences and facilitating connections among businesses across the Zisha production chain [6]. Group 3: Artistic Integration - The integration of Peking Opera elements into Zisha art enriches its traditional context and broadens its expressive forms, making it more accessible to a wider audience [4][5]. - Notable works presented include "Zhuangyuan Pot," "Drunken Concubine," "Peony Pavilion Rhythm," and "Wang Zhaojun Goes to the Frontier," each reflecting the beauty of Peking Opera through innovative design and craftsmanship [2][3].