今年春节，天津杨柳青古镇以"纳福·聚吉祥"为主线，推出新春系列主题节庆活动，打造中国首个"吉祥 年"主题古镇。 杨柳青木版年画最具代表性的艺术形象"娃娃抱鱼"，在古镇上随处可见。 入夜的杨柳青古镇，灯光照亮夜空，各类演出让游客在沉浸式体验中感受古镇魅力。照片均为受访者提 供 京杭大运河畔的杨柳青古镇，青砖黛瓦间，憨态可掬的年画娃娃与流光溢彩的巨型灯组交相辉映。 上午10点，来自各地的游客陆续来到这里。郝桂芬剪纸工坊"吱呀"一声打开门，便有一个小脑袋探进 来，他跑到柜台前，稍微踮起脚，专心挑了两幅马年剪纸，"奶奶，我要这两幅"。"团团，告诉奶奶， 为嘛要选这两幅？"团团思索了一会儿，指了指两匹马的前蹄说，因为它们都抬得好高。奶奶笑着 说，"团团喜欢马儿欢快奔腾的样子，对不对？" 不只有年画，各种文创随心选 先有杨柳青，后有天津卫。2024年10月，天津市西青区政府启动杨柳青古镇焕新提升工程，通过系统性 改造与创新性运营，这座拥有数百年历史的运河古镇实现华丽蜕变。如今，杨柳青古镇已经成为文化新 地标、网红打卡地。每天上午商户陆续开门前，便有很多游客纷纷到来打卡。 杨柳青古镇沉浸式互动演出，深受游客喜爱。 中国民间 ...

Group 1 - The first "Old Friend Flavor" vocational skills competition was held in the Guangxi-ASEAN Economic and Technological Development Zone, featuring 40 contestants from the catering industry, flexible employment groups, and related institutions [4] - The competition focused on the local specialty dish "Old Friend Noodles," with two main contest categories: "Old Friend Pig Offal Soup Noodles" and "Old Friend Stir-fried River Noodles" [4] - Contestants showcased their culinary skills, with a focus on traditional techniques and innovative flavors, evaluated by a panel of industry experts based on taste, craftsmanship, creativity, and presentation [4] Group 2 - An accompanying food industry achievement exhibition was set up at the event, showcasing the development history, advanced technologies, well-known brands, and innovative results of the food industry in the development zone [5] - The competition aimed to promote skill development and innovation among industry professionals, creating a platform for dialogue and exchange among catering enterprises, training institutions, and related businesses [5]

Core Viewpoint - The article highlights the significance of the ancient Qinjing Long Kiln in Qinzhou, Guangxi, as a vital part of the traditional pottery-making craft known as Nixing pottery, which is recognized as a national intangible cultural heritage and has a history of over 1,300 years [1][2]. Group 1: Historical Significance - The Qinjing Long Kiln, established during the Ming Dynasty, is still in use today and serves as an important physical representation of the Nixing pottery-making technique [1]. - Nixing pottery is one of China's four famous ceramics, and the ancient kiln symbolizes the continuity of this craft, which has been passed down through generations [2]. Group 2: Modern Adaptation - The Qinjing Long Kiln opens only once a year, marking a significant event in the Nixing pottery industry, where traditional skills are taught and passed on [2]. - A family workshop run by the 14th generation of the Yuan family, Yuan Huiwen, continues to produce Nixing pottery, emphasizing the importance of family involvement in preserving the craft [4]. - The "San Sheng Ceramic Art" studio, founded by Zhou Sanping and Master Chen Haisheng, aims to integrate Nixing pottery into modern life by reinterpreting its forms and uses [6]. Group 3: Innovation and Future Prospects - Zhou Sanping, who transitioned from administrative work to creative endeavors, believes that traditional crafts must evolve to connect with contemporary aesthetics and lifestyles [6]. - The studio has applied for multiple patents and won gold awards in national competitions, indicating a shift towards innovative and expressive pottery designs [9]. - The future vision includes exploring the potential of Nixing pottery beyond traditional uses, aiming to make it a part of modern living [9].

Core Viewpoint - The article highlights the traditional art of sugar painting, showcasing the work of Wang Cuixiang, a third-generation practitioner from Yantai, who combines heritage with modern techniques to keep this ancient craft alive and relevant in contemporary culture [1][2]. Group 1: Traditional Craft and Techniques - Sugar painting, an ancient technique dating back to the Tang Dynasty, has evolved from a fleeting street art to a cultural medium that can be appreciated and preserved [1]. - Wang Cuixiang has refined her sugar painting skills into three key techniques: "scrape," "lift," and "stop," which ensure the smooth flow and aesthetic quality of the sugar art [1]. Group 2: Innovation and Modernization - Wang has adapted her tools over the years, moving from traditional methods to modern conveniences like electric ceramic stoves, enhancing safety and efficiency in her craft [2]. - She has diversified her artistic themes, incorporating both traditional motifs and contemporary animated characters, reflecting current trends while honoring her roots [2]. Group 3: Cultural Promotion and Education - Wang actively promotes sugar painting in schools, aiming to engage youth with this living tradition and instill an appreciation for cultural heritage [2]. - To enhance the longevity of her sugar artworks, she has experimented with custom glass and special frames, allowing these creations to be preserved as cultural products [2]. Group 4: Legacy and Continuation - The commitment to preserving traditional techniques while integrating modern elements is key to the ongoing relevance of sugar painting, ensuring it does not fade with time [2]. - Wang's daughter, Wang Meiying, is continuing the family legacy, indicating a successful transmission of this cultural art form to the next generation [2].

Core Viewpoint - The Yaozhou kiln in Tongchuan, Shaanxi, is one of China's six major ceramic firing techniques, renowned for its unique Song Dynasty olive green glaze and exquisite carving skills, representing a significant cultural heritage in Chinese ceramics [1][3]. Group 1: Historical Significance - At its peak, Yaozhou porcelain was exported to Asia, Africa, and Europe, serving as a prominent symbol of Chinese porcelain [3]. Group 2: Current Developments - Recently, the Tongchuan city in Shaanxi province is promoting the traditional Yaozhou porcelain industry to innovate in inheritance and develop high-quality ceramic industry [3].

Core Viewpoint - The Jiangsu Provincial Department of Culture and Tourism has announced the second batch of provincial-level intangible cultural heritage workshops, with the Huazhenjiang workshop in Lishui District, Nanjing, being recognized for its innovative approach to traditional craftsmanship, particularly in the production of "Wumei Tiger" shoes, which have gained popularity among young consumers on social media platforms [1][3]. Group 1: Workshop Overview - The Huazhenjiang workshop occupies 600 square meters, featuring a production area on the first floor and a display area for custom clothing and handmade products on the second floor, with the "Tiger Head Shoes" being the star product [1]. - The production of a pair of traditional tiger head shoes involves multiple complex processes, including cutting, gluing, and various embroidery techniques, requiring skilled artisans several days to complete [1][2]. Group 2: Cultural Significance and Innovation - The founder, Wu Lihua, emphasizes the importance of blending traditional craftsmanship with modern aesthetics, ensuring that the products maintain cultural significance while appealing to contemporary fashion trends [2]. - The shoes feature designs that incorporate elements of modern fashion, such as rabbit fur, bead chains, and bows, allowing them to complement various styles of clothing, from traditional to casual [2]. Group 3: Community Engagement and Future Plans - The workshop employs a model of "skill inheritance + innovative development," engaging in skill training, community outreach, and experiential learning, which has led to over 50 educational visits annually, making it a key platform for promoting intangible cultural heritage [3]. - Following its recognition as a provincial-level intangible cultural heritage workshop, future plans include creating a 300-square-meter immersive exhibition space to showcase the cultural heritage of Lishui and highlight the contributions of local women in preserving these traditions [3].