Group 1 - Didi has tested a feature allowing female passengers to choose female drivers, which has led to increased complaints against female drivers, contradicting the narrative of "girls help girls" [1][2][3] - Users who emphasize gender narratives in ride-hailing services often have high service expectations, leading to dissatisfaction if those expectations are not met, regardless of the driver's gender [2][3][13] - The phenomenon reflects a broader trend where economic relationships and class distinctions overshadow abstract moral and humanistic ideals, particularly in service industries [4][5][10] Group 2 - Taobao has implemented a feature allowing merchants to screen out high refund rate customers, particularly affecting the women's clothing sector, which has high return rates [6][7][9] - This situation illustrates that economic considerations take precedence over gender narratives in business, as merchants prioritize profitability over gender-based considerations [9][10] - The increasing demand for high standards in service and product quality is shaping consumer behavior and expectations, leading to a more intricate relationship between consumers and service providers [16][24] Group 3 - The platform economy has transformed user evaluations into tools for labor oversight, creating a dynamic where consumers inadvertently participate in monitoring service quality [13][14] - The pressure for service providers to meet elevated standards has resulted in additional costs and burdens on workers, further complicating their economic conditions [16][24] - The abstract moral and humanistic ideals often discussed in online spaces are fragile and can easily be undermined by the realities of economic interactions [17][24]

Group 1 - The drama "苦尽柑来遇见你" has sparked significant interest in the Jeju haenyeo (female divers) culture, highlighting the struggles and resilience of three generations of women [1][3] - The number of haenyeo has drastically decreased from over 20,000 in the 1960s to 3,226 in 2023, with 64.8% being over 70 years old, indicating an aging population and a cultural crisis [3][5] - The Jeju haenyeo culture has been recognized as a significant cultural heritage, being listed as a UNESCO intangible cultural heritage and a national cultural heritage of Korea [3][5][6] Group 2 - The haenyeo culture embodies values of gender narrative, social responsibility, and ecological philosophy, which are increasingly relevant in contemporary society [6][20] - Historically, haenyeo emerged in the 17th century to fill labor shortages, and their work was initially undervalued, but they have since gained economic sovereignty and social influence [7][9] - The haenyeo's collective organization, known as "契," promotes cooperation and mutual support, showcasing a model of social responsibility that contrasts with modern individualism [16][18][19] Group 3 - The cultural significance of haenyeo is being revitalized through media representation, with recent dramas and documentaries increasing public interest and tourism in Jeju Island [24][30] - There is a pressing need for innovative transmission mechanisms to avoid the hollowing out of intangible cultural heritage, focusing on both skill transmission and market viability [25][26][27] - The establishment of haenyeo schools and experiential programs aims to modernize the training of haenyeo while preserving traditional practices [27][28] Group 4 - The success of the haenyeo culture in media can be compared to Disney's IP management strategies, emphasizing the importance of creating a sustainable cultural narrative that engages the audience [29][33] - The potential for user-generated content and community involvement in cultural transmission is crucial for the longevity and relevance of the haenyeo heritage [33][34]