文化生态保护区建设
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一座“没有屋顶的博物馆”如何炼成?
Xin Lang Cai Jing· 2025-12-20 11:52
中新网黄山12月20日电 (记者 张强)12月18日至19日,2025"徽韵流芳"国家级文化生态保护区交流展示 活动在黄山市举行。这不仅是徽州文化保护成果的一次集中检阅,而且是一场关于非遗如何"见人见物 见生活"的对话。 从"保护区"到"生态圈" 徽剧、英歌舞、马头琴……18日晚的开幕式上,来自皖、浙、粤、蒙、陕五省的非遗技艺联袂展演。来 自17个省份的代表们聚集一堂,在交流互鉴中,见证徽州文化生态保护的最新成果。 日,2025"徽韵流芳"国家级文化生态保护区交流展示活动现场的黄山鱼灯演出。安徽省文旅厅供图 国家级文化生态保护区是指以保护非物质文化遗产为核心,对历史文化积淀丰厚、存续状态良好,具有 重要价值和鲜明特色的文化形态进行整体性保护,并经主管部门同意设立的特定区域。 徽州文化生态保护区于2019年12月被批准设立,是全国第一个跨省区的国家级文化生态保护区,包括安 徽省黄山市、绩溪县和江西省婺源县。 截至目前,该保护区拥有人类非遗代表作5项、国家级非遗代表性项目26项,有各级非遗代表性传承人 2600多名;拥有世界文化遗产2处、中国传统村落341个。 然而,真正的保护并非封存于名录与馆舍。近年来,安徽通 ...
全域保护 融合发展
Ren Min Ri Bao· 2025-10-27 22:38
Core Points - The Jinzhong Cultural Ecological Protection Zone has been designated as a national-level cultural ecological protection area, encompassing 19 counties in Jinzhong, Taiyuan, and Lüliang cities by June 2025 [1] - The protection zone features a unique cultural landscape characterized by a "cultural farming belt," "Jin merchant cultural corridor," "dialect art zone," and "festival cultural circle" [1] - The initiative emphasizes a human-centered approach, focusing on holistic and dynamic protection of the cultural ecosystem that nurtures intangible cultural heritage [1] Summary by Categories Cultural Heritage - The area is rich in intangible cultural heritage, including traditional vinegar and wine brewing, the spirit of integrity from the ancient Jin merchant roads, and the art of flower dough made by local mothers [1] - These cultural elements are closely tied to the daily lives of local residents, reflecting diverse wisdom, aesthetics, and emotions from different eras [1] Development Strategies - The protection zone aims to explore integrated development paths such as "intangible cultural heritage + tourism," "intangible cultural heritage + industry," and "intangible cultural heritage + rural revitalization" [1] - The ongoing efforts in the protection zone are leading to a harmonious coexistence of historical relics, diverse intangible cultural heritage projects, and a beautiful ecological environment [1] Ecological and Cultural Integration - The initiative promotes a multi-faceted cultural ecology in Jinzhong, revitalizing the area with new vibrancy through the integration of cultural and ecological elements [1]
为文化生态保护区注入新能量
Jing Ji Ri Bao· 2025-07-21 22:14
Core Points - The establishment of national cultural ecological protection zones aims to protect intangible cultural heritage as a holistic practice, integrating cultural and natural ecosystems [1][2] - These protection zones enhance the integration of culture and tourism, creating vibrant regional development opportunities and attracting tourists through immersive cultural experiences [2] - Challenges remain in balancing cultural protection with economic development, raising public awareness, and cultivating professional talent for cultural preservation [3] Summary by Sections Cultural Ecological Protection Zones - Recent additions to the list of national cultural ecological protection zones include Hakka Culture (Western Fujian), Wuling Mountain Area (Southwestern Hubei) Tujia and Miao Culture, and Jinzhong Cultural Ecological Protection Zone, among others [1] - The approach shifts from protecting individual intangible cultural heritage projects to a comprehensive system that includes the cultural and ecological environment [1] Economic and Tourism Development - Cultural ecological protection zones serve as quality destinations for cultural tourism, leveraging unique cultural resources and natural beauty to attract visitors [2] - The Jinzhong Cultural Ecological Protection Zone has developed various cultural tourism products based on its rich historical heritage, significantly boosting local tourism and economy [2] Challenges and Future Directions - The construction of cultural ecological protection zones faces challenges such as the need to balance cultural preservation with economic growth and to engage the younger generation in cultural transmission [3] - Effective cultural protection requires active participation from the community, particularly the youth, to ensure that cultural heritage remains a living practice rather than a static display [3]