石头筑成古村落、铜具承载老手艺、民宿展现新活力……云南省丽江市玉龙纳西族自治县文化意蕴深 厚。截至目前，玉龙县有24个村落先后列入中国传统村落名录。近年来，玉龙县以"突出重点、集群保 护、连片发展"为理念，推动风貌保护、文化传承与乡村振兴"同频共振"。2024年，玉龙县入选传统村 落集中连片保护利用示范县。 ——编者 石头城村，陡崖筑成古村落 从玉龙县城向北出发100多公里，盘山行路近3小时，终于来到了石头城村。金沙江畔有处凸起，坡面向 江、三面邻崖，宛如生长出的大"蘑菇"，石头城村的内城就在这"蘑菇"顶上。 石头城村是元明时期古宝山州治所所在地，在险峻峡谷和滔滔江水间屹立了1300余年。 踏上石桥，走过书写"宝山石头城"的城门，可以感受到纳西族民众就地取材、随势建屋的建造智慧：凿 石筑城、凿石建屋、凿石筑路，一些家庭的桌椅、灶台、水槽等，也都是石头凿成。 "纳西族的生活离不开铜具，小到铜锁，大到炊锅、水桶。"和善均展示着家中满满两柜纳西族铜具。丽 江铜矿资源丰富，铜具不仅在纳西族的生活中扮演重要角色，也是当地与西藏地区贸易的重要商品。 一个身带铜链、像火锅又像水壶的铜制器具格外引人注意。 要问石头城村为何风 ...

9月29日，国新办举行"高质量完成'十四五'规划"系列主题新闻发布会，介绍文化和旅游高质量发展成 就。 文旅融合持续深化 市场秩序关系到经营主体、从业者、消费者的切身利益。文化和旅游部副部长王建华介绍，为了维护健 康有序的市场秩序，文化市场方面重点实施演出市场多部门、全链条综合监管，严格实行大型演出"实 名购票、实名入场"，督导票务平台防范"黄牛"刷票。旅游市场方面重点针对群众反映集中的不合理低 价游、强迫购物等突出问题，持续开展专项整治行动。 孙业礼表示，下一步将继续推进文化和旅游在更大范围、更高层次、更高水平上的融合发展，充分发挥 文旅融合的溢出效应，更好赋能经济社会发展，更好满足人民群众对美好生活的需要。 文艺精品创作繁荣活跃 孙业礼介绍，"十四五"以来，文艺精品创作繁荣活跃。文艺创作生产引导扶持机制更加健全，新时代系 列艺术创作工程顺利实施，广大文艺工作者"深入生活、扎根人民"蔚然成风。 中央宣传部副部长、文化和旅游部部长孙业礼介绍，"十四五"以来，文旅产业发展蓬勃兴旺。文化产业 体系更加完善，结构布局不断优化，规模稳步扩大、效益明显提升，扩大内需、带动消费、稳定预期等 作用得到彰显。 2024年文化 ...

9月29日，国新办举行"高质量完成'十四五'规划"系列主题新闻发布会，介绍文化和旅游高质量发展成 就。 文旅融合持续深化 中央宣传部副部长、文化和旅游部部长孙业礼介绍，"十四五"以来，文旅产业发展蓬勃兴旺。文化产业 体系更加完善，结构布局不断优化，规模稳步扩大、效益明显提升，扩大内需、带动消费、稳定预期等 作用得到彰显。 2024年文化产业实现营业收入19.14万亿元，比2020年增长37.7%；规上文化企业7.8万家，比2020年增 加1.3万家。旅游业产品供给、服务质量持续优化。2025年上半年，国内居民出游32.85亿人次、总花费 达到3.15万亿元，又创新高。 孙业礼表示，推动文化和旅游深度融合发展，是"十四五"期间文化和旅游发展的一条主线，也是一大亮 点。 提升了文化和旅游发展的质量、效益。优秀文化资源得到更加充分地挖掘、利用，更多的文化创意元素 有机融入旅游开发。 丰富了文化和旅游产品及服务的供给。"跟着演出去旅行"已经成为新风尚，"文物游""非遗游""考古 游""博物馆游"持续升温。 有效发挥了赋能经济社会发展的作用。乡村游助力乡村全面振兴作用非常明显，形成了浙江安吉余村、 湖南花垣十八洞村等经 ...

9月29日，国新办举行"高质量完成'十四五'规划"系列主题新闻发布会，介绍文化和旅游高质量发展成 就。 文旅融合持续深化 中央宣传部副部长、文化和旅游部部长孙业礼介绍，"十四五"以来，文旅产业发展蓬勃兴旺。文化产业 体系更加完善，结构布局不断优化，规模稳步扩大、效益明显提升，扩大内需、带动消费、稳定预期等 作用得到彰显。 2024年文化产业实现营业收入19.14万亿元，比2020年增长37.7%；规上文化企业7.8万家，比2020年增 加1.3万家。旅游业产品供给、服务质量持续优化。2025年上半年，国内居民出游32.85亿人次、总花费 达到3.15万亿元，又创新高。 孙业礼表示，推动文化和旅游深度融合发展，是"十四五"期间文化和旅游发展的一条主线，也是一大亮 点。 提升了文化和旅游发展的质量、效益。优秀文化资源得到更加充分地挖掘、利用，更多的文化创意元素 有机融入旅游开发。 丰富了文化和旅游产品及服务的供给。"跟着演出去旅行"已经成为新风尚，"文物游""非遗游""考古 游""博物馆游"持续升温。 有效发挥了赋能经济社会发展的作用。乡村游助力乡村全面振兴作用非常明显，形成了浙江安吉余村、 湖南花垣十八洞村等经 ...

Core Viewpoint - Beijing is actively promoting and innovating "Beijing flavor culture," transforming traditional intangible cultural heritage into vibrant cultural symbols that resonate both nationally and internationally [1][7]. Group 1: Cultural Heritage Projects - Cao's Kite, with over 200 years of history, emphasizes craftsmanship and has been recognized as a national intangible cultural heritage since 2011. The third-generation inheritor is committed to community engagement and innovation through digital means [3][5]. - Jingtailan (Enamel) craftsmanship has been a national intangible cultural heritage since 2006. The Beijing Enamel Factory, as a key player, integrates traditional techniques with modern products and experiences, promoting cultural exchange through major events [4][5][6]. Group 2: Innovation and Modernization - The integration of traditional crafts with modern products, such as bookmarks and fridge magnets, showcases the innovative spirit of heritage projects like Cao's Kite [3]. - The Beijing Enamel Factory has developed new product lines and cultural events, enhancing the visibility of traditional crafts in contemporary settings [5][7]. Group 3: Cultural Engagement - Long-standing cultural venues like Chang'an Grand Theatre are attracting younger audiences through innovative programs and products, reflecting a growing cultural confidence among the youth [5][7]. - The active promotion of "Beijing flavor culture" through various channels is seen as a significant achievement in the construction of Beijing as a national cultural center [7].

Core Viewpoint - The Qiong Opera "Huang Daopo" has successfully concluded its tour in Shanghai and Zhejiang, marking a significant cultural exchange and showcasing the unique charm of Hainan's local art form [2][4]. Group 1: Performance and Reception - The performance took place from September 7 to 19, featuring over 170 performers and four shows, receiving positive feedback from audiences in Shanghai and Zhejiang, who described it as moving and impressive [2][3]. - The opera is based on the life of Huang Daopo, a historical figure known for her contributions to textile innovation, which adds cultural depth to the performance [3]. Group 2: Cultural Significance and Impact - This tour represents a breakthrough for Qiong Opera, as it is the first time the art form has participated in the prestigious Shanghai Magnolia Award and the China Theatre Festival, gaining national recognition [2][4]. - The event not only promoted Qiong Opera but also highlighted the traditional weaving and dyeing techniques of the Li ethnic group, enhancing cultural exchange between Hainan and the Yangtze River Delta region [4][5]. Group 3: Future Prospects - The Qiong Opera Institute plans to continue promoting Qiong Opera on a national and international scale, aiming to elevate the profile of this lesser-known art form [5].

新会陈皮行业协 会赴湖南安化等 地开展非遗保护 工作交流_南方 +_南方plus 点击图片查看专题内容。 近日，为提高非 遗保护传承水 平、加强新会陈 皮与安化黑茶产 业协同创新发 展，江门市新会 区新会陈皮行业 协会组织新会陈 皮炮制技艺、新 会柑茶制作技艺 等非遗传承人赴 湖南安化、长沙 等地调研学习。 新会陈皮行业协会一行与安化千两茶制作技艺国家级非遗传承人李胜夫合影。 新会陈皮炮制技 艺，是广东省江 门市新会区民间 世代传承数百年 的传统药材炮制 技艺，将当地特 产新会柑经开 皮、晒制、陈化 等程序，精心制 成新会陈皮。新 会陈皮药食同 源，入方和百 药、入膳调百 味、入茶增百 香。2021年，新 会陈皮炮制技艺 入选传统医药国 家级非物质文化 遗产代表性项目 名录，江门市新 会区新会陈皮行 新会陈皮行业协会一行走进安化白沙溪茶厂调研。 新会陈皮行业协 会负责人关炳 华、党支部书记 潘华金，新会陈 皮炮制技艺市级 非遗传承人何根 旺、区级非遗传 承人梁健华，新 会柑茶制作技艺 区级非遗传承人 周咏莲、谭锦 尧、陈健荣以及 新会陈皮企业、 南方农村报社等 组成调研团，先 后赴安化黑茶博 物馆、安化县黑 ...

Core Viewpoint - The "Beautiful Countryside, Happy Home" paper-cutting competition in Xianyang City showcases the region's cultural heritage and community happiness through artistic expression, highlighting the importance of intangible cultural heritage (ICH) in rural revitalization efforts [1] Group 1: Event Overview - The paper-cutting competition was launched in May and concluded with over 200 outstanding works, including Xunyi colored paper-cuts and monochrome paper-cuts [1] - More than 20 contestants from seven counties participated in the finals, focusing on the theme of "Beautiful Countryside, Happy Home" [1] Group 2: Cultural Heritage Significance - Xunyi colored paper-cutting has been recognized as a significant intangible cultural heritage, included in the third batch of national intangible cultural heritage lists due to its popularity and diversity [1] - The successful hosting of the competition reflects the achievements in ICH protection in Xianyang, emphasizing the exploration of new paths for ICH preservation and its role in cultural empowerment for rural revitalization [1]

Core Points - The article discusses the preservation and revitalization of the Li ethnic group's traditional boat-shaped houses in Baizha Village, Dongfang City, Hainan, highlighting the efforts to maintain cultural heritage and promote tourism [2][3][4] Group 1: Cultural Heritage and Preservation - The Li boat-shaped houses, constructed with natural materials, have been a part of the local culture for hundreds of years, with 87 houses forming the largest traditional settlement of the Li people in Hainan [2] - The preservation efforts include repairing 63 houses using locally sourced thatch and vines, with completion expected next month [2] - The construction technique, known as "three pillars and six beams," relies on natural materials and traditional methods, emphasizing the cultural significance of these structures [2] Group 2: Tourism Development - Baizha Village has become a popular tourist destination, attracting visitors interested in the unique living styles and cultural elements of the Li people [3] - The nearby Baizha Station, a 1,776 square meter facility, offers accommodations, dining, and craft exhibitions, operating under a model that preserves the original appearance of the boat-shaped houses while promoting local handicrafts [3] - Future plans include creating immersive experiences for visitors, allowing them to engage in traditional activities such as brewing and weaving, enhancing the cultural tourism experience [4] Group 3: Training and Skill Transmission - The village has initiated training programs for the boat-shaped house construction technique, which faced a risk of disappearing due to a lack of skilled artisans [3] - The number of trained inheritors has increased from 4 to 23 over five years, indicating a successful effort to revive and sustain this traditional craft [3] - Young trainees learn the intricate process of thatch preparation and roof installation, ensuring the continuation of this cultural practice [3]

Core Viewpoint - The integration of financial services by Postal Savings Bank of China in Liaoning Province is revitalizing the traditional craft of Xiuyan jade carving, addressing heritage preservation challenges while promoting industrial growth [1][2][4]. Group 1: Heritage and Industry Challenges - Xiuyan jade carving, recognized as a national intangible cultural heritage since 2006, faced significant challenges in transmission due to a lack of practitioners and market downturns in the late 20th century [2]. - The high cost of raw material procurement and long creation cycles have led to persistent cash flow pressures, constraining the development of the jade carving industry [2]. Group 2: Financial Innovations and Support - Postal Savings Bank's Xiuyan County branch has introduced tailored loans for the jade industry, addressing key pain points and facilitating smoother operations across the supply chain [2][3]. - The bank has launched a "billion-yuan loan" initiative in collaboration with local authorities to support the establishment of an industrial cluster, simplifying loan processes for individual businesses and enhancing credit access for leading enterprises [3]. Group 3: Cultural Empowerment and Market Expansion - The bank's "Jade Culture Empowerment Plan" aims to enhance the design and innovation capabilities of jade carving enterprises while promoting cultural tourism [4]. - Financial support has enabled local businesses to improve product quality and visibility, leading to increased customer engagement and sales [4]. - The establishment of Xiuyan Jade Carving Academy and the opening of a creative industry park signify a commitment to nurturing talent and sustaining the cultural legacy of jade carving [4].