（来源：工人日报） 本报讯 （记者陈俊宇）一部镌刻于玉石之上的中华文明史，一次贯通八千年的精神巡礼。2月5日，"玉 文化与中华文明——中国历史研究院珍藏玉器展"在中国考古博物馆开幕。展览汇聚中国历史研究院珍 藏的155件（组）珍贵玉器，自新石器时代肇始，纵贯夏商周、秦汉以至明清，系统阐释玉文化在中华 文明起源、形成和发展中的历程，凝练呈现中华文明五大突出特性的精神标识。 展览以"玉出东方""玉见文明""玉礼天下""玉润中华"四大篇章为轴，清晰构建了中华玉文化的完整演进 框架，系统阐释了中华玉文化如何从文明初萌的星火，最终融为中华民族精神的血脉。 值得关注的是，展览创新引入互动项目《神奇考古队之寻玉篇》。观众可佩戴设备，化身考古队员，在 虚拟空间亲手使用"金手铲"发掘，进行沉浸式考古体验。 本次展览由中国历史研究院主办、中国考古博物馆、中国历史研究院考古研究所承办，辽宁省文物考古 研究院、浙江省文物考古研究所、郑州市文物考古研究院和巴林右旗博物馆作为支持单位。展览将持续 至2026年10月31日。 值此新春马年到来之际，展览特别展出了商代妇好墓出土的玉马。这匹小巧的玉马是本次展览的"明星 展品"，玉质温润、造型 ...

原标题：虚拟金铲"挖"出玉宝贝 传统文化有了新表达——中国历史研究院珍藏玉器展开幕 殷墟妇好墓出土玉器中，象、蝉、虎、鹰等动物造型栩栩如生，尽显商代晚期精湛的玉雕工艺技术。展 览特别把这些动物放在一起，组成妇好的"动物园"。 这是"玉文化与中华文明——中国历史研究院珍藏玉器展"尾声混合现实互动体验项目《神奇考古队之寻 玉篇》中的环节。该展览于2月5日在中国考古博物馆开幕，由中国历史研究院主办，中国考古博物馆、 中国历史研究院考古研究所承办。 在这里，观众戴上虚拟现实设备，就能化身考古队员，"穿越"至商代传奇女性妇好的虚拟墓葬空间，亲 手使用"金手铲"发掘，与"复活"的玉熊、玉跪人、玉飞马互动，完成考古任务，获得独特的参与感和成 就感。 "玉文化与中华文明——中国历史研究院珍藏玉器展"汇聚中国历史研究院珍藏的155件（组）珍贵玉 器，自新石器时代肇始，纵贯夏商周、秦汉以至明清，系统阐释玉文化在中华文明起源、形成和发展中 的历程，凝练呈现中华文明五大突出特性的精神标识。 展览展现了玉器形制与技艺的演进，揭示了玉如何从原始祭祀之物升华为王权、礼仪、道德人格的象 征，并最终以和谐、温良、坚贞的品格融入我们民族的精神血 ...

Core Points - The exhibition "Wanfang Lezou You Yutian - Intangible Cultural Heritage Exhibition of Hotan Region, Xinjiang" showcases nearly 600 exhibits, highlighting 30 national and regional intangible cultural heritage projects, including traditional crafts like Adire silk weaving and Uyghur carpet making [1][5] - The exhibition offers an immersive experience through various forms such as video displays, skill demonstrations, and interactive activities, allowing visitors to appreciate the rich culture of Hotan [1][7] Group 1: Cultural Heritage - The exhibition features significant intangible cultural heritage items from the Hotan region, including Adire silk weaving, Uyghur carpet weaving, and traditional residential construction techniques [1][5] - The Adire silk, known for its vibrant colors and unique patterns, has been recognized as a national intangible cultural heritage since 2008, with Hotan being a key area for this craft [5][6] - The historical significance of jade from Hotan is emphasized, with archaeological findings dating back thousands of years showcasing the region's long-standing connection to jade culture [4][5] Group 2: Economic and Cultural Exchange - Hotan has historically been a vital point on the Silk Road, facilitating trade and cultural exchange between the East and West, with its jade and silk products playing a crucial role [4][7] - The region's silk production techniques were influenced by Central Plains agricultural practices, leading to Hotan becoming a major silk production area along the Silk Road [5][6] - The exhibition not only highlights the craftsmanship of the region but also aims to promote tourism and cultural appreciation, encouraging visitors to explore Xinjiang [7][8]

Core Viewpoint - The establishment of the Xiuyan Jade Culture Research Association and the launch of the Hongshan Culture "Eleven Virtues" jade cultural creative products signify a significant step in promoting the cultural transformation and innovative development of Xiuyan jade culture [1][3]. Group 1: Establishment of Research Association - The Xiuyan Jade Culture Research Association aims to provide a platform for the excavation, research, organization, dissemination, and creation of Xiuyan jade history [3]. - The association will gather efforts from various sectors to systematically explore the cultural connotations and contemporary value of Xiuyan jade [3]. Group 2: Cultural Creative Products - The launch event featured the Hongshan Culture "Eleven Virtues" jade cultural creative products, which include 11 pieces of jade artifacts corresponding to Confucius' "Eleven Virtues" [3]. - These products are designed to express Chinese excellent values and moral concepts through tangible jade artifacts [3]. Group 3: Future Development - The research association plans to deepen theoretical research and expand the development paths for cultural creativity, aiming to rejuvenate Xiuyan jade culture in the new era [3]. - A lecture on "Xiuyan Jade and the Origin of Chinese Civilization in Hongshan Culture" was conducted, emphasizing the need for further research on local and Northeast Neolithic jade culture [3].

Core Insights - The article highlights the significance of the Caoxieshan site in Suzhou, which is a crucial archaeological site representing the Neolithic culture in the Yangtze River Delta region [9][10][13] Summary by Sections Discovery and Historical Context - The Caoxieshan site was discovered in 1956 by Zhao Qingfang during a cultural relic survey organized by the Jiangsu Provincial Cultural Relics Management Committee [2] - The site covers an area of approximately 10,000 square meters and features a cultural layer thickness of about 15.5 meters, with significant archaeological findings [2][3] Archaeological Excavations - The site has undergone eight major excavations since its discovery, with the first excavation occurring from September 1972 to July 1973, revealing three overlapping cultural layers [3][4] - Subsequent excavations from 1992 to 1995 uncovered ancient rice paddy remains, providing direct evidence of rice cultivation origins [3][4] Cultural Layers and Findings - The site consists of ten cultural layers representing four cultural types, including the Majiabang culture, Songze culture, Liangzhu culture, and Wu-Yue culture from the Spring and Autumn period [5][10] - As of the end of 2021, 239 Neolithic tombs and 115 rice paddy remains have been discovered, along with over 1,800 artifacts [5][10] Significance of the Site - The Caoxieshan site is recognized for its complete cultural sequence, which is rare among ancient sites, and serves as a benchmark for studying prehistoric cultures in the Taihu region [10][11] - It is noted for the discovery of the earliest known artificial irrigation system in ancient rice paddies, marking it as a significant site for the study of rice agriculture origins [11][12] - The site also yielded the earliest known textile artifacts made from wild kudzu, showcasing advanced weaving techniques [12][13] Cultural Impact - The findings at Caoxieshan have profound implications for understanding the aesthetic values, craftsmanship, and cultural evolution in the Jiangnan region, reflecting the enduring charm of Chinese civilization [13]

Core Insights - The high-end jadeite market is experiencing unprecedented value reassessment and a golden era, highlighted by record auction prices and increasing interest from younger consumers [1][3][5] Market Trends - The high-end jadeite collection market is rapidly growing, with a 58% annual increase in participation from the younger demographic [3] - A significant reduction in high-quality jadeite supply from Myanmar, with a 30% annual decrease in production due to mining restrictions, is impacting market dynamics [3][5] Brand Strategy - Xiangzhengfu Jewelry is addressing industry challenges such as authenticity and pricing transparency by implementing a three-tiered assurance system, including blockchain traceability for each piece [7] - The brand emphasizes craftsmanship, with a quality control team led by national-level intangible cultural heritage masters, ensuring precision in jadeite products [7] Product Innovation - Xiangzhengfu is democratizing jadeite by introducing lightweight and versatile designs, making jadeite accessible for everyday use while maintaining its cultural significance [9] - The brand utilizes advanced technology, such as nano-coating, to enhance the durability of jadeite products, catering to modern consumer needs [9] Cultural Integration - The brand is leveraging digital technology to enhance cultural experiences, including live-streaming educational content about jadeite and offering customizable designs through AI [12] - Xiangzhengfu aims to connect jadeite with contemporary lifestyles, promoting it as a symbol of cultural confidence among younger consumers [12] Long-term Vision - The ultimate goal of Xiangzhengfu is to position jadeite as a timeless asset that transcends generations, emphasizing its emotional and cultural value [12][13]