据WETURE 9月首周短剧热度榜信息，由阅文短剧出品，改编自阅文男频IP的短剧《这个保镖太无敌了》强势破圈，热度断层领先，稳居周榜TOP1。在短 剧市场竞争日趋白热化的当下，《这个保镖太无敌了》以扎实的剧本设计、极具代入感的角色塑造和超高水准的打戏及特效，精准击中男频观众的核心需 求，在众多短剧作品中突出重围，体现了阅文短剧强大的精品内容创作能力。 资料显示，《这个保镖太无敌了》讲述了学武二十年的林霜下山保护"天药"研发者苏晚乔，成为苏氏集团一名贴身保镖，为守护"天药"林霜与苏晚乔联手与 各大世家势力斗智斗勇，在这个过程中二人暗生情愫，林霜解开了自己的身世之谜，并与杜家清算了恩怨情仇的故事。9月首周，《这个保镖太无敌了》热 度值超1000万，连续斩获了多个日榜热度TOP1，成绩断层领先，影响力领跑行业。 爆款的核心是抓人的故事。据了解，《这个保镖太无敌了》在剧本打磨阶段，阅文的编剧团队与导演至少进行了六轮的剧本精细打磨，一句台词的语气和断 句都可能经历数十次的修改和推敲。因此，这让这部短剧不仅能实现情节的强反转和快节奏，更能让人物行为与表达更加符合其自身的性格逻辑，引发受众 的情感共鸣。 | WETRUE ...

8月18日，由红果自制剧主办的"创作引航・光启新章"短剧行业编剧沙龙在杭州西溪湖畔举行。百余位编剧代表、行业嘉宾及三家承制方伙伴 齐聚一堂，通过政策解读、趋势洞察与实战经验共享，为行业提供切实可行的创作解决方案。 行业新阶段： 从"蓬勃生长"到"精耕细作" 过去几年，短剧凭借"情绪张力强、节奏紧凑"的内容特性实现快速增长。随着用户审美持续提升、平台审核日趋规范、商业化路径不断深化， 行业已迈入以质量为核心的"精耕时代"。但与此同时，内容同质化、创意难出圈、编剧成长路径缺失等问题也逐渐显现，创作者普遍面临"写 得好却推不动"、"跟不准风向"、"缺乏资源支持"等困境。 在此背景下，红果自制剧首次以编剧沙龙形式，创造"平台—编剧—承制方"的三方对话机会，通过各方分享创作和制作中的经验，增进彼此的 理解和协作，共同提升短剧品质，促进产业繁荣发展。 政策解读： 双重激励政策，激活创作生态源头活水 沙龙上半场，红果自制剧内容团队首先对2025年上半年的创作数据进行了系统复盘，深入分析了行业趋势与创作表现。随后，团队重点解读了 全新升级的剧本合作激励政策，特别强调加大对编剧群体的扶持力度——通过专项资源倾斜和制度保障，持续 ...

Group 1 - The article discusses the challenges and dynamics of the short drama industry, highlighting the transition from traditional writing to short scriptwriting [4][38][82] - It emphasizes the importance of understanding audience preferences and market trends, particularly the appeal of sensational and dramatic storylines in short dramas [25][66][70] - The industry is characterized by rapid changes in content style and audience demographics, with a focus on engaging a lower-tier market [65][66][63] Group 2 - The process of script approval is lengthy and often involves multiple revisions, with writers facing pressure to conform to market demands [43][44][70] - The financial structure of the industry is challenging, with writers often not receiving payment until scripts are approved and produced, leading to financial instability [42][88] - The competitive nature of the industry has increased, with more traditional media professionals entering the short drama space, intensifying the pressure on new writers [88][87] Group 3 - The article highlights the gender dynamics within the narratives of short dramas, often portraying women in stereotypical roles that reflect societal norms [30][23][26] - It discusses the impact of audience demographics on content creation, noting that many viewers are from lower-income backgrounds who may not critically engage with the material [66][67] - The industry is criticized for perpetuating harmful stereotypes and narratives, particularly regarding female characters, which can alienate more progressive audiences [23][30][25] Group 4 - The article concludes with a reflection on the unsustainable nature of the short drama industry for many writers, leading to high turnover and dissatisfaction [88][82] - It suggests that the industry's focus on quick returns and sensational content may not be conducive to long-term creative fulfillment for writers [88][82] - The narrative indicates a potential shift in the industry as it evolves, with opportunities for more nuanced storytelling emerging as audience preferences change [52][56]