（来源：衢州日报） 姑蔑人的举族南迁，不是简单的地理位移，而是文明属性的重塑。剥开历经风霜的封土，是早已封闭的 一条条墓道，长眠于此的人早已化成土，留下那些被岁月尘封了三十多个世纪的老陶器、原始瓷、古铜 器和老玉饰，在考古人的细心呵护下，它们开始一一重见天日。一块质地粗糙的老陶片，带着时光的温 度，见证着姑蔑人的生活日常：炊烟袅袅的茅草屋旁，妇人们正用它盛放谷物；篝火熊熊的台地上，男 女老少正围着它祭祀祈福。商周是奴隶制向封建制过渡、文化符号蜕变为甲骨文的特殊时代，在新石器 时代的生产力条件下，能做出如此精细的器物，足见姑蔑人的智慧与技艺。 在这里，还有一座高等级的墓葬，墓室采用两面坡"人字形"结构，这种之前仅在越王勾践父亲允常的印 山越国王陵中出现过的最高等级葬制，首次出现在浙西地区，暗示着墓主人非同寻常的身份。随葬品是 数百件青铜器、玉石器，还有一套造型精美的青铜车马器。这些长江以南地区出土数量最多的西周车马 器，包括銮铃、车軎、车辖等构件，其纹饰中的夔龙纹与陕西长安西周墓器物如出一辙，又在细节处融 入越地特色，它们比秦始皇陵的铜车马早五百多年，是中原礼制传入南方的直接证据。在多山多水的浙 西地区，《越绝 ...

Core Points - The exhibition "Myth of Rice Cultivation: Concepts, Beliefs, and Memories" is held in Bangkok to celebrate the 50th anniversary of China-Thailand diplomatic relations [1] - The exhibition focuses on the spiritual beliefs of rice cultivation civilization in the lower Yangtze River region, divided into four sections: "Creating Myths: Liangzhu State and Ritual Civilization," "Tracing Myths: Symbolic Beliefs of Mountain Climbing and Lake Crossing," "Nurturing Myths: Iconic Rituals of Hemudu Culture," and "Sharing Myths: East Asian Rice Cultivation Culture Circle" [1] - Zhejiang is highlighted as a significant area for rice cultivation civilization, with archaeological findings tracing back 10,000 years to the Shangshan culture, 7,000 years to the Hemudu culture, and over 5,000 years to the Liangzhu culture [1] - The exhibition aims to showcase the deep cultural values of rice cultivation civilization, allowing audiences from China and Thailand to appreciate its significance [1] - The event is a continuation of the recent "Liangzhu Forum" held in Hangzhou, emphasizing the historical continuity and achievements of Zhejiang's civilization [1][2] Organization and Duration - The exhibition is co-hosted by the Zhejiang Provincial Department of Culture, Radio, Television and Tourism, and the Bangkok Chinese Cultural Center, with the Zhejiang Provincial Institute of Cultural Relics and Archaeology as the organizer [2] - The exhibition will run until November 20 [2]

Core Points - The exhibition "Myth of Rice Cultivation: Concepts, Beliefs, and Memories" has opened in Bangkok, marking a significant cultural exchange between China and Thailand to celebrate the 50th anniversary of diplomatic relations [1][2] - The exhibition showcases archaeological findings from Zhejiang, a key origin of rice cultivation civilization, highlighting the shared and unique aspects of rice culture between Southern China and Southeast Asian countries [1] - The exhibition features four main sections: "Creating Myths," "Tracing Myths," "Nurturing Myths," and "Sharing Myths," using artifacts, replicas, and interactive content to illustrate the development of rice cultivation beliefs [1] Additional Information - A global online exhibition is also launched to construct a "Myth of Rice World," aiming to convey the spiritual essence of rice cultivation civilization [2] - The exhibition will run until November 20, serving as an important cultural event for the ongoing cooperation between China and Thailand in cultural and academic fields [2]

Core Viewpoint - The original cultural tourism drama "The Living Culture of Shangshan: Tangxi Legend" successfully revives the ancient rice farming civilization of Tangxi through local villagers' performances, emphasizing cultural authenticity and community involvement [1][5]. Group 1: Narrative and Performance - "The Living Culture of Shangshan: Tangxi Legend" adopts an "anti-professional" narrative approach, featuring local villagers as the main characters, which allows for a genuine expression of their cultural heritage [2]. - The performances incorporate everyday actions and gestures, creating a relatable and authentic representation of the ancient civilization [2]. Group 2: Language and Cultural Identity - The use of Tangxi dialect and colloquial expressions throughout the drama serves as a powerful tool for building cultural identity and emotional connections with the audience [3]. - The dialogue reflects local life, enhancing the audience's engagement and fostering a sense of shared cultural roots [3]. Group 3: Cultural Continuity and Innovation - The drama effectively connects historical elements with contemporary life, using existing cultural practices like the "Baodao Festival" as a foundation for storytelling [4]. - It transforms historical artifacts and narratives into a cohesive narrative that resonates with modern audiences, bridging the gap between past and present [4]. Group 4: Community Empowerment and Economic Impact - The success of "The Living Culture of Shangshan: Tangxi Legend" has empowered villagers to become active participants in cultural creation and tourism, leading to the development of new cultural products and performances [5]. - This initiative has stimulated local tourism, creating a positive economic cycle that integrates culture with various aspects of community life, such as dining, accommodation, and entertainment [5][6]. Group 5: Cultural Heritage and Modern Relevance - The drama illustrates a path for cultural heritage to engage with grassroots communities, demonstrating that the most profound cultural expressions often emerge from everyday life [6]. - By allowing local people to reclaim ownership of their cultural narratives, the drama transforms cultural knowledge from a static concept into a dynamic and relatable lifestyle [6].

Core Insights - The article highlights the significance of the Baodun archaeological site as a crucial part of ancient Shu civilization, showcasing its historical and cultural importance in the Chengdu Plain region [3][5][14] Archaeological Significance - Baodun Ancient City, dating back approximately 4,500 to 3,700 years, is recognized as the earliest and largest prehistoric city site in the upper Yangtze River region, often referred to as the "source of ancient Shu civilization" [3][5] - The site features a well-preserved city wall, measuring 6 meters high and 6.2 kilometers in circumference, constructed using a sloping embankment method, which served both defensive and flood control purposes [6][8] Cultural Artifacts - Archaeological findings include carbonized rice seeds, indicating that rice was a staple crop for the Baodun people, with evidence of the oldest known rice paddy in the Chengdu Plain discovered at the site [9][10] - The discovery of various pottery, including cooking and storage vessels, reflects the aesthetic sensibilities of the Baodun people, with decorative patterns indicating the importance of water resources and rice cultivation in their culture [11] Educational and Tourism Development - The New Jin District is leveraging the Baodun site for educational tourism, establishing archaeological workstations and engaging in various educational activities, attracting over 200,000 visitors in 2024 [12][14] - The integration of cultural heritage with tourism is evident in the establishment of tea houses and local products, promoting the Baodun culture while supporting rural revitalization efforts [13][14]

Core Insights - The Qujialing culture is recognized as the earliest officially named Neolithic archaeological culture in the middle reaches of the Yangtze River, significantly altering the traditional view of the cultural center of the Yellow River basin and proving that both the Yangtze and Yellow River basins are origins of Chinese civilization [5][6][11] Archaeological Significance - The Qujialing site, discovered in 1954, has yielded rich cultural relics that provide insights into the development of prehistoric civilization in the Jianghan Plain, covering major stages of the late Neolithic period [6][9] - The site includes the earliest known water conservancy systems in China, with the Xiongjialing water system being the most complete prehistoric water management system discovered to date [11] Agricultural Developments - The Qujialing site has revealed the earliest evidence of rice cultivation in the middle Yangtze River region, with carbonized rice grains being the most abundant among the agricultural remains found [7][8] - The agricultural practices established during the Qujialing culture have persisted, with the Jianghan Plain remaining a significant rice production area in China today [7] Cultural Artifacts - The site is notable for its diverse pottery, including egg-shell thin pottery and black pottery, showcasing advanced ceramic techniques and aesthetic values of the time [8][9] - Artifacts such as carbonized grains and various pottery forms indicate a sophisticated understanding of agriculture and craftsmanship among the Qujialing people [7][8] Architectural Innovations - The discovery of a large architectural site (F38) with over 70 foundational stone bases (zhaizun) provides evidence of advanced construction techniques and suggests the existence of a significant public ceremonial building [9][10] - The architectural findings contribute to the understanding of ancient Chinese building practices and social organization during the Qujialing culture [10] Educational Outreach - The Qujialing National Archaeological Park has engaged in extensive educational activities, reaching over 500,000 students through various programs aimed at promoting awareness of the Qujialing culture [12]