艺术融合
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百戏入皖:双向奔赴的梨园和声
Xin Lang Cai Jing· 2025-12-25 01:00
(来源:新安晚报) 转自:新安晚报 "梅开三度"的沈铁梅,是川剧历史上唯一的"梅花大奖"得主,二○二五年十一月十九日和二十日,作 为"百戏入皖 ·星耀合肥"十一月的重磅演出,沈铁梅带着《李亚仙》再度来到合肥。台上沈铁梅通过喜 怒娇嗔传递着爱恨情愁,"奴愿为你痴心等,哪怕等到满头银。满头银,还要等,只为你,满头银,不 灰心!过往行人不见影。"台下戏迷如痴如醉。"何人见我那心上人?"对于戏迷而言,百戏入皖的剧目 与星光,便是所想欲见的"心上人"。 秋分时刻至今,冬意日深,梅香更浓。 好戏开场 毕竟,扬州盐商的戏船曾载着徽班辗转于运河两岸,《扬州画舫录》里的"徽部迭兴,踵事增华",流动 的也是中华戏曲的长卷;程长庚在广德楼挑起徽班大梁时,将昆腔的雅致、秦腔的激越熔铸成新的艺术 语言,正如他在《群英会》中饰演鲁肃时的念白:"天下事非一人所能独理",道出了艺术融合的真谛。 这里面有中国戏曲文化中海纳百川的气度。程长庚说的是徽班在京城站稳脚跟的原因,深一步言,也是 中国戏曲艺术从地域文化到民族审美的实践。 安徽是戏曲大省,现有31个剧种。徽剧依然铿锵有力地唱着《临江会》和莎翁的《麦克白》,黄梅戏依 旧宛转悠扬地唱着《天仙 ...
在湖光月色和千年文明的交织里,感受考古与音乐的跨界共鸣
Su Zhou Ri Bao· 2025-10-07 00:27
Core Viewpoint - The "Stone Lake Night" Mid-Autumn Concert, organized by the Suzhou Cultural, Radio, Television and Tourism Bureau, successfully blended traditional and modern elements, showcasing a rich cultural experience through music and art [1][2][3][4] Group 1: Event Overview - The concert featured performances by He Orchestra and Suzhou Philharmonic Orchestra, creating a dialogue between classic and innovative music [1] - The event took place at the Suzhou Archaeological Museum, enhancing the cultural atmosphere with historical artifacts [1][2] Group 2: Musical Highlights - The performance included adaptations of classic themes, such as the martial arts classic "Laughing in the Red Dust," which resonated with the spirit of heroism reflected in the museum's artifacts [1] - The theme song from the film "Huo Yuanjia" was performed, emphasizing the dedication to national dignity and the global spread of Chinese martial arts [1] - The concert also featured the theme from "Romance of the Three Kingdoms," which deepened the audience's understanding of historical narratives and the complexities of imperial power [2] Group 3: Cultural Significance - The concert highlighted the emotional connection to Chinese culture, with pieces like "Spring River Flower Moon Night" and "Wishing for Longevity" expressing themes of reunion and cultural heritage [3][4] - The integration of archaeological discoveries into the concert narrative allowed the audience to engage with history and appreciate the continuity of cultural values [4] - Interactive elements, such as riddles related to the cultural context of the Stone Lake, encouraged audience participation and connection to local heritage [4]