原标题：百年光影 对话故宫今昔 拼版照片：上图为20世纪初拍摄的午门及西雁翅楼（故宫博物院供图）；下图为2025年10月10日拍摄的 午门及西雁翅楼（新华社记者金良快摄）。 2025年10月10日，故宫博物院迎来百岁生日。故宫是世界上规模最大、保存最完整的木结构宫殿建筑 群，是世界文化遗产。一百年来，从萌芽诞生到曲折成长、从步履维艰到阔步前行、从探寻求索到锐意 创新的发展历程，故宫徐徐铺陈一幅"换了人间"的百年画卷。 百年光影流转，变的是岁月风貌，不变的是文明传承的力量。 新华社发 【1】 【2】 【3】 【4】 ...

在电影《英雄》里，"为天下舍小我"的故事打动人心，其插曲《悲情沙漠》更将沙漠的苍凉与侠义 的悲壮诠释得淋漓尽致。音乐会上，苏州爱乐乐团团长周博超用小提琴的琴弦勾勒出沙漠的辽阔与英雄 的深情。小提琴的悠扬与乐团的伴奏，让人仿佛置身沙漠，触摸到英雄的赤诚。而国风的魅力不只在于 壮阔的意境，更在于文人雅士的细腻情怀。《兰亭序》的演绎将"飘如游云，矫若惊龙"的书法意境融进 旋律，让人们在音符里感受王羲之笔下的雅韵。 从书法雅韵中走出，音乐会回归到最朴素的情感中。中国人对团圆美好的期盼，既藏在文物的纹样 里，也藏在诗词的字里行间。苏轼的"但愿人长久，千里共婵娟"道尽古今共通的心愿，和・乐团用《但 愿人长久》的优美旋律，把这份祝福送给在场观众，让大家在温柔的音符里感受文化的传承与情感的共 鸣。演出最后，中国社科院学部委员、德国考古研究院通讯院士、著名考古学家王巍献上一首《敢问路 在何方》，为音乐会画上圆满句号。 从王朝的宏大叙事中走出，演出又将目光转向江南水乡的温婉。博物馆内，水井里出土的陶器，樊 村泾遗址出土的瓷器……一件件江南水乡器物里都藏着"水"的柔情，这份柔情正与乐曲《苏州河》不谋 而合。当旋律响起，江南的烟雨、 ...

这场以大河为名的聚会虽已落幕，却将一条河流与一个文明的对话刻进时光。我们不仅聆听了浩荡的历 史回响，也触摸到了那些被黄河泥沙默默守护千年的文明秘语——它们分别藏在了陶纹经纬间、堤坝肌 理中、基因序列里，无声地回答着"何以中国"的永恒之问。 □朱波 近日，"何以中国·黄河安澜"网络主题宣传活动在河南落下帷幕。自启动以来，活动以大河为名，赴安 澜之约，围绕"中华源""民族魂""万象新"三大篇章，系统梳理黄河文化的根脉传承、治水智慧与时代新 貌，深刻回应了"何以中国"这一宏大命题，获得广泛的社会关注与积极反响。 就连泥沙，也是历史的书写者。地质岩芯中的花粉与炭粒，默默记录气候变迁如何影响农耕与游牧文明 的互动节奏。它无时无刻不在提醒着我们，北宋纵然技术先进，仍难逃黄河改道之困；真正的智慧从来 不是征服自然，而是读懂河流律动，与之共生。 黄河的伟大，因其混沌吞吐万千气象，因其包容文明在激荡中生生不息。陶片、堤坝、草秸、基因、花 粉……这些微不足道的事物，用数千年的沉默诉说文明的真谛——在差异中融合，在顺应中创新，在时 间里沉淀。 "何以中国·黄河安澜"采风活动暂告一段落，但对黄河的解读永无终章。我们应该记住的，不仅是 ...

中国经济网北京9月24日讯（记者 魏金金）古城是中华文明五千年绵延不断的实物见证，承载着丰富的 历史信息，我国古城资源遍布全国，几乎每个省、自治区、直辖市都有代表性的古城或古镇。当前，我 国古城资源正处于 "保护、修复、利用、发展" 多重任务交织的关键时期。 每座老府城、老县城的传统风貌如何、历史文脉何在？需加保护的老城及历史街区如何划定、如何监 测？一直是文化遗产保护工作中的难题。在9月23日晚，2025北京文化（000802）论坛重要成果发布专 场活动现场，南京大学党委副书记、中华文明数智创新实验室主任陈云松现场发布了"中华古城数字图 谱集成"工程。 与此同时，该工程还打造了中华古城风貌重建平台，选取典型古城，借助无人机、激光雷达、三维点云 和AI技术进行数字风貌复原和智能形态修复，并生成多维度文明图谱。 为了推动人人参与文脉传承，项目发起了中华古城守护者行动，通过上线小程序、推广二维码等方式， 广泛吸引社会力量参与保护。 陈云松表示，面向千年文脉赓续的历史重任，当以科技赋能为引擎，以数智融合为路径，探索文明传承 的"中国范式"，为全球人类历史聚落遗产的保护贡献东方智慧。 陈云松介绍，南京大学中华文明数智 ...

Core Insights - The article emphasizes the dedication and passion for archaeology, highlighting the importance of preserving cultural heritage and the responsibility of passing on knowledge to future generations [1][3]. Group 1: Archaeological Practices - The implementation of "green excavation" methods in archaeological sites, such as in the Sand River site in Anhui, aims to maintain the spatial relationship of burial pits while preserving the site's topographical features [2]. - The "minimal intervention" excavation method used in the Dongyang East Wu tomb allows for the preservation of structural information, enhancing future protection and display efforts [2]. Group 2: Education and Public Engagement - The organization has initiated public outreach programs, such as "Archaeology into Primary and Secondary Schools," to educate the younger generation about archaeology in an engaging manner [3]. - The use of modern communication methods, including short videos, is being explored to disseminate archaeological discoveries and foster a greater appreciation for cultural heritage among the public [3]. Group 3: Personal Commitment and Future Aspirations - Despite the challenges of the archaeological profession, there is a strong commitment to continue contributing to the field and exploring historical depths even as retirement approaches [3].

Core Viewpoint - The "Museum on the Shelf" series (Volume II) was launched, featuring four books that explore archaeological findings and their historical significance, aiming to engage readers, especially youth, in cultural heritage [1][2]. Group 1: Series Overview - The series includes four titles: "The Mystery of the Tomb of Qin Shi Huang," "Mysterious Patterns on Bronze Ware," "The Mystery of Liangzhu Jade," and "Secrets of the Mountain in the Ten Thousand-Year Rice Seed" [1]. - The series aims to track the latest archaeological discoveries and reveal the historical stories and cultural connotations behind artifacts, making it both informative and engaging for readers [1]. Group 2: Expert Involvement - The Zhejiang Photography Publishing House has appointed nine renowned experts in archaeology, history, and cultural heritage as advisors to ensure the accuracy and rigor of the archaeological knowledge presented in the series [2]. Group 3: Educational Impact - The series is designed to break down barriers of time, discipline, and generational gaps, presenting civilization stories in a way that resonates with children, thereby fostering their humanistic feelings and scientific literacy [1].

Group 1 - The event "New Journey's Strivers" was held by the State Council Information Office, highlighting the dedication of cultural heritage workers in China [3][4] - The fourth national cultural relics census has commenced, with significant achievements including the successful application for UNESCO World Heritage status for the Beijing Central Axis and the return of 211 cultural relics [3][6] - The number of visitors to museums in China exceeded 1.4 billion in a year, showcasing the growing public interest in cultural heritage [3] Group 2 - Wang Long, a representative from the Turpan Research Institute, reported on the discovery of 74 ancient sites during a comprehensive survey of the Tianshan region [3][6] - Song Shuxia from the Dunhuang Research Institute emphasized the importance of cultural interpretation in bridging ancient and modern civilizations [4][6] - Xia Gewangdui, a deputy director from the Tibet Autonomous Region, announced the inclusion of the Konma Manzhuo site in the top ten archaeological discoveries of 2024 [6][7] Group 3 - Liu Hanxing from the China Cultural Heritage Research Institute highlighted the role of cultural relics protection in facilitating international cultural exchanges [6][8] - The efforts of local guardians, such as Liu Hongyan, in preserving the Great Wall reflect a collective commitment to cultural heritage among communities [9][10] - The narrative of cultural heritage preservation is portrayed as a continuous journey, with each generation contributing to the safeguarding of civilization [8][10]