（来源：内蒙古日报） 转自：内蒙古日报 □刘春子 草原的风掠过琴箱，马尾弓弦轻触的刹那，一声温厚的吟唱自木与皮的共振中升起。那不只是声音，是 苏和白马踏过千年的蹄声，是中华民族精神血脉中一脉悠长的回响。 马头琴的魂，深植于中华文明的厚土。其源可溯至唐宋时期的奚琴，那是东胡系奚人所创的弓弦乐器， 《乐书》载其"以竹片轧之"，音色凄清哀婉，为后世胡琴类乐器之滥觞。唐宋以降，奚琴随民族迁徙与 文化交流渐入中原，与汉族音乐文化交融互渗，逐渐演变为嵇琴、胡琴等形制，在《梦溪笔谈》《事林 广记》等典籍中记载了由北而南、由胡而汉的传播轨迹。至元代，弓弦乐器在宫廷与民间全面兴盛。 《元史·礼乐志》所载"火不思"、"胡琴"等乐器，标志着这一艺术形式与中原礼乐制度的深度融合。其 时"龙首胡琴"的宫廷样式，"卷颈龙首，二弦，用弓捩之"，已具后世马头琴的基本特征。明清之际，科 尔沁、喀喇沁、鄂尔多斯等地的民间艺人，根据实际需要，不断改良乐器形制：以整块白松、红柳或枫 木挖空制作共鸣箱，蒙以皮革以适应干燥气候；琴弦取公马尾之刚劲、母马尾之柔韧，以调节音色的明 暗层次；弓杆选用藤条或弹性木材，弯曲如满月，便于演奏时保持平衡。 马头琴将琴 ...

Core Viewpoint - The articles depict the intertwining lives of two characters, Qimuge, a music teacher, and Dawei, a village official, highlighting themes of love, cultural identity, and the beauty of nature through vivid imagery and symbolism. Group 1: Characters and Relationships - Qimuge is portrayed as a passionate music teacher whose songs resonate with the essence of spring, symbolizing hope and renewal [2] - Dawei, a village official, utilizes his agricultural knowledge to improve fruit tree varieties, representing community service and dedication [2] - Their relationship is illustrated through shared moments in nature, emphasizing their connection to the land and each other [2] Group 2: Nature and Symbolism - The imagery of pomegranate flowers is used to symbolize love and cultural unity, representing the merging of different backgrounds [1][2] - The pomegranate seeds are metaphorically described as small notes of music, signifying the interconnectedness of individuals and their experiences [3] - The natural landscape, including the Xiliao River and the Khorchin grassland, serves as a backdrop for the characters' emotions and memories, enhancing the narrative's depth [3]

转自：CGTN #2026马年春节#【当马年遇上马头琴，听山河远阔，也听见内心回响】马年新春，万物奔腾。对世代生 活在草原上的蒙古族而言，马不仅是刚健雄壮、自强不息的象征，更是相伴千年的伙伴与精神图腾。马 头琴，这件因琴杆顶端雕刻马头而得名的传统拉弦乐器，便诞生于这份深厚的情谊之中。它的音色悠扬 深沉，像风穿过草原，像马蹄踏过心间，是游牧民族刻在声音里的记忆。跟随琴声，一起穿行于草原与 城市之间，听一把琴如何串起传承的轨迹，听一段旋律如何诉说一个文化的故事，也听它如何在时代中 久久回响。新的一年，愿这来自草原的琴声，陪你听见山河远阔，也听见内心的回响。 #2026马年春节 # #CGTN超级夜看春晚# #CGTN超级夜# #马年春晚# The morin khuur, also known as the horse-head fiddle, takes its name from the carved horse head atop its neck. A traditional stringed instrument of the Mongolian ethnic group, its sound imit ...

1月9日，吉林省松原市前郭县郭尔罗斯民族乐器厂马头琴制作培训基地，国家级非物质文化遗产马头琴制 作技艺省级代表性传承人白苏古郎在制作马头琴。本报记者 刘月杨摄 1月8日，吉林省松原市鼎润文化创意产业园马头琴教室，老师巴根那（左）向学生和家长讲解马头琴制作 步骤。本报记者 王 玥摄 1月8日，在吉林省松原市鼎润文化创意产业园拍摄的包括马头琴在内的蒙古族乐器。本报记者 刘月杨摄 1月9日，吉林省松原市前郭县蒳荷芽社区党群服务中心，居民在学习制作马头琴。本报记者 刘月杨摄 2019年7月13日，吉林省松原市查干湖畔，前郭县以2019把马头琴齐奏刷新了当时的吉尼斯世界纪录。王 佳亮摄（中经视觉） 马头琴是常见的蒙古族弓弦乐器，因琴首雕刻有马头而得名。位于查干湖畔的松原市前郭尔罗斯蒙古族自 治县，有着"中国马头琴之乡"的美誉。该县的"蒙古族马头琴音乐"与"马头琴制作技艺"，分别于2008年和 2011年被列入国家级非物质文化遗产名录。 前郭县蒙古族马头琴的琴身为木制，有两根弦，细长的琴杆所连接的共鸣箱大多呈梯形，并配有一把与琴 体分离的琴弓。马头琴制作需选用自然干燥3年以上的木料，如红木、黑檀等，经手工雕刻、蒙皮等30 ...

吉林松原前郭尔罗斯蒙古族自治县，有着"中国马头琴之乡＂的美誉。这里的"蒙古族马头琴音乐"与"马 头琴制作技艺"，先后被列入国家级非物质文化遗产名录。当地的马头琴齐奏更是三次创造了吉尼斯世 界纪录，气势震撼。 聆听一曲悠扬马头琴，感受非遗里的草原深情。 （来源：经济日报） 转自：经济日报 ...

Core Viewpoint - The concert showcased the versatility of the Morin Khuur, an ancient instrument with over 800 years of history, blending various musical genres and captivating the audience with its modern interpretations [1][2] Group 1: Event Highlights - The concert took place at the Hohhot Sports Center, featuring a high-tech opening with robots leading the countdown [1] - The performance included innovative collaborations, such as the Morin Khuur with cello in "Chorale Song" and harp in "Nomadic Time," revitalizing classic songs [1] - A unique rendition of the folk song "Wild Goose" combined the Morin Khuur with Peking opera elements, showcasing a deep artistic dialogue [1] Group 2: Audience Reception - The concert effectively balanced classical and popular music, resonating emotionally with audiences of all ages, as noted by attendees [2] - Audience member Ms. Bai expressed surprise at the diverse expressive capabilities of the Morin Khuur, indicating a successful engagement with the audience [2] Group 3: Future Plans - The "Impression" Inner Mongolia Morin Khuur concert series is organized by the Inner Mongolia Autonomous Region Publicity Department and is set to begin a national tour by the end of 2025, having already completed three performances [2]

Group 1 - The core event was the cultural tourism and "dual recruitment and dual introduction" promotion conference held in Beijing for Uxin Banner, Ordos City, Inner Mongolia, aimed at showcasing the region's unique resources and development potential [2] - The event featured thematic promotions, expert discussions, and project displays to deepen cooperation between Beijing and Inner Mongolia for high-quality development [2] - A presentation by a professor from Beijing International Studies University emphasized the importance of systematically building a brand narrative for Uxin Banner, suggesting the use of diverse communication methods to promote the "Green Uxin" story [2] Group 2 - The event included a showcase area for Uxin Banner's specialty products, featuring high-quality dairy products, beef and mutton, sandy land agricultural products, as well as cultural creative products like horsehead fiddles and ethnic handicrafts [2] - The showcase attracted numerous guests who engaged in tasting, consultation, and exchanges about the products [2]

Core Viewpoint - The article emphasizes the importance of integrating excellent ethnic music culture into higher education music programs to enhance cultural transmission and development in contemporary society [1][2][3][4]. Group 1: Curriculum Development - A comprehensive curriculum system should be established, including "basic general courses + professional courses + extension courses + practical courses" to deepen students' understanding of ethnic music culture [1]. - Basic general courses should cover topics like "ethnic folk music" and "theory of ethnic music" to enhance students' historical and emotional comprehension of ethnic music [1]. - Professional courses should include "history of ancient Chinese music" and "appreciation of classical music masterpieces" to cultivate students' aesthetic values [1]. Group 2: Innovative Teaching Methods - Digital technologies should be utilized to create more engaging and experiential music classes, allowing students to showcase their understanding of ethnic music culture in diverse contexts [2]. - Multimedia technology can be employed to present valuable visual materials related to ethnic music culture, making its regional characteristics more tangible [2]. - Virtual and augmented reality technologies can create immersive teaching environments, helping students grasp the aesthetics and cultural significance of ancient music [2]. Group 3: Online Platforms for Cultural Transmission - Higher education institutions should strengthen the dissemination of ethnic music culture through online platforms, creating a new educational resource area for ethnic music culture [3]. - A shared "cloud library" should be developed to integrate various music cultural resources, including folk songs and instrumental music, to better serve music education [3]. - The integration of ethnic music culture into existing online education platforms can provide diverse educational support for students to appreciate classic works and conduct research [3]. Group 4: Practical Activities for Student Development - Practical teaching is essential for promoting students' comprehensive development, with various activities centered around ethnic music [4]. - On-campus activities should include music culture festivals and original music competitions to support the cultivation of ethnic music talent [4]. - Community outreach programs should bring ethnic music culture to grassroots areas, enhancing students' understanding of cultural transmission through practical engagement [4].

Core Viewpoint - The China Uxin Horsehead Fiddle Symphony Orchestra is promoting the unique cultural heritage of Inner Mongolia through a series of performances across major Chinese cities, aiming to bridge cultural dialogues and enhance economic attractiveness through music [1][2]. Group 1: Cultural Impact - The orchestra, established in 2010, is the only national symphony orchestra that primarily uses the horsehead fiddle, showcasing the integration of traditional and modern music [1][4]. - Performances in cities like Xi'an and Guangzhou have demonstrated the ability of ethnic music to resonate with urban audiences, blending traditional sounds with contemporary themes [2][3]. - The orchestra's innovative approach includes the fusion of horsehead fiddle music with various genres, reflecting the rich cultural tapestry of China [4][5]. Group 2: Community Engagement - Since 2025, the orchestra has conducted nearly 100 performances across 12 provinces, including community outreach programs that bring high-quality music to local audiences [6]. - The orchestra has engaged over 100,000 people through more than 1,000 grassroots performances and educational programs, establishing a "China Horsehead Fiddle Culture Research Center" and a "Horsehead Fiddle Museum" [5][6]. Group 3: Future Initiatives - The orchestra plans to join the Western Theater Alliance to expand its reach and is developing themed concerts that highlight local culture and environmental themes [7]. - The Uxin region is focusing on integrating cultural and tourism industries to create new consumption scenarios and enhance regional cultural branding [7].

Core Points - The "Intangible Cultural Heritage Under the Great Wall" event was launched at Gubei Water Town, showcasing over fifty intangible cultural heritage skills [1][2] - The event featured live demonstrations by inheritors of various traditional crafts, including rabbit figurines, Luban pillows, and Yangjiabu woodblock New Year paintings [1] - A highlight of the evening was a drone show with 400 drones performing various cultural displays against the backdrop of the Simatai Great Wall [1] Group 1 - The event was co-hosted by the China Intangible Cultural Heritage Protection Association, Beijing Municipal Bureau of Culture and Tourism, and the People's Government of Miyun District [1] - Gubei Water Town transformed into an "interactive intangible cultural heritage exhibition park" during the event [1] - Performances included traditional music and dance, such as the Shaanxi Yangge and Yang-style Tai Chi, enhancing the cultural experience for visitors [1] Group 2 - The event also included over a hundred decentralized performance nodes and concentrated exhibitions, featuring intangible cultural heritage inheritors from 16 provinces, municipalities, and autonomous regions across China [2] - Various forms of engagement were offered, including performances, teaching sessions, and sales, integrating intangible cultural heritage into the scenic area [2]