日月岛广场作为"长城非遗剧场"，在夜色中迎来高潮。浙江长兴百叶龙率先登场，由荷花灯连缀而成 的"天下第一龙"在夜空翩跹起舞。压轴登场的是科技与传统交融的无人机大秀，400架无人机以司马台 长城为天幕，依次呈现元宵节·九曲黄河阵灯俗，川剧变脸，皮影戏最终定格为"长城脚下见非遗"的璀 璨字样。 与此同时，水镇各处还设置了百场分散式节点演艺与集中型展演，来自全国16个省、市、自治区的百位 非遗传承人齐聚于此，通过演出、教学、展销等多种形式，让非遗融入景区。 新京报讯（记者吴婷婷）9月23日，中国非物质文化遗产保护协会、北京市文化和旅游局、密云区人民 政府联合主办的"长城脚下见非遗"主题活动在古北水镇启幕。活动期间，古北水镇化身为"可触摸的非 遗博览园"。日月岛广场上，兔儿爷、鲁班枕（瞎掰）、杨家埠木版年画、扬州绒花制作等五十余项非 遗技艺由传承人现场展示。 夜幕降临，水镇灯火初上，游客乘摇橹船缓缓穿行于河道，两岸非遗演出如流动的画卷徐徐展开。雁归 码头处，火不思与马头琴琴声辽阔悠远，月老祠桥上，陕北秧歌欢腾热烈。船至英华桥，鱼龙灯巡游队 伍成为焦点，绚丽的鱼龙灯在匠人操控下栩栩如生。杨氏太极拳在岸边舒缓起势，尽显武 ...

Core Viewpoint - The article highlights the cultural significance and economic impact of traditional Mongolian arts, particularly focusing on the promotion of intangible cultural heritage through various exhibitions and local craftsmanship in Inner Mongolia's Xiang'an League [1][7]. Group 1: Cultural Heritage and Arts - The Xiang'an League's cultural center features various exhibitions, including traditional performances and displays of ethnic costumes, showcasing the vibrancy of grassland arts [1]. - The center serves as a platform for promoting Mongolian culture, with a focus on traditional instruments like the Morin Khuur (horsehead fiddle), which plays a vital role in Mongolian celebrations and daily life [2]. Group 2: Economic Impact and Employment - The establishment of the Mengdi Cultural Development Company by Wang Sheng has created job opportunities for local herders, with 80% of the workforce being from the village, contributing to local economic development [2]. - Each employee at the company earns an additional income of 3,000 to 5,000 yuan per month through the production and teaching of Morin Khuur [2]. Group 3: Educational Initiatives - The company also engages in community support by donating musical instruments and providing free lessons in Morin Khuur playing to local herders, fostering cultural transmission and skill development [2]. - The center features a section dedicated to traditional Mongolian medicine, where visitors can learn about the production of Mongolian herbal incense, further promoting local heritage [3][5]. Group 4: Community and Cultural Identity - The cultural center, which opened in October of the previous year, aims to strengthen national unity and cultural confidence through interactive experiences that resonate with the local population [7]. - The center recreates architectural scenes from six counties in the Xiang'an League, enhancing the visitor experience and showcasing regional diversity [3][7].

Core Viewpoint - HAYA band aims to showcase the unique charm of Chinese music through the fusion of ethnic and modern music, breaking the boundaries of traditional music and integrating elements from various cultures [1][2][3] Group 1: HAYA Band Overview - HAYA band was established in 2006 and focuses on world music based on ethnic music, featuring members from various ethnic backgrounds, including Mongolian, Sibe, and French [2][3] - The band has expanded its musical reach from Mongolia to international stages, participating in various cultural events and television shows [2][3] Group 2: Musical Fusion and Innovation - The band emphasizes the importance of integrating modern music elements, such as electronic music, while maintaining the core characteristics of Mongolian music [3][4] - HAYA band leader, Quan Sheng, has modified the Morin Khuur (horsehead fiddle) to adapt to modern performance needs, enhancing its sound and expressiveness [3][4] Group 3: Global Reception and Cultural Exchange - HAYA band has received positive responses from international audiences, indicating a strong emotional connection through their music [5][6] - The band aims to transcend ethnic boundaries by incorporating diverse musical elements, promoting a more inclusive understanding of music [5][6] Group 4: Future of Ethnic Music - The rise of AI in music creation is seen as a double-edged sword; while it lowers barriers for music composition, it cannot replicate the unique qualities of ethnic music [5][6] - The future of Chinese ethnic music relies on nurturing talent and encouraging creativity among young musicians, ensuring the preservation and evolution of cultural heritage [6]