Group 1 - The core event was the cultural tourism and "dual recruitment and dual introduction" promotion conference held in Beijing for Uxin Banner, Ordos City, Inner Mongolia, aimed at showcasing the region's unique resources and development potential [2] - The event featured thematic promotions, expert discussions, and project displays to deepen cooperation between Beijing and Inner Mongolia for high-quality development [2] - A presentation by a professor from Beijing International Studies University emphasized the importance of systematically building a brand narrative for Uxin Banner, suggesting the use of diverse communication methods to promote the "Green Uxin" story [2] Group 2 - The event included a showcase area for Uxin Banner's specialty products, featuring high-quality dairy products, beef and mutton, sandy land agricultural products, as well as cultural creative products like horsehead fiddles and ethnic handicrafts [2] - The showcase attracted numerous guests who engaged in tasting, consultation, and exchanges about the products [2]

任洪胜 感染力和体验性 高校音乐教育中，需要运用数字技术打造更具感染力和体验性的音乐课堂，让学生自觉实现知行转化， 将所领悟到的优秀民族音乐文化魅力在多元场域中展示出来。利用多媒体技术，还原与优秀民族音乐文 化相关的珍贵影像资料，完美复现其原生态文化场域、风土人情，让优秀民族音乐文化的地域性变得更 为具象可感；借助虚拟现实技术、增强现实技术等创设沉浸式教学情境，如让学生通过佩戴VR设备穿 越回古代，置身宫廷宴会，感受古老编钟的独特美学及背后隐含的礼乐文化和礼乐制度，进而在情景化 民族音乐教育中，辅助学生进一步增强对优秀民族音乐文化内涵与演奏要领的掌握。充分发挥先进人工 智能技术的智能导航和个性化服务优势，在与学生智能交互过程中记录其音乐思维、音乐创造力、审美 观念、学习习惯等，继而智能生成与学生最近发展动态相一致的学习内容，基于学生的理论偏好、演艺 特长、创作优势等提供个性化学习支持，助力学生实现多元发展。 开拓网络阵地，促进民族音乐文化保护与传承 高校加强优秀民族音乐文化教育，应在立足传统课堂的基础上，进一步强化优秀民族音乐文化的传播效 果和宣传效果。当前，网络新阵地已成为推进高校人才培养工作实现转型发展的 ...

Core Viewpoint - The China Uxin Horsehead Fiddle Symphony Orchestra is promoting the unique cultural heritage of Inner Mongolia through a series of performances across major Chinese cities, aiming to bridge cultural dialogues and enhance economic attractiveness through music [1][2]. Group 1: Cultural Impact - The orchestra, established in 2010, is the only national symphony orchestra that primarily uses the horsehead fiddle, showcasing the integration of traditional and modern music [1][4]. - Performances in cities like Xi'an and Guangzhou have demonstrated the ability of ethnic music to resonate with urban audiences, blending traditional sounds with contemporary themes [2][3]. - The orchestra's innovative approach includes the fusion of horsehead fiddle music with various genres, reflecting the rich cultural tapestry of China [4][5]. Group 2: Community Engagement - Since 2025, the orchestra has conducted nearly 100 performances across 12 provinces, including community outreach programs that bring high-quality music to local audiences [6]. - The orchestra has engaged over 100,000 people through more than 1,000 grassroots performances and educational programs, establishing a "China Horsehead Fiddle Culture Research Center" and a "Horsehead Fiddle Museum" [5][6]. Group 3: Future Initiatives - The orchestra plans to join the Western Theater Alliance to expand its reach and is developing themed concerts that highlight local culture and environmental themes [7]. - The Uxin region is focusing on integrating cultural and tourism industries to create new consumption scenarios and enhance regional cultural branding [7].

Core Points - The "Intangible Cultural Heritage Under the Great Wall" event was launched at Gubei Water Town, showcasing over fifty intangible cultural heritage skills [1][2] - The event featured live demonstrations by inheritors of various traditional crafts, including rabbit figurines, Luban pillows, and Yangjiabu woodblock New Year paintings [1] - A highlight of the evening was a drone show with 400 drones performing various cultural displays against the backdrop of the Simatai Great Wall [1] Group 1 - The event was co-hosted by the China Intangible Cultural Heritage Protection Association, Beijing Municipal Bureau of Culture and Tourism, and the People's Government of Miyun District [1] - Gubei Water Town transformed into an "interactive intangible cultural heritage exhibition park" during the event [1] - Performances included traditional music and dance, such as the Shaanxi Yangge and Yang-style Tai Chi, enhancing the cultural experience for visitors [1] Group 2 - The event also included over a hundred decentralized performance nodes and concentrated exhibitions, featuring intangible cultural heritage inheritors from 16 provinces, municipalities, and autonomous regions across China [2] - Various forms of engagement were offered, including performances, teaching sessions, and sales, integrating intangible cultural heritage into the scenic area [2]

Core Viewpoint - The article highlights the cultural significance and economic impact of traditional Mongolian arts, particularly focusing on the promotion of intangible cultural heritage through various exhibitions and local craftsmanship in Inner Mongolia's Xiang'an League [1][7]. Group 1: Cultural Heritage and Arts - The Xiang'an League's cultural center features various exhibitions, including traditional performances and displays of ethnic costumes, showcasing the vibrancy of grassland arts [1]. - The center serves as a platform for promoting Mongolian culture, with a focus on traditional instruments like the Morin Khuur (horsehead fiddle), which plays a vital role in Mongolian celebrations and daily life [2]. Group 2: Economic Impact and Employment - The establishment of the Mengdi Cultural Development Company by Wang Sheng has created job opportunities for local herders, with 80% of the workforce being from the village, contributing to local economic development [2]. - Each employee at the company earns an additional income of 3,000 to 5,000 yuan per month through the production and teaching of Morin Khuur [2]. Group 3: Educational Initiatives - The company also engages in community support by donating musical instruments and providing free lessons in Morin Khuur playing to local herders, fostering cultural transmission and skill development [2]. - The center features a section dedicated to traditional Mongolian medicine, where visitors can learn about the production of Mongolian herbal incense, further promoting local heritage [3][5]. Group 4: Community and Cultural Identity - The cultural center, which opened in October of the previous year, aims to strengthen national unity and cultural confidence through interactive experiences that resonate with the local population [7]. - The center recreates architectural scenes from six counties in the Xiang'an League, enhancing the visitor experience and showcasing regional diversity [3][7].

Core Viewpoint - HAYA band aims to showcase the unique charm of Chinese music through the fusion of ethnic and modern music, breaking the boundaries of traditional music and integrating elements from various cultures [1][2][3] Group 1: HAYA Band Overview - HAYA band was established in 2006 and focuses on world music based on ethnic music, featuring members from various ethnic backgrounds, including Mongolian, Sibe, and French [2][3] - The band has expanded its musical reach from Mongolia to international stages, participating in various cultural events and television shows [2][3] Group 2: Musical Fusion and Innovation - The band emphasizes the importance of integrating modern music elements, such as electronic music, while maintaining the core characteristics of Mongolian music [3][4] - HAYA band leader, Quan Sheng, has modified the Morin Khuur (horsehead fiddle) to adapt to modern performance needs, enhancing its sound and expressiveness [3][4] Group 3: Global Reception and Cultural Exchange - HAYA band has received positive responses from international audiences, indicating a strong emotional connection through their music [5][6] - The band aims to transcend ethnic boundaries by incorporating diverse musical elements, promoting a more inclusive understanding of music [5][6] Group 4: Future of Ethnic Music - The rise of AI in music creation is seen as a double-edged sword; while it lowers barriers for music composition, it cannot replicate the unique qualities of ethnic music [5][6] - The future of Chinese ethnic music relies on nurturing talent and encouraging creativity among young musicians, ensuring the preservation and evolution of cultural heritage [6]