上海博物馆藏历代扇面书画名品展【4】 上海博物馆藏历代扇面书画名品展【5】 上海博物馆藏历代扇面书画名品展【6】 上海博物馆藏历代扇面书画名品展 上海博物馆藏历代扇面书画名品展【2】 上海博物馆藏历代扇面书画名品展【3】 ...

近日，国家自然博物馆上新"鲸·奇——海洋深深之遇见鲸"特展。 沉浸式体验 回望5500万年陆海传奇 本次特展上，150余件珍贵标本，搭配十余项多感官互动展项，解锁鲸类演化奇迹、深海生态与共生之道的奥秘。 展厅里，小朋友转动的轮盘，展现的正是始于大约5500万年前鲸类"二次入海"的演化历程，鲸类的远古祖先从海洋登陆，演化成陆生哺乳动物，但时隔2.5 亿年后，陆生的巴基鲸最先选择既有丰富鱼类资源，还温暖的浅海区域尝试捕食，完成了从陆地重返水域的初步试探。 随后历经千万年漫长的演化迭代，直到完全水生的龙王鲸出现，鲸类最终从陆生的小型哺乳动物重回海洋，演化成统治深海的庞然大物。 国家自然博物馆展览策划部主任苗雨雁介绍，现在的鲸类已经完全适应了海洋的生活环境，它们从生到死都是在海洋当中。 在展厅的一角，大人小孩侧耳倾听，源自深海鲸类的低吟，穿越千万年时光，开启了跨越陆海的生命对话。 除了听见鲸的叫声，在展览中，沉浸式的场景让观众能够全方位去感受鲸与海洋的魅力。 本次"鲸·奇——海洋深深之遇见鲸"特展览力求打破传统静态陈列模式，着力打造全感官沉浸式体验。 展厅里的皮肤触摸墙提供鲸、鳄鱼、猪等多种动物皮肤纹理对比，对于绝大 ...

河北博物院藏北宋政和四年（公元1114年）铜牛鼎为宋徽宗祭祀太室（帝王宗庙）所铸重器。其三足形 制与器身纹样取自《考古图》《博古图》中均有收录的周代名器"晋姜鼎"，而三足顶端的牛首装饰则源 自《三礼图》所载当世礼制——该书规定牛、羊、豕三牲需分盛于不同兽首鼎。此鼎印证徽宗御作坊在 严谨考据古器的同时，兼容时制元素，融古今礼法于一器。 上海博物馆藏明成化二十年（公元1484年）昆山县学铜簋依《宣和博古图》中的"周太师望簋"所制。簋 体呈椭圆，直口，器腹两侧有半环形兽耳，圈足上附四兽首支足，盖上有四云朵状捉手。器、盖口沿与 圈足饰仿古重环纹，余饰瓦纹。此簋器形、纹饰与木刻版图高度吻合，体现了明代仿古工艺的精确。 此次展览将持续至2026年3月16日。 (责编：王连香、李楠桦) 北宋政和四年铜牛鼎（河北博物院藏）。 王 初摄（人民图片） 上海博物馆与美国纽约大都会艺术博物馆联合举办的"融古烁新：宋元明清铜器的复古与创新"展览日前 亮相上博东馆。展览基于上海博物馆藏宋、元、明、清铜器，并汇集亚洲、欧洲、美洲多家重要博物馆 馆藏，辅以同时期书画、陶瓷、珐琅器等，总计约178件（组）展品，其中不少为首次公开展出。 作为重 ...

Core Points - The exhibition "Golden Neighbors Shine Together - Celebrating the 50th Anniversary of China-Thailand Diplomatic Relations" is currently held at the Palace Museum, showcasing numerous treasures from 11 national museums and institutions in Thailand [1] - The exhibition features significant artifacts such as the swirling-patterned pottery jar from the Ban Chiang National Museum and the bronze Buddha statue from the Si Satchanalai National Museum, among others [1] - The Palace Museum has also selected several of its own collections to participate, including gold leaf inscriptions and embroidered screens [1] - The exhibition highlights the shared auspicious symbolism of elephants in both cultures, emphasizing the historical friendship between China and Thailand [1] - The Thai King and Queen attended the opening ceremony of the exhibition as part of their visit to China to celebrate the 50th anniversary of diplomatic relations [1] Exhibition Details - Location: Palace Museum, Wenhua Hall [2] - Duration: November 18, 2025 - February 24, 2026 [2] - Admission: Free with prior reservation required [2]

Core Viewpoint - The exhibition "Evidence of the Dian Kingdom - Special Exhibition of Ancient Dian Civilization" showcases over 200 artifacts, highlighting the archaeological achievements of Dian culture over the past 70 years, and emphasizes the integration of the ancient Dian Kingdom into Chinese civilization [1][3][5]. Group 1: Exhibition Overview - The exhibition is a collaboration between the China Maritime Museum and the Yunnan Provincial Museum, marking the first comprehensive display of ancient Dian archaeological findings in Shanghai [1]. - It features five thematic sections: "Lost and Reappeared," "Dian Soil and People," "Deities and the World," "Conflict and Fusion," and "Dian Soul and Han Style," centered around the "Dian King Seal" [1][3]. Group 2: Artifacts and Their Significance - The exhibition includes 200 artifacts, with 29 first-class cultural relics, and over 70% of the items being precious artifacts, many of which are displayed in Shanghai for the first time [3]. - Notable artifacts include the "Dian King Seal," which serves as crucial evidence of the existence of the Dian Kingdom, and the "Dian State Seal" clay seal, marking the first appearance of "Dian State" in archaeological finds [5][9]. Group 3: Cultural Insights - The artifacts reflect the unique characteristics of Dian bronze civilization, showcasing advanced casting techniques and a rich representation of social life, including religious rituals and daily activities [19][20]. - The exhibition illustrates the artistic fusion between the local Dian culture and Han culture, as seen in items like the copper kettle with peacock motifs and the gold-plated dance ornaments [14][15]. Group 4: Exhibition Experience - The exhibition employs various multimedia techniques, including sound, light projections, and interactive displays, to enhance visitor engagement and understanding of the ancient Dian civilization [31].

Core Viewpoint - The Shanghai Museum collaborates with the Metropolitan Museum of Art in New York to host a special exhibition featuring bronze artifacts from the Song, Yuan, Ming, and Qing dynasties [1][2][3]. Group 1 - The exhibition aims to showcase the rich history and artistic achievements of Chinese bronze craftsmanship during these dynasties [4][5]. - It is expected to attract a significant number of visitors, enhancing cultural exchange between China and the United States [6][8].

Core Viewpoint - The Shanghai Museum is launching an exhibition titled "The Ultimate Fan, The Ultimate Beauty," showcasing a selection of 100 representative works of fan painting and calligraphy from various historical periods, highlighting the development of this unique Chinese art form over nearly a thousand years [1][2]. Group 1: Exhibition Overview - The exhibition is the first of its kind in China to present the historical development of fan painting and calligraphy as a cohesive narrative [2]. - Approximately half of the exhibited pieces are being shown for the first time, emphasizing the academic foundation of the exhibition [2]. Group 2: Historical Context - Fan painting and calligraphy flourished during the Tang and Song dynasties, saw a decline in the Yuan dynasty, experienced a revival in the Ming dynasty, and reached prosperity in the Qing dynasty [2][3]. - The earliest surviving fan page of calligraphy is attributed to Song Huizong Zhao Ji, featuring a poem that exemplifies the artistic qualities of the era [2]. Group 3: Featured Works - The exhibition includes notable works such as Xie Jin's "Fishing Boat by the Trees" and Shen Zhou's "Sparse Trees and Small Bridge," showcasing the artistic evolution from folding fans to the more intricate fan paintings of the Qing dynasty [3]. - The exhibition also highlights the technical advancements made by artists like Wang Qisun, who addressed the challenges of painting on uneven fan surfaces [3]. Group 4: Exhibition Design - The exhibition space is designed to reflect traditional aesthetics, with the Song and Yuan sections incorporating architectural styles from the Song dynasty and featuring installations inspired by Song Huizong's "Ruihe Tu" [4]. - The exhibition will be divided into two parts to protect fragile silk pieces, with the first part running from November 14, 2025, to January 4, 2026, and the second part from January 6, 2026, to February 22, 2026 [4][5].

Core Viewpoint - The Shanghai Museum will host an exhibition titled "至扇至美" (To the Fan, To the Beauty) featuring a selection of 100 exquisite fan paintings and calligraphy from various historical periods, showcasing the evolution of fan art from the Northern Song Dynasty to modern times [1] Exhibition Details - Exhibition Title: "至扇至美——上海博物馆藏历代扇面书画名品展" [1] - Exhibition Duration: November 14, 2025, to February 22, 2026 [1] - Exhibition Location: Shanghai Museum, Renmin Square [1] Featured Artworks - The exhibition will include notable pieces such as: - Song Dynasty calligraphy fan page by Zhao Ji (Song Huizong) titled "草书七言诗二句" (Calligraphy of Seven-Character Poem in Cursive Script) [1] - Yuan Dynasty painting fan page by Sheng Mao titled "秋江垂钓图" (Autumn River Fishing Scene) [1] - Early Ming Dynasty painting fan page by Xie Jin titled "汀树钓船图" (Trees by the Shore and Fishing Boat) [1] - Some exhibits will be displayed in phases due to the fragility of the Song and Yuan silk artworks [1]

Core Viewpoint - The original painting "Dwelling in the Fuchun Mountains" (Shengshan Tu) by the Yuan Dynasty artist Huang Gongwang is on display at the Zhejiang Provincial Museum from November 11 to December 7, showcasing a significant piece of Chinese landscape painting [1][2]. Group 1 - The painting "Dwelling in the Fuchun Mountains" was divided into two parts, with the first part (Shengshan Tu) currently housed at the Zhejiang Provincial Museum and the second part (Wuyong Shijuan) at the National Palace Museum in Taipei [1]. - The Zhejiang Provincial Museum has limited the public display of Shengshan Tu to short-term exhibitions to protect the paper artifact [2]. - A digital exhibition titled "Between Mountains and Waters - The Cultural Digital Display of 'Dwelling in the Fuchun Mountains'" was established in the museum's Fuchun Hall, featuring interactive projects that highlight Huang Gongwang's life, artistic achievements, and the painting's history [2].

Core Insights - The exhibition focuses on the Ma Mian skirt, a classic and representative traditional Chinese garment, highlighting its historical significance, unique design, and exquisite craftsmanship [1] Summary by Sections Exhibition Overview - The exhibition is divided into three main units based on the aesthetic evolution of the Ma Mian skirt, starting with its origins and progressing through its development [1] Unit 1: "Fang Xing Wei Ai" - This section showcases the Ma Mian skirt from the Ming Dynasty along with contemporary garments like robes and jackets, aiming to present the dressing style of that era [1] Unit 2: "Bai Zi Qian Hong" - This unit features various styles from the Qing Dynasty, including Lan Gan, Yue Hua, Feng Wei, and pleated fish scale skirts, complemented by jackets and embroidered pieces, illustrating the rich variety and ornate decorations of that period [1] Unit 3: "Jian Ya Ning Lian" - The final section displays the simplification of the Ma Mian skirt's design and decoration in the early 20th century, influenced by Western styles, while contemporary designers draw inspiration from traditional Ma Mian skirts to continue the narrative of traditional beauty and personal identity [1] Exhibition Details - The exhibition will take place from September 30, 2025, to March 29, 2026, at the Tsinghua University Art Museum, specifically in the 9th exhibition hall on the fourth floor [2]