由国家京剧院主办的"2025年度优秀京剧保留剧目展演"近期落幕。展演汇聚国家京剧院、北京京剧院等多家院团的名家与优秀中青年演员，四出经典大戏让 观众重温京剧艺术的独特魅力。 展演汇聚各行当名家名角，国家京剧院、北京京剧院等多家院团的老中青三代演员同台献艺，尽显风格多元的京剧艺术风采。其中， 《西厢记》以清脆唱腔传递美好爱情愿景； 《宇宙锋》靠精湛做功诠释经典桥段； 现代京剧《红灯记》里，"都有一颗红亮的心"等熟悉旋律饱含家国情怀，三组"红灯传人"同台演绎，为经典注入鲜活时代活力； 《白蛇传》则以"以旗代水"的写意手法，生动再现"水漫金山"的恢宏场面。 本次展演精选《西厢记》《宇宙锋》《红灯记》《白蛇传》四出经典剧目，既有家喻户晓的传统题材，也有深入人心的现代作品，兼顾不同年龄层观众喜 好。 观众 李璇：作为年轻人，也非常希望能多了解中国的传统文化，多了解国粹，也非常希望能来沉浸式体验一下。 国家京剧院院长 王勇：我们自2023年开始，到今年已经连续举办了三次。我们专门做了一个统计，现在年轻人走进梅兰芳大剧院观看京剧演出的比例已经 达到了60%至70%。 ...

Core Viewpoint - The "One Yuan Theater" model has gained popularity in various regions, providing affordable access to traditional opera, thus promoting cultural transmission and addressing public cultural service needs [1][2][3]. Group 1: Cultural Impact - The "One Yuan Theater" initiative allows audiences to enjoy traditional performances at a minimal cost, effectively bridging the gap between the public and the arts [1]. - This model has revitalized traditional opera, attracting a large audience and creating new opportunities for the preservation and promotion of cultural heritage [2]. - Young actors are gaining valuable experience through increased performance opportunities, addressing issues of talent loss and industry gaps [2]. Group 2: Public Cultural Services - The initiative exemplifies a combination of government support, market operations, and social participation in public cultural service provision [3]. - Various regions are mobilizing social organizations and businesses to support cultural events, ensuring sustainability through community involvement and funding [3]. - The "One Yuan Theater" not only delivers cultural experiences but also fosters community engagement, allowing local audiences to participate actively in the arts [3]. Group 3: Community Engagement - The success of the "One Yuan Theater" lies in its ability to engage the community, making them both audience members and active participants in cultural activities [3][4]. - By encouraging local involvement, the initiative helps to root cultural practices within the community, ensuring long-term sustainability and appreciation of the arts [4].

Core Points - The "Lingnan Cantonese Opera Week" series of events commenced in Guangzhou on November 21, 2025, themed "Bay Area Dream Building, Cantonese Melody Flowing" [1] - The event features 28 activities across five main themes, showcasing the classic charm and innovative vitality of Cantonese opera and music [1][2] - The opening performance highlighted young talents from the Cantonese Opera Art Museum, aiming to instill Cantonese culture in children [1] Summary by Sections Event Overview - The event is organized by the Liwan District Cultural, Radio, Television, Tourism, and Sports Bureau and the Guangdong Provincial Drama Association [1] - It will run until November 30, 2025, featuring classic performances, master classes, themed exhibitions, and hands-on experiences [2] Performances and Activities - The first performance, "Drunken Red Years," commemorated the 100th anniversary of the birth of renowned Cantonese opera teacher Hong Xian Nu and the 40th anniversary of the establishment of the "Red Class" [1] - Notable Cantonese opera artists performed classic segments to honor Hong Xian Nu's contributions to the art form [1] Cultural Significance - Liwan is recognized as the core area for the origin and transmission of Cantonese opera and music, having established a provincial-level ecological protection experimental zone for Cantonese culture [2] - The district hosts multiple intangible cultural heritage projects and has over 50 private Cantonese opera clubs, conducting more than a thousand performances annually [2]

Core Viewpoint - The article emphasizes the importance of traditional Chinese opera as a cultural treasure and highlights the efforts of the China National Academy of Chinese Theatre Arts in nurturing talent and promoting the art form in contemporary society [2][4][10]. Group 1: Education and Talent Development - The China National Academy of Chinese Theatre Arts has been focusing on building a high-quality professional teaching team and has implemented the "Wanquan Talent" project, hiring 29 honorary professors and 72 guest professors [6]. - The academy has established a comprehensive talent training system covering various aspects of Chinese opera, including performance, directing, music, and management, with a focus on cultivating well-rounded artists [7]. - The school has successfully produced numerous award-winning students, with 97 individuals receiving the "Meihua Award" and 33 receiving the "Wenhua Award" [7]. Group 2: Cultural Promotion and Community Engagement - The academy actively engages in community outreach, performing classic plays like "The Red Lantern" to celebrate significant historical events and to inspire audiences [9][10]. - The "Guo Xi Feng Hua" exhibition season has been a platform for over 100 performances, showcasing various forms of Chinese opera and emphasizing the importance of serving the people through art [10][13]. Group 3: Innovation and Modernization - The integration of high technology into opera education is a key focus, with the establishment of an AI research center and the development of digital teaching resources to enhance learning and performance quality [15][17]. - The academy encourages innovative approaches to traditional works, adapting them to contemporary themes and aesthetics to attract modern audiences [17][18].

虞文兵主演的黄梅戏《太阳山上》剧照。 虞文兵供图 每次演出前的黄昏，我总爱一个人坐在窗前，看夕阳斜斜地照进来，微尘在光柱里被染成金色的星。 第一次读《太阳山上》的剧本，就是在这个时刻。一口气读完，又反复品读最后一幕李安本11分钟的独 唱，泪水不自觉滴落，落在纸张上。那一道阳光的弧线里，我似乎看到一条蜿蜒山程，无数身影在时代 洪流中向上攀登。李安本是其中一个，我也是其中一个。 我的思绪被拉回儿时乡村小屋的门前，"黄莺树上声声唱……"旧收音机的声音略显沙哑，母亲边洗菜边 跟着哼唱。儿时的我，戴着一顶自己做的纸扎"盔帽"，攥着两条毛巾"水袖"，跟着戏音起舞。那时觉得 能学戏就是实现梦想。 我的母亲曾是一名农村班社的花旦，做什么都爱哼着黄梅戏，我也跟着哼。初二那年，我走出山村，去 往市黄梅戏校学戏。初来乍到，我甚至连调门是什么也搞不清楚，"我大抵是没什么天赋。"也是从那一 刻，我为自己定下了"努力练基本功"的信念。我是幸运的。成长路上，有很多前辈、老师不吝赐教，用 心传授方法、经验，指引我不断向前、向上。 演员和角色的相遇，应该是有一种缘分的。《太阳山上》中的李安本并非传统戏曲中脸谱化的英雄，而 是一个有着明显性格缺 ...

Core Viewpoint - The innovation in traditional Chinese opera faces challenges not only from within different traditional genres but also from competing performance forms like drama and musical theater, particularly among contemporary youth audiences who view all as "theater" [1][5]. Group 1: Performance Innovations - Recent performances such as the Wuju opera "Three Beats of the White Bone Spirit" and the Yue opera "My Grand View Garden" have garnered significant attention, with the former performing over 100 shows since its premiere in 2023 and the latter over 50 shows since January 2025 [1]. - The three highlighted works demonstrate market recognition, with "Three Beats of the White Bone Spirit" receiving mostly positive feedback, while the Yue operas have sparked debate regarding their artistic integrity versus commercial appeal [1][4]. Group 2: Structural and Thematic Differences - "Three Beats of the White Bone Spirit" simplifies traditional narratives to focus on actor performance, emphasizing the essence of "literary drama in martial arts and martial arts in literary drama" [3]. - "New Dragon Gate Inn" employs traditional drama writing techniques, closely examining the emotional relationships of four main characters, while "My Grand View Garden" adopts a more radical approach by restructuring the narrative from a personal perspective [2][3]. Group 3: Audience Engagement and Cultural Context - The innovations in Wuju and Yue opera reflect a return to performance-centric forms, with each genre responding to different cultural challenges—Wuju rooted in grassroots settings and Yue opera thriving in urban environments [4]. - Yue opera's adaptation to urban audiences, who are accustomed to various performance styles, has led to a stronger impulse for thematic innovation and the incorporation of elements from film and drama [4]. Group 4: Future Directions and Artistic Exploration - The ongoing debates about opera innovation highlight the need for a balance between traditional performance elements and modern influences, suggesting that the evolution of Chinese opera may lead to a richer modern theatrical landscape [5][6]. - The blending of traditional and modern theatrical elements could potentially reshape the overall landscape of contemporary theater, offering new artistic forms that draw from both [6].

Core Points - The project "Research on the Literary Value and Organization of the Yeshizangben of Fuliancheng" has recently been launched at the National Peking Opera House, aiming to publish and study a significant collection of Peking Opera scripts [1][2] - The Yeshizangben consists of 29 volumes and 381 scrolls, encompassing 294 plays and over 16,000 pages, including classic and unique works from various Peking Opera schools [1] - The project is supported by the National Publishing Fund for 2025, highlighting its importance in connecting traditional and modern Peking Opera [1] Group 1 - The Yeshizangben preserves the original and early forms of each play, providing insights into the artistic heritage and development of the Fuliancheng school [2] - The publication of the Yeshizangben is expected to fill gaps in the history of Peking Opera and its education, allowing for the potential revival of certain plays on stage [2] - The project is a significant step in exploring the literary and artistic value of Peking Opera, as stated by the president of the National Peking Opera House [1][2]

Core Viewpoint - The performance of the Peking Opera "The West Chamber" in Hefei marks a significant cultural event, part of a larger initiative to promote traditional Chinese opera and engage the community through various performances and activities [1] Group 1: Event Overview - The "The West Chamber" is a key performance in the "Hundred Operas Enter Anhui · Star Shine Hefei" theme event, which started on September 28 and will continue until the Spring Festival of 2026 [1] - The event aims to invite representatives from various opera genres across the country to perform over 100 classic shows in Hefei [1] Group 2: Community Engagement - The initiative will also feature over 100 performances of local Anhui operas, including Huangmei Opera, Huiju, and Lujun Opera, to promote cultural accessibility [1] - Activities such as "Good Plays in Anhui · Invitation to Hefei" will encourage community participation, bringing opera into neighborhoods, schools, and rural areas [1] - The goal is to transition opera culture from stage appreciation to active participation, fostering innovation and heritage preservation [1]

Core Viewpoint - The performance of the Jiangsu Wuxi Xiju Theater's "Pearl Tower" in Vienna highlights the cultural exchange and appreciation of traditional Chinese opera, showcasing the elegance and lyrical quality of Xiju, a national intangible cultural heritage [1] Group 1: Event Details - The performance took place on the evening of the 21st at the Muet Theater in Vienna, Austria, attracting a diverse audience [1] - "Pearl Tower" narrates the story of a scholar's rise and fall, reflecting the themes of fate and social status [1] - The event is part of the 2025 "Chinese Opera Performance Season" and the international exhibition series of Chinese opera [1] Group 2: Audience Reception - Audience members expressed admiration for the unique singing style and movements of the performers, noting the differences from Austrian theater [1] - The audience's enthusiastic response included prolonged applause, indicating a positive reception of the performance [1] - The theater's director emphasized that art transcends borders, highlighting the engagement of the audience as participants in the experience [1] Group 3: Future Events - The performance season is organized by the China Opera Research Association and the International Cultural Exchange Cooperation Association (Europe), with support from the Ministry of Culture and Tourism's Art Development Center [1] - Upcoming performances in 2025 will feature eight different styles of Chinese drama, including Wuju, Guiju, Kunqu, Yueju, Yangju, Qinqiang, Xiju, and Huaiju [1]

Core Insights - The Wuju opera "Three Strikes on the White Bone Spirit" has gained significant popularity since its premiere in 2023, performing over 120 shows in 25 countries, indicating a strong demand and interest in traditional Chinese opera [1][4] - The production showcases the potential for traditional art forms to evolve and resonate with contemporary audiences, blending traditional techniques with modern storytelling and technology [1][5] Summary by Sections Artistic Innovation - The opera emphasizes breaking away from "museum-style protection" of traditional arts, transforming performance techniques into a dynamic narrative tool that serves character development [2] - The character portrayals, such as Sun Wukong's nuanced emotional expressions and the multi-faceted representation of the White Bone Spirit, highlight the depth and relatability of the characters [2][4] Integration of Technology and Performance - The production incorporates various performance elements, including influences from other Chinese operas and modern technologies, creating a visually captivating experience [3] - Innovative stage designs and the use of drones for sound effects enhance audience engagement, demonstrating a successful fusion of traditional and contemporary elements [3] Audience Engagement and Cultural Relevance - The opera resonates with contemporary societal values, addressing themes of perseverance and justice, which align with the aspirations of modern audiences [4] - The production adapts its content to connect with diverse audience demographics, ensuring that both traditional and modern elements are appreciated by all age groups [4][5] Cultural Sustainability - The success of "Three Strikes on the White Bone Spirit" exemplifies that traditional Chinese opera can thrive as a living culture, provided it maintains a balance between traditional essence and modern expression [5]