Core Insights - Chengdu's performing arts market has transformed from a form of entertainment to a lifestyle choice, with significant growth in the number of performances and ticket sales in the first five months of the year [1][4][8] Group 1: Performance Statistics - From January to May 2023, Chengdu hosted over 2,100 music performances, generating ticket sales of 474 million yuan, with 43 large-scale events attracting over 5,000 attendees and earning approximately 320 million yuan [1][4] - The vibrant performing arts scene has driven comprehensive consumption exceeding 2.5 billion yuan, benefiting related sectors such as dining, accommodation, and shopping [1][4] Group 2: Government Support and Policies - The Sichuan provincial government has introduced policies to stimulate the performing arts sector, including incentives of up to 5 million yuan for event organizers, fostering a supportive environment for the industry [8][9] - Chengdu has actively engaged in initiatives to promote high-quality development in the performing arts, hosting various industry dialogues and events to attract top talent and productions [8][9] Group 3: Upcoming Events and Cultural Impact - A series of high-profile concerts and festivals are scheduled in Chengdu, including performances by renowned artists and the "Rongcheng Autumn" music festival, which showcases international talent and aims to enhance the city's cultural footprint [11][12] - The ongoing success of the performing arts in Chengdu reflects a strong synergy between the entertainment industry and local economic development, positioning the city as a key player in the cultural landscape [9][11]

Core Viewpoint - The production of the Yue Opera "My Grand View Garden" has garnered significant attention due to its connection to the classic literary work "Dream of the Red Chamber" and the popularity of its lead actress, Chen Lijun, who plays Jia Baoyu [1][2] Group 1: Creative Concept and Structure - The narrative perspective of "I" represents a unique and restless soul, shifting the dramatic focus between the elderly and youthful Jia Baoyu, which introduces themes of re-selection [2][3] - The production employs a non-linear narrative style that emphasizes philosophical elements and provides a freer space for stage presentation, although it risks deviating from the classic narrative of "Dream of the Red Chamber" [2][3] Group 2: Character and Emotional Dynamics - The portrayal of Jia Baoyu lacks new motivations and emotional depth, leading to weak connections between past and present narratives, which diminishes emotional intensity and aesthetic quality [3][4] - Key characters such as Jia Mu are absent, and other characters appear flat and lack individuality, indicating a need for clearer narrative relationships and character development [4][5] Group 3: Reception and Future Directions - The experimental nature of "My Grand View Garden" has sparked discussions and criticisms, highlighting the challenges of creative endeavors [4][5] - The production's ability to innovate while facing the challenges of traditional art forms is commendable, suggesting that audience feedback will be crucial for its improvement and artistic maturity [5][6]

"看到那么多海外观众喜爱越剧，我们发自内心地高兴。" 去年10月，浙江小百花越剧院访问法国，以爱情故事为主题专门为法国观众创排了经典折子戏。看到外 国观众的热烈反响，浙江小百花越剧院副院长蔡浙飞由衷感叹。 "现在戏曲观众逐渐年轻化，未来如何创作出更多精品，留住这批新观众，是时代给我们提出的全新课 题。"蔡浙飞说，"无论是剧本的改编、舞台设计的创新，还是音乐、唱腔的革新，这些变化都为戏曲艺 术注入了新的活力。以受年轻人欢迎的'环境式越剧'《新龙门客栈》为例，沉浸式的观剧模式让观众、 演员和剧目成为一个整体，有效拉近了演员与观众之间的距离。" 今年全国两会上，蔡浙飞就如何进一步推动戏曲人才培养、利用非遗影响力推动文化传承与交流等方面 提出了建议。"戏曲要发展，人才是关键。当前，我国戏曲人才培养仍然面临不少挑战，尤其是年轻演 员缺乏一些全国性、权威性较强的平台展示自己，这在某种程度上制约了他们的发展。建议出台一些专 门针对年轻演员的激励措施，吸引更多年轻人才关注并投身到戏曲艺术的传承与发展中。"蔡浙飞说。 《 人民日报 》（ 2025年05月08日 18 版） 梳理消化巡演采风收集到的观众反馈，蔡浙飞一头扎进了创作 ...