演员在第十四届中国艺术节开幕演出中表演《润川化蜀》篇章。 新华社记者 胥冰洁摄 四川大剧院外景。 新华社记者 胥冰洁摄 这个秋天，中国艺术节开启"巴蜀时间"，携着100余台优秀舞台艺术作品，170余个群众文艺作品， 1000件全国优秀美术、书法篆刻和摄影作品，走进川渝两地。多彩艺术与巴风蜀韵交相辉映，一幅缤纷 多姿的艺术画卷徐徐展开，绘出文艺百花园万千气象。 10月16日，由文化和旅游部、重庆市人民政府、四川省人民政府共同主办的第十四届中国艺术节在 四川成都开幕。本届中国艺术节以"艺动巴山蜀水 共绘时代新篇"为主题，集中呈现近年来中国文艺新 高度、新气象，文艺工作者新作为、新风貌，全力打造"艺术的盛会、人民的节日"。 舞台创作生机勃勃 重重山峦阻隔古蜀先民，五丁开山劈石，将"天梯石栈相钩连"的"蜀道之难"呈现于舞台之上……作 为本届中国艺术节开幕演出，舞蹈诗剧《蜀道》从"五丁开道"的传说讲起，串联起李冰治水、文翁化 蜀、剑阁峥嵘、翠云穹廊、十二月市，由古及今，将"一条古蜀道，半部华夏史"的故事娓娓道来。 "这是一条活的蜀道，几千年前的古蜀人开辟了这条道，现在仍然在我们的脚下绵延。"《蜀道》总 编导佟睿睿表示， ...

《人民日报》（2025年10月07日 第 08 版） 推动高质量发展，文化是重要支点；满足人民日益增长的美好生活需要，文化是关键要素。 "十四五"时期，文化创造活力涌动，文化服务迭代升级。从键盘敲出的文学篇章，到舞台绽放的艺术光彩，从触 手可及的公共文化设施，到数字空间的文艺新业态，文化的力量得到前所未有的彰显，文化获得感、幸福感正有 力定义着今天我们的美好生活。 ——编 者 用文化给生活充电 王震敏 我来自江西九江，主要从事茶文化推广工作，但我还有一个自己很珍视的身份——夜校学员。过去3年时间 里，我在九江濂溪区工人文化宫夜校先后上过茶艺课、插花课、古琴课和声乐课。每逢有课的日子，我都会提前 定上闹钟，婉拒其他聚会，雷打不动地出现在课堂上。 选择上夜校，主要还是出于兴趣爱好。生活日复一日，忙忙碌碌，总要找到一些乐趣嘛！像插花课上学的那 样，花材的色调、姿态得协调才好看，才有神韵。生活也得有不同的色彩，动和静、忙和闲也得协调，才有意 思。 我们夜校的课程里，最火的莫过于董福顺老师的声乐课。董老师是"网红"老师，经常将一些上课时的有趣视 频片段发在网上，粉丝很多，课要靠抢的。他讲课通俗易懂，说起如何运气、如何发 ...

随着传统文化热潮涌动，我关心的问题，有越来越多的人关注；更重要的是，重视传统文化的社会氛 围，让这些梦想有了实现的可能。 2022年，浙江卫视推出了《中国好声音·越剧特别季》，让江浙地区的越剧观众再次活跃起来；2023 年，观演方式和服化道设计都令人耳目一新的越剧《新龙门客栈》出圈，更多年轻人关注到了越剧； 2024年巡演至今的《我的大观园》，让我看到越来越多观众专门为了越剧进入剧场。我相信，这不仅源 于戏曲人守正创新的不断尝试，更是越来越强大的文化自信，越来越包容的文化氛围，让我们的传统艺 术有了更多创新的可能。 （作者为青年越剧演员） 回想10多年前，我刚刚到杭州学艺，每天天不亮走进练功房，沐浴着月光回到宿舍。汗水滴落在毯子 上，从头到脚都泛着酸痛。这是一个戏曲生的日常，也是大多数人眼中的"不理解"。总是会有人问：学 戏曲有什么出路？现在还有人看戏吗？唱戏的人，养得活自己吗？ 这些质疑，并没有随着时间的推移得到化解。毕业以后，全班30多人，只有极少数人留下来做了戏曲演 员。同学们逐渐在别的行业里做得风生水起，而戏曲这条路却需要花费更多的时间和耐心。 从跑龙套到小角色再到主要角色，那些年，我跟着剧团跑过了许 ...

戏剧节期间，加大惠民力度，推出低价惠民票、文旅消费优惠等系列活动，联动文旅资源，开展戏 剧"快闪"、戏剧进校园等系列主题活动，吸引年轻群体参与传播，推进戏剧普及与美育浸润，实现戏剧 艺术与城市生活的深度融合。 本届戏剧节不仅是一次我国戏剧艺术传承与创新的成果展示，更是戏剧理念的革新与行业生态的优 化。在改变、改进、改革的精神指导下，首次将"剧本改稿会"升级为"剧目提升会"，从文本到舞台全链 条打磨，推动作品从"高原"迈向"高峰"；举办10场剧目评论会，专家们围绕剧目创新点、优化路径等话 题展开充分深入交流，碰撞出诸多精彩火花，还举办了"有真知·讲真话——改进戏剧评论工作专题座谈 会"，积极构筑健康的戏剧评论生态。此外，今年还开设了"中国剧协新时代戏剧英才培养工程——2025 年评论人才高级研修班"，为中国戏剧的持续发展注入新的活力。 9月25日晚，第十九届中国戏剧节在杭州落下帷幕，由浙江小百花越剧院（浙百团）创排的越剧 《我的大观园》作为闭幕大戏亮相杭州大剧院，戏剧艺术与经典文学碰撞出独具韵味的当代华彩。 "中国文联终身成就奖（戏剧）"表彰仪式同时举行。著名京剧表演艺术家刘长瑜、著名剧作家郭启 宏被授予"中国 ...

Group 1 - The new Yue opera "My Grand View Garden" by Zhejiang Xiaobaihua Yue Opera Troupe has gained significant popularity, with nearly full attendance during its national tour [1][2] - Zhang Yazhou, a young Yue opera performer, plays the role of the elderly Jia Baoyu and has expressed both surprise and pressure from the increasing interest of young audiences in Yue opera [1][2] - The troupe's first modern-themed Yue opera "Qiantang Li," where Zhang portrayed a delivery worker, showcased her commitment to authenticity by altering her appearance to better fit the character [2] Group 2 - Zhang Yazhou has developed her acting skills through various roles, including characters from "New Dragon Gate Inn" and "Lü Bu and Diao Chan," demonstrating her dedication to the craft [2] - The innovative approach in "My Grand View Garden" includes a suggestion from Zhang to perform an opening segment a cappella to enhance the immersive experience for the audience [2] - Zhang's professionalism was highlighted during a performance crisis, where she effectively managed unexpected challenges, showcasing her solid foundational skills in acting [2] Group 3 - Zhang Yazhou aspires to create her own original Yue opera, reflecting the dreams of many performers in the industry to contribute uniquely to the art form [3]

Core Perspective - The article discusses the rising popularity of the Yue opera "My Grand View Garden" and its impact on cultural tourism consumption, prompting industry reflection on creatively transforming the profound wisdom and unique aesthetics of traditional opera into contemporary art forms like drama and film, thereby expanding the boundaries of the national performance system [1][2]. Group 1: Traditional Opera Aesthetics - Traditional Chinese opera is rich and profound, providing a source of inspiration for the nationalization of the Chinese drama performance system [1]. - The essence of adapting opera aesthetics lies in borrowing its thinking methods rather than rigidly imitating its formal actions [1][2]. - The character-building "programmatic thinking" in Chinese opera, based on roles like Sheng, Dan, Jing, and Chou, creates a refined language system for character types, allowing actors to capture the essence of their roles [1]. Group 2: Successful Adaptation Examples - Successful adaptations do not aim to replicate the appearance of opera but instead integrate its essence into the rhythm and stylistic awareness of the actors' performances [2]. - Notable works such as Wang Xiaoying's play "Fu Sheng" and Tian Qinxin's "Green Snake" exhibit the spirit of traditional opera without overt opera symbols, showcasing the essence of Eastern aesthetics [2]. - The use of space in traditional opera, characterized by simplicity and the interplay of reality and illusion, is particularly valuable for adaptation, as seen in the bamboo raft scene in the play "Chinese Dream" [2]. Group 3: Contemporary Artistic Expression - The adaptation of opera aesthetics is a contemporary inquiry into tradition, seeking to express national spirit in a modern context, which is not a mere replication of ancient art forms [2]. - This approach allows the Chinese aesthetic gene to rejuvenate on the contemporary stage, paving the way for broader horizons in Chinese theatrical performance art through innovation while maintaining core values [2].

Group 1 - The 16th Zhejiang Provincial Drama Competition will take place from August 16 to September 26 in Ningbo, featuring 25 major plays and 7 minor plays, showcasing the new landscape of Zhejiang's drama industry [1][3] - The opening performance will be the youth-oriented Yue Opera "My Grand View Garden," which aims to ignite a new wave of interest in traditional drama [2][3] - This year's competition expands the eligibility period for participating works from three years to ten years, inviting new creations from the past decade, with a diverse range of themes and styles [3] Group 2 - The competition aims to promote both major and minor plays, encouraging the development of smaller, impactful productions that can engage younger audiences and enhance drama consumption [3] - A special ticket pricing policy has been introduced, with prices starting at 50 yuan and not exceeding 380 yuan, with an average ticket price around 100 yuan, to make the event more accessible [4]

Core Viewpoint - The production of the Yue Opera "My Grand View Garden" has garnered significant attention due to its connection to the classic literary work "Dream of the Red Chamber" and the popularity of its lead actress, Chen Lijun, who plays Jia Baoyu [1][2] Group 1: Creative Concept and Structure - The narrative perspective of "I" represents a unique and restless soul, shifting the dramatic focus between the elderly and youthful Jia Baoyu, which introduces themes of re-selection [2][3] - The production employs a non-linear narrative style that emphasizes philosophical elements and provides a freer space for stage presentation, although it risks deviating from the classic narrative of "Dream of the Red Chamber" [2][3] Group 2: Character and Emotional Dynamics - The portrayal of Jia Baoyu lacks new motivations and emotional depth, leading to weak connections between past and present narratives, which diminishes emotional intensity and aesthetic quality [3][4] - Key characters such as Jia Mu are absent, and other characters appear flat and lack individuality, indicating a need for clearer narrative relationships and character development [4][5] Group 3: Reception and Future Directions - The experimental nature of "My Grand View Garden" has sparked discussions and criticisms, highlighting the challenges of creative endeavors [4][5] - The production's ability to innovate while facing the challenges of traditional art forms is commendable, suggesting that audience feedback will be crucial for its improvement and artistic maturity [5][6]