Core Theme - The 2025 Shanghai Summer Music Festival (MISA) will take place from July 1 to 13, featuring a diverse lineup of orchestras, ensembles, and artists, with a focus on the theme "Writing for the Future" [1] Group 1: Festival Overview - MISA will host 4 professional symphony orchestras, 7 music ensembles, multiple student art groups, and nearly 50 conductors and solo artists [1] - The festival includes 29 live performances and over 20 online broadcasts, along with various extension activities such as MISA Talk, MISA Ride, MISA Pass, and MISA Workshop [1] Group 2: Featured Performers and Events - The New York Philharmonic and Hamburg Philharmonic will perform at MISA, alongside the Shanghai Symphony Orchestra [2] - The festival will feature renowned conductor Esa-Pekka Salonen and pianist Alexander Kantorow, who will perform works by Debussy and Beethoven [2] - The closing concert will be conducted by music director Yu Long, featuring a commissioned piece by composer Zou Ye to commemorate the 80th anniversary of the victory in the Chinese People's Anti-Japanese War and the World Anti-Fascist War [2] Group 3: Special Themes and Collaborations - MISA will debut an environmentally themed symphonic work titled "Tree," composed by Liang Haoyi, showcasing a unique sound palette and visual storytelling [2] - The festival will also include performances of game music, with orchestras presenting pieces from popular games like "Monster Hunter" and "Genshin Impact" [3] - Celebrating Bach's 340th anniversary, MISA will host three themed concerts featuring various ensembles, including the Goldfinch Baroque Ensemble and the German vocal group Sliks [3]

今年，钢琴家张佳林、小提琴家张精冶及大提琴家宋昭创立的基因三重奏迎来成团20周年。 20年前，三位毕业于中央音乐学院的大男孩，以"玩"为目的，组建了一支室内乐三重奏。个性完全迥异的三个 人，经历诸多磨合争吵，一路并肩走来，成为国内成立最早、时间最久的室内乐组合。 今年，钢琴家张佳林、小提琴家张精冶及大提琴家宋昭创立的基因三重奏，迎来成团20周年。他们为此举行"时光 重现——基因三重奏二十周年典藏版音乐会"，从北京、天津、上海到广州，一路开启贝多芬巡演之路。 三重奏第一次登台是在2005年4月24日，演出的第一首曲目是贝多芬的《D大调第五号钢琴三重奏"幽灵"》。早 年，三个年轻人常常在酒后"畅想"：什么时候能把贝多芬的钢琴三重奏全录成唱片？"当时就呵呵一笑，觉得根本 是没影的事儿。"没想到20年后，他们已经录制了包括贝多芬钢琴三重奏全集在内的七张唱片，演出邀约不断。 "我们凑在一起，从来没有远大崇高的目标，也没想过成名致富。我们只是为了兴趣，为了彼此能多一种交流方式 去演奏。"张佳林说，这支"体制外"室内乐组合，不靠组合谋生，只希望生活因音乐的存在而变得单纯，谈不上坚 守，而是纯粹的赤诚。他们从未刻意维持，只是 ...

Core Insights - The article emphasizes the importance of placing people at the center of economic policies aimed at boosting consumption and stimulating the economy, highlighting the need for policies that enhance individual satisfaction and happiness [12]. Group 1: Economic Impact of Music Festivals - The first Super Strawberry Music Festival in the Greater Bay Area attracted approximately 80,000 attendees, generating around 280 million yuan in consumption in Dongguan [2]. - The hotel occupancy rate in Dongguan increased by about 70% during the music festival compared to the same period last year [2]. - The average spending per attendee at the music festival was significantly higher than the average spending of domestic tourists during the May Day holiday, indicating the strong consumption-driving ability of the event [3]. Group 2: Demographics and Consumption Patterns - Young people are not reluctant to spend; rather, they engage in "self-satisfying consumption," which is evident in their willingness to spend significantly at music festivals [4][9]. - Dongguan's location in the economically developed Pearl River Delta, along with its proximity to major cities like Hong Kong and Guangzhou, enhances its attractiveness for young consumers [4]. Group 3: Government and Local Business Initiatives - Local governments in Dongguan capitalized on the music festival by organizing various promotional activities to boost consumption, resulting in a nearly 35% increase in social consumption compared to the previous year's May Day holiday [7]. - The city launched over 180 cultural and tourism activities linked to the music festival, effectively leveraging the event to stimulate local economic activity [7]. Group 4: Broader Trends in the Entertainment Sector - The article notes a surge in concerts and music festivals during the May Day holiday, with over 30 events held nationwide, indicating a growing trend in the entertainment sector [8]. - The consumption patterns associated with concerts and music festivals reflect a significant release of pent-up demand among fans, which can lead to substantial short-term economic benefits [8][11].

Core Viewpoint - The roadside music concerts in Guiyang have become a cultural phenomenon, enhancing the city's charm and providing a platform for local musicians and community engagement [4][11]. Group 1: Event Overview - Over 400 roadside music concerts have been held in Guiyang, attracting more than 3 million attendees and featuring over 70,000 participants on stage [11]. - The concerts are free, non-commercial, and encourage public participation, creating a shared cultural experience [4][5]. Group 2: Cultural Significance - The concerts blend historical architecture with modern music, enriching the cultural landscape of Guiyang [4][5]. - The initiative has historical roots, dating back to 1937, when music was used to unite people during challenging times [5]. Group 3: Community Engagement - Local musicians from various backgrounds, including the visually impaired, have found a platform to showcase their talents, fostering inclusivity [7][8]. - The concerts have inspired a new generation of performers, with participants from different age groups and professions taking the stage [6][8]. Group 4: Promotion of Local Culture - The events serve as a platform for promoting Guizhou's unique cultural heritage, including traditional music and local cuisine [8][9]. - More than 80 local bands and 1,500 musicians have participated, with a focus on original works and local cultural expressions [8][11]. Group 5: Media and Publicity - The concerts have gained significant online exposure, with over 50 billion views across various platforms, thanks to the involvement of new media volunteers [9][10]. - The initiative has successfully integrated music into the urban development narrative, enhancing the city's cultural identity [10][11].

五一结束了，音乐节 的乱子和乐子也宣告盖棺定论。作为演员跨界多且红火的一届音乐节，热闹和乱子，可谓应接不暇。 最先是因为各大音乐节 IP为了阵容的华丽，纷纷邀请了演员跨界参演，导致还没开始，乐迷们就狂吐槽。等到正式开场，先有歌手和演员粉丝间的小摩 擦升级的舆论，后有因为乐队迟到后处理不及时导致整场音乐节全面"翻车"的元气森林。 结果就是，无论是乐迷或粉丝，大家都是花了钱的消费者，却都没有收获好的体验。 如果主办方实在想要流量，实在大可不必费心费力如此折腾乐迷们，有网友仗义执言，与其千方百计琢磨让跟音乐有沾边的艺人跨界，不如直接大大方方 邀请对家演员，设置艺人专区票，彻底分流：流行一天，说唱一天，摇滚一天，专场一天，大家皆大欢喜。 被流量淹没的音乐节们？ 跨界是本届五一档演出的商业"趋势"。在原本由音乐人赶场的音乐节阵容里，其他定位的艺人也开始成为一场音乐节的卖点。 跨界的人群主要粉两种，一是网红，"网红"何秋事出演了北京元气森林音乐节和太湖湾音乐节，而皮皮朱参演了佛山银河左岸音乐节。 二类更普遍，则是演员，当然，需要说明的是，演员也并非完全跟音乐不沾边。 据悉，北京元气森林音乐节请来了人气演员赵露思和张晚意， ...

今年五一假期，国内文旅市场迎来强势复苏，呈现出多点开花的态势。反向旅游、China Travel+China Shopping的火爆以及音乐节的人头攒动，都是市场复苏的缩影。专家认为，假期是拉动内需、激活消费 潜力的关键节点，文旅市场的热络景象反映出我国服务消费市场的巨大潜力。(中国证券报) ...

Group 1: Economic Growth through Cultural and Tourism Consumption - Consumption is a vital engine for economic growth, with Jiangsu's cultural and tourism consumption showing strong demand and supply, significantly contributing to the province's economic vitality [1] - In Q1 2025, Jiangsu's monitored tourist attractions received 256 million visitors, generating a total consumption of 110.609 billion yuan, reflecting year-on-year growth of 11.93% and 11.57% respectively [1] - Jiangsu's cross-regional tourism consumption reached 167.386 billion yuan, marking a year-on-year increase of 11.23%, accounting for 28.90% of the industry's cross-regional consumption and 10.59% of the national tourism consumption total [1] Group 2: New Consumption Growth Points - The launch of the first Michelin Guide for Jiangsu, featuring 74 restaurants across Nanjing, Suzhou, and Yangzhou, has attracted significant interest from diners [2] - The 2025 Galaxy Left Bank Music Festival in Yangzhou drew over 60,000 attendees, boosting local accommodation and tourism [2] - Cultural elements are being transformed into accessible experiences, expanding new avenues for cultural industries and consumption [2] Group 3: Integration of Cultural and Tourism Development - Jiangsu is enhancing its cultural and economic prosperity through a dual approach, weaving together cultural richness and economic growth [3] - The "Water Rhythms Jiangsu" themed tourist train has been launched, catering to diverse customer needs and promoting cultural tourism through unique routes and discounts [4] - The establishment of a low-altitude flight experience base in Nantong has attracted numerous tourists, contributing to local economic growth with projected revenues of 3.65 million yuan per village and over 40 million yuan in total agricultural tourism income by 2024 [4] Group 4: Cultural and Tourism Fusion - The Grand Canal in Jiangsu continues to thrive, with the integration of various industries and cultural tourism enhancing the quality of life in coastal cities [5] - The "Grand Canal Night Tour" project has become a cultural tourism hotspot, showcasing the historical significance and charm of the canal [5] Group 5: Expanding New Cultural Business Models - Government reports emphasize the need to unlock the potential of cultural, tourism, and sports consumption, accelerating the development of new cultural business models [7] - The influx of international tourists to Jiangsu has increased, with 1.186 million inbound visitors in Q1 2025, a year-on-year growth of 15.56% [7] - Inbound tourism consumption reached 6.547 billion yuan, reflecting a year-on-year increase of 21.69% [7]

香港交易及結算所有限公司及香港聯合交易所有限公司對本公告之內容概不負責，對其準確 性或完整性亦不發表任何聲明，並明確表示，概不對因本公告全部或任何部份內容而產生或 因倚賴該等內容而引致之任何損失承擔任何責任。 MEDIALINK GROUP LIMITED 羚邦集團有限公司 （於開曼群島註冊成立的有限公司） （股份代號：2230） 之尊是一家在香港註冊成立的公司，並以"Neon Lit"為名籌劃現場音樂表演多年。 之尊擁有多年籌辦J-Pop演唱會的豐富經驗，代表作包括YOASOBI Live in Hong Kong 2024、milet Asia Tour 2024 in Hong Kong以及Ado THE FIRST WORLD TOUR "Wish" in Hong Kong。 自願公告 集團首次舉辦現場音樂會 "Tatsuya Kitani Asia Tour 2025 in Hong Kong & Bangkok" 本公告乃經羚邦集團有限公司（「本公司」或「羚邦集團」，連同其附屬公司統稱「本 集團」）自願作出，旨在向本公司股東及潛在投資者更新本集團之最新業務發展。 本 公 司 董 事 會（「董事會 ...