Group 1 - The core viewpoint of the article highlights that China Ruoyi (00136) has seen a stock price increase of over 3%, currently trading at 2.99 HKD, with a trading volume of 14.72 million HKD [1] - FTSE Russell recently updated its semi-annual adjustment list for the FTSE Global Equity Index Series, and China Ruoyi has been included in the FTSE China Large Cap Index, which consists of companies with large market capitalization, high liquidity, and industry leaders [1] - Tianfeng Securities predicts a steady recovery in the film industry by 2025, suggesting that leading film companies like China Ruoyi will enhance their competitive advantages and market share, supported by the orderly launch of gaming projects and the growth of streaming services [1] Group 2 - In the first half of 2025, China Ruoyi's content production revenue reached 570 million CNY, a significant year-on-year increase of 1085%, primarily driven by the strong box office performance of several key films [1] - The company ranks among the top in the industry in terms of both the number of films produced and box office results, with a robust pipeline of upcoming projects including "You Have a Cloud Like You," "We Live in Nanjing," and several collaborations with Light Chaser Animation [1] - The gradual release of these upcoming projects is expected to contribute positively to the company's content production business performance [1]

Group 1 - The core viewpoint is that China Ruyi (00136) has seen a stock price increase of over 3%, currently at 2.99 HKD, with a trading volume of 14.72 million HKD, following its inclusion in the FTSE China Large Cap Index due to its market capitalization and liquidity [1] - The FTSE Russell Index recently updated its semi-annual adjustment list for the FTSE Global Equity Index Series, which included China Ruyi as a leading enterprise in the film industry [1] - Tianfeng Securities predicts a steady recovery in the film industry by 2025, which will enhance the competitive advantage and market share of quality film leaders like China Ruyi, alongside the orderly launch of gaming projects contributing to performance elasticity [1] Group 2 - In the first half of 2025, China Ruyi's content production business revenue reached 570 million CNY, a significant increase of 1085% year-on-year, primarily driven by the excellent box office performance of several major films [1] - The company ranks among the top in the industry in terms of the number of films produced and box office results, with a strong pipeline of projects including "You Have a Cloud Like You," "We Live in Nanjing," and others [1] - The gradual release of these reserve projects is expected to contribute to the company's performance growth in the content production sector [1]

Core Insights - The recent surge in demand for short dramas has led to a recruitment frenzy for middle-aged actors, but this trend is accompanied by hidden training traps and industry false advertising [2] - Despite the ongoing popularity of short dramas, there are signs of a decline in the number of production teams in Hengdian, with some modern drama teams relocating to cities like Xi'an and Zhengzhou due to rising costs and outdated facilities [2][8] Industry Growth - The micro-short drama market in China has seen explosive growth, with market sizes increasing from 368 million yuan in 2021 to 373.9 billion yuan in 2023, and projected to reach 50.5 billion yuan in 2024, surpassing film box office revenues for the first time [5] - Hengdian has become a major production hub for micro-short dramas, hosting over 1,190 production teams in 2024, with more than 2,300 teams already recorded in the first seven months of the year [5] Production Dynamics - The shift from long-form dramas to short dramas has significantly altered the work patterns of industry professionals, with some, like prop masters, reporting a 20%-30% increase in monthly income due to the higher volume of short projects [3] - The filming locations for short dramas in Hengdian include modern settings like hospitals and offices, but there is a noticeable decrease in the number of active production teams compared to peak periods [6][8] Competitive Landscape - Modern drama production teams are increasingly leaving Hengdian due to high costs and outdated facilities, with some opting for locations that offer better financial incentives and support [8] - Cities such as Xi'an and Zhengzhou are emerging as competitive alternatives, with established production bases and supportive policies aimed at attracting short drama projects [9] Regional Initiatives - Various cities, including Hangzhou and Nanning, are implementing supportive measures to develop their short drama industries, offering financial incentives and resources to attract production teams [9] - The choice of filming locations is influenced by the suitability of the scenery, the availability of industry support, and the formation of production clusters for micro-short dramas [11]

近日，微博ID为"金钧L"的网友发文，表示自己再次实名举报宋祖儿存在税务问题，称已于9月15日向税务部门提交补充证据。举报人称自己于2023年12 月实名举报宋祖儿偷税漏税，宋祖儿被相关部门约谈，补缴了272万税款。但2024年1月又有一笔562万元异常缴款，疑似立案后补缴，并要求依法处罚； 此外，还指控她将27万元个人医美消费报销为公司成本，涉嫌虚增支出。 ※这笔缴税行为发生在 2023年度汇算清缴之后,时间和 金额均不寻常。 ※值得关注的是:这笔税款是否对应 2023年8月31日前 的收入?是否属于对历史欠税的补缴? | | | | | | 城区号 | 11 2 8 8 2 8 1 IMTERS | 562 1 | | --- | --- | --- | --- | --- | --- | --- | --- | | CHOND - 15 | | 00 216 1821012 00 | | | | 11000 1000 1 | | | 16:32:54 | | | | | 北它 | SALE 2021 | | | 41-10-12 | 53512 47 | 105 15751 01 | 227 | | | ...

Core Insights - The rapid growth of China's short drama industry is evident, with a market scale targeting $10 billion and coverage across over 200 countries and regions [1][2] - Short dramas, characterized by their brief duration of 1-15 minutes, effectively capture contemporary audiences' fragmented time through fast-paced storytelling and emotional resonance [1][2] - The industry is evolving from simple replication to a more nuanced approach, focusing on universal emotional themes and fostering talent that understands both Chinese narratives and international standards [2][3] Industry Overview - A significant increase in the production of overseas dramas is noted, with a company in Xi'an moving from 4-5 productions in 2024 to nearly 20 in 2025, reflecting the synchronization of "Chinese speed" with global demand [2] - The short drama industry leverages a mature film and television industrial system to meet the urgent need for high-frequency content updates in overseas markets [2] - The transition from one-way cultural output to a two-way dialogue is essential for the sustained global popularity of short dramas, necessitating deeper exploration of shared human experiences [2][3] Cultural Impact - The rise of short dramas signifies not only an industry boom but also a cultural awakening, showcasing local stories that resonate globally [3] - Genuine cultural confidence is rooted in the ability to evoke human connections and emotional resonance, fostering understanding across diverse audiences [3]

Core Viewpoint - The controversy surrounding Jun Ji-hyun's new drama "The Storm Circle" has led to major luxury brands like Louis Vuitton, La Mer, and Piaget severing ties with her due to perceived cultural insensitivity and negative portrayal of China [2][4][5] Brand Impact - Jun Ji-hyun has built significant commercial value in the Chinese market, having been a brand ambassador for top luxury brands, including Piaget and La Mer, which have now removed her from their promotional materials [4] - The swift actions taken by brands to distance themselves from Jun Ji-hyun reflect the importance of maintaining a positive brand image in the Chinese market, which contributes significantly to global revenues [4][5] Cultural Sensitivity - The backlash against "The Storm Circle" highlights the critical need for cultural sensitivity in global media productions, as the portrayal of China in the series has been deemed offensive by Chinese audiences [3][5] - The incident underscores the broader implications of cultural, commercial, and political interactions in a globalized environment, where local sensitivities must be acknowledged by all stakeholders in the industry [5]

Group 1 - The "2025 Chengdu Eastern New Area Goes to the Greater Bay Area (Zhuhai) City Value Promotion Conference" was held, showcasing investment opportunities totaling 71 billion yuan [1][3] - The investment opportunity list includes over 30 projects categorized into land, carrier, and scenario types, focusing on high-energy cultural tourism destinations, industrial park development, and urban community construction [3][4] - The event attracted 98 entrepreneurs from the Greater Bay Area and Chengdu-Chongqing economic circle, emphasizing collaboration and investment in the Chengdu Eastern New Area [3][4] Group 2 - The land category of the investment list aims to attract well-known enterprises in fields such as conference exhibitions, theme parks, cultural creativity, high-end commerce, and boutique residences [3][4] - The carrier category focuses on established industrial parks like the Western Financial Innovation Center, targeting enterprises in financial services, education, live e-commerce, and film production [3][4] - The scenario category aims to develop sports and entertainment venues, attracting operators and training institutions for water sports, mountain activities, and leisure tourism [4] Group 3 - The Chengdu Eastern New Area awarded the first batch of "Greater Bay Area City Partners" and "Greater Bay Area Investment Liaison Stations" to enhance cooperation and resource integration [7] - Hong Kong Express Airways and Macau Headlines Cultural Media were designated as liaison stations to facilitate international resource connections and project introductions [7] - The Chengdu Eastern New Area aims to innovate its investment attraction model, breaking geographical and informational barriers to attract upstream and downstream enterprises [7]

Group 1 - The core point of the news is that Zhongnan Culture's stock price dropped by 5.21% to 2.73 CNY per share, with a trading volume of 351 million CNY and a turnover rate of 5.29%, resulting in a total market capitalization of 6.488 billion CNY [1] - Zhongnan Culture, established on May 28, 2003, and listed on July 13, 2010, is primarily engaged in the research, production, and sales of industrial metal fittings and pressure vessels, as well as the production and distribution of television dramas [1] - The revenue composition of Zhongnan Culture includes: flanges 41.02%, fittings 26.42%, pressure vessels 19.57%, others 8.77%, photovoltaic power 1.90%, pipe fittings 1.33%, and TV dramas 0.99% [1] Group 2 - According to data from the top ten holdings of funds, one fund under Everbright Pramerica holds a significant position in Zhongnan Culture, with the Everbright Pramerica Chengxin Mixed A Fund (003115) holding 29,200 shares, accounting for 0.99% of the fund's net value, ranking as the ninth largest holding [2] - The Everbright Pramerica Chengxin Mixed A Fund (003115) has a total scale of 2.1414 million CNY and has achieved a year-to-date return of 40.48%, ranking 1655 out of 8172 in its category; over the past year, it has returned 84.77%, ranking 1028 out of 7980; and since inception, it has returned 94.88% [2]

探访扬州影视基地：电影导演私人订制拍水景 中新网扬州9月19日电 (张传明)近日，扬州影视基地进行超级水景基地室内恒温水景拍摄中心设备测 试，随着工作人员按下平板电脑上的操控键，占地两千平方米的组合造浪池内接连出现了排浪、转浪、 凸起浪等海浪形态。 "这个室内恒温水景拍摄中心的组合造浪池造浪宽度可达35米、高度可达3米，可以模拟200余种浪型， 更重要的是这些海浪形态都是可以根据导演需求私人订制的。"扬州中交光线投资开发有限公司总经理 李勇介绍，扬州影视基地超级水景基地总投资规模近4.3亿元。其中，组合造浪池面积相当于两个标准 泳池，可满足最深11米的水下拍摄。 从事影视行业21年的于勇回忆，2000年初时，各类国产电影中与水有关的情节还很少。"减少水戏戏份 是电影导演的常规选择。除此之外，导演还会通过CG技术进行水戏制作，但该方式需要建模，并对水 戏的每一帧进行抠像，再融合成成片，不仅耗时耗资金，人物在水中的各种动作也很难与背景浑然一 体。" 扬州影视基地。扬州影视基地供图 不久前，以真实历史事件改编的电影《东极岛》上映。李勇指着超级水景基地大门外的木船说："这就 是电影《东极岛》剧组拍摄水戏时所用的道具。 ...

Group 1 - The micro-drama market in China has surpassed 50 billion yuan in 2024, indicating significant growth and potential for international expansion [1] - Thai youth are increasingly engaged with Chinese micro-dramas, which are characterized by their fast-paced storytelling and diverse themes [1] - The collaboration between Chinese and Thai media companies is fostering cultural exchange and economic cooperation, with a focus on co-producing content that resonates with both audiences [1][2] Group 2 - The Thai film "Grandma's Grandson" has achieved high box office success in China, boosting tourism to Thailand and making locations like the Bangkok betel nut market popular among Chinese tourists [2] - A new micro-drama titled "Sawasdee Ka - Thai Adventure" is being co-produced by Guangxi Broadcasting and Thai partners, incorporating elements of cross-border e-commerce and artificial intelligence [2] - The collaboration aims to create content that appeals to both domestic and international markets, with plans for translation into Thai and English [2][3] Group 3 - Thai creators are increasingly adopting Chinese micro-drama styles, indicating a shift towards localized innovation rather than mere content importation [3] - The evolution from traditional films to micro-dramas reflects a growing diversity in Sino-Thai cultural exchanges, enhancing mutual understanding and creating new opportunities in cross-border e-commerce and cultural tourism [3]