大型机构正在通过提升游客体验等方式，提升人均消费。 "大展"接连不断，打卡活动层出不穷，但对大型文博场馆来说，如何针对年轻观众提升吸引力，仍有很多可为之 处。 近日在上海前滩太古里举办的第四届"双城青年文化人才交流计划"座谈会上，博物馆机构的负责人和年轻参与者 齐聚一堂，共同讨论社群对博物馆运营和合作模式创新的影响。 美国基础设施服务商AECOM与主题娱乐协会TEA发布的《2023全球主题公园和博物馆报告》提到，全球前60位 博物馆的参观量已达到2019年水平的94%，其中亚洲主要博物馆的参观量已超过疫情前水平，达到106%，主要归 因于中国市场。大型机构正在通过提升游客体验等方式，提升人均消费。 浦东美术馆董事长李旻坤提到，近期"奥赛展"火爆，因此9月5日至10月26日，浦东美术馆延长开放时间至23:00。 在活动内容上，除了展览策划、设计中的场景营造，浦东美术馆还推出舞蹈表演、儿童剧等活动，协同策划推出 文创和特色饮品。"希望观众在不知不觉中感受到美术。" "双城青年文化人才交流计划"的四名来自京港两地的大学生，则提出了一份构建博物馆与居民社群关系的提案。 他们发现香港老街区油麻地的果栏摊主对社区历史文化 ...

尊重古建，选择适合的业态 杂草一米高，房子即将倾倒。荒废已久的崇正书院，曾经愁坏了巍山县的管理者们。 中国历史文化名城众多，古建筑集聚，如何保护？记者在云南省大理白族自治州巍山彝族回族自治县采 访时发现：即将倒塌的旧书院改造为新书店，变成了网红打卡点；曾经残破的旧民居里，经营起餐饮和 民宿；始建于唐代的等觉寺，修缮、转型成南诏博物馆……记者走进古城，寻找保护利用的密码。 "古建的氛围，提升了逛书店的体验。"先锋巍山崇正书院首任店长吴佳告诉记者，不少游客看到墙上的 彩绘，会问可不可以拍照；遇到拐角的砖雕，会问能不能摸一摸。独特的体验感让游客愿意打卡记录、 拍照分享，吸引更多人到来。 "你可能想象不到，现在书店维护最麻烦的问题竟然是松鼠和蝙蝠。"吴佳说，书院门口的大榕树、院子 里的百年松树，是动物的乐园。清早地上常有蝙蝠的粪便，调皮的松鼠也常穿堂过屋，将文创产品弄得 东倒西歪。"我们没法改变动物的习惯，虽然书院被改造成了书店，但是依然应该尊重过去的书院。"吴 佳说。 政府引导，鼓励社会资本参与 买来旧民居，喜舍民宿经营者杨锡俊首先翻出的是古城保护条例；翻建自家老院子，餐饮店经营者郑军 跑了7个部门进行审批。 图为 ...

Core Insights - The article discusses the increasing popularity of museums as cultural spaces and tourist destinations, highlighting the challenges of appointment difficulties and ticket scarcity [1][2][3] - It emphasizes the need for museums to adapt their operations and explore new supply options to meet the rising visitor demand, with projections indicating that 1.49 billion visitors are expected in 2024 [1] Group 1: Visitor Demand and Museum Capacity - The demand for museum visits is rising significantly, with museums becoming integrated cultural complexes that cater to diverse educational and recreational needs [1] - The limited capacity of museums leads to appointment difficulties, which is described as a "happy trouble" amidst the growing interest in cultural experiences [1][2] Group 2: Innovative Solutions for Appointment Difficulties - Museums are exploring various operational changes, such as eliminating closed days and implementing staggered closures to better accommodate visitors [2] - Extending opening hours, such as the Sichuan Sanxingdui Museum's decision to stay open until 8 PM, has proven effective in increasing daily visitor numbers [1][2] Group 3: Expanding Museum Reach - Initiatives like the "Seeing Su Yun at Home" traveling exhibition have successfully brought museum treasures to wider audiences, with 2.097 million visitors over 184 days [2] - Collaborations between different museums to share exhibits can enhance accessibility and attract more visitors [2][3] Group 4: Diversifying Museum Offerings - There is a need to activate lesser-known museums to alleviate visitor pressure on popular sites, as many smaller museums offer unique cultural experiences [3] - The total number of registered museums in China is projected to reach 7,046 by the end of 2024, indicating a vast potential for diverse cultural offerings [3]

#关注2025北京文化论坛#【全国文化中心建设巡礼｜打造汉文化主题展示高地】#2025北京文化论坛# 作为北京地区唯一以汉代文化为主题的专题博物馆，大葆台遗址博物馆于2025年5月20日以全新面貌重 新开放。该馆2025年完成改建后建筑面积达7600平方米，展陈面积2800平方米。博物馆依托"黄肠题 凑"高等级葬制及其出土玉器、漆器、铜器、丝织品等千余件文物，系统展示汉代广阳国的政治、经济 与文化面貌。开馆三个多月，大葆台遗址博物馆已接待观众近13万人次。北京考古遗址博物馆馆长杨志 国介绍，尽管博物馆规模不大，但观众反响热烈。"我们致力于将大葆台打造为北京汉文化展示中心， 让更多人了解北京在汉代的历史地位与文化积淀。"（北京青年报记者 李晓萌 吕良璐 编辑 吕良璐） 转自：北京头条 ...

#关注2025北京文化论坛#【全国文化中心建设巡礼｜社会化办展搭建跨域融合新桥梁】#2025北京文化 论坛# 国家自然博物馆6月5日开幕的"时空和鸣——解密达・芬奇的艺术科技与自然韵律"特展，截至目 前参观人数已突破15万，已经超越前期对展览人数的预测，成为自然与文化、艺术与科技跨界融合展览 的典范。据了解，自然博物馆的"硬实力"也在不断增强。目前馆藏标本正以每年约3万件速度增长，预 计2029年新馆开放时将达到60万件，2035–2040年间有望突破百万件。未来，新馆将建设成为南中轴地 区博物馆群的文化地标，持续发挥国家馆的示范、引领和辐射作用。（北京青年报记者 李晓萌 吕良璐 编辑 吕良璐） 转自：北京头条 ...

#关注2025北京文化论坛#【全国文化中心建设巡礼｜北京博物馆总数位居全国首位】#2025北京文化论 坛# 北京博物馆之城建设是一项立足长远的战略工程。2024年初，《北京博物馆之城建设发展规划 （2024—2035年）》正式印发，为建设工作提供了明确指引。截至目前，北京地区备案博物馆达246 家，类博物馆56家，总数位居全国首位。博物馆免费开放深入推进，公共服务效能显著提升，已成为市 民文化生活的重要组成部分。（北京青年报记者 李晓萌 吕良璐 编辑 吕良璐） 转自：北京头条 ...

Core Insights - The establishment of the first professional paleontological fossil restoration and identification room in Guangxi fills a gap in the region's fossil restoration capabilities, providing strong support for the protection, research, and popularization of paleontological resources [1][2] Group 1: Facility Overview - The new fossil restoration and identification room is equipped with advanced technology, including a sandblasting dust-proof integrated system and a professional pneumatic pen microscopic restoration system, creating a complete chain from discovery to display [1] - This facility is currently the only professional platform in the region capable of completing the entire process from fossil cleaning and reinforcement to fine restoration [1] Group 2: Research and Restoration Capabilities - The restoration room can handle all types of fossil repairs, covering most common fossil types found in Guangxi and surrounding areas, from small insect fossils to several-meter-long dinosaur skeletons [1] - The facility aims to unlock the life history contained within ancient fossils, allowing for the revival of ancient life forms that have been dormant for millions of years [1] Group 3: Public Engagement and Education - The restoration room serves as a 'diagnostic room' for fossils and a window for the public to understand the ancient biological world [2] - Future plans include public demonstrations of the restoration process, science lectures, and educational activities for middle and primary school students to enhance public interest in fossil protection [2]

Core Insights - The Beijing Grand Canal Museum has transformed its previously closed artifact storage into an immersive exhibition space, allowing visitors to closely observe artifacts and access detailed information through electronic touch screens [1] - The museum's newly completed conservation center is the largest of its kind in Beijing, featuring a comprehensive restoration room that showcases the artifact conservation process through interactive experiences [1] - The conservation center emphasizes the role of conservators as "artifact doctors," providing insights into their daily work and the techniques used in the restoration of cultural relics [1] Artifact Restoration Process - Traditional painting restoration involves four main steps: cleaning, revealing, repairing, and completing [2] - The cleaning process is meticulous, utilizing various methods tailored to different stains and materials, ensuring the safe removal of accumulated dirt from the artifacts [2] - The use of a special dough made from oat flour enhances the cleaning process, providing effective dust removal without damaging the artwork [3] Technological Innovations - The integration of advanced technology in the restoration process enhances precision and safety, particularly in the critical step of revealing the artwork [3] - A newly developed biological adhesive agent allows for the safe separation of aging protective layers from the artwork, significantly reducing the risk of damage during restoration [3] - The conservation center currently focuses on the restoration of organic artifacts, with plans to expand to inorganic materials such as metals and ceramics in the future [3]

Core Viewpoint - The Beijing Grand Canal Museum has completed the construction of its cultural relics protection center, which features an innovative visual display and restoration area, allowing the public to engage with the relics and the restoration process in an immersive manner [2][5]. Group 1: Museum and Cultural Relics Protection Center - The museum's relics visualization storage spans 760 square meters and houses over 100 exquisite Ming and Qing dynasty furniture pieces, along with 6,000 blocks of the Qing Dynasty's "Tripitaka" woodblocks [2]. - The center is the largest of its kind in Beijing, integrating a comprehensive restoration room with display functions, enabling visitors to witness the relics' restoration process through interactive experiences [2][5]. Group 2: Restoration Techniques and Innovations - Traditional restoration involves four main processes: cleaning, separating, repairing, and completing, with the cleaning phase being particularly meticulous and labor-intensive [3]. - The use of a special dough made from oat flour and glycerin enhances the cleaning process, ensuring safety and effectiveness in dust removal without leaving residues [4]. - The introduction of a biological adhesive agent for the "revealing" process allows for the safe separation of old protective layers from the artwork, significantly improving the precision and safety of restoration efforts [4].

Core Viewpoint - The Nanchang Han Dynasty Haihunhou State Ruins Museum continues to attract visitors as the summer vacation comes to an end, showcasing a rich historical and cultural experience that spans over two thousand years [2][4][5][7][8]. Group 1 - The museum features a variety of artifacts, including bronze items, glass mats, horse equipment, gold ingots, and Confucius screens, which highlight the cultural significance of the Han Dynasty [2][4][5][7][8][10]. - Visitors are taking advantage of the last moments of their summer break to explore the museum and engage with its historical offerings [2][4][5][7][8].