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即将迎来院庆的上海大剧院打通线上线下双重场景 剧院与观众实时互动 在大剧院“入戏” 共赴舞台盛宴
Jie Fang Ri Bao· 2025-08-25 01:30
记者 诸葛漪 8月27日,上海大剧院即将迎来"27岁"生日。 院庆当日,每月一度的"27直播间"迎来特别直播活动,在线发布演出季新剧目及文创周边信息,邀 请神秘嘉宾讲述27年来大剧院的幕后故事与舞台记忆。直播间将首次公布专为27周年庆推出的"剧院护 照",采取时下流行的集章玩法,集结线下互动与线上福利。直播还将连线A+艺术空间系列展览现场, 提供实时"云游"服务。 院庆活动期间,5台25场高质量演出汇聚大、中、小剧场缤纷舞台,8月22日—24日,上海话剧艺术 中心出品的阿瑟·米勒经典之作《推销员之死》登临大剧场。8月29日—31日,中央芭蕾舞团将带来古典 芭蕾剧目《舞姬》。中剧场内,音乐剧《存在者》以独角戏形式上演末世寓言;现代打击乐音乐会《击 限幻响2》中,九位演奏家以槌为笔、鼓为纸,书写穿透时空的节奏史诗。持续上演的沉浸式悬念剧场 《9号秘事》将谜题嵌入空间。 自1998年启幕以来,上海大剧院持续推动艺术与城市共生共荣。昨天,一季一会的艺术体验日举 行,以"迭迭乐"为主题,《宝莲灯》声乐工作坊、《凝光·入戏——上海大剧院2023—2025演出季回顾 展》等,将演出季主题趣味融入其间。 上海大剧院推出"上海 ...
国家大剧院“第二现场”再升级
Ren Min Ri Bao· 2025-07-25 20:23
Group 1 - The core concept of the news is the successful nationwide live broadcast of the opera "The Marriage of Figaro" using advanced 4K ultra-high-definition and 5.1 surround sound technology, marking a significant milestone for the National Centre for the Performing Arts' "Second Scene" project [1][2] - The live broadcast faced technical challenges due to the complexity of the opera, which has a score of 730 pages and nearly 3,000 precise camera transitions, necessitating a high level of technical execution [1] - The technical team developed a proprietary ultra-high-definition live broadcast system that ensures perfect synchronization of music and visuals, capturing every detail of the performance, including subtle expressions and costume textures [1] Group 2 - The "Second Scene" project has rapidly evolved from a trial phase to a mature operation within three months, aiming to redefine the boundaries of art dissemination through a model that integrates technology, quality content, and public benefit [2] - The unique commentary segment during the broadcast, featuring insights from professionals, has become a focal point of audience discussion, enhancing the overall experience [2] - A collaborative group was established to promote the ongoing development of the "Second Scene" project, with 35 theaters participating, focusing on resource sharing, standard setting, and optimizing business models for cultural consumption [3]