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发布一站式影像创作平台HANBAO.AI,数字王国深化全面转型
3 6 Ke· 2025-12-29 10:17
人工智能相关工具的接连涌现,颠覆性地改变了创作格局。在数字王国,人工智能并非技术菁英和创意人士的替代品;相反,相关工具被视作开展前沿尝试 的"超级助手"。跟随以上拓展逻辑,数字王国推出名为"HANBAO.AI"的一站式影像创作平台。聚合人工智能大模型,HANBAO.AI配备了覆盖文本、图像和 音频的集成工具库;凭借囊括文生图、图生频、局部重绘、风格转绘、智能扩图、图频超分,以及虚拟人生成在内的七大核心功能,其赋予创作者——无论 有无背景或基础——均可高效率、高效能地输出高阶影像的能力。 过去30余年,数字王国在虚拟人、视觉特效和可视化范畴积累的深厚经验,使得创作者足以借力技术迭代打破创意提炼的顽固壁垒。HANBAO.AI聚焦创作 思路的充分解析与精准转化,它的存在允许创作者跳出繁琐流程、抵达主导环节。兼具效率与效能的同时,HANBAO.AI可协助创作者攻克运用人工智能相 关工具时面临的难点,例如元素失真、透视错位或风格跳变等。 数字王国发布HANBAO.AI,着力构筑影像创作中枢 2025年12月29日,上海——面对人工智能激发的重塑浪潮,数字王国集团有限公司("数字王国",股票代码:547)主张科技与艺术共 ...
搭载人工智能,数字王国深化全面转型
Feng Huang Wang Cai Jing· 2025-12-29 07:52
发布HANBAO.AI,助推人工智能在文娱和科创领域的场景化应用 2025年12月29日,上海——面对人工智能激发的重塑浪潮,数字王国集团有限公司("数字王国",股票 代码:547)主张科技与艺术共生:即,推出让想象力落地的专利成果,加速其在消费级赛道的商业转 化。遵循这一理念,数字王国于近日在视听静界·π空间发布"人工智能+"战略联盟;顺应科技和艺术的 正向融合,数字王国围绕新工艺、新模态、新场景、新赋能的持续探索得以进一步阐述。 数字王国已逐步将HANBAO.AI投入打造电影、剧集、商业广告,以及游戏影像;该一站式影像创作平 台预计于2026年第一季度正式上线。 多引擎驱动,数字王国迈入辐射文娱与科创的全面转型 经历30余年的蜕变,诞生于好莱坞的数字王国实现了虚拟人、视觉特效和可视化的全球性拓展。对先进 技术与创意实力的追求,促使数字王国将无可比拟的雕琢旨趣融入创作过程。其代表作包括斩获奥斯卡 金像奖"最佳视觉效果"的《泰坦尼克号》、《美梦成真》和《返老还童》。 此外,数字王国欣然宣告与国泰海通证券股份有限公司("国泰海通证券")、 库艺(上海)文化传播 有限公司("库艺")、 上海富申评估咨询集团有限公 ...
洛克特聂华军:发展文旅需要数字IP,“大湾鸡”可考虑影视化
2 1 Shi Ji Jing Ji Bao Dao· 2025-11-27 12:28
Core Insights - The development of digital IP is a crucial driving force for the growth of urban cultural tourism [1][2] - The success of the animated film "Nezha 2" with a box office of 15 billion yuan has led to a total sales of derivative products exceeding 100 billion yuan, contributing over 200 billion yuan to GDP [1] - The current urban cultural tourism faces issues of homogenization and lack of deep cultural exploration, which can be addressed through the creation of distinctive IP symbols [1][2] Company and Industry Summary - The company specializes in creating CG special effects for major films and emphasizes the importance of digital IP in urban cultural tourism [1][2] - The operational logic for developing digital IP involves systematically analyzing cultural symbols, industry characteristics, and the spiritual core of cities to create differentiated themes [2] - The company utilizes AI technology to enhance the efficiency and speed of IP creation, breaking traditional stereotypes associated with urban IP [2] - The example of the "Orange Dragon" IP from the Miao Autonomous County of Mayang illustrates successful marketing strategies and commercialization through various channels, achieving significant sales [4] - The company recognizes the potential of the Greater Bay Area for cultural industry development due to its vibrant commercial environment and strong manufacturing capabilities [4] - Future support for the cultural industry should focus on talent development and co-creation mechanisms to foster original content and cultivate management talent [5]
哪吒背后,“命不由我”的年轻人
Hu Xiu· 2025-05-20 07:15
Core Points - The visual effects industry is characterized by long hours, low pay, and a lack of recognition for the artists involved [5][6][36] - Many visual effects artists enter the industry with high hopes but face harsh realities, including unpaid wages and poor working conditions [7][24][28] - The industry's business model, heavily influenced by Hollywood, often leads to financial instability for companies and artists alike [37][39][40] Group 1 - The basic work of visual effects artists involves meticulous tasks such as isolating hair strands frame by frame, which can take weeks [2][4] - Many artists are underpaid, with some earning as little as 2,000 to 3,000 yuan per month, despite initial expectations of higher salaries [15][28] - The industry has seen a shift in contracts towards project-based agreements, often lacking benefits like social insurance [7][29] Group 2 - The pressure to meet tight deadlines often results in artists working excessive hours, leading to health issues and burnout [34][35][61] - The lack of creative freedom and the repetitive nature of the work can stifle innovation and artistic expression among visual effects artists [57][63] - Many artists feel their contributions are undervalued, with no financial rewards tied to the success of the films they work on [36][41] Group 3 - The training and entry into the industry often involve significant financial investment, with many artists taking out loans to cover tuition fees [10][30] - The industry's reliance on outsourcing and low-cost labor has created a challenging environment for many artists, leading to a high turnover rate [39][41] - The narrative surrounding the industry often glorifies suffering and hard work, overshadowing the need for better working conditions and recognition [73][75]