Core Viewpoint - The article discusses the impact of the internet and modern entertainment on human attention spans, suggesting that the issue is more about choice and strategy rather than capability [5][22]. Group 1: Overview - The article highlights that by 2025, 5.65 billion people will use the internet, representing 68.7% of the global population, with adults spending an average of 6 hours and 38 minutes online daily, a figure that has remained stable over the past decade [3]. - It raises concerns about how various forms of entertainment, such as short videos and AI, are competing for limited attention, leading to a fragmented entertainment landscape [3][68]. Group 2: Music Industry - The article notes that the rise of a musician named "揽佬" on Spotify, surpassing Jay Chou, exemplifies how the internet has restructured the music industry, focusing on producing "hit songs" through strategic resource allocation based on audience feedback [9][14]. Group 3: Short Drama Market - The short drama market is maturing, with production companies still anxious about capturing audience attention despite their established presence [14]. - The article emphasizes the shift in career paths for young professionals, who are increasingly drawn to roles in content creation for lower-tier markets due to the significant traffic these platforms generate [17]. Group 4: Attention Management - Nir Eyal, author of "Hooked," argues that individuals must take responsibility for their attention management rather than blaming technology companies, emphasizing the importance of personal choice in how time is spent [22]. Group 5: Fast Food Industry - The article discusses the transformation of the fast food industry, particularly the "坪效之王" 南城香, which is adapting to new economic cycles by testing a weight-based pricing model in its Beijing locations [28]. Group 6: F1 Industry - The article outlines the evolution of Formula 1 from a niche sport dominated by European elites to a global entertainment product aimed at younger audiences, initiated by an American media company's acquisition eight years ago [31].

Core Viewpoint - Tencent Music (TME.US) shows resilience in the streaming music industry, with a projected revenue CAGR of 22% from 2021 to 2024, significantly outperforming retail sales growth in China [1] Industry Summary - The streaming music industry in China is expected to maintain strong growth despite macroeconomic challenges, with a revenue CAGR of 22% from 2021 to 2024 [1] - The expansion of audio content and refined operations in fan economy are anticipated to shift music platforms from competition for existing users to user growth [1] - Continuous optimization of copyright management is expected to drive gross margin growth [1] - The integration of AI is likely to decentralize supply in the industry [1] Company Summary - Tencent Music is recommended for attention, with expectations of ongoing acquisitions and integrations starting in the second half of the year [1] - The strategy aims to stabilize K-pop user retention while attracting new users through long audio content [1]