【文/王力 编辑/周远方】 12月25日，艺人朱孝天在粉丝群中爆料称，已实名举报五月天所属经纪公司"相信音乐"涉嫌多项违规行为，并表示已配合相关部门完成调查。 举报内容涉及勾结黄牛炒票、跨境资金转移逃税、强制艺人假唱及立场问题等。这一事件源于朱孝天在F4重组演唱会合作中与相信音乐产生的矛盾——朱 孝天表示因拒绝对方三项要求，在无合约情况下被单方面"退出"活动，并通过新闻才得知这一消息。 在刚刚结束的上"F★FOREVER恒星之城巡回演唱会"上，五月天主唱阿信以替补成员身份登场，并在现场隔空喊话感谢"暂时未能赴约"的朱孝天，而朱孝天 则回应称未收到任何消息，相关言论"是场面话，听听就算了"。 图片来自网络 值得注意的是，相信音乐旗下五月天曾于2023年底陷入"假唱风波"，尽管上海市文旅局执法总队于2024年5月公布调查结果称"未发现违法行为"，但该事件 仍对公众信任造成持续影响。此次朱孝天的公开举报，无疑将再度把这家头部经纪公司推至舆论风口。 以刚刚结束的"F★FOREVER恒星之城巡回演唱会"为例，该演唱会在上海连开四场，票价从680元至1880元不等，大麦平台数据显示近30万人想看。12月10 日开票时，所 ...

12月17日，鞠婧祎工作室发布声明，措辞强硬地指控前经纪公司丝芭传媒涉嫌"伪造协议、骚扰合作方" 等不当行为。面对这一指控，丝芭传媒第一时间 作出回击，一方面罗列鞠婧祎曾享有的税前过亿优厚待遇，另一方面明确驳斥艺人方的说法"严重失实"，双方隔空交锋迅速引发热议。 艺人鞠婧祎 企查查APP显示，丝芭传媒及其董事长王靖成为多起执行案件的被执行人，股权冻结金额累计近1.3亿元，其中涉及上海丝尚资产管理合伙企业（有限合 伙）、上海丝芭文化传媒集团有限公司等核心主体，冻结期限均为2025年7月至2028年7月。 目前来看，这场持续发酵的解约风波，核心矛盾集中在合约期限有效性与收入分配合理性两大关键点。12月15日，鞠婧祎工作室率先发微博，明确表示双 方主合约已于2024年6月18日到期，直指丝芭传媒声称的《专属艺人合约》补充协议系"伪造"。工作室进一步指控，丝芭传媒通过"双重合同"隐瞒真实演 艺收入，长期截留艺人分成，并存在无差别骚扰合作方的行为，因此已于2024年6月15日发送《解约函》正式终止合作。 | 序号 | 执行通知书文号 | 被执行人 | 冻结股权标的企业 | 股权数额 | 执行法院 | 类型 | 状态 | ...

"将择日……实名举报"，艺人鞠婧祎与其经纪公司丝芭传媒的合约纠纷好不热闹，12月18日，丝芭传媒 发布"致艺人鞠婧祎的最后告知"，最后一次要求对方立刻收手、停止侵权，并表示该公司将就鞠婧祎及 其关联人"涉嫌严重经济犯罪的行为，择日向国家相关监管机构，媒体和社会公众进行全网公开实名举 报"。 "涉嫌严重经济犯罪"，虽然并没有明确的具体罪名指向，却已经是很严重的指控。在现行刑法中，经济 犯罪类型的涵盖范围相当广泛，包括危害税收征管、扰乱市场秩序、金融诈骗等诸多具体罪名，但具体 到演艺经纪场景，最大可能指向危害税收征管。 但无论如何，在一份语焉不详的公开声明中，突然祭出"严重经济犯罪"的指控，不仅对纠纷另一方而言 是一种不负责任的措辞，而且对己方来说同样有"挖坑"的危险。 不管声明所言涉嫌的"严重经济犯罪"是否存在、会否被最终认定，以手握大杀器为要挟，迫使对方收 手、停止所谓侵权，都是极不恰当的做法。假设确如声明所指，对方因忌惮相关证据而选择了闭嘴，自 称"长期以来掌握大量事实"的经纪公司是转头继续为其隐瞒涉嫌"严重经济犯罪"，还是选择"择日举 报"？ 刑诉法第110条明确规定，任何单位和个人发现有犯罪事实或者犯罪 ...

12月18日， 上海丝芭文化传媒集团有限公司发布致艺人鞠婧祎的最后告知，内容如下： 由于你和你的所谓个人工作室多次罔顾事实、编造谎言，利用个人影响力蒙蔽，误导粉丝和社会公众，并在行业内和网络 平台传播关于我司的诸多不实信息，多方抹黑公司，刻意引导不明真相的粉丝，甚至私下利用网络水军等非法手段"网 暴"我司，对我司的社会和商业形象和正常的企业运营造成了极大伤害。试问是国家法制和公序良俗，社会公众的利益大还 是你的个人私利大？是人民群众和社会公众的力量大还是暂时被你欺骗和误导的不明真相的粉丝的力量大？ 在此最后一次要求你们立刻收手，停止所有侵权抹黑行为，我司将以长期以来所掌握的大量事实和你们的种种劣迹为依 据，将就你本人和你的关联人涂某某等涉嫌严重经济犯罪的行为，择日向国家相关监管机构，媒体和社会公众进行全网公 开实名举报。特此告知！ 据封面新闻报道，12月15日，丝芭传媒起诉状称鞠婧祎合约至2033年引发热议。 鞠婧祎方发布声明，称鞠婧祎与丝芭传媒的经纪合约已于2024年6月终止，合约原定2024年6月18日到期终止，但因丝芭传 媒存在多项违约行为，甚至伪造补充协议，因此艺人在2024年6月15日要求解除合约。 ...

本文字数：896，阅读时长大约2分钟 作者 | 第一财经 揭书宜 近日，丝芭传媒与鞠婧祎的合约纠纷引发热议。 鞠婧祎工作室发声明，称与丝芭传媒的经纪合约已于2024年6月终止，同时指控丝芭传媒伪造艺人 签名及授权。声明称，丝芭传媒在经纪合作期间存在多项违约行为，甚至伪造所谓的"《专属艺人合 约》补充协议"，严重损害艺人的合法权益，艺人忍无可忍最终在2024年6月15日选择正式向丝芭传 媒发送《解约函》，要求"立即解除合约"。 鞠婧祎工作室还表示，艺人2024年6月15日选择正式向丝芭传媒发送《解约函》，要求"立即解除合 约"。但念及双方合作多年，艺人并未在第一时间主动公开披露合约提前解除的情况及事由，仅对外 宣称"合约终止不续约"。然而，在此之后，丝芭传媒却屡屡公开散布有关双方间经纪合作关系的不 实消息，阻碍艺人演艺活动的开展。艺人与丝芭传媒之间的合同纠纷案，现已全权委托杨曙光律师代 理，相信法律会给予本案正义的结果。 12月16日，丝芭传媒作出回应，晒笔迹鉴定报告否认伪造艺人签名及授权。 丝芭传媒还回应了鞠婧祎待遇和收入分配问题，称曾出资人民币1.6亿余元，为鞠婧祎单飞发展后规 划影视发展路线，截至2024 ...

丝芭传媒作出回应，晒笔迹鉴定报告否认伪造艺人签名及授权。 天眼查数据显示，鞠婧祎名下关联2家个人独资工作室，分别为上海橘事顺利影视文化工作室（个人独资）和上海万事如祎影视文化工作室（个人独 资）。 | 大眼管 | 都在用的商业查询工具 国家中小企业发展子基金旗下机构 | 查公司 鞠婧伟 | 查老板 查关系 查风险 | 网 | 天眼一下 | 齢 应用 ▼ | | 商务合作 企业级产品、 ★ 开通会员、 ▲ 卡特琳娜 | | | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | | 任职信息 2 | 曾任职信息 | 所属集团/族群 | 控制企业 2 | 风险信息 | | 历史信息 | 合作伙伴 | 天眼图谱 | 奥情讨论 | | 所有任职企业 2 | | | | | | | | 템 음出 | で天眼查 | | 序号 | 企业名称 | | 职位 | | 注册资本 | | 成立日期 | 省份地区 | 登记状态 | | 万等 | 上海万事如祎影视文化工作室(个人独资) | | 投资人,股东 | | 10万人民币 | | 2025-10-14 | 上海 ...

Core Viewpoint - A new company named Shanghai Peiyu Enze Enterprise Consulting Co., Ltd. has been established by Li Peien, indicating a potential expansion in the entertainment and media industry [1] Company Summary - The newly registered company has a registered capital of 200,000 yuan [1] - Li Peien serves as the legal representative of the company [1] - The company is co-owned with Shanghai Yier Industrial Co., Ltd. [1] Industry Summary - The business scope of the new company includes talent agency services, film distribution, and radio and television program production and operation [1]

Group 1 - The Shanghai International Comedy Festival's "Yoshimoto Comedy Special" scheduled for November 20-22, 2025, has been canceled due to force majeure [1] - Yoshimoto Kogyo, a prominent Japanese talent agency and television production company, was set to perform four shows during the festival, including various comedic acts [1] - The Shanghai International Comedy Festival is part of the Shanghai International Arts Festival and has attracted over 900,000 attendees cumulatively [1] Group 2 - Several Japanese films originally scheduled for release in China have been postponed, including popular animated films like "Crayon Shin-chan" and "Cells at Work" [1] - Approximately 17 Japanese films that have been scheduled for release remain uncertain regarding their screening [1] - Domestic companies such as Maoyan Entertainment and Damai Film have been involved in the distribution of these films, with specific titles announced for release [1]

Core Insights - The rise of comedian Zhang Xingchao after the success of "Happy People Wonderful Night 2" highlights the show's ability to generate significant attention and opportunities for its participants [1][3] - The "Happy People" series has established itself as a platform for comedians to gain exposure and secure contracts with major entertainment companies, transforming the landscape of the comedy industry [3][21] - The shift from traditional comedy brands to management and production companies reflects a broader trend in the entertainment industry, where talent is increasingly sourced from these companies rather than independent acts [20][21] Group 1: Industry Trends - The comedy market has shifted from offline comedy brands to management and production companies, with a notable increase in the number of comedians signed by companies like Miwei, Haixi, and Happy Mahua [3][20] - The "Happy People" series has become a recruitment platform for comedians, with successful participants often moving on to significant roles in film and television [3][21] - The current season of "Happy Night 2" features 45 participants from 21 teams, with a significant portion coming from major companies, indicating a consolidation of talent within the industry [9][20] Group 2: Company Strategies - Miwei has adopted a clear strategy of leveraging its programs to build a roster of talent, signing many successful participants from the "Happy People" series [12][18] - The company has expanded its talent pool significantly after the conclusion of "Happy Night 2," indicating a focus on nurturing and retaining successful comedians [16][18] - Other companies like Haixi and De Yang Entertainment are also actively recruiting talent from the "Happy People" series, showcasing the competitive landscape for comedian talent [21][32] Group 3: Talent Development - Comedians who sign with companies like Miwei often experience sustained exposure and opportunities in various media, including television and film, compared to those who remain with traditional comedy brands [23][27] - The success of comedians like Wang Hao and Zhang Chi, who have secured multiple film roles after joining Miwei, illustrates the potential for career growth within these management structures [25][27] - The emergence of new talent through the "Happy People" series is reshaping the industry, as companies seek to capitalize on the popularity of these comedians to enhance their own brand visibility [46][47]

Core Viewpoint - The concert of the Times Youth League in Shanghai is expected to attract over 300,000 fans, significantly boosting local consumption in various sectors such as entertainment, accommodation, dining, and shopping [2][10]. Group 1: Concert Impact on Local Economy - The concert is projected to increase hotel bookings around Shanghai Stadium by 266% compared to previous periods, with a 66% year-on-year increase in hotel reservations during the concert week [9][10]. - Local businesses are leveraging the "ticket root economy," offering discounts and promotions linked to concert attendance, such as dining discounts at nearby restaurants [10][11]. - The concert's popularity is expected to drive a surge in transportation, accommodation, dining, and shopping, showcasing the economic impact of high-profile events on urban areas [10][11]. Group 2: Fan Engagement and Attendance - The concert implemented strict ticketing policies, requiring real-name registration and identity verification to enhance security and prevent ticket scalping [6][7]. - Many fans, including those without tickets, attended the concert venue to show support, indicating strong fan engagement and community involvement [7][10]. - Special waiting areas were designated for parents accompanying underage fans, reflecting an understanding of the demographic attending the concert [6][7]. Group 3: Idol Economy and Business Model - The Times Youth League, developed by Times Fengjun, follows a successful idol cultivation model, building on the popularity of previous groups like TFBOYS [13][14]. - The agency employs a comprehensive star-making industry chain, from talent selection to training and performance planning, to maximize commercial opportunities [14]. - The focus on male idol groups is strategic, as they tend to attract more female fans who are more likely to spend on related products and experiences, enhancing overall revenue potential [14].