如今，东城·非遗共富工坊这个集多功能于一体的综合平台，正成为城东区文商旅融合发展的亮丽名 片。通过资源整合、平台共建、联动培训、品牌共塑等方式，工坊不仅实现了"以文化促就业，以文化 带动居民增收"的文化富民目标，也探索出了一条传统文化与现代商业相互赋能、文旅融合与区域发展 同频共振的新路径。 这样的匠心传承，正在更大的舞台上绽放光彩。作为城东区探索文商旅融合发展的创新实践，东城·非 遗共富工坊目前已有15家非遗项目和文旅产品进驻，陈列着20余种独具地方特色的非遗及文旅产品。工 坊里讲解员介绍，工坊创新采用1个文化旅游体验场馆、11个加工点、N个产品和活动的运营模式，有 效盘活了商圈闲置资产，丰富了周边业态。自2024年试营业以来，已接待参观者2.26万人次，工坊营业 额达13.94万元，在外制作坊（厂）营业额突破351.3万元。 走在工坊的展示区内，各种手工艺产品栩栩如生，八门拳的刚柔并济，扁担酿皮的匠心独运，河湟刺绣 的精巧细腻，不同民族的文化瑰宝在这里交相辉映，共同诉说着这片土地上各民族交往交流交融的生动 故事。与此同时，东城·非遗共富工坊还积极探索非遗传承对铸牢中华民族共同体意识的价值功能，将 非遗体验 ...

Group 1 - The eighth China International Import Expo showcased Jiangsu's cultural exchange activities, highlighting the integration of traditional craftsmanship and modern innovation through the participation of seven Suzhou time-honored brands [1] - Suzhou embroidery artisans demonstrated intricate techniques, such as using 1/128 silk threads to create a visual effect of floating goldfish, emphasizing the meticulous nature of their craft [1] - The Suzhou Embroidery Research Institute aims to promote the essence of Suzhou embroidery to younger generations and seeks partnerships for co-developing cultural and fashion products [1] Group 2 - Suzhou time-honored brands are adopting a younger and more international approach to narrate Jiangnan culture, exemplified by the innovative designs like the phoenix crown headpiece created for the AI digital character "Su Xiaomei" [2] - The products showcased at the expo, including the phoenix crown and the Zheng He treasure ship replica, reflect the heritage of Suzhou's gold and silver craftsmanship, taking over 100 days to create each piece [2] - The brand Zigan Jewelry plans to open a custom workshop in Shanghai next year, leveraging the expo to enhance its brand visibility and pursue international opportunities for traditional craftsmanship [2]

Core Perspective - The article highlights the legacy and evolution of the "Mian Ren Lang" craft, emphasizing its cultural significance and the personal journey of the current practitioner, Lang Jiaziyu, as he navigates the challenges of preserving this traditional art form while adapting it to modern contexts [1][11]. Group 1: Historical Background - The "Mian Ren Lang" craft has been passed down for nearly a century, originating from the family of Lang Shaoan, who established the art form with a focus on realistic and intricate designs [1][2]. - Lang Shaoan showcased his work internationally in 1953, marking a significant moment for Chinese folk art [2]. - The craft faced a prolonged decline during Lang Zhichun's tenure, where for at least ten years, there was no market for the art, leading to a reliance on personal income to sustain the craft [2][3]. Group 2: Personal Journey and Challenges - Lang Jiaziyu grew up immersed in the world of Mian Ren, learning through observation rather than formal training, which fostered a natural affinity for the craft [3][4]. - Despite his passion, Lang Jiaziyu's father initially discouraged him from pursuing a career in Mian Ren due to financial concerns, reflecting a common parental desire for stability [4][5]. - Lang Jiaziyu's determination to prove the value of traditional crafts was fueled by experiences in school, where he faced dismissive attitudes towards his skills [5][6]. Group 3: Artistic Evolution and Innovation - Lang Jiaziyu transitioned from a traditional approach to a more innovative and creative model, aiming to produce unique works rather than repetitive pieces [7][8]. - His creative process is described as intense and focused, likening it to "dancing on the edge of a cliff," where precision is crucial [8]. - He draws inspiration from his grandfather's work while striving to elevate his own artistic expression, recognizing the need for continuous improvement [8][9]. Group 4: Social Relevance and Modernization - Lang Jiaziyu's recent projects focus on capturing the essence of ordinary laborers, aiming to make the art form relevant to contemporary society [9][10]. - He reflects on the importance of representing everyday people in his work, aligning with a broader cultural narrative that values the contributions of all individuals [10]. - Despite achieving personal success, he acknowledges systemic challenges within the non-heritage market, emphasizing the need for demand creation to ensure the craft's survival [11][12]. Group 5: Future Aspirations - Lang Jiaziyu aims to create a sustainable ecosystem for artisans, advocating for a broader societal recognition of traditional crafts [12]. - He envisions a future where the craft can thrive independently of familial lineage, ensuring its continuity for future generations [12].

Core Insights - The 14th Suzhou Cultural Creative Design Industry Trade Fair showcased nearly 100 new intangible cultural heritage (ICH) products, integrating traditional crafts into modern life [1][2] - The event featured 16 ICH inheritors and new talents, highlighting various crafts such as Suzhou embroidery, nuclear carving, and Suzhou-style pastry making [1] - The launch of "Yuan Dachang" rose-flavored winter brew attracted attention, marking it as a seasonal favorite in Suzhou [1][2] Group 1: Event Highlights - The trade fair took place at the Suzhou International Expo Center, emphasizing the importance of ICH in contemporary design [1] - ICH inheritor Yue Yan presented a Suzhou embroidery handbag inspired by traditional patterns, showcasing the blend of heritage and modern aesthetics [1] - Gu Jingli, a representative of nuclear carving, introduced a series of jewelry pieces, demonstrating the versatility of traditional crafts [1] Group 2: Product Launches - "Yuan Dachang" introduced a new rose-flavored winter brew, which will be available for online purchase as part of the "2025 Non-ordinary Goodies - Winter Reunion Gift" [2] - The winter reunion gift package will also include a blind box featuring traditional 桂花盘扣 (osmanthus brooches) crafted by ICH representatives [2] - The event's "Non-ordinary Selection Shop" allowed visitors to view and purchase the newly launched ICH products, enhancing public engagement with traditional crafts [2]

Core Viewpoint - The article emphasizes the importance of integrating traditional cultural heritage, specifically the Jin embroidery from Shanxi, into modern life to ensure its preservation and development [3][4][6]. Group 1: Cultural Heritage and Economic Development - The Jin embroidery workshop has trained over 3,000 women, with more than 2,000 becoming signed family embroiderers, showcasing the impact of government support on skill development [3][4]. - The annual sales of the Jin embroidery workshop have increased from several hundred thousand to several million yuan, indicating a significant growth in the industry [4][5]. - The establishment of a 1,000-square-meter training base has enhanced the workshop's visibility and contributed to rural tourism development [5]. Group 2: Policy and Institutional Support - During the "14th Five-Year Plan" period, the mechanism for protecting intangible cultural heritage (ICH) in China has become more refined, with over 31 provinces implementing local ICH protection regulations [6]. - More than 100 universities have established ICH protection undergraduate programs, and over 200 universities are involved in training programs for ICH inheritors, indicating a growing institutional commitment to ICH [6]. Group 3: Integration of ICH into Modern Life - The integration of ICH into daily life has been highlighted through various cultural activities, such as traditional festivals and health practices, making ICH more accessible and relatable to the public [6]. - The establishment of 12,900 ICH workshops has created job opportunities for over 1.2 million people, demonstrating the economic potential of ICH [6].

Core Insights - The article highlights the establishment of a cultural and economic revitalization platform in Longshui Village, Qingyuan City, Guangdong Province, through the creation of a non-material cultural heritage (non-heritage) embroidery workshop, which integrates cultural inheritance, educational research, and tourism experience [2][3] Group 1: Workshop Development - The local government collaborated with a kindergarten to utilize a 1,250 square meter idle school site, investing approximately 300,000 yuan to create the embroidery workshop [2] - The workshop features three main functional areas: an embroidery area, a tie-dye area, and an agricultural experience area, allowing visitors to engage with local culture and craftsmanship [2][3] Group 2: Economic Impact - The workshop aims to create a sustainable income system for villagers by transforming non-heritage skills into economic development, providing over 10 full-time jobs for women and indirectly benefiting more than 100 individuals through part-time employment opportunities [3] - The village has implemented an innovative "land equity + dynamic dividend" model, allowing villagers to earn fixed dividends annually, with potential increases based on actual profits every five years [3]

Core Insights - The event in Chenpi Village, Jiangmen City, is a vibrant market celebrating the National Day and Mid-Autumn Festival, running until October 8, 2025, as part of the national trading event for Chenpi [2] - The market features a blend of local cuisine and creative dishes, showcasing products like Chenpi ice cream and pastries, alongside traditional craftsmanship demonstrations [2] - The event includes three themed days: "Intangible Cultural Heritage Creative Day," "Mid-Autumn Theme Day," and "Cultural Experience Day," aimed at engaging families and promoting local culture [2][3] Group 1 - The market serves as a significant platform for integrating the Chenpi industry with overseas Chinese culture and festive consumption [2] - Various activities highlight traditional skills, such as the "Three Knife Skinning" technique for authentic Chenpi identification [2] - The "Intangible Cultural Heritage Creative Day" features hands-on experiences for families, including crafting with palm leaves and making traditional fish lanterns [2] Group 2 - The event will host popular activities, including performances by a well-known band to enhance the festive atmosphere [3] - Upcoming themed days will feature special guests, such as the "Deep Well Cake" team and a short play related to Chenpi, providing additional entertainment and cultural engagement [3]

Core Viewpoint - The event in Guangzhou's Baiyun District showcased the cultural heritage products from Mazhang District, emphasizing the importance of these products in promoting local culture and economic development through collaboration with the Bay Area [2][10]. Group 1: Event Overview - The event was themed "Celebrating Mid-Autumn with Craftsmanship and Harvest" and marked the debut of Mazhang's intangible cultural heritage products in the Bay Area [2][3]. - Nearly a hundred attendees, including leaders, business representatives, and media, gathered to witness the event and enjoy a vibrant "Intangible Cultural Heritage Carnival" [4][5][6]. Group 2: Cultural Significance - The Mazhang District Committee highlighted that products like "Taiping Bao Dan Cake" represent local flavors and the people's aspirations for a better life [8]. - The event is seen as a crucial step for Mazhang culture to "go global," creating new opportunities for resource complementarity and industrial collaboration [9][10]. Group 3: Product Promotion - A "Mazhang Quality Product Selection Center" was inaugurated, serving as a permanent exhibition and sales platform for Mazhang's intangible cultural heritage and specialty agricultural products [13][14]. - The event featured performances of traditional dances and operas, showcasing the cultural richness of Mazhang, which attracted significant audience interest [18][21]. Group 4: Consumer Engagement - The event included a market for intangible cultural heritage products and interactive experiences, allowing attendees to taste local delicacies and engage with the culture [23][24]. - Special promotions, such as discounts and giveaways, encouraged consumer participation, with many expressing satisfaction in supporting heritage preservation while enjoying authentic local cuisine [25][28]. Group 5: Future Initiatives - The Mazhang District plans to conduct further activities aimed at empowering rural revitalization and regional collaboration, exploring sustainable development paths for intangible cultural heritage [31][32]. - The district aims to leverage media resources to enhance market outreach and promote Mazhang's cultural products nationwide [34][37].

Core Insights - The establishment of the "Intangible Cultural Heritage Industry Chain Financial Service Alliance" by the People's Bank of China in Dazhou aims to address the challenges of protecting, inheriting, and monetizing intangible cultural heritage [1][2] Group 1: Financial Support for Intangible Cultural Heritage - The financial services provided by the People's Bank of China have revitalized three representative intangible cultural heritage projects in Dazhou: Liu's Bamboo Weaving, Dongliu Fermented Rice, and Lantern Shadow Beef, enhancing both cultural and economic value [1] - The bank has implemented various financial measures to support the bamboo weaving industry, including a "credit + guarantee" model for individual artisans with a maximum credit of 5 million yuan and a "credit + industry chain guarantee" model for leading enterprises with a maximum credit of 10 million yuan [3][4] - A special loan of 80 million yuan was issued to support the bamboo seedling industry project, facilitating the establishment of a 20,000-acre quality bamboo seedling base along the river [3] Group 2: Revitalization of Traditional Crafts - Liu's Bamboo Weaving, recognized as a national intangible cultural heritage, faces challenges such as long production cycles and slow returns, which have been alleviated through financial support [2][3] - Dongliu Fermented Rice, with a history dating back to the Han Dynasty, has benefited from over 300 million yuan in loans and funds for technical upgrades, increasing production capacity to 65,000 tons annually [4] - The company producing Lantern Shadow Beef has received 130 million yuan in loans, enabling the establishment of a BRCGS EU-certified workshop and increasing annual production capacity to 300 million yuan, with a brand valuation of 11.158 billion yuan [6]

Core Perspective - Tang Sancai, known as the "Oriental Art Treasure," has a history of over 1300 years and was listed as a national intangible cultural heritage representative project in 2008 [1] Group 1: Historical Significance - The craftsmanship of Tang Sancai originated in the Tang Dynasty, with artisans gathering in the Mengjin District of Luoyang, Henan Province, to create exquisite pieces through traditional firing techniques [1] Group 2: Modern Developments - Today, Nanshishan Village in Mengjin District is renowned for producing Tang Sancai, featuring a theme park and displays of Tang Sancai in local homes, attracting numerous tourists [3] - The kilns for producing Tang Sancai have evolved from traditional wood-fired kilns to coal, gas, and electric kilns, reflecting innovation in the preservation of this craft [3] Group 3: Economic and Cultural Impact - Nanshishan Village integrates production, sales, and educational activities, with over 1600 professional artisans and 81 cultural enterprises [6] - Local initiatives are enhancing the Tang Sancai craft through training centers, museums, and cultural research institutions, contributing to the preservation of intangible cultural heritage and enriching rural tourism [6]