太白祠图据四川省文化和旅游厅 李白画像。图据江油市李白纪念馆 峨眉山云上金顶。图据乐山文旅 黄金狮子乘高座，白玉麈（zhǔ）尾谈重玄。 江油窦圌山图据四川省文化和旅游厅 □刘志杰 《峨眉山月歌送蜀僧晏入中京》 唐·李白 我在巴东三峡时，西看明月忆峨眉。 月出峨眉照沧海，与人万里长相随。 黄鹤楼前月华白，此中忽见峨眉客。 峨眉山月还送君，风吹西到长安陌。 长安大道横九天，峨眉山月照秦川。 我似浮云殢（tì）吴越，君逢圣主游丹阙。 一振高名满帝都，归时还弄峨眉月。 暮年李白，仍懂"顶级浪漫"。李白在历史上有很多名号。他是"诗仙""文星""酒仙"也是"李谪仙""李翰 林""李青莲"……但他还有个相对"小众"的称号，叫"李峨眉"。此说出自唐代诗人张祜的诗《梦李 白》，"我爱李峨眉，梦寻寻不见"。 这个"小众"称号，在李白的诗歌中，却是相伴一生的常客。早年，他意气风发，《登峨眉山》和《峨眉 山月歌》为世人熟知；几十年后，一生浮沉，他仍将"峨眉"入题，《峨眉山月歌送蜀僧晏入中京》，藏 尽百感交集。 走遍千山万水、大江南北，历尽劫波，这轮峨眉月，依然照拂其心！1958年春成都会议时，毛泽东主席 抽时间选编了两册有关咏四川的 ...

□阿来 书写革命历史题材的作品，很容易落入一种窠臼：满纸金戈铁马，满眼宏大叙事，笔下的英雄人 物个个光芒万丈。读来固然荡气回肠，可合上书页，总觉得那些历史与当下隔着一层纱，怎么都 触摸不到真切的温度。 《明月关山笛》偏偏反其道而行之，以"子女找老辈问过往、靠老物件和老曲子说历史"的方式， 将尘封的革命岁月拉到读者眼前，让历史真正"活"了起来，也为同类题材创作探出了一条新路 子。 以往书写土地革命、抗战风云，要么是气吞山河式的大场面铺陈，要么是塑造几位高大全的典型 英雄。这些写法固然有其价值，能让人一眼望见革命历程的波澜壮阔，但看久了就会发现，这样 的历史总像是飘在云端的篇章，与普通人的生活离得太远。《明月关山笛》的妙处，就在于它把 宏大的革命叙事，拆解成了一场场家里人叙旧般的对话。 当小辈带着好奇，坐到长辈跟前，追问那些藏了一辈子的往事，历史的帷幕就这么轻轻地被拉开 了。书里的老兵、老革命者，不再是教科书上印着的冰冷名字，而是坐在你对面的老人——可能 说话慢，可能记性也不太好了，可一旦说起当年的事，眼里就会亮起光。那些烽火岁月里的挣 扎、坚守，那些热血与牺牲，就跟着他们的絮叨，一点点变得鲜活起来。 这种晚辈视 ...

Core Viewpoint - The "苗地" Children's Choir New Year Concert in Chengdu showcased the artistic achievements of students and emphasized the importance of music education in children's growth and collaboration [7][9]. Group 1: Event Overview - The concert took place on the afternoon of the 23rd at the Chengdu ASEAN Arts Center, which has a seating capacity of 397 [7]. - Nearly 500 students and teachers from Chengdu participated in the performance, with a simultaneous exhibition of artistic achievements from schools [7][9]. Group 2: Musical Performance - The concert featured three main sections: "苗地新声·美育初绽," "新岁启章·童音欢腾," and "乘歌展翼·音乐飞扬," presenting nearly 20 diverse musical pieces [8]. - The performances included classic songs and contemporary pieces, evoking emotional connections and cultural dialogues through music [8]. Group 3: Educational Impact - The concert was described as a profound practice of aesthetic education, highlighting the unique value of music in children's development, particularly in fostering cooperation and collective warmth [8][9]. - Teachers noted that the event significantly enhanced children's artistic expression and sense of collective honor, demonstrating the subtle yet powerful influence of aesthetic education [9]. Group 4: Art Exhibition - A concurrent exhibition showcased various artistic works, including calligraphy, painting, and handicrafts, created by participating students [9]. - The exhibition featured unique interdisciplinary projects, such as psychological picture books and cultural products, reflecting the creativity and talent of Chengdu's youth [9]. Group 5: Future Aspirations - The "苗地" brand, established over 40 years by Chengdu Daily, aims to continue developing the concert into a vibrant cultural exchange platform that nurtures children's artistic growth and connects families and schools [10].

Core Viewpoint - The concert "Zhucheng Qin Yun Fifty Autumns" marks the 50th anniversary of Gao Peifen's transmission of the Zhucheng school of Guqin, showcasing the continuation of this traditional Chinese art form in the modern era [1][4]. Group 1: Event Overview - The concert took place on December 27 at Shandong Normal University, featuring over 30 students performing alongside Gao Peifen [1]. - The program included traditional pieces such as "Changmen Yuan" and "Yangguan Sandie," as well as ancient songs revived by Gao Peifen and contemporary compositions [3][4]. - The event attracted a diverse audience, including seasoned enthusiasts and young students, highlighting the growing interest in Guqin music [3]. Group 2: Historical Context - The Zhucheng school of Guqin originated in Shandong and developed in the mid-19th century, characterized by its unique artistic style [3]. - The school faced near extinction in the 1970s due to historical factors, but Gao Peifen began her training in 1975, leading to a revival of the tradition [3][4]. Group 3: Educational Efforts - Gao Peifen has established public classes and courses in schools, organized concerts and lectures, and published materials to promote the Zhucheng school of Guqin [4]. - Over the past 50 years, she has trained nearly 1,000 students, many of whom have become sixth-generation inheritors of the tradition [6]. Group 4: Modern Adaptations - Younger disciples are utilizing modern technology and social media to spread Guqin music globally, adapting popular music into Guqin arrangements to engage younger audiences [6][9]. - The concert also featured performances that integrated poetry and music, aimed at fostering interest in traditional arts among different age groups [6]. Group 5: International Outreach - Gao Peifen and her students have been actively promoting the Zhucheng school of Guqin on international stages, performing in cities like New York, Washington, and Paris [7].

Core Viewpoint - The event titled "Four Seas Qin Heart" serves as a cultural dialogue through music, commemorating the 130th anniversary of the birth of the guqin master Cha Fuxi and aiming to bridge the musical traditions of China and the Arab world [2]. Group 1 - The event took place on October 25 at the Arab Music Academy in Dubai, featuring performances by guqin players in traditional Chinese attire alongside Arab musicians [1]. - The performances included a blend of traditional Chinese and Arab music, showcasing instruments such as the guqin, oud, and darbuka, creating a rich cultural exchange [1][6]. - The event is part of a global initiative involving 62 guqin societies, highlighting the international interest in promoting cultural dialogue through music [7]. Group 2 - The program featured classical pieces such as "Xiaoxiang Water Clouds," "Fishing and Woodcutting Dialogue," and "Ospreys Forgetting Their Concerns," culminating in a collaborative performance of "Cang Hai Yi Sheng Xiao" that fused Chinese and Arab musical elements [6]. - The event also referenced historical cultural exchanges, noting that ancient Dunhuang murals depicted the musical interactions between Arab and Chinese cultures along the Silk Road [2].

Group 1: Journey of Humanity - The journey from Chang'an to Dunhuang is a historical path that spans thousands of years, marked by the footprints of merchants, soldiers, poets, and monks [1][2] - The journey reveals the vibrant faces and broad hearts of individuals who contributed to the historical narrative [2] Group 2: Cultural and Historical Significance - The journey is not merely a trade route but a cultural river that has flowed since the dawn of civilization, embodying the open and inclusive nature of Chinese civilization [10] - Artifacts such as the Han Dynasty's "Wang Zhang Edict" and the bronze chariots from the Leitai Han Tomb illustrate the social fabric and historical figures of the time [3][4] Group 3: Poetry and Artistic Expression - The Silk Road is nourished by poetry, with Tang Dynasty frontier poems being a significant part of Chinese literature [7] - The act of reciting poetry at historical sites creates a direct dialogue with ancient poets, allowing for a deeper connection to their emotions and experiences [8] Group 4: Continuity of Civilization - The journey emphasizes the enduring legacy of Chinese civilization, with historical artifacts serving as both witnesses to the past and beacons for the future [15] - The cultural and historical imprints on the land are integral to understanding the continuous flow of civilization, which remains vibrant and relevant today [15]