Core Viewpoint - The exploration of "Second Scene" in performing arts is gaining traction, utilizing advanced technologies to broadcast high-quality performances to a wider audience across various venues [1][4]. Group 1: Technological Integration - The National Grand Theatre's opera "The Marriage of Figaro" was live-streamed in nearly 100 cinemas across 30 cities using "4K ultra-high definition + 5.1 surround sound" technology [2]. - The National Grand Theatre's technical team developed a proprietary ultra-high-definition live streaming system, ensuring audio-visual synchronization through over 60 independent channels [2]. - The "Second Scene" initiative is not merely a replication of live performances but aims to create new artistic forms and enhance audience experiences, making every seat feel like a VIP experience [2][5]. Group 2: Accessibility and Audience Engagement - The "Second Scene" allows more people to access and appreciate high-quality cultural resources, addressing the demand for affordable and accessible art experiences [4]. - Ticket prices for the live broadcast of "The Marriage of Figaro" ranged from 30 to 80 yuan, with free viewing options available in certain regions [4]. - The initiative includes unique guided tours that provide in-depth insights into the performances, transforming the viewing experience into an educational opportunity [2][5]. Group 3: Government and Institutional Support - The rise of the "Second Scene" is supported by government initiatives, such as the Beijing Municipal Bureau of Radio and Television's action plan to promote ultra-high-definition technology [3]. - The National Theatre has successfully implemented various high-tech live broadcasts, including the 8K + 5G technology for the play "Iron Flow East" and the upcoming "The Call of Dunhuang" [3]. - Collaboration among 35 theatres to form a "Second Scene" cooperative group aims to enhance resource sharing, technical standards, and business models [4]. Group 4: Challenges and Future Directions - The "Second Scene" faces challenges in integrating art and technology, balancing low ticket prices with high technical investments, and addressing uneven development of audiovisual facilities [5][6]. - Suggestions for improvement include capturing audience reactions in real-time and utilizing social media for discussions to enhance the live experience [6]. - Continuous exploration of institutional innovation is necessary to lower barriers related to funding, copyright, and infrastructure, while balancing commercial profitability with social welfare [6].

Group 1 - The summer season in Beijing has seen a surge in traditional cultural performances, enriching the cultural life of its citizens [1] - The stage play "Little Sheep Pen Alley" has premiered at the Lao She Theater, innovatively adapted from five of Lao She's novels, showcasing the resilience and struggles of characters during wartime [3][6] - The performance combines various forms of traditional Beijing art, including Jingyun Dagu, Meihua Dagu, Beijing Qinqin, and others, highlighting rich local cultural elements [3][6] Group 2 - A concert at the Bell and Drum Tower, in collaboration with the Chinese People's University, featured traditional Chinese music intertwined with Western instruments, showcasing national intangible cultural heritage [9] - The Beijing People's Art Theatre announced the revival of the classic play "Rickshaw Boy," aiming to restore its original 1957 aesthetics, set to premiere on July 18, 2025 [12][14] - The immersive musical drama "Called by the Dunhuang" recently performed in Gansu, blending different artistic forms to celebrate Dunhuang culture [15] Group 3 - A commemorative drama evening was held in Yan'an to honor the 80th anniversary of the victory in the Chinese People's Anti-Japanese War, featuring performances from multiple award-winning artists [17] - The chairman of the Chinese Theatre Association emphasized the importance of delivering quality artistic works to engage the audience and encourage them to visit theaters [19]