音乐剧《夜幕下的哈尔滨》正在全国巡演。"为什么要重排《夜幕下的哈尔滨》？"这是我们被问到最多 的问题。1982年这部小说首次出版，随后小说连播让"王一民""玉旨一郎"等角色成为一代人的记忆。我 们在创作之初就达成了共识：经典的生命力不在于"复刻"，而在于"重生"。这是挑战，也是创作的起 点。 （作者为音乐剧《夜幕下的哈尔滨》制作人） 《 人民日报 》（ 2025年07月24日 20 版） (责编：李依环、孙竞) 三赴冰城，寻找共情共鸣，力求让角色立起来。2025年3月即将排练，主创和全体演员再一次赶赴哈尔 滨。在伪满警察厅旧址的地下室，看到阴森的环境、冰冷的刑具、残酷的影像，大家的心情被悲愤填 满。作曲家在返程的飞机上写出了《我注定孤单》的主旋律。 舞台艺术作品是连接历史与当代审美的桥梁。在剧本上，我们深入提炼故事情节、设置戏剧冲突、挖掘 人物情感、反复打磨修改；在舞美上，我们使用三组同心圆旋转舞台，配合有视觉冲击力的多媒体、灯 光，展现哈尔滨"冰与火"的城市气质，让舞台成为隐形的叙事者；在服装造型上，从头饰到衣裤再到鞋 袜等都有实际的历史依据；在道具设计上，大到铁桥车站、小到口哨戒指，都追求历史真实。 当《 ...

Group 1 - The academic salon at the 32nd University Student Film Festival focused on the digitalization of stage images, discussing opportunities and challenges in this area [1] - The advancement of film technology and the tech industry, including big data, artificial intelligence, virtual reality, augmented reality, and 5G+8K ultra-high definition, is driving the upgrade of stage image presentation [1] - High-definition stage art images are a clear indicator of digitalization in stage arts, breaking the "fourth wall" and inviting more audiences into the "theater" [1] Group 2 - The application of technology in stage arts should prioritize serving the essence of art, balancing immersion and artistic authenticity [2] - The University Student Film Festival hosted three themed salons focusing on dance images, animated films, and the digitalization of stage images, with industry professionals discussing academic research, industry trends, and international cooperation [2] - The festival will feature various activities, including a "Youth Night" honor ceremony, screenings of excellent domestic films, and community art education initiatives [2]