Core Viewpoint - Jiangsu Province achieved a historic breakthrough at the 18th Wenhua Awards, winning five awards, the highest number in the nation, showcasing its strong artistic capabilities and creativity in traditional and contemporary art forms [1][2][4]. Group 1: Awards and Achievements - Jiangsu's five awarded works include Yang Opera "Zheng Banqiao," National Dance Drama "Dream of the Red Chamber," National Orchestral Music "Ode to Rivers and Lakes," and others, marking a significant achievement in the history of the Wenhua Awards [1][2]. - The Wenhua Awards, established by the Ministry of Culture and Tourism, are considered the pinnacle of Chinese stage arts, with a total of 53 awards presented this year, of which Jiangsu secured five [1][2]. Group 2: Artistic Characteristics - The awarded works reflect diverse themes and forms, showcasing Jiangsu's unique characteristics and contemporary relevance, with each piece innovatively blending traditional art forms with modern aesthetics [2][3]. - The Yang Opera "Zheng Banqiao" presents a humorous portrayal of a character who is relatable and upright, while the National Dance Drama "Dream of the Red Chamber" revitalizes a classic literary work through a modern lens [2][3]. Group 3: Creative Ecosystem - Jiangsu's success is attributed to a supportive creative ecosystem fostered by provincial policies that encourage long-term artistic development, including funding and support for quality productions [4][5]. - The "Source Project" initiated by the provincial cultural department focuses on nurturing grassroots playwrights, enhancing the overall quality of scriptwriting and artistic output [5]. Group 4: Market Reception - The awarded works have transitioned from "award-winning" to "market hits," with the National Dance Drama "Dream of the Red Chamber" performing over 400 shows and attracting nearly 600,000 viewers, indicating strong audience engagement [6][7]. - The orchestral piece "Ode to Rivers and Lakes" has also received positive market feedback, with nearly 40 performances across various cities, demonstrating the appeal of high-quality traditional music to contemporary audiences [6][7].

Core Insights - The Chinese dance drama market is experiencing a golden period characterized by quality and vitality, driven by the integration of traditional narratives with technological empowerment and cultural tourism [1] - The dance drama "Only This Green" has sparked a cultural wave, showcasing the potential for new consumption and industrial dynamics within the stage arts [1] Group 1: Technological Integration - The newly revamped dance drama "Only I Am Qingbai" utilizes holographic projection technology, allowing real-time interaction between dancers and virtual scenes, breaking traditional linear storytelling [3] - The new version reconstructs the story structure into seven chapters, incorporating traditional crafts such as "Half Knife Clay" and porcelain-making techniques, revitalizing traditional skills on stage [3] Group 2: Economic Impact - Dance dramas are evolving from a singular art form to a multi-dimensional consumption scene that integrates culture, tourism, and commerce, becoming a significant growth point in the cultural economy [5] - Since its premiere in 2021, "Only This Green" has performed over 800 shows, generating ticket sales exceeding 500 million yuan, and has led to the creation of over 100 cultural products and collaborations with more than 30 brands [5] - The associated business sponsorship and economic benefits have surpassed 40 million yuan, contributing to a complete artistic industrial chain with derivative works like symphonic concerts [6] Group 3: Cultural Expansion - Original dance dramas such as "Yongchun" and "Only This Green" are gaining traction in overseas tours, serving as new symbols of Chinese culture going global [8] - The current dance drama market is enhancing aesthetic standards while creatively breaking through to create more culturally resonant artistic expressions, stimulating the entire industry chain including choreography, stage design, and cultural tourism integration [8]

Group 1 - The Wenhua Award, as the highest government award in the performing arts sector, plays a significant role in promoting artistic creation and showcasing outstanding works and talents [1] - This year's Wenhua Award has undergone substantial reforms in award categories, application channels, and evaluation criteria to enhance its guiding role in the arts [1] - The award now includes four categories: Wenhua Drama Award, Wenhua Program Award, Wenhua Individual Award, and Wenhua Critique Award, increasing the total number of awards from 30 to 55 [1] Group 2 - The introduction of 15 new Wenhua Program Awards aims to encourage diverse artistic creation, particularly for short performances that are popular among the public [1] - The application channels have been broadened, allowing various influential organizations and platforms to recommend works for evaluation, resulting in 63 application entities and a total of 145 works for the Wenhua Drama Award, 177 for the Wenhua Program Award, and 106 for the Wenhua Critique Award [2] - Evaluation criteria have been adjusted to promote local talent development and encourage the refinement of works, extending the premiere time requirement from 5 years to 10 years and emphasizing the importance of production investment and output ratio [2]

Core Viewpoint - The exploration of "Second Scene" in performing arts is gaining traction, utilizing advanced technologies to broadcast high-quality performances to a wider audience across various venues [1][4]. Group 1: Technological Integration - The National Grand Theatre's opera "The Marriage of Figaro" was live-streamed in nearly 100 cinemas across 30 cities using "4K ultra-high definition + 5.1 surround sound" technology [2]. - The National Grand Theatre's technical team developed a proprietary ultra-high-definition live streaming system, ensuring audio-visual synchronization through over 60 independent channels [2]. - The "Second Scene" initiative is not merely a replication of live performances but aims to create new artistic forms and enhance audience experiences, making every seat feel like a VIP experience [2][5]. Group 2: Accessibility and Audience Engagement - The "Second Scene" allows more people to access and appreciate high-quality cultural resources, addressing the demand for affordable and accessible art experiences [4]. - Ticket prices for the live broadcast of "The Marriage of Figaro" ranged from 30 to 80 yuan, with free viewing options available in certain regions [4]. - The initiative includes unique guided tours that provide in-depth insights into the performances, transforming the viewing experience into an educational opportunity [2][5]. Group 3: Government and Institutional Support - The rise of the "Second Scene" is supported by government initiatives, such as the Beijing Municipal Bureau of Radio and Television's action plan to promote ultra-high-definition technology [3]. - The National Theatre has successfully implemented various high-tech live broadcasts, including the 8K + 5G technology for the play "Iron Flow East" and the upcoming "The Call of Dunhuang" [3]. - Collaboration among 35 theatres to form a "Second Scene" cooperative group aims to enhance resource sharing, technical standards, and business models [4]. Group 4: Challenges and Future Directions - The "Second Scene" faces challenges in integrating art and technology, balancing low ticket prices with high technical investments, and addressing uneven development of audiovisual facilities [5][6]. - Suggestions for improvement include capturing audience reactions in real-time and utilizing social media for discussions to enhance the live experience [6]. - Continuous exploration of institutional innovation is necessary to lower barriers related to funding, copyright, and infrastructure, while balancing commercial profitability with social welfare [6].

Core Perspective - The musical "Under the Harbin Night" is undergoing a national tour, emphasizing the importance of "rebirth" rather than mere "replication" of the classic story [1][2] Group 1: Creative Process - The creative team visited Harbin three times to gather inspiration from the city's stories, characters, and historical context, which deeply influenced the production [1] - The initial visit in early summer 2024 focused on capturing the essence of the original novel, leading to the identification of key themes such as "youth, ideals, faith, and passion" [1] - A second visit aimed to delve deeper into personal stories, with significant moments inspiring the musical's main themes and melodies [2] Group 2: Artistic Development - The production incorporates historical accuracy in various aspects, including stage design, costumes, and props, to create a visually impactful representation of Harbin's "ice and fire" character [2] - The use of a rotating stage and multimedia elements aims to enhance the narrative experience, making the stage an invisible storyteller [2] - The emotional depth of the characters is emphasized through careful crafting of the storyline and dramatic conflicts [2] Group 3: Audience Engagement - The musical aims to resonate with audiences on themes of faith and love for one's homeland, hoping to evoke a deep emotional connection [3]