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静水深流见时代:纪录片导演周浩新作《工厂》展映
Jing Ji Guan Cha Bao· 2025-06-16 09:21
(原标题:静水深流见时代:纪录片导演周浩新作《工厂》展映) 2025年6月8日下午北京英皇电影城3号放映厅,纪录片导演周浩的新作《工厂》在此举行特别展映。这 部即将亮相英国谢菲尔德电影节的150分钟纪实影像,选择在出国前以"亲友场"的形式接受本土观众的 审视。 《工厂》是一部静水深流之作,一部朴素的叙事风格下中国电子厂的故事。2020年初,周浩深入联想武 汉工厂,历时两年多,记录其复工复产的历程,展现一家工厂在不确定环境下如何"活下来"。秉承其一 贯的"理工男"风格及"直接电影"理念,周浩在海量素材中抽丝剥茧,坚持零旁白叙事,最终编织出这部 展现复杂时间哲学的纪实影像。相比前作《棉花》、《厚街》,《工厂》在时间深度上更进一步。 谢菲尔德电影节创意总监的推荐语点明了影片价值:这部纪录片让人联想到了弗雷德里克怀斯曼的纪录 片风格,其时长成为了一种艺术表达的手段,旨在让观众沉浸式的、深入的了解中国工厂工人的工作环 境、全球供应链带来的影响、以及在自动化程度不断提高的世界劳动力市场未来的发展趋势。通过这一 视角,这部纪录片深刻揭示了中国的社会生活工作的本性以及全球化带来的广泛影响。 《工厂》观影会现场(摄影:纪录片《 ...
腾讯音乐:2024年华语数字音乐白皮书.
Sou Hu Cai Jing· 2025-06-01 03:09
Core Insights - The report titled "2024 Chinese Digital Music White Paper" by Tencent Music Research Institute focuses on the overall landscape and trends of the Chinese digital music industry, showcasing industry dynamics and transformations through data insights, industry trends, cross-industry cases, and work reviews [1]. Group 1: Global and Chinese Market Data Insights - The global music market revenue is projected to grow from $70.7 billion in 2023 to $76.2 billion in 2024, with live performances remaining the largest revenue source at 46.1% [2][28]. - In China, recorded music revenue increased by 9.6% year-on-year, with online music paying users reaching 180 million, and Tencent Music's paying users rising to 121 million, reflecting a growing willingness to pay and improved service quality [2][34]. - The production of Chinese new songs surged to 1.351 million in 2024, driven by AI technology, while the number of long-tail songs (annual plays <1000) doubled, indicating intensified market competition and content diversification [2][45]. Group 2: Industry Core Trends - "County Narrative" has emerged as a focal point for creation, with local culture becoming a significant theme, as seen in works like "Factory" by Henan's rap artist, which resonates with societal issues [3]. - The "Silver Economy" is shifting from passive consumption to active participation, with the over-60 population exceeding 300 million, showcasing their potential in cultural consumption through events and user-generated content [4]. - The music festival market is experiencing intensified competition, with differentiation becoming crucial through unique artist lineups and cross-industry collaborations [5]. Group 3: Cross-Industry Cases - The game music for "Black Myth: Wukong" integrates diverse musical elements, showcasing the role of music in interactive storytelling and enhancing game promotion [6]. - Duolingo's music courses utilize gamification to lower barriers to learning instruments, achieving 3 million daily active users within six months [7]. - Innovative marketing strategies in live performances, such as the integration of nature and music festivals, demonstrate the potential of live music as a marketing medium [8]. Group 4: Annual Works and Industry Value Outlook - The white paper highlights the top ten artists, songs, and albums of the year, with notable performances from artists like Zhou Shen and Wang Sulong, indicating a balance between popularity and professionalism in music [9]. - The future challenges for the industry lie in embracing cross-industry thinking to break down barriers and adapt to technological changes while balancing content quality and commercial value [9].