Core Viewpoint - The news discusses the potential addition of new cast members to the popular variety show "Women's Detective Agency," which has sparked resistance among fans who fear it may disrupt the show's established chemistry and narrative continuity [1][2][3]. Group 1: Fan Reactions - Fans have expressed strong opposition to the idea of adding new members, with key cast members like Qi Wei and Li Yitong stating they are unaware of any changes [2][10]. - The resistance stems from a belief that the original cast's chemistry is crucial to the show's success, and any new additions could undermine this dynamic [3][9]. - Fans feel that new members might be seen as opportunists who want to benefit from the show's success without having contributed to its development [7][10]. Group 2: Show Structure and Narrative - "Women's Detective Agency" is structured as a serialized mystery show, where each episode builds on the previous ones, creating a cohesive storyline that fans have come to appreciate [3][4]. - The addition of new cast members could disrupt the narrative flow and continuity that has been established over the first two seasons [4][8]. - The show has a unique format that relies on the established relationships and interactions among the original cast, making it challenging for newcomers to integrate seamlessly [8][9]. Group 3: Industry Trends - The trend of adding new cast members to variety shows has become common, especially in the context of cost-cutting measures in the industry [2][10]. - Other shows have faced similar backlash when introducing new members, indicating a broader resistance among fans of ensemble casts [10][11]. - The success of ensemble variety shows has led to the creation of spin-off programs, which often rely heavily on the original cast's chemistry and audience attachment [8][15].

Core Viewpoint - The emotional impact of the show "Goodbye Lover" is highlighted, particularly through the experiences of host Li Weijia, who expressed deep empathy and emotional connection during the recording process [1] Group 1 - Li Weijia experienced a total of 15 hours of tears while recording the first season of "Goodbye Lover," indicating a profound emotional engagement with the content [1] - The moment when a guest, Zhang He, shouted "I want to live the way you like" deeply affected Li Weijia, showcasing the show's ability to evoke strong feelings [1] - Li Weijia reflected on the themes of love and separation, suggesting that they are not necessarily contradictory, which may indicate a personal resonance with the stories shared by the guests [1] Group 2 - The power of emotions is emphasized, as it can profoundly move individuals, even those in hosting roles, demonstrating the show's impact on both participants and viewers [1]

Core Viewpoint - The disbandment of X玖少年团 marks a significant turning point for 哇唧唧哇, as it loses its last idol boy group and top star,肖战, indicating a potential decline in its influence in the idol industry [1][8]. Group 1: History and Development of X玖少年团 - X玖少年团 was formed as a result of the transition from traditional television talent shows to internet-based idol selection, becoming 哇唧唧哇's first boy group [2]. - The group was created after the failure of the initial "X-FIRE" plan, with five trainees, including肖战, being brought together to form the group [2]. - 哇唧唧哇 was established by 龙丹妮 in 2017, marking a shift towards internet media and solidifying the group's status as the "first son" of 哇唧唧哇 [2][4]. Group 2: 哇唧唧哇's Business Model and Success - 哇唧唧哇's initial success was built on the idol economy, with the launch of the talent show "明日之子" in 2017, which became a major IP for the company [4][5]. - The company gained recognition for its ability to produce and operate idol groups through successful talent shows, establishing itself as a key player in the idol market [5]. Group 3: Challenges and Decline - The "倒奶事件" in 2021 led to a halt in idol selection shows, significantly impacting 哇唧唧哇's business model, which relied heavily on idol groups [7]. - Following the disbandment of X玖少年团 in 2025, 哇唧唧哇 no longer has any idol groups, indicating a decline in its market position [8]. - The company has been seeking transformation opportunities since the idol market cooled, attempting to expand its content production beyond idol-centric projects [9][10]. Group 4: Transition to Content Production - 哇唧唧哇 has started to focus on producing content that appeals to a broader audience, such as the successful reality show "毛雪汪" [10]. - The company has collaborated with platforms like 优酷 to create dramas that target general audiences, moving away from solely producing content for its own artists [12]. - Despite some successes, the quality of content produced has faced criticism, and the company needs more successful projects to strengthen its market position [14].

Core Viewpoint - The article discusses the challenges faced by the revenue-sharing variety show model, highlighting the shift of the previously successful show "Shining Days" to a short video platform, indicating a departure from the revenue-sharing approach [1][3][6]. Industry Challenges - Most revenue-sharing variety shows fail to recoup their production costs, which is a disappointing reality in the industry [6][10]. - The revenue-sharing model was intended to provide opportunities for smaller projects lacking star power, but few have succeeded in the market [6][10]. - "Shining Days" has struggled to generate sufficient revenue despite support from platforms, with the producer stating that the revenue has not covered costs [6][10]. Case Studies - Successful examples of revenue-sharing shows exist, such as Tencent's "Mao Xue Wang," which has performed well in revenue and attracted sponsorships [11]. - Other successful projects include "100% Singer: Battle Season," which has received high internal ratings and managed to sustain itself in the revenue-sharing landscape [13]. - Mango TV's "Yuan Ren Series" has cultivated a loyal fan base and developed high-engagement paid programs, showcasing a long-term strategy for revenue-sharing shows [13]. Future Outlook - The article suggests that for smaller revenue-sharing shows to thrive, they must innovate and create compelling content that encourages viewers to subscribe for premium access [15]. - Despite the challenges, there remains hope for the revenue-sharing model, as it embodies the ideal that quality content should not solely rely on major sponsors for survival [16][17].