"我们力求将'盛舞之夜'打造成一场代表当代中国舞蹈顶尖水平的'相聚之夜'。"本次演出制作人兼艺术总监唐娅说，在挑选节目时，优先选择中国 舞蹈荷花奖获奖作品等代表中国舞剧最高水准的口碑佳作。重点纳入《永不消逝的电波》等既获专业认可，又以短视频"破圈"引发大众喜爱的作 品。同时兼顾红色经典、历史题材、英雄人物及民族风情类作品，构建溯洄传统与面向当下的文化对话。 新华社香港1月9日电 特写：香港"盛舞之夜" 国风雅韵悠扬 黄茜恬 随着一束追光穿透香港文化中心大剧院舞台暗处，地水南音传承人杨恩华端坐台前，一人、一琴、一板，自弹自唱间足踏节拍，醇厚悠长的唱腔 缓缓流淌。 南音余韵未散，舞蹈《念去去》的旋律随即响起，当代舞的力量感与古典韵味交织，舞者张翰以灵动的肢体动作，将思家情愫细腻传递…… 9日晚，第二届"盛舞之夜"在香港开幕，并将于9日至11日在香港文化中心连演三场。 当晚演出的多个作品是首次在香港亮相。演出以"归真、超脱、求索、入世"四大篇章为轴，首次融入香港非物质文化遗产南音。 演出开始前1小时，香港文化中心已聚集不少观众，大家三三两两交谈间兴奋不已，对这场舞蹈盛宴的期待溢于言表。有观众直言"盼了几个月， 就等 ...

记者 施晨露 "生命不息，工作不止。"第八届上海文化艺术奖终身成就奖得主、91岁的复旦大学文科资深教授刘 放桐说。 上海文学艺术奖于1991年设立，至2019年共举办七届，朱践耳、吴贻弓、巴金、贺绿汀、王元化、 谢晋、周小燕、秦怡、吕其明等一批在文化艺术领域作出突出贡献的文化名家大师都曾领受这一荣誉。 2024年，根据市功勋荣誉表彰工作委员会办公室批复，市委宣传部、市文旅局在上海文学艺术奖的基础 上整合设立上海文化艺术奖。今年，根据评选表彰工作要求，市委宣传部、市文旅局、市人社局成立评 选表彰工作领导小组，联合印发《关于评选第八届上海文化艺术奖的通知》，受到理论、新闻、出版、 文艺四界的高度关注和积极参与。 经本市及外省市各相关领域知名专家评审、领导小组审议、公示等程序，王水照、邓伟志、吕瑞 英、朱威烈、乔榛、庄智象、刘放桐、李炳淑、张静娴、陈薪伊、宗福先、赵开生、奚美娟、曹沛霖、 韩天衡（按姓氏笔画排序）获本届上海文化艺术奖终身成就奖；马力（马伯庸）等35人获杰出贡献奖； 王怀甫等50人获优秀新人奖。 "我这个耄耋老人，仍要继续努力发挥余热。我要把自己的人生感悟和艺术创作的理念、心得传递 给年轻人，并且和他 ...

Group 1 - The forum "Drama and Cultural Communication" was held in Beijing, co-hosted by the China Dramatists Association and the China Foreign Languages Publishing Administration, focusing on the importance of cultural confidence in international dissemination of Chinese drama [1] - Chen Yongquan, a key speaker, emphasized that the international spread of Chinese drama must be rooted in cultural confidence and artistic integrity, advocating for "creative transformation and innovative development" to showcase national art on the global stage [1] - Wang Yong, Vice Chairman of the China Dramatists Association, shared that from 2019, the National Peking Opera Company has conducted 176 performances and exchange activities in over 20 countries, reaching an audience of 150,000, highlighting the need for cultural confidence in international outreach [1] Group 2 - Bian Wentong, a professor at the Central Academy of Drama, discussed the need for contemporary perspectives and empathy in the international dissemination of classic works, advocating for creative transformation to rejuvenate traditional art [2] - Zhu Jiejing from the Shanghai Dance Theatre noted that successful dance dramas emerge from distilling traditional culture and innovating expressions, emphasizing the importance of cross-cultural resonance and modern narrative techniques [2] - Various speakers shared insights on the relationship between cultural innovation and international communication, including the success of Huiju Opera at the Sahara International Theatre Festival and new pathways for traditional culture's dissemination through music and new media [2]

中新网上海12月23日电 (记者 陈静)记者23日从上海市消保委方面获悉，上海近年来以演出经济为核心 抓手，不断丰富文化消费供给、创新消费场景、优化消费体验，逐步形成"演出引领、场景延伸、权益 保障"的文化消费生态。一场大型演出的关联消费(餐饮、住宿、文创等)占比可达总消费的30%-50%， 有效激活了城市消费活力。 当日，上海市消保委发布题为《破圈与赋能：文化消费激活上海国际消费中心城市新动能》的文化消费 调研报告(简称：报告)。根据报告，文化消费(演出经济)对上海国际消费中心城市建设具有赋能作用。 演出经济作为文化消费的核心载体，具有极强的"消费带动效应"。消费者参与演出活动时，不仅产生票 务消费，还会衍生出"演出+餐饮""演出+住宿""演出+文创""演出+交通"等关联消费，形成"1+N"的消费 链条。 报告指出，上海通过集聚国际级演出资源、培育本土优质演出IP、发展多元演出场景，逐步形成"国际 +本土""专业+大众"的演出产业生态。这种生态既吸引了全球顶尖艺术家与演出机构落地，又推动了本 土演出产业升级，助力形成具有国际竞争力的文化IP，进而提升城市文化产业的全球话语权，强化国际 消费中心城市所需的"全 ...

Core Insights - The classic version of "Secret Love in Peach Blossom Land" has made a significant return to the Hangzhou Grand Theatre, marking the start of the 2025 autumn-winter performance season with over 35 major productions scheduled [6][7] - The season features a mix of international and domestic productions, including the English musical "The Phantom of the Opera" and the French musical "Les Misérables," both making their debut in Hangzhou [7][8] - The new musical "Wind Sound," adapted from a novel by Mai Jia and produced by A Yun Ga, will premiere in Hangzhou, emphasizing a narrative set in a tense wartime environment [7][8] Performance Highlights - The autumn-winter season includes a variety of genres, from classic dramas to contemporary hits, catering to diverse audience preferences [7][9] - Notable performances include the suspenseful play "2:22," the dance drama "Eternal Waves," and the musical "The Picture of Dorian Gray," showcasing a blend of artistic depth and commercial appeal [9][10] - The season also features community-oriented events and programs aimed at engaging audiences of all ages, including family-friendly performances and educational concerts [10]

Core Viewpoint - The artistic performance "Justice Prevails" commemorating the 80th anniversary of the victory in the Chinese People's Anti-Japanese War and the World Anti-Fascist War has gained significant attention and popularity, showcasing the innovative and resonant works of young directors Zhou Liya and Han Zhen, referred to as the "Twin Stars of Dance" [1][3][10]. Group 1: Artistic Innovation - Zhou Liya and Han Zhen have successfully created a series of acclaimed works, including "Eternal Waves" and "Only This Green," which resonate deeply with contemporary audiences, reflecting a clear evolution in their artistic journey [1][3]. - Their creative approach emphasizes building a bridge between the past and present, allowing modern viewers to connect emotionally with historical narratives through innovative storytelling techniques [4][10]. Group 2: Audience Engagement - The duo's works, such as "Only This Green," have achieved a remarkable ability to evoke a sense of presence and connection with history, transforming traditional narratives into relatable experiences for today's audience [4][18]. - The success of their productions indicates a market demand for high-quality content that resonates emotionally with viewers, suggesting that the audience is seeking more than just entertainment but meaningful artistic expressions [13][18]. Group 3: Market Dynamics - The performance industry is witnessing a shift where quality productions are leading the market, with the dance drama sector contributing only 10% to the overall box office, highlighting the need for compelling content to attract audiences [13][18]. - The "head content" created by Zhou and Han is seen as a vital component in revitalizing the market, as their works embody the essence of Eastern aesthetics and contemporary artistic pursuits [10][18]. Group 4: Cultural Impact and IP Development - The success of "Only This Green" has extended beyond the stage, with plans for a film adaptation that has already garnered significant box office success, indicating the potential for cultural assets to evolve into multi-faceted IPs [20][23]. - The ongoing development of various cultural projects, including symphonic concerts and tourism-related performances, signifies a strategic move towards diversifying the commercial potential of successful artistic works [23].

Group 1 - The core viewpoint emphasizes the historical achievements in cultural construction in China since the 18th National Congress, highlighting the progress towards building a socialist cultural power and enriching the spiritual and cultural life of the people [2] - The cultural innovation and creativity have been significantly stimulated, contributing to the great rejuvenation of the Chinese nation [2] Group 2 - The mechanism for guiding, supporting, and incentivizing literary and artistic creation has been improved, leading to the emergence of quality works that reflect people's lives, such as "Great Journey" and "Only This Green" [4] - A six-level public cultural service network has been established, promoting standardized and equal access to cultural services across urban and rural areas [5] Group 3 - In the first half of 2025, the revenue of large-scale cultural and related industry enterprises reached 71,292 billion yuan, a year-on-year increase of 7.4%, driven by the "national trend" stimulating new consumption potential [8] - The cultural new business formats showed explosive growth, with 16 sub-sectors achieving a revenue of 31,564 billion yuan, a 13.6% increase year-on-year, contributing 76.8% to the overall growth of large-scale cultural enterprises [9] Group 4 - As of now, China has 44 projects listed in the UNESCO Intangible Cultural Heritage list, ranking first in the world, showcasing "Chinese stories" on global platforms [12]

Group 1: China Publishing Group Co., Ltd. - In 2024, China Publishing Group Co., Ltd. improved management quality, achieving a balance between social and economic benefits [1] - The company published 21,000 titles with a reprint rate of around 60% [1] - The group won multiple awards, including the "Five One Project" Excellent Works Award and had the highest number of publications selected as "Good Books" in 2024 [1] Group 2: China Education Publishing Media Group Co., Ltd. - The group integrated the latest achievements of the Party's innovative theory into textbooks, reflecting the creative transformation of traditional culture [2] - It published over 45,000 books and donated more than 53 million yuan in cash and materials [2] - The group focused on developing future industries, including "Artificial Intelligence+" initiatives [2] Group 3: China Film Co., Ltd. - In 2024, China Film Co., Ltd. released 46 films, capturing 70.19% of the total box office for domestic films [3] - The company provided distribution services for 646 films, accounting for over 88% of the national box office [3] - It received multiple awards, including the "Five One Project" Award and the Golden Rooster Award [3] Group 4: Huaxia Film Distribution Co., Ltd. - Huaxia Film Distribution Co., Ltd. produced and distributed several award-winning films, contributing positively to the film industry [4] - The company provided quality distribution services to over 120 clients and released 22 films [5] - The first global high-frame LED cinema, "Huaxia Film Center," was established, leading industry upgrades [5] Group 5: China International Television Corporation - The company supported major promotional efforts for significant events, including the 20th National Congress of the Communist Party and the 75th anniversary of the founding of New China [6] - It achieved a record high in international communication business contracts and expanded its overseas media channels [6] - The company launched various cultural and sports events, enhancing its market presence [6] Group 6: Kuaishou Technology Co., Ltd. - Kuaishou Technology Co., Ltd. developed a video generation model, achieving over 6 million users and generating over 65 million videos [7] - The company created a job recruitment platform, leading to 43.2 million employment opportunities [7] - Kuaishou integrated various sectors, becoming a new carrier for the digital economy [7] Group 7: iQIYI, Inc. - iQIYI, Inc. covered over 1 billion users, ranking high in user engagement in the online video industry [8] - The company produced award-winning original content and expanded its use of AI in content production [8] - iQIYI developed immersive experiences using VR and gaming technologies [8] Group 8: Weibo Corporation - Weibo Corporation operated over 100,000 government and media accounts, achieving nearly 3 trillion annual reads [10] - The company promoted cultural themes and engaged in significant topics, generating substantial online discussions [10] - Weibo collaborated with various organizations to enhance cultural heritage and tourism [10] Group 9: Hebei Publishing and Media Group Co., Ltd. - The group achieved a revenue of 6.883 billion yuan, with a net profit of 1.186 billion yuan, reflecting steady growth [11] - It focused on reforming governance and resource allocation, with R&D investment increasing by 201% [11] - The group built 158 cultural spaces and hosted numerous reading events [11] Group 10: Shanghai Film Group Corporation - Shanghai Film Group Corporation produced award-winning works and achieved significant box office success, with total box office exceeding 7.5 billion yuan [12] - The company launched an AI creation center, pioneering a new creative model [12] - It attracted over 140,000 visitors to its film tourism projects [12] Group 11: Oriental Pearl New Media Co., Ltd. - The company integrated various media resources and advanced its smart broadcasting and cultural tourism sectors [13] - It launched significant projects, including a nationwide release of a dance film and a popular urban drama [13] - The company enhanced its cultural consumption offerings, attracting millions of visitors to its attractions [13] Group 12: Jiangsu Phoenix Publishing and Media Group Co., Ltd. - The group ranked first among domestic publishing companies in the global publishing top 50 [16] - It published over 120 award-winning titles and implemented four major original publishing projects [16] - The group achieved over 3.2 billion yuan in digital economy revenue [16] Group 13: Jiangsu Provincial Radio and Television Information Network Co., Ltd. - The company developed a comprehensive cultural and technological system, establishing a unique broadcasting platform [17] - It launched innovative projects in smart television and audio-visual applications [17] - The company collaborated internationally to create culturally impactful content [17] Group 14: Zhejiang Publishing United Group Co., Ltd. - The group focused on high-quality publishing and launched numerous themed books [18] - It established a dual online and offline distribution system, enhancing bookstore operations [18] - The group explored AI and big data applications in publishing [18]

Core Viewpoint - The dance drama industry is experiencing a significant resurgence, with a growing number of productions and interest from audiences, but there are concerns about the impact of a fast-paced approach on artistic quality and creativity [1] Group 1: Industry Trends - The dance drama market is witnessing an explosive growth, with many regions eager to capitalize on this trend [1] - There is a prevailing mindset among some regions to quickly achieve success in dance drama, which is negatively affecting the artistic creation process [1] Group 2: Artistic Quality and Performance - Artists emphasize the importance of time and effort in honing their craft, suggesting that true artistry requires patience and dedication [1] - The need for actors to understand the nuances of their roles and the intentions behind the script is highlighted, indicating that mere technical proficiency is insufficient [1] Group 3: Evaluation and Recognition - The selection process for prestigious awards like the Plum Blossom Award is rigorous, with a significant number of actors evaluated, reflecting the competitive nature of the industry [1] - There is a distinction made between different levels of actors based on their performance styles, with a call for actors to strive for excellence and resilience in their careers [1]

Core Viewpoint - The emergence of "famous scenes" in artistic creation reflects an increasing media awareness and user consciousness, but it also leads to a disconnection in overall artistic expression and the creation of "famous scenes" for the sake of it [1][3]. Group 1: Characteristics of "Famous Scenes" - "Famous scenes" are defined as classic segments in films and dramas that possess strong dissemination power and memorability, contributing significantly to the success of characters and works [1][2]. - The phenomenon of "famous scenes" is prevalent across various media, including stage performances and short videos, where creators attempt to replicate the success of classic scenes [1][2]. Group 2: Impact of Media Trends - The rise of "famous scenes" is a response to new trends in media technology and changes in cultural consumption, driven by the fast pace of life and fragmented leisure time, making attention a scarce resource [2][3]. - The efficiency of dissemination has become a key indicator of a work's influence, with "famous scenes" serving as critical points for engagement and virality [2]. Group 3: Narrative Innovation - "Famous scenes" reflect narrative innovation in popular art, catering to audiences' decreasing patience for traditional storytelling and the growing trend of "speed-watching" and "speed-reading" [2][3]. - The creation of "famous scenes" often involves breaking down narratives into visually intense, emotionally charged segments to meet audience expectations [2]. Group 4: Challenges and Misconceptions - The focus on "famous scenes" can lead to a disconnect where segments gain popularity independently, while the overall work may lack substance, resulting in a phenomenon described as "having lines without a story" [3]. - Some creators may design "famous scenes" based on data analysis, detaching them from the narrative, which can lead to a sense of artificiality and formulaic content [3]. Group 5: Artistic Integrity - Ultimately, "famous scenes" serve as a crucial interface between artistic works and audiences, necessitating a balance between market responsiveness and artistic integrity [4]. - The aspiration is to create substantial works that support memorable "famous scenes," contributing to a vibrant cultural landscape that reflects contemporary artistic expectations [4].