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文艺气象·收获
Ren Min Wang· 2026-01-03 01:12
Group 1 - The artistic performance "Justice Prevails" commemorates the 80th anniversary of the victory in the Anti-Japanese War, showcasing the historical truth that justice ultimately prevails through a grand and innovative format [7] - The film "Nezha: Birth of the Demon Child" integrates traditional values with contemporary spirit, elevating the production level of Chinese cinema and demonstrating the potential for innovative development of traditional culture [8] - The film "Nanjing Photo Studio" is based on true events from the Nanjing Massacre, highlighting the bravery and kindness of ordinary people in dire circumstances, with a heavy and introspective tone that critiques the atrocities of war [9] Group 2 - The TV series "Silent Glory" emphasizes that true heroism often lies in quiet perseverance, and that artistic works do not always need happy endings to resonate deeply with audiences [10] - The TV series "The Birth of All Things" is noted for its profound portrayal of the relationship between farmers and the land, becoming a model for literary adaptations in contemporary television [11] - The novel "Human Dwelling" explores the possibility of spiritual refuge through sincere aesthetics and deep cultural dialogues, reflecting on societal issues [12] Group 3 - The rise of amateur writing, exemplified by works like "Holding a Light in the World" and "I Love He Gu," represents a new phenomenon in literature, connecting everyday life with artistic expression [13] - The Wuju opera "Three Strikes on the White Bone Spirit" showcases the beauty of traditional Chinese opera through innovative techniques and character development, reflecting a new trend in contemporary opera [14] - The song "Jade Plate" merges traditional imagery with modern sensibilities, conveying cultural confidence through a childlike perspective and pure melodies [15] Group 4 - Micro-dramas are experiencing rapid growth, resonating with audiences and achieving high industry revenues, while emphasizing the need for content enhancement and cultural leadership [16] - The year 2025 marked a significant cultural moment, with various artistic expressions reflecting the deep connection between a nation’s culture and its history, particularly in the context of the 80th anniversary of the Anti-Japanese War victory [19] - The term "resilience" emerged as a key theme in popular discourse, symbolizing a nation's strength in overcoming challenges and the collective emotional landscape of the youth [20]
向世人讲透掩盖在历史长河中的罪恶(创作谈)
Ren Min Ri Bao· 2025-12-24 22:32
关东军在哈尔滨设置的"满洲第731部队",就是法西斯军国主义的典型缩影。揭露它,就是在提醒世 人,在极端思想奴役下滋生的战争暴行,是不把任何人当人的。军国主义思想是对全人类的危害,但对 日本军国主义的清算并不彻底,我们必须防止它死灰复燃! 创作《反人类暴行》,首要的便是尊重史实。尤其是在提取史料、将史料融入故事的环节,要保持冷 静、克制。万不可浅尝辄止、见好就收,不同角度的相关资料相互佐证,构成逻辑闭环,剧作的基石才 会稳固。 叙事中要警惕被技法带跑。一味地追寻矛盾、冲突、巧合、误会以及人物关系的拉扯,容易模糊主题表 达。万不可为了"好看",而偏离了主题立意。电视剧是大众艺术,拍摄需注重调用多种多样的视听语 言,有些跳不过去的情节,可适当调用观众的想象力来完成叙事表达。 电视剧《反人类暴行》在第十二个南京大屠杀死难者国家公祭日与观众见面。回忆去年冬天,我们在海 量资料中构建《反人类暴行》的故事。所见所闻,惨不忍睹,如万箭穿心。那些铁证如山的资料,早已 被梳理整合,形成罪证体系,原封不动地躺在侵华日军第七三一部队罪证陈列馆的展厅里。无论剧本创 作、拍摄还是后期制作,包括我在内,这部剧所有的参与者都感觉自己被抽空 ...
丛台区:文艺精品力作迭出
Xin Lang Cai Jing· 2025-12-21 01:12
近日,丛台区文艺创作领域喜报频传,影像、非遗、歌舞书画等多门类佳作集中涌现。一批扎根本土、 贴近群众、传递正能量的文艺精品力作,为区域文化建设注入强劲动力,更以鲜明地方特色与深厚文化 底蕴,彰显出丛台区文化的时代魅力。 影像创作深耕本土 以镜头讲好丛台故事 在影像创作方面,丛台区聚焦本土题材,全力推动微电影与微短剧提质增效,收获亮眼成绩。《你好, 丛台》系列公益微电影中,《加油!小旗手》荣获第五届中国红色微电影盛典最佳微电影奖,全网浏览 量超1000万人次;《滏河人家・爱在滏水间》荣获第十届"亚洲微电影艺术节"乡村振兴单元优秀作品; 《16mm的约定》荣获第六届中国红色微电影优秀影片奖。这些优秀作品先后荣获国家、省、市级奖项 10余项,近百家网络平台和自媒体积极转发,总浏览量达2200多万人次。现实题材微短剧持续发力,16 集微短剧《邯郸梦之AI在战国》创新采用AI视角解读邯郸成语典故,融入非遗美食元素,成功登录中 央电视台电影频道, (来源:邯郸日报) 转自:邯郸日报 本报通讯员 张萌 袁莉芸 ...
文艺创作怎样跟上“时代进度条”(坚持“两创”·关注新时代文艺)
Ren Min Ri Bao· 2025-09-29 22:12
Core Viewpoint - The current creative landscape is influenced by the interplay of art and technology, art and media, and art and social emotions, suggesting that innovation and exploration are essential for breaking conventional patterns and discovering new realms [5] Group 1: Art and Technology - The sci-fi film "The Wandering Earth 3" is adapting its script in response to real technological advancements, reflecting the rapid progress of Chinese technology [1] - New technologies have lowered the barriers to artistic creation, allowing creators to focus more on creativity rather than manual labor, thus enhancing the quality of artistic expression [2] - In the animation film sector, the freedom of creation is vast, but the quality of the work heavily relies on the creator's thoughts, creativity, and emotions [2] Group 2: Media Integration - The integration of media has introduced new expressive methods, requiring creators to adopt cross-media thinking to achieve unique and effective results [3] - Historical novels are being creatively written using computational systems thinking, transforming traditional narrative structures into new forms of storytelling [3] - The gaming industry is exploring a new realism that focuses on discovering the underlying rules of the world through player experiences, which can also influence film narratives [3] Group 3: Social Emotions - Creators must continuously study changing social emotions to ensure their work resonates with contemporary audiences [4] - The film "Nanjing Photo Studio" effectively engages with historical trauma through innovative storytelling techniques, while "Reverse Life" struggles to connect with social issues due to a lack of depth in character understanding [4]
全国政协十四届常委会第十三次会议举行全体会议 围绕“制定国民经济和社会发展‘十五五’规划”进行大会发言王沪宁出席
Xin Hua Wang· 2025-08-26 08:01
Group 1 - The meeting of the 14th National Committee of the Chinese People's Political Consultative Conference focused on the formulation of the 14th Five-Year Plan for national economic and social development [1] - Wang Guosheng suggested prioritizing the development of new quality productivity and expanding domestic demand as a strategic basis for planning [2] - Miao Wei emphasized the deep integration of the digital economy with the real economy and accelerating the process of industrial intelligence [2] Group 2 - Ma Jiantang proposed multiple measures to enhance consumer capacity, boost consumption willingness, expand consumption scenarios, and increase consumption supply to cultivate a complete domestic demand system [2] - Wang Zhigang recommended enhancing original and disruptive technological innovation capabilities to provide strong momentum for the development of new quality productivity [2] - Chen Qun suggested optimizing and dynamically adjusting the structure of education at all levels to better meet the needs of economic and social development [2] Group 3 - Kong Lingzhi advocated for driving agricultural production factor restructuring and deep industrial transformation through technological innovation, promoting comprehensive rural revitalization [2] - Xie Ru proposed deepening the "Ten Thousand Enterprises Prosperity in Ten Thousand Villages" initiative to enable private enterprises to play a greater role in promoting urban-rural circulation and common prosperity [2] - Li Qun recommended further exploring and utilizing historical facts, archaeological artifacts, and cultural relics of various ethnic groups to strengthen the study of the Chinese national community [2] Group 4 - Chen Yan emphasized adhering to a people-centered creative orientation to enhance the subjectivity of Chinese culture and promote artistic creation to new heights [2] - Lin Yifu suggested constructing a support system for high-quality population development to inject sustainable momentum into Chinese-style modernization [2] - Li Wenzhang proposed improving the social governance system and ensuring social stability and order through effective community service [2] Group 5 - Wang Jinnan advocated for high-level protection to support high-quality development and the construction of a beautiful China in harmony with nature [2] - Qian Zhiming suggested improving the recycling system and market for renewable resources to enhance China's energy and resource security [2] - Zhang Baiqing recommended increasing efforts in "going out" and "bringing in" to create a new pattern of coordinated development between independent innovation and open innovation [2]
超越情绪价值 促进情感升华(坚持“两创”·关注新时代文艺)
Ren Min Ri Bao· 2025-06-23 22:10
Core Insights - The concept of "emotional value" has gained popularity in recent years, indicating a shift in consumer preferences towards emotional experiences alongside traditional product quality [1][2] - Emotional value has become a standard for evaluating artistic works, particularly in the context of internet literature and media, which are increasingly sensitive to market demands and consumer emotions [2][3] Group 1: Emotional Value in Society - Emotional value is seen as a necessity in a high-intensity, fast-paced society, especially for young people facing workplace pressures [2] - The internet provides a platform for individuals to express and share their emotions, allowing various emotional states to be represented and articulated [2] Group 2: Artistic Expression and Emotional Engagement - While emotional expression is important, there is a caution against reducing emotions to mere commercial products, as this can lead to superficial engagement [3][4] - Traditional literary theories emphasize the depth of emotional expression, suggesting that lasting emotional connections arise from profound and universal themes rather than transient feelings [4] Group 3: The Role of Quality in Artistic Creation - Artistic creation should not merely cater to fleeting emotional responses but should aim to elevate emotions into deeper, more meaningful experiences [5] - The internet offers opportunities for high-quality artistic works that inspire individuals to create a better life, highlighting the importance of not wasting this potential [5]
中国戏剧梅花奖、曹禺戏剧文学奖得主济济一堂探讨文艺创作 “重视一剧之本,突出表演中心”
Jie Fang Ri Bao· 2025-05-23 01:41
Core Viewpoint - The dance drama industry is experiencing a significant resurgence, with a growing number of productions and interest from audiences, but there are concerns about the impact of a fast-paced approach on artistic quality and creativity [1] Group 1: Industry Trends - The dance drama market is witnessing an explosive growth, with many regions eager to capitalize on this trend [1] - There is a prevailing mindset among some regions to quickly achieve success in dance drama, which is negatively affecting the artistic creation process [1] Group 2: Artistic Quality and Performance - Artists emphasize the importance of time and effort in honing their craft, suggesting that true artistry requires patience and dedication [1] - The need for actors to understand the nuances of their roles and the intentions behind the script is highlighted, indicating that mere technical proficiency is insufficient [1] Group 3: Evaluation and Recognition - The selection process for prestigious awards like the Plum Blossom Award is rigorous, with a significant number of actors evaluated, reflecting the competitive nature of the industry [1] - There is a distinction made between different levels of actors based on their performance styles, with a call for actors to strive for excellence and resilience in their careers [1]
“名场面”不能“有句无篇”(艺海观澜)
Ren Min Ri Bao· 2025-05-19 22:01
Core Viewpoint - The emergence of "famous scenes" in artistic creation reflects an increasing media awareness and user consciousness, but it also leads to a disconnection in overall artistic expression and the creation of "famous scenes" for the sake of it [1][3]. Group 1: Characteristics of "Famous Scenes" - "Famous scenes" are defined as classic segments in films and dramas that possess strong dissemination power and memorability, contributing significantly to the success of characters and works [1][2]. - The phenomenon of "famous scenes" is prevalent across various media, including stage performances and short videos, where creators attempt to replicate the success of classic scenes [1][2]. Group 2: Impact of Media Trends - The rise of "famous scenes" is a response to new trends in media technology and changes in cultural consumption, driven by the fast pace of life and fragmented leisure time, making attention a scarce resource [2][3]. - The efficiency of dissemination has become a key indicator of a work's influence, with "famous scenes" serving as critical points for engagement and virality [2]. Group 3: Narrative Innovation - "Famous scenes" reflect narrative innovation in popular art, catering to audiences' decreasing patience for traditional storytelling and the growing trend of "speed-watching" and "speed-reading" [2][3]. - The creation of "famous scenes" often involves breaking down narratives into visually intense, emotionally charged segments to meet audience expectations [2]. Group 4: Challenges and Misconceptions - The focus on "famous scenes" can lead to a disconnect where segments gain popularity independently, while the overall work may lack substance, resulting in a phenomenon described as "having lines without a story" [3]. - Some creators may design "famous scenes" based on data analysis, detaching them from the narrative, which can lead to a sense of artificiality and formulaic content [3]. Group 5: Artistic Integrity - Ultimately, "famous scenes" serve as a crucial interface between artistic works and audiences, necessitating a balance between market responsiveness and artistic integrity [4]. - The aspiration is to create substantial works that support memorable "famous scenes," contributing to a vibrant cultural landscape that reflects contemporary artistic expectations [4].
舞剧《咏春》,历史故事讲出现代感(新语)
Ren Min Ri Bao· 2025-05-05 22:17
Group 1 - The dance drama "Yongchun" has successfully completed its tour in Russia, performing over 200 shows in 49 cities worldwide since its premiere in 2022, achieving both box office success and critical acclaim [1] - The creative motivation behind "Yongchun" stems from a deep-rooted fascination with kung fu films, with inspirations drawn from classics such as "New Dragon Gate Inn," "Once Upon a Time in China," and "Ip Man" [1] - The production team engaged with martial arts masters from Guangdong and consulted film industry professionals to create an authentic representation of the early days of the film industry in Shenzhen during the reform and opening-up period [1] Group 2 - The character "Dachun" in the drama is based on a film worker from "Dengguang Village" in Henan, reflecting the excitement and confusion of dreamers moving from rural areas to cities in the 1990s [2] - The title "Yongchun" carries a deeper meaning beyond martial arts, symbolizing the collective dreams of ordinary people, emphasizing that "everywhere is the martial world, and everyone sings of spring" [2] - The company has been exploring how to write history through artistic creation, with other productions like "Only This Green" and "The Great Qin" also reflecting historical themes and cultural memory [2]