Core Viewpoint - The current creative landscape is influenced by the interplay of art and technology, art and media, and art and social emotions, suggesting that innovation and exploration are essential for breaking conventional patterns and discovering new realms [5] Group 1: Art and Technology - The sci-fi film "The Wandering Earth 3" is adapting its script in response to real technological advancements, reflecting the rapid progress of Chinese technology [1] - New technologies have lowered the barriers to artistic creation, allowing creators to focus more on creativity rather than manual labor, thus enhancing the quality of artistic expression [2] - In the animation film sector, the freedom of creation is vast, but the quality of the work heavily relies on the creator's thoughts, creativity, and emotions [2] Group 2: Media Integration - The integration of media has introduced new expressive methods, requiring creators to adopt cross-media thinking to achieve unique and effective results [3] - Historical novels are being creatively written using computational systems thinking, transforming traditional narrative structures into new forms of storytelling [3] - The gaming industry is exploring a new realism that focuses on discovering the underlying rules of the world through player experiences, which can also influence film narratives [3] Group 3: Social Emotions - Creators must continuously study changing social emotions to ensure their work resonates with contemporary audiences [4] - The film "Nanjing Photo Studio" effectively engages with historical trauma through innovative storytelling techniques, while "Reverse Life" struggles to connect with social issues due to a lack of depth in character understanding [4]

Group 1 - The meeting of the 14th National Committee of the Chinese People's Political Consultative Conference focused on the formulation of the 14th Five-Year Plan for national economic and social development [1] - Wang Guosheng suggested prioritizing the development of new quality productivity and expanding domestic demand as a strategic basis for planning [2] - Miao Wei emphasized the deep integration of the digital economy with the real economy and accelerating the process of industrial intelligence [2] Group 2 - Ma Jiantang proposed multiple measures to enhance consumer capacity, boost consumption willingness, expand consumption scenarios, and increase consumption supply to cultivate a complete domestic demand system [2] - Wang Zhigang recommended enhancing original and disruptive technological innovation capabilities to provide strong momentum for the development of new quality productivity [2] - Chen Qun suggested optimizing and dynamically adjusting the structure of education at all levels to better meet the needs of economic and social development [2] Group 3 - Kong Lingzhi advocated for driving agricultural production factor restructuring and deep industrial transformation through technological innovation, promoting comprehensive rural revitalization [2] - Xie Ru proposed deepening the "Ten Thousand Enterprises Prosperity in Ten Thousand Villages" initiative to enable private enterprises to play a greater role in promoting urban-rural circulation and common prosperity [2] - Li Qun recommended further exploring and utilizing historical facts, archaeological artifacts, and cultural relics of various ethnic groups to strengthen the study of the Chinese national community [2] Group 4 - Chen Yan emphasized adhering to a people-centered creative orientation to enhance the subjectivity of Chinese culture and promote artistic creation to new heights [2] - Lin Yifu suggested constructing a support system for high-quality population development to inject sustainable momentum into Chinese-style modernization [2] - Li Wenzhang proposed improving the social governance system and ensuring social stability and order through effective community service [2] Group 5 - Wang Jinnan advocated for high-level protection to support high-quality development and the construction of a beautiful China in harmony with nature [2] - Qian Zhiming suggested improving the recycling system and market for renewable resources to enhance China's energy and resource security [2] - Zhang Baiqing recommended increasing efforts in "going out" and "bringing in" to create a new pattern of coordinated development between independent innovation and open innovation [2]

Core Insights - The concept of "emotional value" has gained popularity in recent years, indicating a shift in consumer preferences towards emotional experiences alongside traditional product quality [1][2] - Emotional value has become a standard for evaluating artistic works, particularly in the context of internet literature and media, which are increasingly sensitive to market demands and consumer emotions [2][3] Group 1: Emotional Value in Society - Emotional value is seen as a necessity in a high-intensity, fast-paced society, especially for young people facing workplace pressures [2] - The internet provides a platform for individuals to express and share their emotions, allowing various emotional states to be represented and articulated [2] Group 2: Artistic Expression and Emotional Engagement - While emotional expression is important, there is a caution against reducing emotions to mere commercial products, as this can lead to superficial engagement [3][4] - Traditional literary theories emphasize the depth of emotional expression, suggesting that lasting emotional connections arise from profound and universal themes rather than transient feelings [4] Group 3: The Role of Quality in Artistic Creation - Artistic creation should not merely cater to fleeting emotional responses but should aim to elevate emotions into deeper, more meaningful experiences [5] - The internet offers opportunities for high-quality artistic works that inspire individuals to create a better life, highlighting the importance of not wasting this potential [5]

Core Viewpoint - The dance drama industry is experiencing a significant resurgence, with a growing number of productions and interest from audiences, but there are concerns about the impact of a fast-paced approach on artistic quality and creativity [1] Group 1: Industry Trends - The dance drama market is witnessing an explosive growth, with many regions eager to capitalize on this trend [1] - There is a prevailing mindset among some regions to quickly achieve success in dance drama, which is negatively affecting the artistic creation process [1] Group 2: Artistic Quality and Performance - Artists emphasize the importance of time and effort in honing their craft, suggesting that true artistry requires patience and dedication [1] - The need for actors to understand the nuances of their roles and the intentions behind the script is highlighted, indicating that mere technical proficiency is insufficient [1] Group 3: Evaluation and Recognition - The selection process for prestigious awards like the Plum Blossom Award is rigorous, with a significant number of actors evaluated, reflecting the competitive nature of the industry [1] - There is a distinction made between different levels of actors based on their performance styles, with a call for actors to strive for excellence and resilience in their careers [1]

Core Viewpoint - The emergence of "famous scenes" in artistic creation reflects an increasing media awareness and user consciousness, but it also leads to a disconnection in overall artistic expression and the creation of "famous scenes" for the sake of it [1][3]. Group 1: Characteristics of "Famous Scenes" - "Famous scenes" are defined as classic segments in films and dramas that possess strong dissemination power and memorability, contributing significantly to the success of characters and works [1][2]. - The phenomenon of "famous scenes" is prevalent across various media, including stage performances and short videos, where creators attempt to replicate the success of classic scenes [1][2]. Group 2: Impact of Media Trends - The rise of "famous scenes" is a response to new trends in media technology and changes in cultural consumption, driven by the fast pace of life and fragmented leisure time, making attention a scarce resource [2][3]. - The efficiency of dissemination has become a key indicator of a work's influence, with "famous scenes" serving as critical points for engagement and virality [2]. Group 3: Narrative Innovation - "Famous scenes" reflect narrative innovation in popular art, catering to audiences' decreasing patience for traditional storytelling and the growing trend of "speed-watching" and "speed-reading" [2][3]. - The creation of "famous scenes" often involves breaking down narratives into visually intense, emotionally charged segments to meet audience expectations [2]. Group 4: Challenges and Misconceptions - The focus on "famous scenes" can lead to a disconnect where segments gain popularity independently, while the overall work may lack substance, resulting in a phenomenon described as "having lines without a story" [3]. - Some creators may design "famous scenes" based on data analysis, detaching them from the narrative, which can lead to a sense of artificiality and formulaic content [3]. Group 5: Artistic Integrity - Ultimately, "famous scenes" serve as a crucial interface between artistic works and audiences, necessitating a balance between market responsiveness and artistic integrity [4]. - The aspiration is to create substantial works that support memorable "famous scenes," contributing to a vibrant cultural landscape that reflects contemporary artistic expectations [4].

Group 1 - The dance drama "Yongchun" has successfully completed its tour in Russia, performing over 200 shows in 49 cities worldwide since its premiere in 2022, achieving both box office success and critical acclaim [1] - The creative motivation behind "Yongchun" stems from a deep-rooted fascination with kung fu films, with inspirations drawn from classics such as "New Dragon Gate Inn," "Once Upon a Time in China," and "Ip Man" [1] - The production team engaged with martial arts masters from Guangdong and consulted film industry professionals to create an authentic representation of the early days of the film industry in Shenzhen during the reform and opening-up period [1] Group 2 - The character "Dachun" in the drama is based on a film worker from "Dengguang Village" in Henan, reflecting the excitement and confusion of dreamers moving from rural areas to cities in the 1990s [2] - The title "Yongchun" carries a deeper meaning beyond martial arts, symbolizing the collective dreams of ordinary people, emphasizing that "everywhere is the martial world, and everyone sings of spring" [2] - The company has been exploring how to write history through artistic creation, with other productions like "Only This Green" and "The Great Qin" also reflecting historical themes and cultural memory [2]