《只此青绿》
Search documents
用改革疏浚发展的航道——推动“十五五”时期经济社会发展向新而行④
Ren Min Ri Bao· 2025-11-19 03:37
展望"十五五"时期经济社会发展,一项必须遵循的原则就在于坚持全面深化改革,推动生产关系和生产 力、上层建筑和经济基础、国家治理和社会发展更好相适应,持续增强发展动力和社会活力。抓好体制 机制创新,打通制约高质量发展的堵点卡点,让各类生产要素顺畅流动,成为一项必须完成好的任务。 在线下,"百年守护"特展吸引八方来客,《五牛图》《清明上河图》等国宝文物展露真容;来线上,数 字故宫"大门常打开",文物建筑的"数字分身"收获好评;周边产品,角楼咖啡、故宫口红,深厚底蕴有 了更具创意的新鲜表达……百岁故宫,今天正以更丰富的打开方式,带给人们酣畅淋漓的文化享受。 文博事业繁荣发展背后,少不了全面深化改革的有力托举。过去,文博行业管理存在文物藏品阐释利用 不够、人才队伍相对薄弱、内部管理水平不高等不少问题。2021年,9部门联合出台《关于推进博物馆 改革发展的指导意见》,明确提出优化征藏体系、提升保护能力、强化科技支撑、提高展陈质量等多项 改革任务。作为承载中华5000多年文明和文化成果精品的殿堂,故宫博物院近年来在文物保护利用、数 字文化建设、文化传播创新等方面取得突破性进展,为让中华优秀传统文化融入现代生活、增强人民群 ...
用改革疏浚发展的航道(评论员观察)
Ren Min Ri Bao· 2025-11-19 00:03
Group 1 - The core viewpoint emphasizes the necessity of institutional and mechanism innovation to eliminate bottlenecks that hinder high-quality development, ensuring smooth flow of various production factors [1][2][3] - The cultural industry in China is projected to achieve a revenue of 19.14 trillion yuan in 2024, reflecting a 37.7% increase compared to 2020, driven by reforms and innovations in the sector [2] - The "14th Five-Year Plan" period has seen a flourishing of cultural and artistic creations, with the National Arts Fund supporting 3,568 projects, indicating a robust support system for the arts [2] Group 2 - The need to break down outdated concepts and institutional barriers is highlighted as essential for achieving high-quality development, with specific reforms like "classification and layered review" simplifying processes and fostering innovation [3] - The integration of technology and cultural sectors is being facilitated by lowering entry barriers in key areas such as telecommunications, internet, education, culture, and healthcare, promoting orderly development [3] - The ongoing reforms aim to enhance the dynamism and vitality of economic and social development, positioning China for sustainable modernization [3]
“文化+”“+文化”双向奔赴
Ren Min Ri Bao Hai Wai Ban· 2025-11-06 22:36
Core Insights - The cultural industry in China is increasingly integrating creative products into daily life, leading to significant market benefits and collaborative development across the industry [1][3][5] Group 1: Cultural Products and Market Impact - The animated film "Chang'an 30,000 Miles" has generated over 1.82 billion yuan in box office revenue, sparking a renewed interest in Tang poetry and boosting related book sales [2] - The dance poetry drama "Just This Green" has performed over 800 shows, expanding into various media formats, showcasing the successful commercialization of stage art [2] - The cultural industry’s GDP contribution reached 4.59% in 2023, nearing the 5% threshold for pillar industries, with projected revenue of 19.14 trillion yuan in 2024 [3] Group 2: Cultural Integration and Innovation - The "Cultural + Creative Products" trend has led to a surge in cultural consumption, with products like the Palace Museum calendar selling over 8.5 million copies [5] - "Cultural + Technology" initiatives have produced immersive exhibitions and digital museums, enhancing public engagement with history [6] - "Cultural + Tourism" has enriched local tourism experiences, with projects like "Impression Liu Sanjie" attracting significant visitor numbers [7] Group 3: Broader Cultural Engagement - The integration of culture into sports events has increased tourism, with local cultural elements featured prominently in team branding and performances [7] - Urban renewal projects are transforming old industrial sites into cultural and recreational spaces, revitalizing local economies [7] - The dual approach of "Cultural +" and "+ Culture" is expected to further stimulate industry growth and enhance cultural consumption [8]
“文化+”“+文化”双向奔赴(深观察)
Ren Min Ri Bao Hai Wai Ban· 2025-11-02 22:47
Core Insights - The integration of culture into the economy is becoming a significant driver of economic development, with the cultural industry contributing 4.59% to China's GDP in 2023, nearing the 5% threshold for pillar industries [4] - The cultural sector is experiencing substantial growth, with projected revenue of 19.14 trillion yuan in 2024, marking a historical high [4] - The rise of cultural products and experiences is fostering a collaborative development across various industries, enhancing consumer engagement and market opportunities [5][6] Group 1: Cultural Products and Market Trends - Innovative cultural products are gaining popularity, with examples like the "Wukong" game boosting tourism in Shanxi and the "Nezha" movie leading to sold-out merchandise [2] - The animated film "Chang'an 30,000 Miles" has generated over 1.82 billion yuan in box office revenue, sparking a renewed interest in Tang poetry and related cultural experiences [3] - The success of Chinese science fiction and mythology in both domestic and international markets is evident, with approximately 200 million active overseas users of Chinese online literature [3] Group 2: Cultural Industry Growth - The cultural industry is becoming a pillar in cities like Beijing and Hangzhou, where its value added to GDP exceeds 10% [4] - The cultural sector's revenue is projected to reach 19.14 trillion yuan in 2024, indicating robust growth and a significant contribution to the economy [4] Group 3: Cultural Integration with Other Industries - The "Cultural + Creative Products" trend is driving consumer interest, with products like the Palace Museum calendar selling over 8.5 million copies [5] - The "Cultural + Technology" approach is leading to immersive experiences through digital exhibitions and virtual museums, enhancing public engagement with history [6] - The "Cultural + Tourism" strategy is enriching travel experiences, with projects like "Impression Liu Sanjie" attracting large audiences [7]
科技赋能舞台 产业链接文旅 多维新消费场景为文化消费注入新动能
Yang Shi Wang· 2025-10-29 04:07
Core Insights - The Chinese dance drama market is experiencing a golden period characterized by quality and vitality, driven by the integration of traditional narratives with technological empowerment and cultural tourism [1] - The dance drama "Only This Green" has sparked a cultural wave, showcasing the potential for new consumption and industrial dynamics within the stage arts [1] Group 1: Technological Integration - The newly revamped dance drama "Only I Am Qingbai" utilizes holographic projection technology, allowing real-time interaction between dancers and virtual scenes, breaking traditional linear storytelling [3] - The new version reconstructs the story structure into seven chapters, incorporating traditional crafts such as "Half Knife Clay" and porcelain-making techniques, revitalizing traditional skills on stage [3] Group 2: Economic Impact - Dance dramas are evolving from a singular art form to a multi-dimensional consumption scene that integrates culture, tourism, and commerce, becoming a significant growth point in the cultural economy [5] - Since its premiere in 2021, "Only This Green" has performed over 800 shows, generating ticket sales exceeding 500 million yuan, and has led to the creation of over 100 cultural products and collaborations with more than 30 brands [5] - The associated business sponsorship and economic benefits have surpassed 40 million yuan, contributing to a complete artistic industrial chain with derivative works like symphonic concerts [6] Group 3: Cultural Expansion - Original dance dramas such as "Yongchun" and "Only This Green" are gaining traction in overseas tours, serving as new symbols of Chinese culture going global [8] - The current dance drama market is enhancing aesthetic standards while creatively breaking through to create more culturally resonant artistic expressions, stimulating the entire industry chain including choreography, stage design, and cultural tourism integration [8]
演艺、赛事激活新消费 国庆中秋假期四川揽金超384亿元
Zhong Guo Xin Wen Wang· 2025-10-09 08:06
Core Insights - During the National Day and Mid-Autumn Festival holiday, Sichuan province generated a total tourism revenue of 38.4 billion yuan, with a year-on-year increase of 6.53% [1][2] - Sichuan ranked fourth in the country for cultural and tourism consumption scale during the holiday, with nighttime cultural and tourism consumption increasing by 18.2% [2] - The integration of cultural events and sports competitions significantly boosted tourism, with major events attracting large audiences and generating substantial ticket sales [2][4] Tourism Statistics - Sichuan received 47.34 million visitors from October 1 to 8, achieving a total tourism consumption of 38.4 billion yuan, representing a year-on-year growth of 8.32% and 6.53% respectively [1] - The province hosted 86 commercial performances during the holiday, attracting 210,000 attendees and generating over 100 million yuan in ticket sales [2] - The Asian Paddleboarding Open in Qingshen County attracted 400,000 visitors, generating a total tourism revenue of 213 million yuan [2] Event-Driven Consumption - The phrase "travel with events" became a highlight of Sichuan's tourism strategy, converting visitor flow into increased consumption [2] - Major events like the 2025 Chengdu Rowing Open and the Asian Paddleboarding Open led to increased business for local restaurants and hotels, with significant rises in occupancy rates [2][4] Innovative Tourism Experiences - Sichuan introduced various new tourism experiences, such as helicopter low-altitude tours and cultural heritage projects combined with culinary festivals [4] - Museums in Sichuan enhanced visitor experiences through innovative technologies, such as smart wearable devices at the Sanxingdui Museum, leading to a 17.61% increase in visitors to the Wuhou Shrine Museum [4]
因为《只此青绿》,有种审美不会疲劳
Mei Ri Jing Ji Xin Wen· 2025-10-06 15:57
Core Viewpoint - The performance "Only This Green" has become a cultural phenomenon, showcasing the beauty of traditional Chinese aesthetics while resonating with contemporary audiences, particularly the youth, through its innovative presentation and emotional depth [1][3][5]. Group 1: Cultural Significance - "Only This Green" draws inspiration from the Northern Song Dynasty painting "A Thousand Li of Rivers and Mountains," transforming a static artwork into a dynamic narrative through seven chapters that engage the audience in a sensory experience [2][5]. - The performance serves as a cultural revival, awakening national memory and providing a platform for viewers to connect with their heritage in a modern context [1][2]. Group 2: Audience Engagement - The show has achieved remarkable popularity, with over 800 performances since its debut in August 2021, and has toured more than 80 cities, indicating a strong demand for cultural experiences [1][5]. - Audience members are increasingly seeking depth in cultural consumption, moving from superficial entertainment to art that offers emotional and intellectual engagement, as evidenced by the willingness to travel long distances for multiple viewings [5][6]. Group 3: Artistic Approach - The performance contrasts the fast-paced modern lifestyle by emphasizing slow, deliberate movements and immersive storytelling, allowing audiences to rediscover patience and appreciation for art [3][5]. - The creative team continuously refines the performance based on audience feedback, embodying a spirit of craftsmanship that enhances the show's longevity and appeal [5][6].
800场《只此青绿》深刻诠释,有一种审美不会疲劳
Mei Ri Jing Ji Xin Wen· 2025-10-06 15:30
Core Viewpoint - The performance "Only This Green" has become a cultural phenomenon, showcasing the beauty of traditional Chinese art and resonating deeply with contemporary audiences, particularly the youth [1][3][4]. Group 1: Cultural Significance - "Only This Green" is inspired by the Northern Song Dynasty painting "A Thousand Li of Rivers and Mountains" and transforms a static artwork into a dynamic narrative through seven chapters, allowing audiences to experience the cultural essence of the piece [2][4]. - The performance serves as a cultural "blood transfusion," awakening national memories and providing a deep aesthetic experience that transcends time [1][2]. Group 2: Audience Engagement - The show has achieved over 800 performances since its debut in August 2021, with tickets selling out rapidly, indicating a strong demand and emotional connection from the audience [1][4]. - Viewers are not merely spectators but participants in a cultural dialogue, experiencing the beauty of Chinese civilization through immersive storytelling [2][3]. Group 3: Market Dynamics - The success of "Only This Green" reflects a shift in cultural consumption, where audiences seek depth and quality in artistic experiences rather than superficial entertainment [5][6]. - The performance has become a benchmark for cultural products, offering a blend of cultural richness, aesthetic precision, emotional depth, and value, which resonates with the audience's evolving tastes [5][6]. Group 4: Emotional and Psychological Impact - The performance addresses the psychological needs of contemporary society, providing solace and a counterbalance to the fast-paced, information-overloaded environment [3][4]. - It encourages audiences to embrace a slower, more contemplative approach to art, fostering patience and immersion in the experience [3][6].
高质量完成“十四五”规划丨赋能经济社会发展 添彩人民美好生活——“十四五”时期文化和旅游高质量发展成就斐然
Xin Hua Wang· 2025-09-30 00:13
Core Insights - The "14th Five-Year Plan" period has seen significant achievements in the high-quality development of culture and tourism, contributing positively to economic and social development and enhancing the quality of life for the people [3][4]. Group 1: Cultural and Artistic Development - The cultural and tourism sector has experienced a flourishing of artistic creation, with notable performances such as the large-scale epic "Great Journey" and the music and dance epic "Justice Prevails" [4]. - The government has implemented action plans to promote stage arts and fine arts, leading to a rich supply of excellent artistic works that resonate with the public [4]. - National cultural festivals and exhibitions have been organized, providing platforms for showcasing outstanding works and engaging the public [4]. Group 2: Public Cultural Services - The public cultural service system has been improved, focusing on accessibility, quality, and equity [5][8]. - The establishment of a nationwide smart library system and public cultural cloud services has shown significant progress [8]. - The number of 5A-level tourist attractions has increased, with 58 new additions and approximately 2,600 new A-level attractions, enhancing the overall tourism experience [8]. Group 3: Non-Material Cultural Heritage - The establishment of 12,900 non-material heritage workshops has created over 1.2 million jobs, integrating non-material heritage into daily life and enhancing cultural experiences [10]. - Efforts are being made to connect non-material heritage with modern life, ensuring its relevance and vitality in contemporary society [11]. Group 4: Cultural and Tourism Industry Growth - The cultural industry is projected to achieve a revenue of 19.14 trillion yuan in 2024, marking a 37.7% increase since 2020 [12]. - The number of large-scale cultural enterprises has risen to 78,000, reflecting a robust growth in the cultural sector [12]. - The tourism industry has rebounded quickly post-pandemic, with domestic travel and spending showing high growth rates [12]. Group 5: International Cooperation and Cultural Exchange - The number of overseas Chinese cultural centers and tourism offices has increased to 73, with cultural cooperation agreements signed with over 150 countries [13]. - In 2024, inbound tourism is expected to reach 132 million visitors, a 60% increase year-on-year, while outbound tourism is projected at 123 million, a 40% increase [13]. - The government aims to deepen international cooperation and promote cultural exchange to enhance mutual understanding and friendship [13].
2025北京文化论坛|AI如何重塑影视创作——“破界共生:科技激发文化原创力”平行论坛首场沙龙举办
Bei Jing Ri Bao Ke Hu Duan· 2025-09-17 11:13
Core Viewpoint - The event highlighted the integration of AI technology in the film and cultural sectors, emphasizing its role in reshaping creative processes and enhancing cultural originality [5][21]. Group 1: AI's Impact on Film Industry - The forum featured discussions on how AI is revolutionizing the entire film production process, with examples showing significant efficiency improvements, such as reducing a week's work to half a day using AI tools [9]. - AI is seen as a tool that empowers creators, allowing them to explore their artistic expressions with greater freedom and lower costs, akin to providing a hunter with a bow [11]. - The emergence of generative AI is lowering barriers for creators, democratizing the creative process and enabling more individuals to participate in filmmaking [12]. Group 2: New Language and Challenges in Creation - The discussions included the new cinematic language and creative paradigms emerging from AI, with experts suggesting that AI will become a commonplace tool in filmmaking, similar to smartphones [14]. - AI's role in enhancing the creative process was illustrated through its application in projects like the second season of "The Three-Body Problem," where it assisted in concept design and pre-visualization [14]. - Despite AI's advancements, it remains a tool that relies on human creativity, and the fundamental principle of "content is king" still applies [16]. Group 3: Future Trends and Cultural Integration - The future of the film industry will require traditional creators to embrace AI's capabilities and adapt to new thinking paradigms [19]. - AI is viewed as a significant driver for expanding industry value and revitalizing cultural production, facilitating the transformation of cultural content into more accessible formats [19]. - The balance between technology and humanistic values remains a critical theme, with the potential for AI to enhance the visibility of profound narratives and human insights in creative works [19][21]. Group 4: Event Significance - The salon marked the beginning of a series of events under the 2025 Beijing Cultural Forum, aimed at fostering discussions on the integration of technology and culture [23].