2025年是中国电影120周年华诞，中国电影总票房获得超518.32亿元的好成绩，一批脍炙人口的佳片让人久久回味，其中动画电影票房突破250亿，成为中国 影史动画电影票房最高的一年。《哪吒之魔童闹海》成为全球动画电影票房新纪录创造者，《浪浪山小妖怪》刷新国产二维动画单片票房纪录。 系列报道《我与国家一起前行》，一起来看中国动画人如何把"国漫崛起"的梦想照进了现实。 0:00 《浪浪山小妖怪》这部动画电影，点燃了2025年的夏天。二维电影的创作形式、浓浓的中国风让不少观众感叹，熟悉的味道回来了。 电影成功的背后，是上海美术电影制片厂几十年间几代人的传承与创新，现代技术的应用，手绘软件的笔触，为中国风的动画创作赋能，增添神韵。 上海美术电影制片厂动画主管 冯洁：带水墨的笔刷去勾勒的话，它就会产生这种真实的水墨的灵动性。 上海美术电影制片厂制作总监 管敏波：一个镜头比如说30张画，按以前来讲的话，可能我们要画一到两个月的时间，可是我们现在做这一个镜头，大概也 就一天或一天半就能完成了。 新技术应用 为中国风动画创作赋能 全球第一部水墨动画电影《小蝌蚪找妈妈》，曾经是几代人共有的回忆。然而制作时间成本过高，让这种艺术 ...

央视网消息：2025年是中国电影120周年华诞，中国电影总票房获得超518.32亿元的好成绩，一批脍炙人口的佳片让人久久回味，其中动画电影票房突破250 亿，成为中国影史动画电影票房最高的一年。《哪吒之魔童闹海》成为全球动画电影票房新纪录创造者，《浪浪山小妖怪》刷新国产二维动画单片票房纪 录。系列报道《我与国家一起前行》，一起来看中国动画人如何把"国漫崛起"的梦想照进了现实。 《浪浪山小妖怪》这部动画电影，点燃了2025年的夏天，二维电影的创作形式、浓浓的中国风让不少观众感叹，熟悉的味道回来了。 新技术应用为中国风动画创作赋能 电影成功的背后，是上海美术电影制片厂几十年间几代人的传承与创新，现代技术的应用，手绘软件的笔触，为中国风的动画创作赋能，增添神韵。 上海美术电影制片厂动画主管 冯洁：带水墨的笔刷去勾勒的话，它就会产生这种真实的水墨的灵动性。 上海美术电影制片厂制作总监 管敏波：一个镜头比如说30张画，那么按以前来讲的话，可能我们要画一到两个月的时间，可是我们现在可能做这一个镜 头，可能大概也就一天或一天半就能完成了。 全球第一部水墨动画电影《小蝌蚪找妈妈》，曾经是几代人共有的回忆，然而制作时间成本过高 ...

Core Insights - The Chinese film industry has surpassed 45.9 billion yuan in total box office revenue, with animated films performing particularly well, as two out of the top five films are animated [1] - The animated film "Wang Wang Mountain Little Monster" has achieved a box office of 1.717 billion yuan, becoming the highest-grossing 2D animated film in Chinese history, attracting over 47 million viewers [1] - The film's success is seen as a significant example for the development of Chinese animation, emphasizing the importance of blending traditional culture with modern storytelling [5] Industry Trends - Experts suggest that Chinese animation should follow a "technology-adapted aesthetics" path, focusing on creating high-quality works rooted in traditional Chinese culture [5] - The Shanghai Animation Film Studio is recognized for its "Chinese Animation School," which combines tradition and innovation, evolving from traditional styles to contemporary upgrades [8] - The film "Wang Wang Mountain Little Monster" creatively integrates traditional Chinese painting aesthetics with modern cinematic techniques, showcasing a blend of Eastern beauty and contemporary visuals [12] International Expansion - Chinese animation is experiencing rapid international growth, with films like "Ne Zha" and "Wang Wang Mountain Little Monster" gaining recognition and box office success abroad [15] - The overseas version of "Wang Wang Mountain Little Monster" retains its emotional core while adapting certain cultural terms for local audiences, facilitating cross-cultural understanding [19] - Strategies such as "global co-creation" and localized dubbing are being employed to enhance the appeal of Chinese animated films in international markets [21]