在年初出版的《伴侣动物宣言》一书中，被誉为"赛博格之母"的先锋理论家唐娜·哈拉维从人和狗的故 事出发，想象一种跨越物种的共生关系，思想市场围绕本书对人与动物的关系进行了多角度的探索。 在"哈拉维《伴侣物种宣言》：仅靠'爱'和'权利'无法解决生态危机"一文中，姚云帆谈到，在处理"训 犬"这一棘手现象时，哈拉维指出，由于不加训练的犬类无法在人类主宰的生态系统中承担特定功能， 会被人类中心主义者"无条件的爱"所异化，陷入自身生存和生态生存的双重危机，因此"宠物犬"恰恰是 伴侣物种危机的重要表征。此书试图说明，"伴侣物种"的意义并不是让人们理解动物和爱护特定或所有 动物，而是为了让人理解资本主义自然-社会生态系统本身。后者的复杂性在于，在塑造动物界的自然 和社会等级制的同时，也借由人类社会与动物种群的关系，塑造了人类内部的"种族"和"等级"。 【编者按】2025年即将过去，短短一年间，我们见证了太多的变化。在这个信息爆炸的时代，人工智能 的发展加速模糊了现实与虚拟的边界，不断涌现出的媒介形式争先恐后地抢夺着我们的注意力，无处不 在的社交媒体已经开始影响青少年的心理健康。数码时代改变了我们的语言，甚至能操控情感……智通 ...

Group 1 - The 77th Emmy Awards announced its first batch of winners, recognizing achievements in various categories including animation, costume design, and new media programs [1] - Netflix's original animated series "Love, Death & Robots" Season 4 and "Arcane" Season 2 won multiple awards, highlighting the platform's success in the animation sector [1] - Beyoncé won her first Emmy Award for "Outstanding Costume Design" for her performance in the NFL Christmas halftime show "Beyoncé Bowl," which attracted over 27 million viewers [1] Group 2 - Beyoncé's Emmy win brings her closer to achieving the "EGOT" status, having already won 35 Grammy Awards and received an Oscar nomination for the song "Be Alive" from "King Richard" [2] - The Emmy Awards this year featured a modified selection process, skipping the nomination phase and allowing a panel of experts to evaluate and decide on the winners directly [2] - The Creative Arts Emmy Awards ceremony will take place from September 6 to 7, with the main Emmy Awards broadcast scheduled for September 14 [2]

Core Viewpoint - The fourth season of "Love, Death & Robots" has received significant criticism, with a low rating of 4.8 on Douban, indicating a sharp decline in quality compared to previous seasons, which were regarded as benchmarks in animation and sci-fi storytelling [3][6][24]. Group 1: Quality and Reception - The series has been described as having lost its narrative depth and creativity, with many episodes lacking substantial content and relying on recycled ideas [9][20]. - The first episode, directed by David Fincher, has been criticized for its lack of meaningful content, receiving a low IMDb rating of 4.3, marking a new low for the series [8][11]. - The overall trend in the fourth season shows a shift towards superficial entertainment, with a focus on visual spectacle rather than storytelling [11][20]. Group 2: Industry Implications - The decline of "Love, Death & Robots" serves as a warning for the global content industry, highlighting the creative stagnation and existential crisis brought on by AI and content oversaturation [6][24]. - The series' initial success set a precedent for animated anthology series, influencing projects like "Chinese Fantasy" and others, but the current season's failure raises questions about the sustainability of such formats [22][24]. - The challenges faced by "Love, Death & Robots" reflect broader issues in the sci-fi genre, where many series struggle to innovate and engage audiences meaningfully [26][27].

Group 1 - The article discusses the resurgence of science fiction in popular culture, highlighting the return of series like "Black Mirror" and "Love, Death & Robots," which reflect the increasing relevance of sci-fi themes in contemporary society [1][15] - It emphasizes the concept of a technological singularity, where advancements in AI and other technologies could lead to a utopian society characterized by abundance and reduced need for work [3][10] - The article references Nick Bostrom's book "Deep Utopia," which explores three progressive future scenarios: post-scarcity, post-work, and post-instrumental eras, each representing different stages of societal evolution in response to technological advancements [4][10] Group 2 - The post-scarcity era is described as a time of material abundance where basic needs are easily met, drawing parallels to the myth of Cockaigne, a utopian land of plenty [6][8] - The post-work era envisions a future where automation eliminates the need for human labor, raising questions about the meaning of work and how society will adapt to reduced employment opportunities [10][11] - The post-instrumental era suggests a world where human effort is no longer required to achieve desires, leading to a potential shift in societal values and the concept of personal achievement [12][13] Group 3 - The article raises critical questions about the implications of advanced technology on human purpose and meaning, particularly in a future where work may no longer be necessary [17][19] - It highlights the need for society to redefine concepts of work and learning in light of these technological advancements, suggesting a potential shift towards leisure and community engagement [11][14] - Bostrom's work is positioned as a philosophical exploration of these themes, encouraging readers to consider the future of humanity in a world dominated by superintelligent AI [15][17]

Core Viewpoint - The fourth season of "Love, Death & Robots" has been met with mixed reactions, with a noticeable shift towards nostalgia and a lack of innovation compared to previous seasons [7][8][145]. Summary by Sections Season Overview - The fourth season has been described as a return to familiar themes, with a focus on nostalgia rather than groundbreaking storytelling [7][8][145]. - The season features a variety of episodes that explore different genres and themes, but many viewers feel it lacks the creativity of earlier seasons [145]. Episode Highlights - **Episode 1: CAN'T STOP** - Directed by David Fincher, this episode features a live performance by the Red Hot Chili Peppers, focusing solely on one song [11][13]. - **Episode 2: Close Encounters with Miniature Objects** - A sequel to a previous episode, it involves aliens and a humorous take on human interactions with them [19][20][25]. - **Episode 3: Spider Rose** - This episode combines elements of cuteness and a revenge narrative set in an alien world [32][36][46]. - **Episode 4: The Boy from 400 Block** - A darker narrative that touches on themes of war and oppression, using a stark color palette to enhance its impact [52][54][66]. - **Episode 5: Another Giant** - A humorous take on the relationship between pets and technology, highlighting the potential dangers of smart devices [77][80][86]. - **Episode 6: Each Each Other** - A live-action segment that explores cultural exchanges between humans and aliens, but is criticized for its lack of engagement [86][88][90]. - **Episode 7: The Roar of the Tyrannosaurus** - Features a Chinese protagonist in a unique setting, showcasing cultural representation [100][106][110]. - **Episode 8: Chik's Faith** - Set during WWII, this episode combines themes of faith and conflict, presenting a narrative that critiques religious and military actions [111][115][122]. - **Episode 9: Smart Appliances, Dumb Owners** - A satirical look at modern life through the lens of smart appliances, critiquing the dependency on technology [127][130][132]. - **Episode 10: The Stalker** - Continues the trend of exploring the relationship between humans and their pets, with a humorous twist [134][135][140]. Overall Themes - The season reflects a blend of nostalgia, humor, and social commentary, but many critics argue that it lacks the imaginative depth that characterized earlier seasons [145][156]. - The overarching sentiment is that the series is experiencing a decline in creativity, with a noticeable shift towards safer, more familiar narratives [145][156].