转自：贵州日报 本报讯 1月2日，"书香舞忆"作家圈层签售会在多彩贵州城鼓楼广场举行，当红插画家"苍狼野兽"、人 气Coser（角色扮演者）"佛心观莲"与"月黑"等嘉宾空降现场，以签售、Cosplay（角色扮演）互动、舞 台表演等形式，为绘画粉、国风及二次元爱好者打造了一场沉浸式IP狂欢。 活动当日，多彩贵州城同步推出了鼓楼广场"千人和鸣·侗族大歌"收官演出、1958文创园艺术主理人沙 龙及音乐派对、鼓楼夜间光影秀等多元活动，让不同需求的游客都能从中找到乐趣。 （贵阳日报融媒体记者 吴宇） 拥有超159万粉丝的插画家"苍狼野兽"曾为《秦时明月》《画江湖之不良人》等影视IP、《天王》《寒 武再临》等畅销小说及《男生女生》《少年绘》等经典杂志创作封面及插画作品。活动现场粉丝们热情 高涨，与其近距离交流、获得专属签名。此外，人气Coser"佛心观莲"与"月黑"身着《情蛊》主题服饰 现场还原角色，与粉丝互动集邮、签售。活动期间，还有宅舞表演及书粉主题舞台游戏互动等内容，吸 引众多游客与亚文化爱好者的目光。 （《"书香舞忆"作家圈层签售会 在多彩贵州城举行》由贵阳日报为您提供，转载请注明来源，未经书 面授权许可，不得转 ...

Group 1 - The 2025 Guangdong-Hong Kong-Macao Greater Bay Area Cultural Industry Investment Conference concluded with 65 companies presenting, resulting in over 30 companies receiving investment intentions totaling approximately 6 billion yuan [1] - The conference introduced a "3+365" model for continuous investment roadshows throughout the year, leveraging the cultural investment and financing alliance [1] - AI development is significantly impacting the cultural industry, with discussions focusing on the need for high-quality content for AI models, the transformation of content supply through AIGC, and the emergence of new content formats enabled by AI [1][3] Group 2 - Companies like Shanghai Fufu Animation reported substantial profit increases due to AI, projecting gross margins to rise from 21% to 35% and net profits from 3% to 15% within three years [3] - The application of AI in content creation is reducing costs while enhancing profitability, with potential returns increasing from 0.5 to hundreds of yuan for every yuan invested [4][5] - The demand for clear copyright ownership and transparent revenue distribution is expected to rise as the value of content becomes more pronounced in the AIGC era [5] Group 3 - Guangdong is actively building "new infrastructure" for AIGC, focusing on large model registration, general computing power, and high-quality data sets to support the cultural creative industry [6] - The province has registered 92 generative AI services, ranking second nationally, with a strong emphasis on industry-specific models [6] - The cultural industry in the Greater Bay Area is seen as having significant investment potential due to its mature industrial chain and ecosystem [9] Group 4 - Investment institutions are shifting their focus back to the cultural industry, recognizing the integration of culture and technology as a new area of growth [7][8] - The conference has highlighted the importance of promoting the cultural and technological integration as a key investment theme for future productivity [8] - Companies in the Greater Bay Area are perceived to have lower success costs and higher investment value in the cultural sector [9]

Core Insights - Xu Hui District has officially announced the "Meta World Neo World" metaverse district, introducing several prominent second-dimensional IPs, positioning itself as a hub for the growing second-dimensional economy in Shanghai and nationwide [1][2] Group 1: Industry Development - Xu Hui is recognized as a leading source of second-dimensional enthusiasm in Shanghai, with significant industry presence and enterprise concentration, hosting major companies like Tencent, NetEase, and miHoYo [1] - The district has established a game industry service center and relies on commercial entities like Xinyao·Guanghuan Live and Yuejie Jinshang City to support second-dimensional consumption [1] Group 2: Consumer Experience - The newly developed Xinyao·Guanghuan Live has enhanced the area’s appeal, providing high-quality commercial spaces and diverse consumption scenarios for second-dimensional enthusiasts [3] - Various attractions, including the Pop Mart, art museums, and themed stores, create a rich consumer environment, catering to both avid fans and newcomers to the second-dimensional culture [3][4] Group 3: Cultural Significance - The China Audio-Video and Digital Publishing Association Game Museum serves as a cultural landmark, emphasizing the importance of avoiding over-commercialization and enhancing intergenerational resonance within the second-dimensional district [4] - The goal of creating a "second Akihabara" in Xu Hui is feasible, but it is crucial to focus on industry upgrades and community cultural engagement rather than merely replicating the superficial aspects of second-dimensional popularity [4]

Core Insights - The global anime consumer base has surpassed 1.2 billion, with domestic users reaching 300 million, indicating a broadening age range and aesthetic demand within the audience [1] - The Shanghai TV Festival and Tencent Video Animation co-hosted a forum discussing the lifecycle extension of animation IPs, featuring creators from around the world sharing insights on content themes, artistic forms, and international collaboration [1] Group 1: Industry Trends - The forum highlighted the importance of maintaining the vitality of an animation IP after it has gained visibility, emphasizing the need for high-quality production standards [3][6] - The animation industry is witnessing rapid changes in supply and demand, which drives continuous innovation and requires creators to engage more sincerely with their audience [10][13] - The rise of domestic animation is becoming a reality, with Tencent Video aiming to become a leading platform for cross-media works in the next decade [16] Group 2: Content Creation and Audience Engagement - Successful animation requires a deep understanding of audience preferences, with creators encouraged to collect data and engage with viewers to ensure their work resonates [13][15] - The importance of balancing innovation with audience expectations was emphasized, as creators must avoid merely catering to trends while still delivering meaningful content [17] - Various companies are exploring new technologies and narrative techniques to enhance their animation offerings, such as 3D printing and AI integration [8][20] Group 3: IP Development and Global Strategy - Companies like Wanda Animation are focusing on global operations for their IPs, aiming to represent Chinese culture on the international stage [18] - Tencent Video has developed multiple formats for its IPs, including special episodes and theatrical releases, and is planning long-term strategies for content expansion [20] - The industry is moving towards creating high-quality, large-scale domestic animation that meets diverse market demands, with a focus on technological advancements [20]