Group 1 - The forum "Drama and Cultural Communication" was held in Beijing, co-hosted by the China Dramatists Association and the China Foreign Languages Publishing Administration, focusing on the importance of cultural confidence in international dissemination of Chinese drama [1] - Chen Yongquan, a key speaker, emphasized that the international spread of Chinese drama must be rooted in cultural confidence and artistic integrity, advocating for "creative transformation and innovative development" to showcase national art on the global stage [1] - Wang Yong, Vice Chairman of the China Dramatists Association, shared that from 2019, the National Peking Opera Company has conducted 176 performances and exchange activities in over 20 countries, reaching an audience of 150,000, highlighting the need for cultural confidence in international outreach [1] Group 2 - Bian Wentong, a professor at the Central Academy of Drama, discussed the need for contemporary perspectives and empathy in the international dissemination of classic works, advocating for creative transformation to rejuvenate traditional art [2] - Zhu Jiejing from the Shanghai Dance Theatre noted that successful dance dramas emerge from distilling traditional culture and innovating expressions, emphasizing the importance of cross-cultural resonance and modern narrative techniques [2] - Various speakers shared insights on the relationship between cultural innovation and international communication, including the success of Huiju Opera at the Sahara International Theatre Festival and new pathways for traditional culture's dissemination through music and new media [2]

即日起，本版推出"神州看点·古调新声"系列报道，展现一些地方剧种如何萌发新枝，形成一系列富有 启示的实践；如何吸引年轻人不仅作为观众，更成为创作者、传播者，让古老戏曲创作更好接地气、聚 人气。 编者按："十五五"规划建议提出，广泛开展群众性文化活动，繁荣互联网条件下新大众文艺。戏曲艺术 的传承发展，尤其是如何赢得年轻一代的认同与热爱，是关乎中华优秀传统文化创造性转化与创新性发 展的时代课题。 雪落生白，锣鼓愈酣。 12月12日，河南洛阳市偃师区大口镇西寨村，大雪纷飞，河南豫剧院青年团的演员仍在专注表演。观众 撑着伞守在戏台前——"戏没停，咱咋能走？" "唱三天，我跟了三天。爱听豫剧，接地气，好听！"来自河南三门峡市的戏迷王大爷带着一兜烧饼，开 车100多公里追到村里。 这是观众与演员的双向奔赴。"与其说观众需要演员，不如说演员更需要观众。"河南豫剧院青年团演员 陈婷婷说，当天化装时，手都冻僵了，油彩也挤不出来。尽管天气恶劣，观众却不愿意离开，演员们被 感动了。 "豫剧艺术，有着较强的中原文化特色，因而豫剧的剧目、声腔、表演等具有较强的适应性、兼容性， 能与不同地域文化兼容并蓄。"河南省文化艺术研究院研究员谭静 ...

Core Viewpoint - The Xi'an Yisushe, a century-old theater company, continues to thrive by integrating traditional Qin opera with contemporary narratives, reflecting the cultural essence of Xi'an and promoting the inheritance of Chinese traditional culture [1][2]. Group 1: Historical Significance - Established in 1912, Xi'an Yisushe is closely linked to the cultural heritage of Xi'an, serving as a vital platform for the transmission of Qin opera, which embodies the city's historical and cultural identity [1][2]. - The theater has been a significant witness to the evolution of local culture and has played a crucial role in preserving the artistic legacy of Qin opera over the past century [1]. Group 2: Artistic Development and Education - Li Dongfeng, a prominent actor, emphasizes the importance of understanding the audience's evolving preferences, noting that middle-aged viewers have remained a consistent demographic for Qin opera [3]. - The theater prioritizes the mentorship of young actors, with experienced artists like Li Dongfeng passing on their knowledge and skills to the next generation, ensuring the continuity of artistic traditions [4][5]. - Young actors are encouraged to cultivate a deep understanding of their roles through extensive reading and cultural immersion, which enhances their performance quality [5][11]. Group 3: Youth Engagement and Innovation - The theater has a significant proportion of young actors, constituting two-thirds of the company, which reflects a strategic focus on youth engagement and the future of Qin opera [15]. - Initiatives such as the Youth Support Fund and educational programs are in place to enhance the skills and academic qualifications of young performers, fostering a new generation of artists [15][17]. - The company is actively expanding its outreach by performing in prestigious institutions like Tsinghua University and Peking University, thereby promoting traditional culture to a broader audience [16]. Group 4: Challenges and Future Directions - The aging of veteran performers poses a challenge, making the mentorship of younger actors critical for the preservation of the art form [15]. - The theater is committed to balancing tradition with innovation, as seen in modern adaptations of classic works, which aim to attract younger audiences while maintaining the essence of Qin opera [13][14].

Core Viewpoint - The article reflects on the cultural significance of traditional opera in the author's hometown, highlighting its role in community bonding and personal identity through shared experiences and memories of performances [1][10]. Group 1: Cultural Significance - The hometown of the author, Tanghe County in Henan Province, is rich in various forms of traditional opera, including Han opera, Yu opera, and others, which are deeply embedded in local culture [1][6]. - Traditional opera serves as a vital cultural river that nourishes the spiritual world of the community, with themes of patriotism, morality, and social values being prevalent in the performances [7][8]. Group 2: Community Engagement - The community actively participates in opera, with villagers gathering to watch performances, often preparing food and dressing up for the occasion, indicating the social importance of these events [2][4]. - The article describes the vibrant atmosphere surrounding opera performances, including food stalls and children's activities, which enhance the communal experience [2][5]. Group 3: Personal Connection - The author recounts personal experiences of watching and engaging with traditional opera from a young age, illustrating how these experiences shaped their appreciation for the art form [3][4]. - The influence of local opera is evident in the lives of notable figures from the author's hometown, who have contributed to the field of opera and literature, showcasing the lasting impact of this cultural heritage [8][9].