Core Viewpoint - The interview with actress Ni Ni highlights her journey in theater, particularly her roles in "The Dream Like Dream" and "The Little Red Book," showcasing her growth as an actress and her evolving understanding of performance and life [4][22][30]. Group 1: Career Development - Ni Ni made her stage debut in 2019 with the play "The Little Red Book," where she played two roles, marking a significant shift in her acting career [4][14]. - Her portrayal of Gu Xianglan in "The Dream Like Dream" has been transformative, allowing her to embrace imperfection and focus on the present [4][11]. - The collaboration with director Lai Shengchuan has been pivotal, as he helps actors discover and amplify their strengths while providing encouragement [19][30]. Group 2: Performance Insights - Ni Ni emphasizes the importance of understanding the complex life circumstances of her characters to deliver authentic performances [10][22]. - She believes that acting in theater requires maintaining a fresh and lively state for each performance, contrasting with the more fixed nature of film acting [22][28]. - The experience of performing has led her to a more relaxed approach to life, reducing self-imposed pressure and allowing for a more natural existence [11][24]. Group 3: Personal Philosophy - Ni Ni reflects on the idea that life is akin to building a house, where one should accept imperfections and strive for improvement in future endeavors [24][30]. - She advocates for focusing on the present and not being overly concerned with external judgments, which can lead to a more fulfilling career and life [23][30]. - The actress expresses a desire to break free from the constraints of beauty standards, willing to take on roles that showcase her versatility beyond her physical appearance [26][30].

【环球时报记者 李迅典 钱佳音 刘雅婷 环球时报特约记者 王舒怡 王婧瑜】 编者的话： "文艺作品中的二 战故事"系列报道第三期，《环球时报》记者邀请"50后"英国历史学者布坎南、"70后"茅盾文学奖得主 徐则臣、"00后"越南留学生，共同讲述最触动他们的二战题材文学作品，及其对战争与和平、人性与命 运的思考。 茅盾文学奖得主、"70后"作家徐则臣近日在接受《环球时报》记者采访时，分享了他关于二战文学的感 触和思考。徐则臣提到，在浩如烟海的二战文学作品中，有两部作品让他感触最深，分别是德国作家君 特·格拉斯创作的"但泽三部曲"第一部《铁皮鼓》以及德国法律教授和法官本哈德·施林克在1995年撰写 的《朗读者》。 "50 后 " 英国历史学者布坎南 从唐宁小说里发现被忽略的抵抗者 近日，《全球视野下的第二次世界大战：1931-1953》的作者、美国佛蒙特大学历史系高级讲师、英国 历史学者安德鲁·布坎南在接受《环球时报》记者采访时，分享了他对二战文学的理解与阅读感悟。他 表示，尽管关于二战的书籍众多，但作为一名历史学者，若想深入了解西方视角下的二战历史，他特别 推荐英国历史学者大卫·切萨拉尼写的《最终解决方案：犹太 ...

Core Viewpoint - The article discusses the understanding of historical events, particularly the Nanjing Massacre and the contributions of China and Russia during World War II, among Russian youth, emphasizing the importance of preserving historical truth and cultural exchange between China and Russia [1][2][3][4]. Group 1: Historical Awareness - Many students at the Confucius Institute in Moscow are aware of the Nanjing Massacre, with estimates of around 300,000 deaths during the six-week period following the Japanese invasion [2]. - Students also recognize other historical atrocities, such as the actions of Unit 731 and the "comfort women" issue, indicating a broader understanding of Japan's wartime conduct [3]. - There is concern among students regarding the distortion of historical facts and the denial of contributions made by China and Russia during World War II, with many actively countering such narratives [3][4]. Group 2: Cultural Influence - The Confucius Institute serves as a significant platform for Russian youth to engage with Chinese culture, with students expressing fascination with various aspects, including calligraphy and tea culture [5]. - Chinese pop culture, including music and films, has gained popularity among Russian youth, with artists like Jay Chou and films like "The Battle at Lake Changjin" being particularly well-received [6]. - Social media and video platforms are crucial for Russian youth to explore Chinese culture, with many expressing a desire to study in China, driven by positive perceptions of Sino-Russian relations [7].