流传千年的"间谍照" 左边弹琵琶者为李家明妹妹，图中间端坐椅上侧脸者为李家明。 （来源：新安晚报） 转自：新安晚报 右起第三位、左边第三位都是舒雅。 近日，人们发现历史教科书中的朱元璋画像，从"鞋拔子脸"换回了明代宫廷正像，再加上一直争议不断的包公画 像，古人的真实面貌不仅流传甚少，即使凭文字也很难确定，所以，在照相技术出现之前，古人的真实模样实在 是个谜。然而，在中国十大传世名画之一《韩熙载夜宴图》中，我们发现三位面目清晰的安徽人出现在这幅画作 之中，距今已逾千年，不能不令人意外和惊喜。 北宋开宝八年（975），南唐灭亡，舒雅也随李煜归降宋朝。宋太宗时在宫内大造楼阁，在"三馆"（史馆、昭文 馆、集贤院）收藏珍贵图书数万卷。秘书监李至鉴于舒雅的才学，就推荐他和杜镐等人入阁充任校书郎，编校书 籍。宋真宗咸平六年(1003年)，舒雅因功擢知舒州(治今安徽潜山）。舒雅是宋初重要的西昆体诗人之一，晚年优 游山水，吟诗作画，以此为乐。 《韩熙载夜宴图》中，舒雅目光不离韩熙载。与身穿红袍、志得气满、随意踞床的状元郎粲相比，舒雅表情恬 静，故而舒雅可能真的是没中状元。 《韩熙载夜宴图》是五代十国时期南唐画家顾闳中的作品，现 ...

Core Viewpoint - The article highlights the cultural significance and artistic representation of persimmons in Chinese history, particularly through the artwork "Red Persimmons and Birds" by Gao Jianfu, showcasing the blend of traditional and modern techniques in Chinese painting [4][5][6]. Group 1: Cultural Significance - Persimmons have a long history in China and are not only appreciated for their taste but also hold a beloved place in Chinese culture, symbolizing longevity and abundance [4]. - The imagery of persimmons has been a popular subject among poets and artists throughout history, reflecting their cultural resonance [4]. Group 2: Artistic Representation - Gao Jianfu's painting "Red Persimmons and Birds" exemplifies a dynamic representation of nature, combining traditional Chinese techniques with Western influences, showcasing a vigorous old tree and vibrant persimmons [5]. - The use of bright red persimmons in the painting emphasizes vitality and life, while the presence of birds adds a sense of liveliness and interaction within the artwork [5][6]. Group 3: Emotional and Cultural Connection - The artwork conveys warmth and vitality amidst a desolate backdrop, symbolizing the enduring spirit of Chinese civilization and its cultural heritage [6]. - The painting serves as a reminder of the deep-rooted connection between nature and human emotions, reflecting the wisdom and warmth of Chinese culture [6].

Core Viewpoint - The article emphasizes the significance of the "Top Ten Masterpieces of Chinese Calligraphy and Painting," highlighting their cultural and historical value as treasures of Chinese civilization [1][3][8]. Group 1: Overview of the Top Ten Masterpieces - The "Top Ten Masterpieces of Chinese Calligraphy and Painting" includes renowned works such as "Lo Shen Fu Tu," "Qian Li Jiang Shan Tu," "Qing Ming Shang He Tu," "Fu Chun Shan Ju Tu," "Han Gong Chun Xiao Tu," "Bai Jun Tu," "Bu Nian Tu," "Hui Shan Shi Nu Tu," "Wu Niu Tu," and "Han Xi Zai Ye Yan Tu" [4][24]. - These masterpieces are considered the pinnacle of ancient Chinese art, embodying the unique artistic spirit of the Chinese nation and reflecting thousands of years of history and culture [6][8][28]. Group 2: Cultural and Historical Significance - The article describes these paintings as "living history" and "silent symphonies," representing the heights of Chinese art history and serving as cultural landmarks [8][10]. - The masterpieces are rare treasures, with each piece being a product of meticulous craftsmanship and historical significance, dating from the Eastern Jin to the Northern Song dynasties [28][84]. Group 3: Accessibility and Preservation - Access to these artworks is limited, with exhibitions occurring infrequently, making it a once-in-a-lifetime opportunity for many to view them in person [14][17]. - The article discusses the challenges of preserving ancient paintings, noting that restoration efforts can lead to damage, and viewing them online often results in a loss of detail and color accuracy [11][13]. Group 4: The "Handscroll of China" Collection - The "Handscroll of China" collection features high-quality reproductions of the ten masterpieces, allowing more people to appreciate these national treasures [21][30]. - This collection is produced under the supervision of the Chinese Cultural Relics Association, utilizing advanced reproduction techniques to ensure high fidelity to the original works [30][35]. Group 5: Features of the Collection - The collection boasts five key features: authoritative supervision, high-definition reproduction, full-length restoration, limited official release, and accompanying certification, making it a valuable collectible [30][78]. - Each reproduction is crafted with care, using materials that closely match the originals, and is presented in a high-quality gift box, enhancing its aesthetic and collectible value [45][73].

我重视南唐文物，还同另一位人物有关，这就是曾昭燏先生。曾昭燏曾任南京博物院院长，她出身书香 门第，曾祖父曾国潢是晚清名臣曾国藩的弟弟。1935年，27岁的曾昭燏留学英国，成为中国首位远赴海 外攻读考古学的女性，抗战时期回国，投身于中国考古事业。 （原标题：南唐二陵：千年前的历史悲歌｜访古） 作者 翟德芳 作为体现博物馆热的典型地点之一，南京博物院我始终都没有预约成功，实在没有办法， 只好再向大学同学好友、复旦大学教授高蒙河兄求救。他还是神通广大，找到当年毕业于吉林大学考古 系的学弟帮忙，我才得以进入南京博物院，开始寻访其中的历史陈迹。 南京博物院的陈列也是通史陈列的模式，我徘徊其中，寻找与我的后来寻访地点有关系的文物和图片拍 照留存，而当看到南唐二陵的文物时，我长久驻足，无法离去。之所以如此，一是同我过去的阅读有 关。南唐，便是后主李煜的国度。我少年时僻居辽东，没有接触到古诗词，所以对李煜完全没有了解， 上大学后，恶补古代词章，对李煜的词极为喜爱，尤其是"问君能有几多愁，恰似一江春水向东流"这样 的句子，往往吟哦不已。由李煜也旁及南唐的历史。我本来对唐宋以后的考古兴趣不大，但同李煜有 关，《南唐二陵》的发掘报 ...

Core Viewpoint - The article emphasizes the cultural and historical significance of the Forbidden City, highlighting its architectural beauty and the rich history behind its artifacts, while promoting a special book that encapsulates this heritage. Group 1: Cultural Significance - The colors red, yellow, and blue symbolize the grandeur and history of the Forbidden City, representing 600 years of imperial legacy and timeless craftsmanship [2][4]. - The Forbidden City is not just an architectural marvel but a living history of Chinese civilization, housing 1.86 million artifacts that reflect the aesthetic values and artistic achievements of ancient China [15][18]. Group 2: Historical Narratives - The article recounts poignant historical moments, such as Emperor Shunzhi's grief for his wife and Emperor Yongzheng's dedication to his work, illustrating the human stories behind the palace [6][9][11]. - It critiques the portrayal of the Forbidden City in media, which often focuses on sensationalized narratives, overshadowing the true historical depth and the significance of its collections [14][15]. Group 3: Book Promotion - A special book titled "The Most Beautiful Forbidden City" is introduced, featuring a comprehensive collection of artifacts from four major palaces, aiming to provide an immersive experience of Chinese art and history [27][28]. - The book is presented as a lifelong treasure, designed to enhance understanding of architectural aesthetics and Eastern art, making it suitable for both personal enjoyment and as a gift [30][71]. Group 4: Visual and Artistic Value - The book includes over 400 representative works, showcasing the evolution of Chinese aesthetics from various dynasties, and is described as a visual feast that captures the essence of Chinese culture [115][139]. - It features high-quality reproductions and detailed photography, allowing readers to appreciate the intricate details of the artifacts and artworks [142][146]. Group 5: Accessibility and Pricing - The book is offered at a promotional price of 399 yuan, significantly lower than its original price of 1298 yuan, making it more accessible to a wider audience [63][160]. - Additional gifts are included with the purchase, enhancing the value proposition for potential buyers [67][164].