《风雪夜归人》
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117部好戏燃动京城,为“戏剧+消费”注入新内涵
Sou Hu Cai Jing· 2025-11-18 11:40
(央视财经《正点财经》)为期3个月的"大戏看北京"2025展演季依旧如火如荼进行着,117部精品剧目 为北京演出市场增加了多重韵味,经典剧目的多形态演绎,快闪片段的灵动呈现,让"戏剧+消费"有了 新内涵。 在北京天桥艺术中心,作为"大戏看北京"的重磅剧目, 音乐剧《剧院魅影》正在上演,极具匠心的舞 台呈现,原汁原味的经典唱段,平均每5分钟一次的场景切换,为观众带来震撼视听体验 。 此外,《风雪夜归人》《陈塘关声学疑云》等剧目用快闪方式演绎了别样风情。当然,剧目之外的文创 及非遗手作摊位也让观众流连忘返,"戏剧护照"集章体验、戏剧角色妆造等互动项目让文化消费更多 元,仅活动首日就吸引约2万名观众到场体验。 从12月份开始,舞台剧、音乐剧、京剧等数十种剧目将成为"大戏看北京"的主角。 转载请注明央视财经 编辑:令文芳 中国东方歌舞团有限公司副总经理 何鹏:包含戏曲、海外大戏、上演的《歌剧魅影》等引进的海外大 戏,通过这样一个场景,增强大家可乐、可想、可购的消费场景。 ...
经典重排,读出时代的“心跳”(坚持“两创”·关注新时代文艺)
Ren Min Ri Bao· 2025-08-25 22:40
Core Viewpoint - The revival of classic plays is not merely a mechanical reproduction but a creative process that infuses contemporary life into timeless works, aiming to forge new classics for the current generation [2][6]. Group 1: Revival of Classics - The Beijing People's Art Theatre has restaged the classic play "Camel Xiangzi," which has received applause from both older and younger audiences, highlighting the ongoing trend of reviving classic works on stage [2][5]. - Various theaters, including the National Theatre and Northern Kunqu Opera Theatre, are reinterpreting classics in innovative ways, showcasing the enduring charm of these works across different artistic forms [2][3]. Group 2: Artistic Innovation - The process of reinterpreting classics requires creators to deeply understand the original works while injecting contemporary elements, thus bridging the gap to modern audiences [3][4]. - Directors like Li Liu and Wang Keran have successfully adapted classic plays while maintaining the original spirit, demonstrating the dialogue between classics and contemporary issues [3][4]. Group 3: Cultural Significance - The trend of classic revival reflects cultural confidence and the preservation of cultural genes, allowing the wisdom embedded in these works to resonate in a modern context [5][6]. - The revival of classics serves as a collective memory and spiritual code for a nation, emphasizing the importance of cultural transmission and innovation [5][6].