▌杨建民 在皇皇巨著《史记》里，司马迁为我们刻画描绘了多少永难忘怀鲜活如生的人物，可是司马迁自己呢？ 除去为著述所写的《太史公自序》，有限的信函（《报任安书》）外，我们难以充分知晓他意气风发却 终于艰困的一生。然而这些内容，却也由司马迁蘸着心血描写他人的笔触，隐约、蕴含、散布在五十余 万言的《史记》各处。若要细细搜寻、最终条分缕析写记出来，该是一件多么耗费精力、披沙拣金的工 作。在司马迁精神濡染鼓舞下，总有人出来，承担重任，试着探寻，它就是李长之的《司马迁之人格与 风格》。 司马迁画像 真怪，司马迁似乎不嫌弃我这个水平太低的后世读者，尽管当时字都认不全，断续隐约间，还是让人感 受到了项羽的勃勃精神英雄气概、李广不能封侯以及自尽的意气难平……那套绿皮《史记》，共十来 册，后来多次选读章节，反复沉浸其间，不仅喜爱其著述，更对司马迁这个人，生出由衷崇拜。自己能 力不足，却由衷向往。这份企念，还真缘分似的，被一册书圆梦。 上世纪八十年代中期，上了大学的我读到了一册小开、素朴的著述：《司马迁之人格与风格》。之前读 过作者李长之的先后两册关于李白的集子：《道教徒的诗人李白及其痛苦》《李白》，别开生面的角 度，饱满的情感及 ...

Core Insights - The emergence of AI in music production is significantly disrupting traditional music creators, leading to reduced income and job opportunities for musicians and producers [1][22][28] - AI-generated music is becoming mainstream, with audiences increasingly accepting and embracing AI artists, which poses a threat to established human artists [10][39][40] - The integration of AI in music production is transforming the industry, lowering barriers for participation in music shows and enabling a wider range of performers, including non-professionals [20][39][44] Group 1: Impact on Traditional Musicians - Traditional musicians are experiencing a decline in income as AI can produce high-quality music at a fraction of the cost, with AI capable of generating 100 songs in a month compared to the limited output of human producers [1][22] - The market for music production has shifted, with production costs dropping significantly, leading to a devaluation of traditional music producers who previously charged over 10,000 for a song [28][30] - The rise of AI music is creating a sense of urgency among traditional musicians, as they face competition from AI-generated content that is increasingly accepted by audiences [10][22][39] Group 2: AI's Role in Music Shows - AI is redefining the landscape of music variety shows, allowing for a broader range of participants, including those who may not have traditional singing skills [20][39] - The use of AI in music production is streamlining the creative process, enabling quicker turnaround times and reducing the need for extensive human involvement in initial stages [23][26] - AI-generated music can enhance audience engagement by providing diverse renditions of songs, thus increasing the entertainment value of music shows [40][43] Group 3: Audience Reception and Trends - Audiences are increasingly open to AI-generated music, with many expressing enthusiasm for AI artists and their performances, indicating a shift in cultural acceptance [10][39] - The trend of AI music is leading to a new form of "creative equality," where non-professional singers can participate in music shows without fear of judgment, thanks to AI's ability to enhance their performances [39][44] - The popularity of AI music is prompting traditional music shows to adapt their formats, focusing on audience preferences and interactive experiences [12][40]

Group 1 - The annual performance release for the year features classic plays such as "Teahouse," "Thunderstorm," and "The Incident" [1] - The play "Under the Red Flag," which combines folk customs and historical narratives, will open the new year performances and has been staged over seventy times since its premiere in January 2023 [3] - The "classic repertoire restoration plan" will see the return of "Snowy Night Returnee" and "Camel Xiangzi" in April and May, showcasing both contemporary aesthetic expressions and original versions [3] Group 2 - The play "The Incident" will celebrate its hundredth performance with a version characterized by dense dialogue, emphasizing its educational value in drama [3] - "Thunderstorm," which has been performed over 600 times since its debut in 1954, will be staged during the summer with a new direction by Yang Lixin, aiming to recreate the early appearance of the play [3] - Upcoming performances include "Du Fu" in July and "Li Bai" in August, highlighting the literary spirit of these historical figures [4]

Core Viewpoint - Gu Qihong, a prominent figure in Chinese drama, has made significant contributions to the field through his historical plays, particularly "Li Bai," which has been performed for over 30 years and has won multiple awards, establishing him as a key player in the genre of literary historical drama [2][4]. Group 1: Career Development - Gu Qihong began his career in the 1960s as a playwright after graduating from Sun Yat-sen University, where he was influenced by his mentor Wang Jisi [3]. - His first successful work, the Peking opera "Sima Qian," was completed in 1979 and won a creative award for the 30th anniversary of the founding of New China [3][4]. - He joined Beijing People's Art Theatre at the age of 49, where he transitioned to writing for modern drama, starting with "Li Bai" [4]. Group 2: Creative Philosophy - Gu Qihong advocates for "transmitting the spirit of history, characters, and authors" in his works, which has garnered attention in the theater community and laid the theoretical foundation for his literary historical dramas [4]. - His writing style incorporates vivid imagery and emotional depth, allowing historical figures to resonate with audiences on a personal level, as seen in his works like "Du Fu" [5]. Group 3: Impact and Legacy - Gu Qihong's plays, including "Li Bai," "Tian Zhi Jiao Zi," and "Zhi Ji," form a trilogy that explores profound themes of human experience and historical reflection [4][5]. - He has written over 90 plays that blend literary quality with emotional resonance, influencing future generations of playwrights [5].

Group 1 - The company Beijing Baimu Entertainment Culture Media Co., Ltd. has applied for multiple trademarks including "如何呢", "又能怎", "纯妹妹", "纯姑姑", and "纯gugu" [1] - The trademarks are categorized under international classifications such as kitchen utensils, fitness equipment, and clothing and footwear [1] - The phrases "如何呢" and "又能怎" originated from a modified version of the song "Li Bai" performed by the artist Dan Yichun on the stage of "Singer 2025", which gained popularity due to its catchy rhythm [1]

Core Viewpoint - The recent trends in the Chinese music scene reflect a shift towards "abstract" performances that resonate with younger audiences, emphasizing collective joy and emotional release over traditional musical aesthetics [1][3][12]. Group 1: Emerging Artists and Cultural Phenomena - Artists like Na Yina and Dan Yichun have gained popularity by embracing unconventional styles, with Na Yina transforming from a Russian impersonator to a cultural icon within the gay community and abstract music scene [3][5]. - Na Yina's concerts, characterized by humor and audience interaction, have become major events, with ticket prices ranging from 99 to 699 yuan, often selling out quickly and tripling in value on the secondary market [5][6]. - The phenomenon of "abstract" performances is not limited to Na Yina; other artists like Pang Mailang are also gaining traction by breaking traditional norms and engaging audiences in unique ways [6][8]. Group 2: Youth Engagement and Cultural Shifts - The younger generation is increasingly drawn to performances that prioritize fun and absurdity, often using internet slang and memes, as seen in Dan Yichun's incorporation of gaming terminology into her music [8][12]. - This trend reflects a broader cultural movement where young people seek to express their identities and emotions through abstract and humorous content, often as a form of rebellion against societal norms [13][18]. - The rise of abstract culture can be traced back to gaming and internet subcultures, where exaggerated performances and memes have created a shared language among fans, fostering a sense of community and identity [13][24]. Group 3: Theoretical Perspectives on Youth Culture - The appeal of abstract music can be understood through Bakhtin's carnival theory, which suggests that such performances allow for the subversion of social hierarchies and the release of pent-up emotions [16][18]. - Young audiences are not merely seeking musical talent but rather emotional catharsis and a break from the pressures of modern life, finding solace in the absurdity and humor of abstract performances [18][24]. - The evolution from rock and rap to abstract music illustrates the changing methods of youth expression, with each generation adapting to its social context while maintaining a core desire for freedom and authenticity [19][24].

Core Viewpoint - The article explores the contrasting paths of two music artists, Cai Xukun and Shan Yichun, highlighting the complexities of the music industry where resource allocation, development paths, market expectations, and personal expression intertwine [1][19]. Group 1: Cai Xukun's Return - Cai Xukun's new single "Deadman" marks a significant comeback, showcasing a high level of industrial completion with precise atmosphere creation and rich arrangement, positioning him at the forefront of Chinese pop music [2][4]. - The song has garnered substantial attention, with 2.96 million views on Bilibili's music festival video and 2.3 million views on its music video, indicating a shift in public perception beyond just his fanbase [2][4]. - The success of "Deadman" is attributed to the top-tier resources available to Cai Xukun, including a high investment in production and collaboration with elite teams, which enhances the persuasive power of the work [4][16]. Group 2: Shan Yichun's Controversial Performance - Shan Yichun's performance of "Li Bai" on "Singer 2025" sparked controversy, with mixed reactions regarding her bold reinterpretation of the original song, reflecting the challenges artists face in balancing personal expression with audience expectations [10][12]. - Her recent marketing efforts have focused on enhancing her "human" image, which has resonated with younger audiences, yet her attempt to break away from formulaic performances has led to polarized opinions [12][13]. - The criticism of her performance underscores the difficulty for artists to achieve growth and breakthrough while maintaining a narrative that aligns with their established persona [13][14]. Group 3: The Broader Implications for Artists - Both Cai Xukun and Shan Yichun's experiences illustrate the necessity for artists to produce high-quality works that also convey their personal narratives, as this dual requirement is essential for establishing their value in the music industry [14][19]. - The article emphasizes that in the current digital age, merely having good music is insufficient; artists must also craft compelling stories to stand out in a saturated market [19].