"原来姹紫嫣红开遍，似这般都付与断井颓垣。"400多年前，汤显祖以笔墨勾勒出杜丽娘与柳梦梅跨越 生死的至情之恋，成就了《牡丹亭》这一古典文学瑰宝。 如今，这部55出的传世名著经由导演黎星、黄佳园携主创团队匠心改编，以舞剧形式重现舞台。舞剧 《牡丹亭》的选段《游园》登上B站2025年跨年晚会的舞台，唯美隽永的群舞引发网友集体在屏幕上刷 出"雅"的弹幕。 "但是相思莫相负，牡丹亭上三生路。"在舞剧中，一群青年创作者，用肢体语言为笔、以当代审美为 墨，在守正与创新之间，为观众呈现了一场跨越时空的文化对话。 日前，舞剧《牡丹亭》导演黄佳园与演员胡婕、李倩、张引等创作者，接受中青报·中青网记者专访， 诠释如何用青春之力，让古典美学在当代绽放全新光彩。 将文学经典中的"至情"转化为舞蹈语言 黄佳园提到，下半场的双人舞《虚惊一场》，则是杜丽娘与柳梦梅以人的身份首次相见。在这个段落 里，没有繁复的舞美与服饰加持，两人从舞台两端缓缓走向中央，用最朴素的肢体语言诉说跨越生死的 重逢之喜。"每次演出到这里，柳梦梅的扮演者都会泣不成声。" 此次在B站跨年晚会上近6分钟的《游园》选段，背后是舞剧《牡丹亭》团队的反复打磨。 接到跨年晚会 ...

图①：凤冠冰箱贴。 张晓曦摄 图②：沈阳故宫文创雪糕。 施 觉摄 习近平主席在二〇二六年新年贺词中指出："文博热、非遗热不断升温，世界遗产再添新员，悟空和哪 吒风靡全球，古韵国风成为年轻人眼中的'顶流审美'。" 将拙政园的花窗文创带回家，透过"国色"看中华之美，让传统纹样在生活中绽放……在数字科技助力 下，底蕴深厚的中华美学正日渐走进年轻人的生活。本版今起开设"古韵国风 顶流审美"栏目，聚焦当 下丰富多彩的审美实践，展现中华美学风范与创新创造活力的"双向奔赴"。 图③：安徽黄山屯溪老街沉浸式活动。 施亚磊摄 图④："新韵重庆"无人机灯光秀。 何蓬磊摄 图⑤：舞剧《牡丹亭》剧照。 资料图片 数据来源：中国国家博物馆、文化和旅游部非遗司 ——编 者 舞剧《牡丹亭》亮相跨年演出舞台 古典诗意"跳"出屏幕 人民日报记者 姚雪青 这是一幅画，还是一个梦境？ 6分钟时间，苏式园林里，群舞舞者在氤氲水雾中衣袂翩跹。镜面一般的舞台，倒映着曼妙舞姿，与背 景融为一体。一声"不到园林，怎知春色如许"，似穿越400年时空，在屏幕前的观众心中留下古韵回 响。 2025年B站跨年晚会上演的舞剧《牡丹亭》片段，被很多网友评价"移不开眼睛 ...

Group 1 - The Shanghai cultural and tourism market operated smoothly during the New Year holiday, with no safety incidents reported [1] - The Shanghai cultural performance market showcased a variety of events, including classic ballet performances and symphonic concerts [3][7] - Notable performances included the Russian Tatar National Ballet and Symphony Orchestra's tour, featuring classics like "Swan Lake" and "The Nutcracker," with over 120 Russian artists participating [3] Group 2 - The New Year concert featured renowned composer He Zhanhao and young artists, highlighting the integration of Eastern and Western musical traditions [3][6] - The performance by John Owen-Jones and his friends from London's West End included popular musical numbers, showcasing a blend of Western musical styles with local cultural elements [7] - Various other performances during the holiday included the premiere of the dance drama "Chui Hong Bie Yi" and the "Peony Pavilion," as well as immersive theater experiences [7]

Group 1: Performances and Events - The Beijing Opera will feature multiple performances including "Locking the Liner" by the Beijing Opera House and "Mu Guiying Takes Command" by the National Peking Opera Company, scheduled at various venues from January 1 to January 31, 2025 [1] - The Beijing Children's Art Theatre will present a children's play titled "The Battle of the Dragon King" from January 9 to January 18, 2025 [2] - The 10th China Beijing International Art Biennale will take place at the Beijing Exhibition Hall from December 29, 2025, to January 28, 2026 [2] Group 2: Concerts and Music Events - Liu Ruoying's concert "Flying Day 2025" is set for January 1-2, 2025, at the Shengping Biological Center [2] - The National Grand Theatre will host a New Year concert on January 1, 2026, featuring various orchestras [3] - The Bulgarian National Symphony Orchestra will perform a New Year concert at the Beijing Music Hall on January 1, 2026 [3] Group 3: Art Exhibitions - The exhibition "Encountering the King of the River" will be held starting December 26, 2025, at an unspecified location [2] - The "Narrative Space and Spiritual Direction" exhibition will take place starting March 1, 2026, at an unspecified location [2] - The "Inheriting and Innovating Art Exhibition" is scheduled for March 22, 2026, at an unspecified location [2]

岁末年初，上海演出市场暖意融融，沪剧、越剧、国风音乐剧、舞剧等各类国风演出集中亮相。从沪剧 《家·瑞珏》的经典复排，到国风音乐剧《锦衣卫之刀与花》的热演回归，再到舞剧《牡丹亭》《李 白》、越剧《苏东坡》等多部精品剧目接连登台，陪伴市民跨年迎新。 沪剧《家·瑞珏》 时间：12 月 24 日-12月25 日 地点：上音歌剧院 为纪念巴金先生逝世 20 周年、文学巨匠曹禺先生诞辰 115 周年，上海沪剧院经典看家大戏《家・瑞 珏》将登陆上音歌剧院。该剧由沪剧青年一代挑大梁主演，以五代同堂的演出阵容，再度焕新演绎这部 舞台经典。为打造全新传承版，茅善玉与钱思剑联袂出任复排导演，首次将全本大戏倾囊相授、手把手 传艺青年演员，二人还将同台演绎剧中经典的 "诀别" 场次。 沪剧《家・瑞珏》改编自曹禺经典话剧《家》，是海派戏曲舞台上的标杆之作。全剧运用沪剧艺术最擅 长的委婉细腻、以情动人的唱腔和表演，全力去刻画瑞珏身上的善良、温柔，以及那份深藏在骨子里的 坚韧，把这位传统中国女性在时代洪流中的命运波折和内心光芒，真实而动人地呈现在舞台上。 2003年新版《家》首登上海大剧院，成为首部跻身该殿堂的沪剧大戏，六代同堂的全明星阵容 ...

Group 1 - The dance drama "Peony Pavilion" premiered at the Wuxi Grand Theatre as part of the 2025 Zijin Cultural Arts Festival, receiving enthusiastic applause and cheers from the audience after a three-hour performance [1] - "Peony Pavilion" is supported by the Suzhou Art Fund and is a modern reinterpretation of the classic Kunqu opera, guided by the Suzhou Municipal Propaganda Department and produced by Suwen Investment Group and He Drama [1] - The production is directed by Li Xing and Huang Jiayuan, adapting Tang Xianzu's original work into two parts, "Dream Scroll" and "Picture Scroll," focusing on six core characters to narrate the love story between Du Liniang and Liu Mengmei [1] Group 2 - Following the recent National Day and Mid-Autumn Festival holiday, "Peony Pavilion" began its second round of tours with six nearly perfect performances at the Suzhou Cultural Arts Center, with the Wuxi performance being the first stop of this tour [2] - Suwen Investment Group has developed over ten cultural and creative products related to the "Peony Pavilion" IP, including items that resonate with contemporary young people's aesthetics, which have been well received by the audience in Wuxi [2] - The dance drama will continue its tour to 16 cities, including Beijing, Shanghai, Shenzhen, Chongqing, and Chengdu, and is scheduled to perform as the closing act of the Hong Kong Arts Festival in 2026, with plans for international tours [2]

Core Viewpoint - The dance drama "Peony Pavilion," produced by Suwen Investment Group and He Drama, has returned to Suzhou for its second round of performances during the National Day holiday, following a successful first round in May [1][3]. Group 1: Performance Details - The Suzhou performances will run from October 1 to October 6, featuring a total of six shows [1]. - The production has attracted theater enthusiasts from across the country, continuing the trend of fans traveling to cities for specific performances [1][2]. Group 2: Creative Team and Cast - The dance drama is supported by the Suzhou Art Fund and features a talented creative team, including director Li Xing and composer Zhao Bo, among others [1]. - Notable performers include Hu Jie, Luo Yuwen, and Zhang Yin, with two young dancers, Jiang Qian'an and Ni Yingying, joining the main cast due to their outstanding performances in the first round [2]. Group 3: Cultural Significance and Future Plans - The production aims to modernize the classic Kunqu opera "Peony Pavilion," making it more accessible to younger audiences while honoring traditional culture [3]. - After the Suzhou performances, the drama will tour 18 cities, including Beijing and Shanghai, with plans for an overseas tour in 2026 [3].

Core Insights - The selection results for the 2025 Jiangsu major cultural creation key projects have been announced, with 38 projects chosen across the province [1] - Five notable Suzhou-produced works have been included, showcasing the region's rich cultural heritage and innovative artistic capabilities [1] Group 1: Selected Projects - The selected projects include the dance drama "Peony Pavilion," the national orchestral work "Light of Peace," the ballet "Magpie Bridge," the Kunqu opera "Handan Record," and the documentary "Four Seasons of Pingjiang" [1][2] - "Peony Pavilion" premiered on April 30, 2023, in Suzhou and has attracted over 60% of ticket buyers from major cities like Shanghai, Nanjing, and Hangzhou, generating nearly 10 million yuan in ticket sales during its first tour [2] - The ballet "Magpie Bridge," directed by renowned artist Tan Yuanyuan, will showcase the theme of love and equality, blending reality and dreams [2] Group 2: Classic Reproductions and Documentaries - The classic Kunqu opera "Handan Record" has been refined based on audience feedback and will perform at the National Grand Theatre in October after successful shows in multiple cities [3] - The documentary "Four Seasons of Pingjiang" focuses on the preservation and renewal of Suzhou's ancient city, aiming to enhance Jiangsu's cultural influence nationally [3]

Core Insights - The seventh Jiangnan Cultural Arts and International Tourism Festival concluded on May 30, showcasing the vibrant cultural heritage of Suzhou and achieving record economic benefits [1][7] - The festival attracted 42.095 million visitors, a year-on-year increase of 21.4%, with nearly 70% being from outside the region [1][7] - The event featured a variety of performances, including 82 shows from 41 major productions, generating over 20 million yuan in ticket sales [1][5][7] Group 1: Cultural Significance - The festival serves as a living example of Suzhou's "humanistic economics," integrating cultural heritage with economic development [6][7] - The event highlighted the importance of youth participation in cultural activities, with student theater groups showcasing their talents [3][6] - The "登临计划" (Denglin Plan) was introduced during the festival, promoting the creative transformation of traditional Chinese culture through performances of classic plays [6] Group 2: Economic Impact - The festival's activities stimulated local tourism and hospitality sectors, with significant ticket sales and increased visitor numbers contributing to the local economy [7][8] - The opening performance of the dance drama "The Peony Pavilion" attracted over 60% of ticket buyers from major cities, indicating a strong regional interest in cultural events [7] - Various themed activities during the festival, such as the "Z Generation" events, created new consumer experiences and engaged younger audiences [8][9] Group 3: International Engagement - The festival featured international productions, including a London West End play, enhancing Suzhou's cultural offerings and attracting diverse audiences [4][5] - The integration of global theatrical works with local performances showcased the city's commitment to high-quality cultural exchanges [5][6] - The festival aimed to promote Jiangnan culture on a global scale, encouraging international appreciation of Chinese cultural heritage [9]

Core Insights - The live performance market in China is experiencing significant growth, with total revenue projected to reach 796.29 billion yuan in 2024, a year-on-year increase of 7.61% [7] - Concerts and large-scale performances are driving this growth, with concert ticket sales expected to exceed 260 billion yuan, marking a 78.1% increase [8] - Young consumers are increasingly engaging in live performances, seeking emotional value and social connections through these experiences [10][11] Market Overview - The total revenue of the national performance market is projected to be 796.29 billion yuan in 2024, with ticket sales contributing 579.54 billion yuan, reflecting a 15.37% year-on-year growth [7] - The concert economy has a multiplier effect of 1:4.8, indicating that for every 1 yuan spent on tickets, an additional 4.8 yuan is spent on related consumption [7] Consumer Behavior - Young consumers are prioritizing personalized experiences and emotional fulfillment, with 79.4% of respondents indicating that performances provide emotional value [10][11] - The trend of attending live performances is also seen as a social activity, with events serving as a means for friends to reconnect and share experiences [11] Performance Trends - Large concerts are the most popular segment, with attendance expected to exceed 29 million, a 45% increase year-on-year [8] - Emerging performance formats, such as immersive theater and stand-up comedy, are gaining traction among younger audiences, with ticket sales for stand-up shows increasing by 48% [8][9] Geographic Expansion - The performance market is expanding beyond first-tier cities, with second-tier cities accounting for over 60% of ticket sales for large concerts in 2024 [9] - Third and fourth-tier cities are also seeing growth, with music festival ticket sales in these areas increasing by 3.8% year-on-year [9] Content Innovation - There is a growing trend towards innovative and contemporary themes in performances, reflecting the interests and values of younger audiences [13] - Traditional art forms are being reimagined to resonate with modern aesthetics, enhancing audience engagement [13][14] Future Outlook - The live performance market is expected to continue evolving, with more diverse and immersive experiences being developed to meet the demands of younger consumers [17] - The integration of technology and various entertainment formats will further enrich the audience experience, fostering deeper emotional connections [17]