Core Points - The third Liangzhu Forum will be held from October 18 to 20 in Hangzhou, focusing on the theme "Civilization Reillumination: Cultural Heritage and Human Cultural Diversity" [1] - Approximately 400 participants, including leaders from the Ministry of Culture and Tourism, the National Cultural Heritage Administration, and representatives from UNESCO and the UN World Tourism Organization, will attend the opening ceremony [1] - The forum will feature four sub-forums and six supporting activities, with prominent experts and scholars from around the world delivering keynote speeches [1][3] Sub-Forum Summaries - Sub-Forum 1: "Civilization Roots: Historical Wisdom and Contemporary Value of Ancient Civilizations" will focus on comparative studies of world civilizations and deepen the understanding of the origins and early development of Chinese civilization [1] - Sub-Forum 2: "Practical Innovation: Site Archaeology, Major Site Protection, and Urban-Rural Coordinated Development" will share archaeological achievements and explore new paths and models for major site protection [1] - Sub-Forum 3: "Passing the Torch: Museum Function Expansion and Cultural Relics Activation" will discuss innovative paths for museums in promoting mutual understanding and sustainable development, particularly along the Belt and Road [1] - Sub-Forum 4: "Civilization Future: World Cultural Heritage and New Forms of Human Civilization" will delve into the protection, inheritance, and utilization of world heritage, emphasizing the importance of cultural exchange [1] Supporting Activities - The forum will host six supporting activities, including an international academic seminar on "Chinese Ancient Painting Art's Aesthetic Connotation and Civilization Transmission" and a themed exhibition on Song Dynasty painting [2] - The "Liangzhu Light" concert will feature a collaboration between the Philadelphia Orchestra and the Zhejiang Symphony Orchestra [2] - The China (Hangzhou) Art and Technology International Biennale will present the reconstruction trajectory of cultural ecology amid technological iterations [2] - A calligraphy art exhibition highlighting the Belt and Road cooperation theme will showcase artworks from China and the UAE [2] International Collaboration - The forum aims to enhance international influence through deep cooperation with UNESCO and the UN World Tourism Organization, inviting nearly 100 guests from around 60 countries, including renowned experts and scholars [3] - The event will showcase Zhejiang's cultural achievements and integrate "culture + technology," "culture + tourism," and "culture + livelihood" themes [3]

Core Insights - The Palace Museum is celebrating its centenary in 2025, marking a transition from a royal palace to a "people's museum" over the past century [2] - The museum is enhancing its exhibitions and cultural outreach, showcasing its rich history and cultural heritage through various events and displays [3][4][6] Group 1: Exhibitions and Cultural Heritage - The exhibition "Heavenly Craftsmanship" at the Ning Shou Palace Garden highlights the restoration techniques and craftsmanship used in the garden's preservation [3] - The major exhibition "A Century of Guardianship" presents the development of the museum over the past hundred years, focusing on the theme of "guardianship" [3] - The "Palace Museum Artifacts Southward Migration" exhibition commemorates the efforts to protect cultural treasures during wartime, featuring over 100 documents and artifacts [4] Group 2: Expansion and Accessibility - The museum's open area has significantly increased, allowing more visitors to experience the vast collection of over 1.95 million artifacts [6] - The North Courtyard of the museum is under development, which will include 12 modern exhibition halls, improving the conditions for displaying artifacts [6] Group 3: Cultural Exchange and Innovation - The Hong Kong Palace Museum serves as a platform for cultural exchange, attracting over 3.4 million visitors since its opening in June 2022 [7] - The museum is actively engaging with global cultural sectors to enhance mutual understanding and appreciation of civilizations [7] Group 4: Youth Engagement and Digital Innovation - The Palace Museum has developed over 3,000 cultural and creative products, with many items frequently sold out due to high demand [9] - The introduction of AR technology in products like the 2026 Palace Calendar allows for interactive experiences, appealing to younger audiences [9] - Various cultural programs and performances, such as "I Repair Cultural Relics in the Palace Museum," have been successful in attracting younger viewers [9]

Core Viewpoint - The Palace Museum, celebrating its 100th anniversary, represents a significant milestone in China's cultural heritage, showcasing the evolution of Chinese civilization and its commitment to cultural preservation and innovation [1][2][3]. Group 1: Historical Significance - The Palace Museum houses 1.95 million cultural relics, reflecting thousands of years of Chinese history and culture [1]. - It has witnessed pivotal moments in Chinese history, including the Anti-Japanese War and the founding of the People's Republic of China, symbolizing the nation's journey towards strength and prosperity [1]. Group 2: Cultural Heritage and Preservation - Emphasis on the importance of protecting the authenticity, integrity, and continuity of cultural relics within the museum [2]. - The museum aims to deepen research and interpretation of its artifacts, highlighting the philosophical and humanistic values embedded in them [2]. Group 3: Modern Integration and Innovation - The Palace Museum is evolving into a "living" museum that integrates traditional and modern elements, enhancing its exhibition capabilities and introducing innovative display formats [3]. - There is a focus on promoting cultural heritage in contemporary life while ensuring the safety of the artifacts [2].

Core Viewpoint - The 100th anniversary of the Palace Museum highlights its significance as a unique symbol of historical China and an important marker of Chinese civilization, emphasizing the need for cultural heritage protection and transmission in the context of national rejuvenation [1][2] Group 1: Cultural Significance - The Palace Museum is recognized as a unique symbol of historical China and an important marker of Chinese civilization, with a rich cultural heritage [1] - The museum has evolved alongside significant social changes in modern China, marking a century of cultural preservation and innovation [1] Group 2: Responsibilities and Actions - There is a collective responsibility to strengthen the protection and transmission of cultural heritage, which is seen as a historical duty for the current generation [1] - Emphasis on learning and practicing Xi Jinping's cultural thought to enhance cultural confidence and sentiment [1] - The need to prioritize protection, enhance the display and communication of cultural values, and improve operational management for sustainable development [1] Group 3: International Cooperation and Talent Development - The importance of deepening international cooperation to facilitate mutual learning between Chinese and foreign civilizations [1] - The necessity to cultivate academic talent to solidify the foundation for the development of cultural heritage initiatives [1]

活动中，沈阳市将组织开展讲座报告、科普展览、参观践学和"小手拉大手"等主题活动，提升市民对文 化遗产保护传承工作的知晓度和参与率。同时，成立文化遗产保护志愿服务队、小讲解员宣讲队和历史 文化遗产保护观察员等宣传保护队伍，形成全社会共同参与文化遗产保护的良好局面。 当日，沈阳市第四次全国文物普查阶段性成果暨"抗战记忆之旅"红色主题精品游径发布。据了解，目 前，沈阳市已对第三次全国文物普查登记的1530处不可移动文物进行全面现场复核与信息更新。 本报讯 记者陶阳报道 日前，沈阳市文化遗产保护"五进"活动启动。沈阳市从106所文博场馆中遴选100 名文化遗产保护传承宣讲员，深入机关、企业、社区、村镇、学校开展文化遗产保护传承宣传活动，引 导广大干部群众、学校师生自觉形成抵制破坏文化遗产的保护意识。 活动以"城市遗产保护 我们在行动"为主题，旨在通过推动文化遗产整体性、系统性保护传承，挖掘沈 阳历史文化名城的文化底蕴，延续城市历史文脉，丰富群众文化生活，提升社会文明程度，以文化人、 以文惠民、以文润城、以文兴业，推动沈阳城市建设高质量发展。 责编：栾溪 审核：刘立纲 ...

Core Insights - The "Cultural Heritage Walk" initiative in Hangzhou aims to enhance public awareness of cultural heritage by integrating it into community life [3] - The program features 10 curated cultural routes that connect various historical and cultural sites within neighborhoods, promoting local engagement and education [3][4] Group 1: Initiative Overview - The "Cultural Heritage Walk" initiative is launched by multiple organizations, including the Hangzhou Cultural Heritage and Historical Building Protection Center [3] - The program focuses on grassroots involvement, encouraging community members to explore and appreciate their local cultural heritage [3] Group 2: Cultural Routes - Ten cultural routes have been established, each with unique themes such as "Beautiful Qixia," "Gemstone Viewing," and "Elegant West Lake," designed to reflect the cultural richness of the area [3][4] - Each route is tailored to the geographical and cultural context of the community, facilitating easy access for residents [3] Group 3: Community Engagement - The initiative emphasizes public participation, with professional guides and volunteers leading the walks to provide in-depth knowledge about cultural preservation [4] - The project has received positive responses from 18 cultural stations across various districts, highlighting its community-driven approach [4]

Core Viewpoint - The Palace Museum, celebrating its 100th anniversary as a museum, symbolizes the evolution of China's cultural heritage and its commitment to serving the public while preserving historical artifacts [1][17]. Collection and Preservation - As of the end of 2024, the Palace Museum's collection exceeds 1.95 million items, marking the fifth round of artifact inventory and preservation efforts [2]. - The museum has conducted five major inventory efforts over the past century, with a significant increase in the number of artifacts from over 1.8 million in 2010 to the current figure [3]. - The museum prioritizes the safety and cultural value of artifacts, reflecting its mission to protect the roots of Chinese civilization [3]. Historical Significance and Challenges - The museum faced significant challenges during the war, including the largest and longest artifact relocation in history to protect national treasures from invasion [4]. - After the establishment of New China, the government allocated over 20 million yuan for the restoration of the museum's ancient buildings, leading to the completion of over 430 projects in the first decade [4][5]. - The museum was listed as a national key cultural relic protection unit in 1961 and became a UNESCO World Heritage site in 1987, marking a new phase in its preservation efforts [4]. Modernization and Technological Integration - The museum has implemented a comprehensive security and preservation system, including modernized storage facilities and a multi-layered security approach [6]. - The integration of technology and cultural heritage has created a sustainable development model, showcasing the museum's commitment to both preservation and public engagement [6]. Public Engagement and Accessibility - Since its opening in 1925, the museum has focused on making cultural heritage accessible to the public, with visitor numbers increasing from 1 million in 1949 to over 15 million in 2012 [10]. - The museum has adopted a visitor management system to balance accessibility with the preservation of artifacts, including daily visitor limits and advanced data analysis for crowd management [10][11]. - Various initiatives have been launched to enhance visitor experience, including improved facilities, educational programs, and digital engagement [11][12]. Cultural Innovation and Global Influence - The museum has embraced creative transformation, allowing artifacts to be integrated into contemporary life and culture, exemplified by successful exhibitions and cultural products [14][16]. - The Palace Museum has become a platform for international cultural exchange, enhancing the global influence of Chinese culture through exhibitions and collaborations [15][16]. - Digital initiatives, such as virtual reality experiences and online platforms, have expanded the museum's reach and engagement with younger audiences [16]. Future Vision - The museum aims to become a world-class institution that not only preserves historical memory but also inspires future creativity and cultural exchange [17].

Core Insights - The article highlights the innovative use of digital technology in preserving and showcasing ancient cultural heritage, particularly through the efforts of institutions like the Longmen Grottoes Research Institute and the Henan Museum [1][15][25]. Group 1: Digital Technology in Cultural Heritage - The Longmen Grottoes Research Institute employs 3D digital technology to restore and present ancient artifacts, allowing visitors to experience historical relics in a new light [5][9]. - The use of augmented reality (AR) enables visitors to see restored versions of damaged sculptures, enhancing their understanding of historical art [3][6]. - The digital restoration process involves high-precision 3D data collection and matching with historical records to accurately recreate artifacts [9][12]. Group 2: Visitor Engagement and Experience - The Henan Museum has seen a surge in visitor numbers, with innovative exhibitions like the "Rainforest Secret - Maya Civilization" attracting significant attention through immersive VR experiences [20][25]. - Interactive digital displays and immersive experiences at the Yinxu Museum allow visitors to engage with ancient artifacts, making history more accessible and engaging [19][20]. - The museum's digital initiatives, including virtual exhibitions and interactive projects, have made cultural heritage more tangible for the public [21][22]. Group 3: Future Directions and Impact - The Henan Museum plans to continue integrating digital technology to enhance cultural experiences, aiming to make ancient civilization more vibrant in the modern context [25]. - The successful implementation of digital restoration and interactive exhibits is seen as a model for cultural institutions aiming to bridge the gap between ancient heritage and contemporary audiences [15][19].

Core Points - The article discusses the successful preservation of the Wanshouyan site in Fujian, which dates back to 185,000 years ago, highlighting the importance of cultural heritage protection in China [4][9][10] Group 1: Historical Significance - Wanshouyan site is the earliest cave-type Paleolithic site discovered in East China, pushing back the timeline of human activity in Fujian by 185,000 years [4] - The site consists of multiple caves, including Lingfeng Cave and Chuanfan Cave, which are crucial for understanding ancient human life [4] Group 2: Threats and Preservation Efforts - The site faced destruction risks due to mining activities by the Sanming Steel Plant, which had acquired mining rights in the 1970s [4][6] - Local villagers raised concerns about the potential loss of the site, leading to a call for its protection [5][6] - In 1999, archaeologist Chen Ziwen led a rescue excavation, which revealed significant findings, including artifacts and remains of extinct species [7][8] Group 3: Government Intervention - In January 2000, a directive from then-acting governor Xi Jinping mandated the cessation of mining activities to protect the site, emphasizing the balance between cultural preservation and economic development [9] - The government allocated 500,000 yuan for archaeological excavation and protection efforts [9] Group 4: Cultural Heritage and National Identity - The article emphasizes Xi Jinping's commitment to cultural heritage protection, linking it to national identity and pride [10][12] - The successful preservation of Wanshouyan has transformed it into a theme park that integrates heritage display, education, research, and eco-tourism [9] Group 5: Cultural Confidence - The narrative reflects the broader theme of cultural confidence in China, as articulated by Xi Jinping, highlighting the importance of preserving cultural heritage for national identity [10][12][13]

Group 1 - The article highlights the achievements in cultural heritage protection and development in China during the "14th Five-Year Plan" period, showcasing how cultural heritage has become more accessible to the public [6] - It presents typical cases in various fields such as urban cultural heritage transmission, museum development, archaeological site park construction, intangible cultural heritage tourism routes, and ancient building protection [6] Group 2 - The number of registered museums in China has reached 7,046, with 6,444 of them being free to visit, accounting for over 91% [15] - Museums received nearly 1.5 billion visitors annually, with a record 304 million visitors during the summer of this year [15][16] Group 3 - The article discusses the integration of digital technology in museums, enhancing visitor experiences through various platforms and services [16][17] - It emphasizes the use of VR and AR technologies to create immersive experiences for visitors, allowing them to engage with cultural artifacts in innovative ways [17][19] Group 4 - The article illustrates the growing interest in ancient architecture, driven by modern technology and cultural tourism, with significant increases in visitor numbers to historical sites [20][21] - It notes the successful blending of traditional craftsmanship with modern techniques in the preservation and promotion of ancient buildings [21][22] Group 5 - The "Singing and Painting Dongyang" intangible cultural heritage tourism route has been selected as one of the 31 national intangible cultural heritage tourism routes, highlighting the significance of local craftsmanship [26][28] - The article describes the unique cultural and culinary experiences available in Dongyang, showcasing the region's rich heritage and craftsmanship [29][30] Group 6 - The Lingjiatan archaeological site has transformed into a national archaeological park, attracting over 1.5 million visitors and generating approximately 200 million yuan in tourism revenue [32][35] - The park serves as a space for cultural engagement, allowing visitors to connect with ancient history and local culture [35]