Core Viewpoint - The article highlights the successful performances of traditional Chinese opera in Taipei, showcasing the cultural exchange between mainland China and Taiwan through the art of Peking opera [3][4][8]. Group 1: Performance Highlights - A series of performances featuring renowned Peking opera artists took place in Taipei, attracting enthusiastic audiences who appreciated the classic stories and artistic expressions [3][4]. - The first performance, "Si Lang Tan Mu," sold out ten days in advance, indicating strong demand and interest in traditional Chinese opera [4]. - The second performance, "Feng Huan Chao," showcased the artistic skills of the performers, particularly Li Shengsu, who received applause for her portrayal of the character Cheng Xue'er [4]. Group 2: Cultural Exchange and Education - The event served as a platform for younger performers to learn from established artists, emphasizing the importance of mentorship in preserving Peking opera traditions [6][8]. - The article mentions the ongoing cultural exchange between Taiwan and mainland China, with initiatives to promote Peking opera in schools and community events [8]. - Audience members expressed a desire for more opportunities to engage with traditional arts, highlighting the significance of cultural heritage in both regions [8].

Core Viewpoint - The article highlights the cultural exchange between mainland China and Taiwan through the performances of renowned Peking opera artists, emphasizing the significance of these events in fostering appreciation for traditional Chinese culture and building connections across the strait [1][6]. Group 1: Performance Details - A group of 80 renowned Peking opera artists, led by Yu Kuiti and Li Shengsu, performed classic plays such as "The Four Sons Visit Their Mother" and "The Red Mane Horse" in Taipei from August 12 to 17, providing a rich cultural experience for local audiences [1][2]. - This event marks a continuation of a 32-year tradition of Peking opera performances in Taiwan, which began in 1993 with the first visit of the National Peking Opera Company [1][2]. Group 2: Cultural Significance - The performances serve as a cultural bridge, allowing Taiwanese audiences to experience the charm of traditional Chinese art, thereby enhancing cultural ties between the two regions [1][6]. - The event is seen as a platform for the transmission of Peking opera, with a focus on nurturing young talent from the China National Academy of Chinese Theatre Arts, showcasing a range of performers from students to seasoned professionals [3][5]. Group 3: Audience Engagement - Taiwanese audiences have shown great enthusiasm for the performances, often waiting after shows for autographs and photos, indicating a strong appreciation for the artists and their craft [8]. - The article notes that both older and younger generations of Taiwanese are increasingly engaging with Peking opera, reflecting a growing interest in traditional culture [8].

Core Viewpoint - A grand performance featuring renowned Peking opera artists will take place in Taipei from August 12 to 17, showcasing classic plays that are well-known among fans [1][2]. Group 1: Event Details - The performance will include traditional plays such as "Four Generals Visit Their Mother," "Flower Field Mistake," "Lost Street Pavilion · Empty City Strategy · Decapitation of Ma Su," "Legend of the White Snake," "Red Mane Horse," and "Dragon and Phoenix Present Auspiciousness" [1]. - The event is organized by Taiwan Chuan Da Arts Co., which has been hosting Peking opera performances for 32 years [1]. Group 2: Artist Participation - The performance will feature a cast of 80, including prominent artists Yu Kuitai and Li Shengsu, who have a long history of performing in Taiwan [1][2]. - The event aims to promote younger talent by implementing a "double performance" or "triple performance" model, allowing both young and veteran actors to portray the same role [1]. Group 3: Audience Engagement - The event is highly anticipated by audiences on both sides of the Taiwan Strait, with tickets for "Four Generals Visit Their Mother" and "Red Mane Horse" already sold out [2]. - The performance is expected to provide a rich artistic experience for Taiwanese audiences, featuring both established and emerging talents from the China National Peking Opera Company and the China Academy of Traditional Chinese Opera [2].

Core Viewpoint - The "2025 Ink Rhythm Same Source - Cross-Strait Calligraphy Masters Exchange Exhibition" opened in Miaoli, Taiwan, showcasing over a hundred calligraphy works from artists across the Taiwan Strait, aiming to deepen cultural exchanges and promote traditional Chinese culture [1][2]. Group 1: Exhibition Overview - The exhibition features calligraphy works from both Taiwanese and Hubei artists, covering various styles such as seal script, clerical script, regular script, running script, and cursive script, with themes including poetry, classical literature, and Zen [2][3]. - The event is co-hosted by the Taiwan Hakka General Chamber of Commerce and the Hubei Strait Exchange Promotion Association, with participation from multiple cultural organizations in Miaoli [1][2]. Group 2: Cultural Significance - Calligraphy is highlighted as an important form of Chinese culture, embodying wisdom and facilitating emotional and cultural exchanges [2][3]. - The exhibition aims to strengthen ties between the two regions, fostering mutual trust and promoting peaceful development of cross-strait relations [2][3]. Group 3: Artist Contributions - Artists expressed their hopes for increased communication and cultural transmission, with works reflecting themes of longing and connection [3][4]. - The exhibition includes diverse artistic expressions, with a focus on the historical evolution of Chinese characters, emphasizing the importance of cultural heritage [4][5]. Group 4: Future Prospects - The event is seen as a platform for enhancing cross-strait cultural exchanges, with participants advocating for more collaborative activities in various fields, including education and arts [5]. - There is a call for strengthening youth engagement in calligraphy education in Taiwan, inspired by successful initiatives in mainland China [4][5].

Core Viewpoint - The article highlights the emotional return of a veteran, Gao Shuangyin, to his hometown in Pingdingshan, Henan, where he reflects on his childhood memories and the rapid development of the area since he left for Taiwan in 1949 [1][3]. Group 1: Personal Journey - Gao Shuangyin, born in 1935, joined a guerrilla group at the age of eight under his father's command during the Anti-Japanese War [1]. - He returned to his hometown with his descendants to reconnect with his roots and share cultural experiences [5]. - The old family home is now submerged in the Bai Gui Mountain Reservoir, and the area has transformed into a new district with modern buildings [1][3]. Group 2: Cultural Significance - During his visit, Gao shared stories of his childhood and the significance of local cultural sites, such as the Xiangshan Temple, where he participated in traditional activities as a child [4]. - He emphasized the importance of understanding the history and culture of their homeland for future generations [5]. - Gao expressed a deep emotional connection to his past, particularly during a visit to his father's grave, where he lamented not being able to see him again since 1949 [5].

Group 1: Cultural Exchange and Media Engagement - The "19th Cross-Strait Media Jingchu Tour" recently took place in Enshi Tujia and Miao Autonomous Prefecture, showcasing the unique cultural and natural charm of the region [1][2] - Taiwanese media participants engaged in traditional Tujia activities, such as weaving Tujia brocade and learning the hand-swing dance, highlighting the importance of cultural heritage and intergenerational transmission [2][4] - The event emphasized the shared cultural practices between the Tujia and Taiwanese traditions, suggesting potential for mutual learning and collaboration in traditional crafts [2][3] Group 2: Tourism and Economic Development - Enshi's vibrant night market scene and cultural tourism projects were noted as significant attractions, with local officials expressing the need for Taiwanese businesses to explore collaboration opportunities [3][4] - The region's unique geographical features, such as the Shennongjia geological wonders, were highlighted as potential draws for both domestic and international tourists [5][6] - The tea industry in Enshi, particularly the vast tea gardens, was showcased as a point of interest for Taiwanese media, indicating a potential market for tea products and tourism [6]

Core Points - The 2025 Cross-Strait Peace Angel event opened in Xiamen, Fujian, with 32 pairs of Peace Angels participating in a cultural journey [1] - The theme of the event is "Riding the Waves Together, Innovating the Future," and it will last for five days, featuring activities such as learning sailing knowledge, visiting Xiamen University, and experiencing Minnan culture [1] - The event aims to foster cultural exchange and friendship among youth from both sides of the Taiwan Strait [1][2] Summary by Sections Event Overview - The event is co-hosted by various Taiwan and Fujian associations and has been running since 1992, making it one of the longest-lasting and most impactful youth exchange programs [2] - Over 2,400 families from both sides have participated in the Peace Angel activities [2] Activities and Objectives - Participants will engage in various activities, including visiting scenic spots, learning about maritime culture, and exploring intangible cultural heritage [1] - The event is designed to create a relaxed platform for interaction, allowing participants to discover shared historical and cultural ties [1] Participant Perspectives - A leader from Taipei expressed hope that the event would enhance cultural integration and foster genuine friendships among youth [1] - A Taiwanese student shared excitement about experiencing the mainland's culture and meeting new friends for the first time [1]

Group 1 - The event "Peace Angels" aims to enhance cultural exchange between the two sides of the Taiwan Strait, featuring 32 pairs of participants engaging in a cultural journey [1] - The theme of the event is "Riding the Waves Together, Innovating the Future," emphasizing interaction and shared cultural heritage [1] - Participants will explore various activities, including learning sailing knowledge, visiting Xiamen University, and experiencing Minnan culture through traditional customs [1] Group 2 - Since its inception in 1992, the "Peace Angels" event has been held for 33 years, involving over 2,400 families from both sides, making it one of the longest-running and most impactful youth exchange programs [2]

甘肃作为古丝绸之路上的黄金通道，拥有着黄土高原、河西走廊、大漠戈壁等多样地貌，是中原王朝通 往西域的咽喉要道，也是东西方文明交汇的关键节点，承载着厚重的历史文化底蕴。 从踏上陇原大地那一刻起，台胞青年们便开启一场充满惊喜与感动的旅程。在甘肃省博物馆展厅，铜奔 马的矫健英姿、彩陶的古朴韵味，无不诉说着中华民族灿烂辉煌的历史；甘肃简牍博物馆中，古人墨迹 中承载着生活的智慧，让台胞青年联想到台湾历史文献里的相似记载，跨越海峡的文化共鸣愈发强烈。 首次踏上甘肃大地的台胞青年谢承佑，初到甘肃，便被现代化城市、完善的基础设施与黄土高原的雄 浑、"抹茶山丘"的灵秀所交织的立体画卷所折服。莫高窟的飞天壁画，交融着印度佛教艺术与中原绘画 技法，让他联想到两岸文化互动，虽同根同源，却又在各自发展中形成独特风貌。 "这里每一粒黄沙都藏着故事，每个洞窟壁画都在诉说文明的对话。"谢承佑流露出对甘肃文化赞叹和对 两岸同根同源文化的深刻认同。 7月12日，台胞青年在兰州市体验非遗剪纸。 申志波 摄 同样初次踏上陇原大地的台胞青年任小龙，被甘肃独特地域风貌、浓郁人文气息与丰富历史文化深深吸 引，这里的一切都刷新着他对西北的认知。 中新网兰州 ...

Group 1 - The event "Promoting Chinese-style Modernization in Guizhou - Entering Tongren" involved over 30 media representatives and Taiwanese youth exploring the cultural and economic developments in Tongren City, highlighting the importance of cultural exchanges in fostering peaceful cross-strait relations [1][2]. - The Guizhou Jia Li Jia Agricultural Development Co., Ltd. reported an annual output value of 700 million yuan from its "Chen Sweet Potato" series, showcasing the transformation of local enterprises [2]. - The new tea beverage industry in Guizhou has rapidly developed, becoming a significant force in the transformation and upgrading of the tea industry, with Taiwanese media representatives expressing interest in the local tea flavors [2]. Group 2 - The experience of traditional food, such as Huangshui Cake, reflects the local community's transition from self-sufficient farming to becoming a popular destination for tourists, indicating a shift in local economic dynamics [3]. - Cultural similarities between cross-strait puppet shows were highlighted, with Taiwanese media representatives noting the shared heritage and emotional connections through traditional arts [4]. - The integration of intangible cultural heritage into modern education was praised, as students engaged in traditional skills, enhancing their understanding of local culture [4]. Group 3 - The community workshop in Wangjia Community has created 120 stable jobs for "left-behind mothers," positively impacting local employment and income levels, with monthly earnings ranging from 2,000 to 4,000 yuan [5]. - The Guizhou Tea Industry Development Group is focusing on empowering livelihoods through traditional craftsmanship, contributing to rural revitalization and improving living standards [5]. - The overall visit allowed media representatives to perceive the warmth of Guizhou's industrial development and cultural connections, emphasizing the potential for deeper ties between the two regions [5].