值得关注的是，福州文庙在两岸文化交流中有独特作用。清代台湾士子都要来此拜孔，如今这里保存的 科举文物和祭孔传统，成为连接两岸文化的重要纽带。 文庙重新开放后，将继续举办道德讲堂、成人礼等传统文化活动，并依托毗邻朱紫坊历史文化街区的区 位优势，融入城市文旅线路，推出更多特色文化活动，让古建筑焕发新生机。 据统计，在科举制度实行的1300多年间，福州地区共走出了16位文状元，12位武状元和4073位进士，这 些数字背后是福州文庙作为文教中心的历史见证。 福州文庙大修后重新开放 续牵两岸文脉 中新网福州12月16日电 (郑江洛 吴晟炜)历经一年多的精心修缮，福州文庙于16日重新对公众开放。这 是福州文庙自清咸丰年间(1851年至1854年)重建后，170多年来的首次大修，不仅重现历史风貌，更将 作为连接海峡两岸的文化纽带，持续焕发生机。 福州文庙现存建筑占地面积7552平方米，建筑面积约4000平方米，建筑坐北朝南，南北依次排列二进院 落，采用传统的中轴线左右对称方式，中轴线最北端是大成殿——整座大殿坐落于1.46米高的台基之 上，往南依次为仪门、泮池、前埕、棂星门，两侧为廊庑、官厅、乡贤祠、名宦祠和东西两庑等。 ...

朱凤莲说，为一首歌奔赴一座城、跟着演唱会游大陆，已成为很多台湾同胞的生活新潮流。我们积极支 持影视、音乐等两岸各领域文化交流合作，欢迎台湾演艺人员来大陆参加各类文化演出活动，也欢迎台 湾同胞用好越来越便利的政策，随时来大陆观看各类文化演出活动，体验在大陆的精彩文旅生活。 有记者问，有台湾演艺人员因表达身份认同被贴上"亲中艺人"标签，台文化部门负责人称，"亲中"是假 议题，乐见台湾艺人去大陆发展，但不能配合发表"武统"言论。我们注意到，近年来不仅台湾艺人纷纷 来大陆发展，大陆丰富多彩的文化演出活动也吸引了不少台湾年轻人跨越海峡追星打卡。对此有何评 论？ 国务院台办发言人朱凤莲表示，民进党当局借所谓"查处"威胁恐吓台湾演艺人员，完全不得人心，也挡 不住台湾民众参与两岸交流、分享大陆发展机遇的势头。多年来，一代代台湾演艺人员接力传承弘扬中 华文化，积极参与两岸交流合作，以实际行动诠释"两岸一家亲"。近两年来，大陆演出市场呈现爆发式 增长，仅今年第三季度举办的演唱会超过1000场，观众超过1200万，其中台湾演艺人员在大陆举办超过 100场个人演唱会。大陆为台湾演艺人员提供了广阔舞台，台湾演艺人员的参与也丰富了大陆演 ...

Group 1 - The "Unnamed Project" large-scale group exhibition organized by Want Want Group aims to create a platform for cultural exchange between artists from both sides of the Taiwan Strait and internationally, showcasing over 400 works from 55 artists [2][3] - The exhibition features various art forms including photography, ink painting, sculpture, installation, and video, attracting numerous art enthusiasts [2] - The Want Want (Jinshan) space, covering approximately 4,000 square meters, represents an innovative practice in the "production + art" composite space construction by Want Want Group [2][3] Group 2 - As of September this year, the "Unnamed Project" has received submissions from 174 artists and published over 70 video showcases and 51 articles, gaining significant attention from art lovers [3] - The initiative is expected to enhance emotional connections between the two sides through art, as expressed by Want Want Group's Vice Chairman, who also participated as an artist [3] - The exhibition will remain open to the public for free until May 31 of next year, serving as an important platform for cultural integration and artistic inspiration [4]

Economic and Trade Exchanges - The 2025 Shantou-Taiwan Business Cooperation Development Conference was held from November 19 to 22 in Shantou, Guangdong, with over 400 participants from both sides discussing new cooperation opportunities and development visions [2] - The Second Cross-Strait (Qingdao) Youth Exchange Development Conference took place from November 22 to 25, attracting more than 360 young people and entrepreneurs from both sides [2] - The 7th World Hakka Business Conference was held from November 23 to 25 in Meizhou, Guangdong, with approximately 850 attendees, including prominent overseas community leaders and well-known business figures [2] Cultural and Film Exchanges - The 8th China Design Award ceremony was held on November 12 in Ningbo, Zhejiang, with over 400 guests from both sides and regions including Hong Kong and Macau, focusing on design innovation and development [3] - The 3rd Cross-Strait Youth Film Festival and the Jimei Youth Film Festival award ceremony took place on November 13 in Xiamen, gathering over 400 film industry experts, students, and young filmmakers [3] - The "Chao Chuang Dong Hai: 2025 Cross-Strait Beautiful Countryside Sustainable Development Seminar" was successfully held from November 16 to 19 in Ningbo, with around 140 experts and entrepreneurs discussing rural revitalization and digital technology applications [3] - A Taiwan Youth Film and Cultural Talent Exchange Camp was held in Beijing from November 22 to 26, bringing together professionals from both sides to discuss film cooperation and industry integration [3] - The 16th Cross-Strait Children's Art Exhibition will open in Taipei from November 28 to December 3, showcasing nearly 300 artworks from young artists across the Strait and other regions [3]

Core Insights - The article highlights the rise of Wang Bo, a self-media musician, who gained popularity with his songs "No Future" and "Can't Find North," which resonated across the Taiwan Strait [2][9]. Background and Career Transition - Wang Bo, originally a technician at the State Grid, pursued his music dream after resigning from a stable job, which was met with skepticism from family and friends [3][4]. - He initially struggled to establish himself in the music industry, relying on writing songs for celebrities and TV shows, leading to financial instability [4][5]. Breakthrough and Viral Success - His breakthrough came with the viral hit "No Future," which garnered 20 million views shortly after its release, significantly increasing his online following [6][7]. - The song's success was amplified by its relatable themes, which resonated with audiences on both sides of the Taiwan Strait, creating a cultural dialogue [9][10]. Cultural Impact and Emotional Resonance - The song "No Future" has been adapted into over 20 versions in various languages and dialects, highlighting its widespread appeal and emotional connection among listeners [9]. - Wang Bo emphasizes the shared cultural roots between people across the Taiwan Strait, suggesting that the song serves as a bridge for emotional expression and connection [9][10]. Creative Process and Future Aspirations - Wang Bo's creative process involves drawing inspiration from personal experiences and cultural elements, aiming to maintain a balance between straightforwardness and depth in his lyrics [10]. - He expresses a commitment to continue creating music that reflects the shared sentiments of the Chinese people, reinforcing the idea of unity and familial ties [10].

Core Viewpoint - The "Writing Anti-Japanese War Series Activity: National Spirit and Ink for Millennia - 2025 Cross-Strait Calligraphy and Painting Charity Exhibition" opened in Beijing, highlighting cultural exchanges between mainland China and Taiwan through art [1] Group 1: Event Overview - The exhibition is co-hosted by the China Soong Ching Ling Foundation and the Chinese Hanwei Cultural Promotion Association from Taiwan [1] - Over 100 participants, including renowned calligraphers and young representatives from both sides, attended the event [1] - The exhibition features 100 artworks from 61 artists from the mainland and 39 artists from Taiwan, focusing on inspiring quotes from historical figures during the Anti-Japanese War and Taiwan's resistance against Japanese colonial rule [1] Group 2: Cultural Exchange - Following the opening ceremony, guests from both sides toured the exhibition [1] - Calligraphers from both regions engaged in discussions on the inheritance and promotion of traditional Chinese calligraphy and painting, as well as strengthening cultural and artistic exchanges across the Taiwan Strait [1] Group 3: Exhibition Duration - The Beijing exhibition will run until December 7 [1] - A previous exhibition in Taiwan was successfully held from September 18 to October 13 at Feng Chia University in Taichung [1]

Core Viewpoint - The article emphasizes the deep-rooted connection of Chinese culture in Taiwan and the ongoing efforts to promote and preserve this cultural heritage despite political challenges [1][2][3]. Group 1: Cultural Heritage and Events - The Palace Museum in Taipei is hosting a series of exhibitions to celebrate the 100th anniversary of the Palace Museum in Beijing, showcasing numerous cultural treasures that attract many visitors [1]. - Taiwanese visitors express a strong desire to experience the cultural offerings of the Beijing Palace Museum, highlighting a deep yearning for cultural roots [1]. Group 2: Cultural Exchange and Influence - Recent years have seen a vibrant exchange of Chinese culture between the mainland and Taiwan, with popular media such as the game "Black Myth: Wukong" and the animated film "Nezha" gaining traction in Taiwan [2]. - Taiwanese youth are increasingly embracing "new Chinese-style" fashion, indicating a cultural resonance and shared identity [2]. Group 3: Political Context and Challenges - The article discusses the challenges posed by the current Taiwanese administration, which is accused of attempting to sever cultural ties and promote a narrative of "cultural independence" [2]. - Historical context is provided, noting that even during Japanese colonial rule, the transmission of Chinese culture in Taiwan persisted, showcasing resilience against cultural suppression [2][3]. Group 4: Cultural Identity and Unity - The article asserts that Chinese culture is an intrinsic part of Taiwanese identity, with historical events reinforcing this connection [3]. - It argues that the shared cultural heritage serves as a fundamental bond between the people on both sides of the Taiwan Strait, emphasizing the importance of collaboration in preserving this heritage [3].

Core Viewpoint - The article highlights the revival and significance of Guilin Mian Su (flour sculpture), an intangible cultural heritage, through the dedication of the young artist Zhou Linze, who has been innovating and preserving this traditional craft [1][4]. Group 1: Artistic Process and Techniques - Zhou Linze emphasizes the complexity of creating flour sculptures, which involves a special dough made from various ingredients to ensure durability and texture [4][5]. - The meticulous attention to detail in the sculpting process is crucial, as even slight variations can significantly affect the final outcome [5][6]. - Zhou's innovative approach includes creating a 2.4-meter tall Mazu statue, which required him to learn new skills and techniques to meet the challenges of the project [5][6]. Group 2: Cultural Significance and Legacy - The art of flour sculpture is described as a blend of painting and drama, reflecting the cultural richness of the region and its historical roots [1][4]. - Zhou Linze has dedicated himself to teaching over 2,000 students, helping them find purpose and connection through this traditional craft [7]. - The craft not only preserves cultural heritage but also serves as a medium for artistic expression, showcasing the resilience and creativity of the Chinese culture [7].

Core Points - Recent cross-strait economic and cultural exchanges have been active, with various events taking place in November [2][3] Group 1: Economic and Cultural Exchanges - On November 2, the "Strait Companions" youth relay race was held in Suqian, Jiangsu, along with activities to help Taiwanese youth understand Jiangsu's economic development and rural construction [2] - From November 4 to 8, the "Rongtong Cross-Strait: Dreaming of Tianfu" 2025 Cross-Strait (Chuan-Yu) Youth Employment and Entrepreneurship Development Exchange Conference took place in Chengdu, providing a platform for youth to share employment and entrepreneurship experiences [2] - The Fourth Cross-Strait (Sanming) Rural Integration Development Forum was held from November 6 to 9 in Sanming, Fujian, focusing on exploring new paths for cross-strait integration and cooperation in modern agriculture and rural governance [2] - The World Internet Conference in Wuzhen hosted a forum on cross-strait and Hong Kong-Macau internet development on November 8, gathering internet professionals and cultural creators to share experiences and innovative ideas [2] - From November 9 to 14, a series of cultural activities, including the family musical "Luduan" and a photography exhibition, were held at the Fo Guang Shan Buddha Memorial Center in Kaohsiung [2] - The "客音π·客家音" Cross-Strait (Longyan) Hakka Youth Storytelling Exchange Competition is scheduled for November 12 to 16 in Longyan, Fujian, aimed at promoting Hakka culture [3] Group 2: Upcoming Events - The Third "Zhejiang-Taiwan Literature Week" will take place from November 15 to 20 in Quzhou, Zhejiang, featuring a report meeting and a cross-strait literary integration development exchange conference [3] - The Cross-Strait (Qingdao) Youth Exchange Development Conference is set for November 21 to 22 in Qingdao, Shandong, with around 200 youth participants from both sides expected to attend [3]

Group 1 - The core event is the "Ning-Tai Thousand Miles Appointment" activity, which took place from October 26 to November 1, involving over 50 grassroots representatives from Taiwan visiting Ningxia to understand the development of the northwest region of mainland China [1][2] - Participants engaged in various activities, including visiting local communities and cultural sites, which fostered a sense of connection and understanding between the two sides [1][2] - The event highlighted the rich cultural exchange, with participants sharing songs and experiences, emphasizing the familial bond between the people of Taiwan and mainland China [2] Group 2 - The visit allowed Taiwanese participants to experience the natural beauty and historical significance of Ningxia, which they found intriguing and mysterious [2] - The event aimed to bridge cultural gaps by encouraging Taiwanese individuals to share their experiences and insights about mainland China with their peers back home [2] - The overall sentiment expressed by participants was one of unity and the desire for more frequent interactions to strengthen ties between the two regions [2]