Core Perspective - The article highlights how young people are integrating traditional Chinese colors from cultural relics into their daily fashion and aesthetics, thereby revitalizing and expressing Chinese traditional culture in contemporary life [1][4]. Group 1: Cultural Integration - Young individuals are inspired by cultural relics to create makeup and fashion looks, such as using the color palette from a Qing Dynasty artifact to design a makeup style [2]. - The blending of traditional colors with modern fashion allows for a "fashion dialogue" that transcends history, redefining contemporary aesthetics [2][4]. - The rich historical context of traditional colors reflects ancient Chinese philosophies and aesthetics, showcasing a deep cultural heritage [2][3]. Group 2: Modern Applications - Young people are increasingly using traditional colors in various aspects of their lives, including home decor and personal accessories, demonstrating a trend towards integrating historical aesthetics into modern living [4]. - The emergence of a new audience for traditional color language indicates a growing appreciation for the poetic names and meanings behind these colors, moving away from contemporary color trends [4]. - The article emphasizes that traditional colors, which have survived through centuries, are now being embraced by Generation Z, illustrating that what is traditional can also be fashionable [4].

Core Viewpoint - The concept of "seeking truth from facts" has deep historical roots in Chinese culture and continues to influence contemporary thought and practice, particularly within the Communist Party of China [1][2][3] Group 1: Cultural Heritage and Innovation - The phrase "seeking truth from facts" originated from the Han Dynasty and has been interpreted through various historical lenses, emphasizing the importance of factual understanding and practical application in scholarship [1] - The cultural transmission of "seeking truth from facts" reflects a broader trend of cultural flow, where traditional values are integrated into modern practices, enhancing the richness of Chinese civilization [2][3] Group 2: Integration of Traditional and Modern Thought - The combination of Marxist principles with traditional Chinese culture has revitalized cultural confidence and provided a foundation for modern Chinese development [3] - The dynamic nature of culture necessitates its integration with contemporary values and global trends to ensure its relevance and vitality [3]

Core Points - Xi Jinping emphasized the importance of preserving and utilizing the Grand Canal culture during his visit to the Zhejiang Eastern Canal Cultural Park [5][8] - The Grand Canal, which spans across eight provinces and cities, is undergoing significant cultural and ecological development, enhancing tourism and cultural spaces [8][10] Summary by Sections Cultural Significance - The Eastern Canal has a rich history, connecting various water bodies and nourishing local communities since ancient times [4][5] - Xi Jinping expressed a deep understanding and appreciation for the canal's cultural heritage during his visit [5][6] Historical Context - The canal's history dates back to the Spring and Autumn period, flourishing during the Tang and Song dynasties, and has been maintained through generations [5][8] - A model of the Shaoxing Sanjiang Dam, built during the Ming dynasty, was highlighted as a significant engineering achievement [6][7] Development Initiatives - The "Yueyun Water Tour" was launched to connect historical sites in Shaoxing through water transport, enhancing cultural tourism [8] - The National Cultural Park of the Grand Canal is actively being developed, focusing on cultural, ecological, and tourism aspects [8][10]

Core Points - The Central Committee of the Communist Party of China emphasizes the importance of the Chinese civilization exploration project in understanding the origins, formation, and development of Chinese civilization [1][2][3] - The project has made significant contributions to the study of civilization origins and has provided a clearer understanding of the characteristics and development processes of Chinese civilization [2][3] - The integration of modern scientific techniques with archaeological and historical research is crucial for a comprehensive understanding of civilization development [2][3] Group 1 - The Chinese civilization exploration project has achieved notable results but still faces many unresolved historical mysteries and significant questions that require further empirical research [2] - The project utilizes advanced technologies from various scientific disciplines to analyze ancient relics, enhancing the understanding of China's civilization history [2][3] - There is a need for a systematic approach that combines archaeology, literature research, and natural sciences to explore the origins and development of civilization [2][3] Group 2 - The project has proposed a Chinese solution for defining civilization and recognizing the transition into civilized society, contributing original insights to global civilization studies [3] - It is essential to promote and transform the research findings of the project to enhance the influence and appeal of Chinese civilization [3][4] - The study of Chinese civilization's origins should be closely linked with the characteristics and forms of Chinese civilization, emphasizing the spirit and values inherent in it [3][4] Group 3 - The excellent traditional culture of China is highlighted as the essence of Chinese civilization and a foundation for cultural confidence in the global context [4][5] - The integration of Marxism with Chinese traditional culture is emphasized to promote innovative development and transformation of traditional culture [4] - There is a call for a strong emphasis on the protection and utilization of cultural heritage and relics, which are seen as irreplaceable resources of Chinese civilization [5]

两汉篇节目《驼铃传汉声》中，对外经济贸易大学国 际商学院学生正在诵读《汉书·张骞传》。 陈静文摄 本报北京电（记者陈静文）近日，对外经济贸易大学以"舟舶继路辟新天・商使交属文韵延：中国 对外贸易开放史"为主题，举办第十四届"中华诵"经典诵读大赛。在这场该校首届文学节的标志性活动 中，中外大学生同台竞技，将经典诗文诵读融入舞台剧表演，对中华优秀传统文化进行了创造性转化。 "留学生参与比赛，是今年'中华诵'的一个亮点。"对外经济贸易大学国际学院预科部主任修美丽表 示，这不仅有助于他们提升汉语水平，更是学院创新中文教学、对外讲好中国故事的有效探索。 教务处处长毛捷说，以诗词诵读的方式让当代大学生触摸历史时空，从中获取启迪与智慧，这也是 对外经济贸易大学拓展通识教育的一种探索。 "虽然我们来自不同国家，汉语表达可能存在一些障碍，但在老师的指导下，我们最终共同完成了 朗诵。"老挝留学生胥佳怡说。 来自对外经济贸易大学国际学院的七国留学生带来诗 朗诵《大写的中国》。 印度尼西亚留学生朱永泉的体会是，文字能够传达情感，透过《大写的中国》这首诗，可以感受到 中国人对国家的热爱。 此次大赛共分为两汉篇、魏晋南北朝篇、隋唐篇等7 ...

Group 1 - The 21st China (Shenzhen) International Cultural Industries Fair opened, featuring over 4,000 cultural investment and financing projects and more than 120,000 cultural products on display [1] - Xi Jinping emphasized the need to accelerate the construction of a Chinese discourse and narrative system to better showcase China's stories and the underlying ideological and spiritual strength [1][2] - The construction of this discourse system is crucial for addressing major theoretical and practical issues in China's development and for providing theoretical foundations and ideological guidance for the country's progress [2][3] Group 2 - The international landscape is undergoing significant changes, and China aims to promote international cultural exchanges while enhancing its cultural soft power and global influence [3][4] - The relationship between inheritance and innovation is vital, as traditional Chinese culture serves as a foundation for developing a modern discourse system that resonates with contemporary values [4][5] - The discourse system must reflect both local characteristics and global perspectives, integrating Chinese narratives into the international context to enhance understanding and acceptance [5][6] Group 3 - The relationship between theory and practice is emphasized, with the need for a discourse system that is rooted in Chinese socialist practices and continuously evolves through practical experiences [6][7] - Cultural practices and innovations are essential for constructing the discourse system, as they shape social consensus and value recognition [8][9] - The importance of people-centered approaches is highlighted, with a focus on meeting the spiritual and cultural needs of the populace and encouraging public participation in cultural creation [9][10]

Group 1 - The core idea of the articles emphasizes the importance of the "two combinations" in advancing the sinicization and modernization of Marxism, which is seen as a fundamental approach to developing socialism with Chinese characteristics [1][5][9] - The "two combinations" refer to the integration of Marxism with China's specific realities and the integration of Marxism with excellent traditional Chinese culture, which are essential for the success of the Chinese Communist Party [6][7][12] - The articles highlight that the "second combination" is a significant theoretical innovation that reflects the original contributions and breakthroughs of Xi Jinping's cultural thought, marking a new chapter in the sinicization of Marxism [13][15][16] Group 2 - The articles discuss the historical significance of Marxism in shaping the direction of human society and its enduring relevance in contemporary times, asserting that Marxism remains a guiding principle for the Chinese Communist Party [2][3][4] - The emphasis on the development and openness of Marxism is noted, indicating that it is a dynamic theory that evolves with changing times and practices, which is crucial for its application in China [4][5] - The articles also stress the necessity of rooting Marxism in the rich historical and cultural context of China to ensure its effective application and to avoid dogmatism [6][10][11] Group 3 - The "two combinations" are presented as the key to understanding the historical inevitability and cultural connotations of the Chinese path, which is characterized by its unique features derived from both Marxism and Chinese civilization [9][10][12] - The articles assert that the successful advancement of Chinese-style modernization is one of the greatest achievements of the Chinese path, driven by the principles of the "two combinations" [12][16] - The integration of Marxism with traditional Chinese culture is portrayed as a means to revitalize Chinese civilization and ensure its relevance in the modern world, fostering a cultural identity that supports the goals of socialism [15][17]

Core Insights - The performance "Silk Road Flowers" has gained significant popularity, with over 4,000 shows in more than 40 countries and regions, attracting over 5.45 million viewers since its premiere in 1979 [1][2][3] - The lead actress, Xi Jiali, emphasizes the importance of not only mastering dance movements but also deeply understanding the story and emotions behind the character [1][2] - The dance style incorporates elements from Dunhuang murals, with innovative choreography that blends traditional and modern dance, enhancing the overall appeal of the performance [2][3] Group 1 - "Silk Road Flowers" is recognized for its artistic representation of Dunhuang culture, showcasing a unique dance style that transforms static murals into dynamic performances [2][3] - The character "Ying Niang," portrayed by Xi Jiali, is the youngest actress to take on this role, reflecting a connection with contemporary youth [1] - The performance has been enhanced with modern music elements and digital technology, making it more engaging for audiences [2] Group 2 - Xi Jiali has participated in nearly 200 performances and has traveled to over 10 countries, promoting traditional Chinese culture on an international stage [2][3] - The audience's enthusiastic response includes participation in dance movements, indicating a growing interest in traditional dance forms [2] - The production aims to promote Chinese traditional culture globally, with a focus on making it accessible and enjoyable for international audiences [3]

Core Viewpoint - Hanjiufu New Year Paintings have gained popularity among consumers due to their unique artistic charm and rich cultural heritage, particularly the exquisite door god paintings that exemplify the inheritance and promotion of excellent traditional Chinese culture [1] Group 1: Cultural Significance - The door god culture in China has a long history, tracing back to the Qin and Han dynasties, initially involving the posting of "Shentu" and "Yulei" images on doors for peace [2] - The stories of famous generals Qin Qiong and Jing De became widely known during the Sui and Tang dynasties, leading to their images being adopted as new door god representations, symbolizing family protection and societal values of loyalty and justice [2] Group 2: Artistic Techniques - Hanjiufu New Year Paintings are characterized by pure hand-painting on silk, using natural mineral pigments, resulting in vibrant colors and rich textures; the gold parts are made with gold leaf of over 98% purity, creating a three-dimensional effect [5] - The intricate process takes several months for each painting, contributing to its high practical and collectible value [5] Group 3: Market Performance - Hanjiufu's door god paintings have a history of over a hundred years, with related video content achieving over 90 million views online, and sales of over 8 million sets of printed door god paintings across various regions in China [9] - The company holds over 800 national and provincial intellectual property rights, with products favored by experts and collectors, including being housed in the Wuhan Museum and exported to Southeast Asia [9] Group 4: Promotion of Intangible Cultural Heritage - Hanjiufu actively participates in various events to promote intangible cultural heritage, including performances and exhibitions in Wuhan, attracting numerous visitors and enhancing cultural dissemination [10][12] - The company has organized multiple activities in universities to allow modern students to experience and appreciate traditional culture [12] Group 5: Industry Impact - Hanjiufu's door god paintings, with their exquisite craftsmanship, deep cultural connotations, and extensive market influence, have become a benchmark in the New Year painting industry, contributing to the understanding and appreciation of intangible cultural heritage in contemporary society [14]

Core Points - The "Five Learning Integration Calligraphy 'Thousand Character Classic' Campus Program" was launched on June 3 in Hong Kong to promote traditional Chinese culture [1][3] - The program is organized by the Feng Shun Jun National Studies Foundation and aims to invite 50 primary and secondary schools in Hong Kong to participate over a three-year period [1] - The initiative will incorporate calligraphy into existing curricula, with training provided by calligraphy experts and teachers [1] Group 1 - The program aims to internalize classic principles through the practice of calligraphy, enhancing students' understanding of cultural values [3] - The initiative serves as a bridge to traditional culture, fostering appreciation and recognition of Chinese heritage among students [3] - Key figures from the education and cultural sectors attended the launch, emphasizing the importance of calligraphy as an art form and cultural expression [3]