冰心奖秘书长、儿童文学作家翌平阐述了冰心奖的立奖本意，强调1990年奖项设立的初衷是"以奖为 桥，以评为路，扶掖后学，鼓励新人"，为文学爱好者铺路架桥，这一初心成为35年来冰心奖发展的源 头活水。35年间，冰心奖获奖人数逾千、获奖图书数千种，而此次典藏书系堪称其中的精本。他特别重 申了创始人葛翠琳的嘱托，强调冰心奖应坚守为文学新人铺路架桥的初衷，坚持公益属性，保障评奖公 正、出版优质。（记者张鹏禹） 作家出版社总编辑张亚丽表示，在奖项设立35周年之际，作家出版社携手冰心奖评委会推出典藏书系， 旨在展现中国儿童文学数十年的创作成就与脉络。这些作品以优美的文字传递真诚、善良、勇气的价值 观，为家庭、学校、图书馆等提供了优质阅读资源。希望它们能让青少年感受到中华文化底蕴与时代力 量，助力他们扣好人生第一粒扣子。 人民日报海外版电 近日，由作家出版社、冰心奖评委会联合主办的"冰心奖35周年典藏书系"首发式在 中国作家协会举行。"冰心奖35周年典藏书系"汇集了35位老中青三代获奖作家的经典代表作，题材广 泛、风格多样，是对儿童文学创作成就和作家队伍的集中展示。 ...

"儿童文学正是一种面向未来、着眼未来、塑造未来的文学。"中国作协主席、党组书记张宏森如是说。 今天儿童文学创作面对的小读者，正是强国建设、民族复兴伟业的未来主力军。这意味着，新时代儿童 文学事业的高质量发展，不仅是一道文学命题，更超越文学本身，关乎育人重任。从这个角度看，为童 年铸就闪光的价值坐标，是儿童文学写作者艰巨的时代使命，他们落笔写下的每一个字，都可能在孩子 心中生根发芽。 真正的创新，从来都深植于文化的土壤。"十五五"规划建议提出，"营造良好文化生态，提升文化原创 能力"。本届儿童文学奖评奖首次增设"儿童绘本"类别，正是一个温暖的信号，它呼唤着更多从中华文 化沃土中生长出来的原创精品。当中华优秀传统文化流淌在每一个鲜活的故事里，文化自信便悄然埋进 每一个孩子的心里。正如获奖作家蔡崇达所言，好的儿童文学，往往深刻写出了"所属民族思考感受的 底层逻辑"与"所在文化的根本模型"。唯有这样的原创作品，才能穿越时空，成为一代代孩子愿意反复 阅读的经典，发出独属于中国少年清晰而自信的声音。 与此同时，创作者更需要敏锐地捕捉时代的脉搏。获奖儿童绘本《妈妈的剪影》，将传统剪纸与现代绘 本结合，将非遗文化、乡村全面振 ...

Core Viewpoint - The development of children's literature in China is seen as a vital cultural mission that shapes the future of the nation, emphasizing the importance of creating works that resonate with children's experiences and cultural roots [2][3]. Group 1: Awards and Recognition - The "2025 China Literature Festival - Children's Literature Award Night" celebrated the achievements of 19 authors, highlighting the high-quality development of children's literature in China [1]. - The award-winning work "Cannot Be Without" by 79-year-old author Cai Gao reflects the essence of contemporary children's literature, showcasing a deep connection to children's lives [1]. Group 2: Cultural Significance - Children's literature is positioned as a means to cultivate values and cultural confidence in the younger generation, with authors tasked with embedding traditional cultural elements into their narratives [2]. - The introduction of a new category for "Children's Picture Books" in the awards signals a growing recognition of the importance of original works rooted in Chinese culture [2]. Group 3: Creative Practices - Award-winning works like "Mom's Silhouette" and "Hutong Also Has Childhood" illustrate the integration of traditional culture and modern storytelling, emphasizing the need for creators to engage with contemporary societal themes [3]. - The act of writing for children is portrayed as a collaborative journey, where authors seek to illuminate the goodness in the world alongside their young readers [3]. Group 4: Future Aspirations - The event underscored the connection between children's literature and national identity, with creators encouraged to explore expressions of childhood that reflect Chinese cultural traits [3]. - The enthusiasm of young readers at the event signifies a vibrant future for children's literature, as they engage with stories that bridge the past and future of their culture [3].

"为小孩子写大文学"，儿童文学名家陈伯吹的这句话，道出了许多作家为儿童文学创作倾尽心血、笔耕 不辍的信念感。儿童文学是人之初的文学，是努力扣好人生第一粒扣子的文学，也是面向未来、塑造未 来的文学。它一面是童真、风趣、夸张、幻想，另一面是美与善，是正直与正义，是情感的开蒙，是母 语的熏陶。它为一代甚至几代人的精神园地播下最初的种子。 这样一种大抱负更是为今天的大时代所激荡和彰显。翻阅此次获奖作品，时代感扑面而来：小说《大河 的歌谣》展现黄河滩候鸟保护的经过，童话《器成千年》记述一团泥巴从古蜀国到当代三星堆博物馆的 奇遇，科幻文学《改造天才》关注脑机接口的技术热门……童年不是滤镜，童话也不是真空地带，乡 村、科技、生态、网络等主题拓宽儿童文学的视野，让孩子们切身感知着周遭的世界。作家们的文化自 信普遍增强，对民族特色、本土风格的探索各显其长。儿童性也得到尊重和发扬，写作者既能蹲下来以 孩子的视角看世界，又不一味理想化童年，而是主动接住新时代少年儿童抛出的各种问题。90后、00后 创作者的加速入场，更是让儿童文学展现出灵巧自如的姿态和开放包容的特质。 《不能没有》插图。 蔡 皋绘 儿童文学是人之初的文学，是努力扣好 ...

本届盛典共颁发小说、童话、诗歌、科幻文学、儿童绘本及青年作者短篇佳作奖等多个类别， 以"推开世界的门"为主题，通过3次"奇幻穿书之旅"，带领观众步入百年儿童文学的璀璨星河，领略新 时代儿童文学的蓬勃活力。 全国优秀儿童文学奖是由中国作协主办的文学奖项，是我国儿童文学创作的最高荣誉，自1986年设 立以来，已评选12届。本届评奖从725部（篇）参评作品中评选产生了18部（篇）获奖作品。这些获奖 作品题材丰富、风格多样，既有反映当代少年儿童现实生活的精心之作，也有展现中华优秀传统文化与 历史题材的深厚力作。中国少年儿童新闻出版总社推出的两部作品名列其中。赵卯卯创作的童话《我 的，我的》以诗性语言和独特视角，讲述9岁患病男孩王盒盒面对生命课题的成长故事。王璐琪的短篇 小说《守护神》发表于《儿童文学》2021年2月刊，作品取材真实历史，描绘战乱年代少年守护莫高窟 文化瑰宝的动人故事，以冷静深沉的笔触致敬文明守护者。（记者 洪克非） 原标题："2025中国文学盛典·儿童文学奖之夜"举行 "2025中国文学盛典·儿童文学奖之夜"11月20日晚在湖南长沙举行。活动由中国作家协会与湖南省 人民政府主办。 ...

全国优秀儿童文学奖是由中国作协主办的文学奖项，是我国儿童文学创作的最高荣誉，自1986年设 立以来，已评选十二届。本届评奖从725部（篇）参评作品中评选产生了18部（篇）获奖作品。 新华社长沙11月20日电（记者 余俊杰）由中国作家协会、湖南省人民政府主办的"2025中国文学盛 典·儿童文学奖之夜"11月20日晚在湖南长沙举行。颁奖典礼上，19位获奖作家与现场观众和小读者分享 创作感悟。 2022年起，中国作协推出以"四大文学奖"颁奖活动为核心的"中国文学盛典"，创造性地将颁奖典礼 与获奖作品的宣传推广、文学内容的多渠道传播相融合，向全社会展示新时代文学高质量发展的最新成 就。 本届盛典通过创意编排与活泼多样的节目形式，凸显儿童文学的独特魅力，传递文学对童年的温暖 守护，引导广大少年儿童在阅读中汲取真善美的力量。 盛典共颁发小说、童话、诗歌、科幻文学、儿童绘本及青年作者短篇佳作奖等多个类别，集中展现 当前儿童文学创作的多元面貌与丰硕成果。 ...

Core Viewpoint - A cultural cooperation memorandum has been signed between Yancheng Caofangzi Paradise in China and the Hans Christian Andersen Museum in Denmark, aiming to enhance cultural exchange between China and Denmark through children's literature [1][3]. Group 1: Cultural Cooperation - The signing is based on a shared vision to promote the development of children's literature and facilitate cross-cultural friendly exchanges [3]. - Yancheng Caofangzi Paradise, centered around Cao Wenxuan's classic work "Caofangzi," serves as a significant platform for Chinese childhood memories and local literature dissemination [3]. - The Hans Christian Andersen Museum is a landmark venue for fairy tale literature, attracting over one million visitors annually, and serves as a core window for Danish cultural export [3]. Group 2: Planned Activities - The cooperation will establish a long-term partnership, including offline events such as "China-Denmark Children's Literature Week" and themed art exhibitions, integrating classic scenes from Andersen's fairy tales into Caofangzi Paradise [4]. - A digital exchange platform will be created for online activities, allowing children from both countries to share quality literary resources through author discussions and cross-national exhibitions of children's artwork [4]. Group 3: Educational Collaboration - The parties plan to deepen cooperation in children's literature education by developing "Fairy Tale + Literature" themed courses, involving authors and education experts from both countries [4]. - Caofangzi Paradise will become a cultural exchange base for the Hans Christian Andersen Museum in China, receiving professional support for fairy tale IP development and theme park operations [4]. Group 4: Strategic Importance - This collaboration represents a significant initiative for Yancheng to promote cultural exchange and enhance its international influence, positioning Caofangzi Paradise as a vital bridge for showcasing Chinese children's literature and fostering friendly relations between China and Denmark [4].

Core Viewpoint - The article discusses the success and impact of the original children's literature series "Monsters in the Palace Museum," highlighting its popularity, sales, and adaptations into various media formats [1][3]. Summary by Sections Sales and Popularity - The series has sold over one million copies and has been translated into multiple languages, including Japanese, Korean, and Romanian [1]. - The corresponding animated series has garnered over one billion views, and the story has been adapted into stage plays and games [1]. Story Overview - The narrative follows a 10-year-old girl, Li Xiaoyu, who discovers a magical sapphire earring that allows her to see and communicate with mythical creatures in the Palace Museum [3][5]. New Comic Version - A new comic adaptation of "Monsters in the Palace Museum" has been released, providing a visual representation of the story, making it more accessible and engaging for children [5][6]. - The comic format enhances storytelling through vivid imagery and concise dialogue, making it easier for children to understand and enjoy [8]. Educational Value - The comic version aims to lower the reading barrier for children, encouraging independent reading even for those with limited literacy skills [8]. - It includes humorous elements that resonate with children, making the reading experience enjoyable and memorable [9]. Artistic and Cultural Representation - The comic faithfully represents the characters and settings from the original story, bringing traditional Chinese culture to life through detailed illustrations of the Palace Museum [15][17]. - Each story concludes with a "Monster Classroom" section, providing educational insights into the cultural elements presented in the narrative [19][21]. Themes of Growth and Friendship - The story emphasizes themes of personal growth, understanding, and kindness as Li Xiaoyu interacts with various creatures and friends [23][25]. - The comic serves as a companion for children on their journey of growth, promoting positive values and emotional development [25]. Additional Features - Each comic book includes collectible cards, enhancing the interactive experience for young readers [28][30].

Core Viewpoint - The article discusses the significance of "The Chronicles of Narnia" as a major work of children's literature, highlighting its creation during a tumultuous period and its themes of imagination and resistance against industrialization [2][3]. Group 1: Creation and Impact - C.S. Lewis created "The Chronicles of Narnia" during the post-World War II recovery period, using fairy tales to express his strong yearning for a utopian world and to counteract the erosion of civilization by modern industrialization [2]. - The series consists of seven books, with the first book, "The Lion, the Witch and the Wardrobe," unexpectedly gaining immense popularity, leading Lewis to write the entire series [3]. - Since its publication from 1950 to 1956, "The Chronicles of Narnia" has sold over 100 million copies worldwide, indicating its significant impact on literature [3]. Group 2: Themes and Symbolism - Narnia serves as a mysterious world where young protagonists embark on adventures, reflecting both the magical and the darker aspects of reality, suggesting that hope exists even in dark times [4][5]. - Lewis emphasized that good children's literature should resonate with children but also convey deeper meanings that may not be immediately understood by them [4][5]. Group 3: Translation and Publication - The latest edition of "The Chronicles of Narnia" by Yilin Publishing features translations by esteemed translators, making it a treasured version of the series [7]. - This edition includes unique illustrations by Pauline Baynes, which Lewis praised as the best representation of his vision, making it distinct from other versions [8][9]. - The new edition has undergone over 100 revisions for improved readability, including adjustments to layout and font, while also being priced lower than previous editions despite being thicker [10].

Core Insights - The article discusses the importance of storytelling in literature, emphasizing the need for Chinese authors to tell their own stories while ensuring they resonate on a global scale [7][10] - It highlights the role of children's literature in shaping human values and emotions, advocating for a balance between visual and textual storytelling [11][12] Group 1: Storytelling and Cultural Representation - The author believes that Chinese writers should focus on telling unique Chinese stories that reflect their cultural heritage while appealing to universal themes [7][10] - The narrative should be rooted in local experiences but crafted in a way that engages a global audience, ensuring that the essence of Chinese literature is communicated effectively [8][9] Group 2: Children's Literature and Its Impact - Children's literature is positioned as a vital medium for instilling moral values, aesthetic appreciation, and empathy in young readers [8][11] - The article expresses concern over the increasing dominance of visual media over text, arguing for the necessity of maintaining a strong literary foundation for children's development [11][12] Group 3: Literary Boundaries and Evolution - The author stresses the importance of preserving the fundamental qualities of literature while allowing for innovation and adaptation to contemporary contexts [12] - There is a call to recognize and respect the boundaries of literature, ensuring that its core essence remains intact as it evolves [12]